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Thou art the sky and thou art the nest as well.
O thou beautiful, there in the nest is thy love that encloses the soul with colours and sounds and odours.
There comes the morning with the golden basket in her right hand bearing the wreath of beauty, silently to crown the earth.
And there comes the evening over the lonely meadows deserted by herds, through trackless paths, carrying cool draughts of peace in her golden pitcher from the western ocean of rest.
But there, where spreads the infinite sky for the soul to take her flight in, reigns the stainless white radiance. There is no day nor night, nor form nor colour, and never, never a word. (poem By : RabindranathTagore)
Asian neighbours India and Bangladesh will take on each other at the Melbourne Cricket Ground (MCG) here on Thursday, March 19. For More news on World Cup Stay tune with LivSports.in
"Who are you, reader, reading my poems an hundred years hence?
I cannot send you one single flower from this wealth of the spring, one single streak of gold from yonder clouds.
Open your doors and look abroad.
From your blossoming garden gather fragrant memories of the vanished flowers of an hundred years before.
In the joy of your heart may you feel the living joy that sang one spring morning, sending its glad voice across a hundred years."
(Rabindranath Tagore)
Facts are many, but the truth is one.⠀
-Rabindranath Tagore⠀
Rabindranath Tagore FRAS was a Bengali poet, writer, composer, philosopher and painter. He reshaped Bengali literature and music, as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. -Google⠀
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“Let your life lightly dance on the edges of Time like dew on the tip of a leaf.”
inspirationalquotes.club/let-your-life-lightly-dance-on-t...
Description from Uttarayan Cultural Association, Delhi:
Sanjoy Sarkar, better known as Babla, hardly need introduction when it comes to promoting Rabindra Sangeet in an around Delhi. A versatile performer and a meticulous organizer of a varity of thematic events, functions and other programs revolving around enlarging the cultural Rabindra philosophy, he is also endeared as a teacher of substance in this area.
Having born into a family where music, Rabindra Sangeet in particular, was worshiped as a ritual, it was natural for Sanjoy to take to singing. His interest was initially steered by his mother Shrimati Protima Sarkar, and later influenced by Shri Shubho Guha Thakurta and Shrimati Manjula Guha Thakurta of “Dakshinee”. After acquiring his professional degree in Engineering from Jadavpur Engineering College, he went on to pursue his formal music training from “Dakshinee” itself.
Sanjoy came to Delhi in 1975 in pursuit of his professional career. His singing talent too was readily acknowledged. Together with some like-minded friends, he started organizing a verity of musical programs and functions. His passion for performing arts resulted in the formation of now famous “Uttarayan”. Its first endeavor “Phalguni” was a commendable success. Since then, Sanjoy, under the expert guidance of Shri Ashish Mukherjee spearheaded many well-acclaimed productions like “Balmiki Pratibha”, “Kshudito Pashan”, “Shrabone Gatha”, “Chandalika”, “Jonmodin ashey barey barey”, “Tobu mone rekho,” and many more in addition to the “Jabi Smaran” led by him every year to celebrate Tagore’s birthday to the delight of his audiences.
The CD”Amar Swaponocharini” released by P & M Records on the rendition of Sanjoy Sarkar’s melodious voice in 2006, further lent grace to his vast list of achievements.
Sanjoy has been schooling talents in the field of Rabindra Sangeet since 1993 had affiliation by Dakshinee, Kolkata to conduct its own Diploma course in Delhi for award of Diploma to deserving students in Rabindra Sangee. He continues to hold regulate training classes at various locations of Delhi.
In commemoration of Tagor’s 150th Birth Anniversary, Sanjoy, on behalf of Uttarayan, organized a good number of exclusive and innovative solo performances, in response to invitation from ICCR, Ministry of Culture, TCGS. To name a few of his undertakings. “Tota Kahini (by the children) . “Gitanjali” (to be staged in Kalamandir as part of Dakshinee invite). “Teen Sandhya” (theatre based on Tagore’s writing), “music Conference “ (inviting Tagore-talents all over India).
Uttaryan, today, founded in Delhi years back to promote Rabindra Sangeet, has now blossomed into a grown tree vast enough to shelter both established and aspiring fresh talents. Feeling nostalgic about the achievement of this great order, Sanjoy is all the more enthused to making an impacting advance further in this direction.
Description from Uttarayan Cultural Association, Delhi:
Sanjoy Sarkar, better known as Babla, hardly need introduction when it comes to promoting Rabindra Sangeet in an around Delhi. A versatile performer and a meticulous organizer of a varity of thematic events, functions and other programs revolving around enlarging the cultural Rabindra philosophy, he is also endeared as a teacher of substance in this area.
Having born into a family where music, Rabindra Sangeet in particular, was worshiped as a ritual, it was natural for Sanjoy to take to singing. His interest was initially steered by his mother Shrimati Protima Sarkar, and later influenced by Shri Shubho Guha Thakurta and Shrimati Manjula Guha Thakurta of “Dakshinee”. After acquiring his professional degree in Engineering from Jadavpur Engineering College, he went on to pursue his formal music training from “Dakshinee” itself.
Sanjoy came to Delhi in 1975 in pursuit of his professional career. His singing talent too was readily acknowledged. Together with some like-minded friends, he started organizing a verity of musical programs and functions. His passion for performing arts resulted in the formation of now famous “Uttarayan”. Its first endeavor “Phalguni” was a commendable success. Since then, Sanjoy, under the expert guidance of Shri Ashish Mukherjee spearheaded many well-acclaimed productions like “Balmiki Pratibha”, “Kshudito Pashan”, “Shrabone Gatha”, “Chandalika”, “Jonmodin ashey barey barey”, “Tobu mone rekho,” and many more in addition to the “Jabi Smaran” led by him every year to celebrate Tagore’s birthday to the delight of his audiences.
The CD”Amar Swaponocharini” released by P & M Records on the rendition of Sanjoy Sarkar’s melodious voice in 2006, further lent grace to his vast list of achievements.
Sanjoy has been schooling talents in the field of Rabindra Sangeet since 1993 had affiliation by Dakshinee, Kolkata to conduct its own Diploma course in Delhi for award of Diploma to deserving students in Rabindra Sangee. He continues to hold regulate training classes at various locations of Delhi.
In commemoration of Tagor’s 150th Birth Anniversary, Sanjoy, on behalf of Uttarayan, organized a good number of exclusive and innovative solo performances, in response to invitation from ICCR, Ministry of Culture, TCGS. To name a few of his undertakings. “Tota Kahini (by the children) . “Gitanjali” (to be staged in Kalamandir as part of Dakshinee invite). “Teen Sandhya” (theatre based on Tagore’s writing), “music Conference “ (inviting Tagore-talents all over India).
Uttaryan, today, founded in Delhi years back to promote Rabindra Sangeet, has now blossomed into a grown tree vast enough to shelter both established and aspiring fresh talents. Feeling nostalgic about the achievement of this great order, Sanjoy is all the more enthused to making an impacting advance further in this direction.
Rabindranath Tagore's Shilaidaha Kuthibari!
Shilaidaha Kuthibadi is a place in Kumarkhali Upazila of Kushtia District in Bangladesh. The place is famous for Kuthi Bari; a country house made by Dwarkanath Tagore. Rabindranath Tagore lived a part of life here and created some of his memorable poems while living here. During his stay he wrote many of his famous poems, essays and short stories there. Among those some of the masterpieces are Sonar Tari, Katha o Kahini, Chitra, Chaitali, etc. He also translated many of his creations in English there. He also wrote most of the poems from Naibedya, Kheya and many of the songs from Gitanjali and Geetimalya. It was here, in Shelaidaha in 1912, that he started translating his Gitanjali into English, which earned him the Nobel Prize for literature in 1913.
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Rabindranath Tagore, full-length portrait, seated, facing front. Circa 1916. Note: While restoring I discovered that Tagore is (almost certainly) holding a copy of The Post Office, 1914 Macmillian Company edition.