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Our freshly painted bedroom, with Copenhagen dressers and night stands (walnut, stainless steel, and aluminum) from Room & Board.
Some of the arts of display at the Bank Negara Art Gallery. One of the many Kuala Lumpur attractions. Picture courtesy of www.welcome-kl.com
St. George's Hall (also referred to as the Great Throne Room) is one of the largest state rooms in the Winter Palace.
The colourful, neoclassical interior design of this great hall, executed by Giacomo Quarenghi between 1787 and 1795, was lost in the fire of 1837 which gutted much of the palace's interior.
Following the fire, Russian architect Vasily Stasov was commissioned to oversee the restoration and rebuilding of the palace. While he retained the architectural features dictated by the exterior of the palace, he completely redesigned the interior in a more simple classical style.
Stasov replaced the columns of polychrome marble with those of white cararra marble. The original painted ceilings, depicting allegorical scenes, had been entirely lost in the fire, allowing Stasov to introduce a plain ceiling with gilded embellishments.
A visit to the National Trust property that is Penrhyn Castle
Penrhyn Castle is a country house in Llandygai, Bangor, Gwynedd, North Wales, in the form of a Norman castle. It was originally a medieval fortified manor house, founded by Ednyfed Fychan. In 1438, Ioan ap Gruffudd was granted a licence to crenellate and he founded the stone castle and added a tower house. Samuel Wyatt reconstructed the property in the 1780s.
The present building was created between about 1822 and 1837 to designs by Thomas Hopper, who expanded and transformed the building beyond recognition. However a spiral staircase from the original property can still be seen, and a vaulted basement and other masonry were incorporated into the new structure. Hopper's client was George Hay Dawkins-Pennant, who had inherited the Penrhyn estate on the death of his second cousin, Richard Pennant, who had made his fortune from slavery in Jamaica and local slate quarries. The eldest of George's two daughters, Juliana, married Grenadier Guard, Edward Gordon Douglas, who, on inheriting the estate on George's death in 1845, adopted the hyphenated surname of Douglas-Pennant. The cost of the construction of this vast 'castle' is disputed, and very difficult to work out accurately, as much of the timber came from the family's own forestry, and much of the labour was acquired from within their own workforce at the slate quarry. It cost the Pennant family an estimated £150,000. This is the current equivalent to about £49,500,000.
Penrhyn is one of the most admired of the numerous mock castles built in the United Kingdom in the 19th century; Christopher Hussey called it, "the outstanding instance of Norman revival." The castle is a picturesque composition that stretches over 600 feet from a tall donjon containing family rooms, through the main block built around the earlier house, to the service wing and the stables.
It is built in a sombre style which allows it to possess something of the medieval fortress air despite the ground-level drawing room windows. Hopper designed all the principal interiors in a rich but restrained Norman style, with much fine plasterwork and wood and stone carving. The castle also has some specially designed Norman-style furniture, including a one-ton slate bed made for Queen Victoria when she visited in 1859.
Hugh Napier Douglas-Pennant, 4th Lord Penrhyn, died in 1949, and the castle and estate passed to his niece, Lady Janet Pelham, who, on inheritance, adopted the surname of Douglas-Pennant. In 1951, the castle and 40,000 acres (160 km²) of land were accepted by the treasury in lieu of death duties from Lady Janet. It now belongs to the National Trust and is open to the public. The site received 109,395 visitors in 2017.
Grade I Listed Building
History
The present house, built in the form of a vast Norman castle, was constructed to the design of Thomas Hopper for George Hay Dawkins-Pennant between 1820 and 1837. It has been very little altered since.
The original house on the site was a medieval manor house of C14 origin, for which a licence to crenellate was given at an unknown date between 1410 and 1431. This house survived until c1782 when it was remodelled in castellated Gothick style, replete with yellow mathematical tiles, by Samuel Wyatt for Richard Pennant. This house, the great hall of which is incorporated in the present drawing room, was remodelled in c1800, but the vast profits from the Penrhyn slate quarries enabled all the rest to be completely swept away by Hopper's vast neo-Norman fantasy, sited and built so that it could be seen not only from the quarries, but most parts of the surrounding estate, thereby emphasizing the local dominance of the Dawkins-Pennant family. The total cost is unknown but it cannot have been less than the £123,000 claimed by Catherine Sinclair in 1839.
Since 1951 the house has belonged to the National Trust, together with over 40,000 acres of the family estates around Ysbyty Ifan and the Ogwen valley.
Exterior
Country house built in the style of a vast Norman castle with other later medieval influences, so huge (its 70 roofs cover an area of over an acre (0.4ha)) that it almost defies meaningful description. The main components of the house, which is built on a north-south axis with the main elevations to east and west, are the 124ft (37.8m) high keep, based on Castle Hedingham (Essex) containing the family quarters on the south, the central range, protected by a 'barbican' terrace on the east, housing the state apartments, and the rectangular-shaped staff/service buildings and stables to the north. The whole is constructed of local rubblestone with internal brick lining, but all elevations are faced in tooled Anglesey limestone ashlar of the finest quality jointing; flat lead roofs concealed by castellated parapets. Close to, the extreme length of the building (it is about 200 yards (182.88m) long) and the fact that the ground slopes away on all sides mean that almost no complete elevation can be seen. That the most frequent views of the exterior are oblique also offered Hopper the opportunity to deploy his towers for picturesque effect, the relationship between the keep and the other towers and turrets frequently obscuring the distances between them. Another significant external feature of the castle is that it actually looks defensible making it secure at least from Pugin's famous slur of 1841 on contemporary "castles" - "Who would hammer against nailed portals, when he could kick his way through the greenhouse?" Certainly, this could never be achieved at Penrhyn and it looks every inch the impregnable fortress both architect and patron intended it to be.
East elevation: to the left is the loosely attached 4-storey keep on battered plinth with 4 tiers of deeply splayed Norman windows, 2 to each face, with chevron decoration and nook-shafts, topped by 4 square corner turrets. The dining room (distinguished by the intersecting tracery above the windows) and breakfast room to the right of the entrance gallery are protected by the long sweep of the machicolated 'barbican' terrace (carriage forecourt), curved in front of the 2 rooms and then running northwards before returning at right-angles to the west to include the gatehouse, which formed the original main entrance to the castle, and ending in a tall rectangular tower with machicolated parapet. To the right of the gatehouse are the recessed buildings of the kitchen court and to the right again the long, largely unbroken outer wall of the stable court, terminated by the square footmen's tower to the left and the rather more exuberant projecting circular dung tower with its spectacularly cantilevered bartizan on the right. From here the wall runs at right-angles to the west incorporating the impressive gatehouse to the stable court.
West elevation: beginning at the left is the hexagonal smithy tower, followed by the long run of the stable court, well provided with windows on this side as the stables lie directly behind. At the end of this the wall turns at right-angles to the west, incorporating the narrow circular-turreted gatehouse to the outer court and terminating in the machicolated circular ice tower. From here the wall runs again at a lower height enclosing the remainder of the outer court. It is, of course, the state apartments which make up the chief architectural display on the central part of this elevation, beginning with a strongly articulated but essentially rectangular tower to the left, while both the drawing room and the library have Norman windows leading directly onto the lawns, the latter terminating in a slender machicolated circular corner tower. To the right is the keep, considerably set back on this side.
Interior
Only those parts of the castle generally accessible to visitors are recorded in this description. Although not described here much of the furniture and many of the paintings (including family portraits) are also original to the house. Similarly, it should be noted that in the interests of brevity and clarity, not all significant architectural features are itemised in the following description.
Entrance gallery: one of the last parts of the castle to be built, this narrow cloister-like passage was added to the main block to heighten the sensation of entering the vast Grand Hall, which is made only partly visible by the deliberate offsetting of the intervening doorways; bronze lamp standards with wolf-heads on stone bases. Grand Hall: entering the columned aisle of this huge space, the visitor stands at a cross-roads between the 3 principal areas of the castle's plan; to the left the passage leads up to the family's private apartments on the 4 floors of the keep, to the right the door at the end leads to the extensive service quarters while ahead lies the sequence of state rooms used for entertaining guests and displayed to the public ever since the castle was built. The hall itself resembles in form, style and scale the transept of a great Norman cathedral, the great clustered columns extending upwards to a "triforium" formed on 2 sides of extraordinary compound arches; stained glass with signs of the zodiac and months of the year as in a book of hours by Thomas Willement (completed 1835). Library: has very much the atmosphere of a gentlemen’s London club with walls, columned arches and ceilings covered in the most lavish ornamentation; superb architectural bookcases and panelled walls are of oak but the arches are plaster grained to match; ornamental bosses and other devices to the rich plaster ceiling refer to the ancestry of the Dawkins and Pennant families, as do the stained glass lunettes above the windows, possibly by David Evans of Shrewsbury; 4 chimneypieces of polished Anglesey "marble", one with a frieze of fantastical carved mummers in the capitals. Drawing room (great hall of the late C18 house and its medieval predecessor): again in a neo-Norman style but the decoration is lighter and the columns more slender, the spirit of the room reflected in the 2000 delicate Maltese gilt crosses to the vaulted ceiling. Ebony room: so called on account of its furniture and "ebonised" chimneypiece and plasterwork, has at its entrance a spiral staircase from the medieval house. Grand Staircase hall: in many ways the greatest architectural achievement at Penrhyn, taking 10 years to complete, the carving in 2 contrasting stones of the highest quality; repeating abstract decorative motifs contrast with the infinitely inventive figurative carving in the newels and capitals; to the top the intricate plaster panels of the domed lantern are formed in exceptionally high relief and display both Norse and Celtic influences. Next to the grand stair is the secondary stair, itself a magnificent structure in grey sandstone with lantern, built immediately next to the grand stair so that family or guests should not meet staff on the same staircase. Reached from the columned aisle of the grand hall are the 2 remaining principal ground-floor rooms, the dining room and the breakfast room, among the last parts of the castle to be completed and clearly intended to be picture galleries as much as dining areas, the stencilled treatment of the walls in the dining room allowing both the provision of an appropriately elaborate "Norman" scheme and a large flat surface for the hanging of paintings; black marble fireplace carved by Richard Westmacott and extremely ornate ceiling with leaf bosses encircled by bands of figurative mouldings derived from the Romanesque church of Kilpeck, Herefordshire. Breakfast room has cambered beam ceiling with oak-grained finish.
Grand hall gallery: at the top of the grand staircase is vaulted and continues around the grand hall below to link with the passage to the keep, which at this level (as on the other floors) contains a suite of rooms comprising a sitting room, dressing room, bedroom and small ante-chamber, the room containing the famous slate bed also with a red Mona marble chimneypiece, one of the most spectacular in the castle. Returning to the grand hall gallery and continuing straight on rather than returning to the grand staircase the Lower India room is reached to the right: this contains an Anglesey limestone chimneypiece painted to match the ground colour of the room's Chinese wallpaper. Coming out of this room, the chapel corridor leads to the chapel gallery (used by the family) and the chapel proper below (used by staff), the latter with encaustic tiles probably reused from the old medieval chapel; stained and painted glass by David Evans (c1833).
The domestic quarters of the castle are reached along the passage from the breakfast room, which turns at right-angles to the right at the foot of the secondary staircase, the most important areas being the butler's pantry, steward's office, servants' hall, housekeeper's room, still room, housekeeper's store and housemaids' tower, while the kitchen (with its cast-iron range flanked by large and hygienic vertical slabs of Penrhyn slate) is housed on the lower ground floor. From this kitchen court, which also includes a coal store, oil vaults, brushing room, lamp room, pastry room, larder, scullery and laundry are reached the outer court with its soup kitchen, brewhouse and 2-storey ice tower and the much larger stables court which, along with the stables themselves containing their extensive slate-partitioned stalls and loose boxes, incorporates the coach house, covered ride, smithy tower, dung tower with gardeners' messroom above and footmen's tower.
Reasons for Listing
Included at Grade I as one of the most important large country houses in Wales; a superb example of the relatively short-lived Norman Revival of the early C19 and generally regarded as the masterpiece of its architect, Thomas Hopper.
A look around the inside of the castle / house.
The Keep
fireplace
A few shots I did for a realtor. One SB700 in smaller living room just behind the door. Windows were left blown out as the view of a snow and slush covered highway was not wanted.
I have been to St Mary of Charity before. But that was many years ago.
Back then, I took three shots inside. I took 300 today.
St Mary is a huge church with a Victorian tower with the most amazing spire, which makes it visible from just about all over the town.
Faversham is best know as being home to Shepherd Neame brewery, it claims to the England's oldest surviving brewer.
The town sits on the edge of the Swale, with a large expanse of marshes and creeks between the town and open water.
We parked on wide Abbey Street, and while Jools went shopping, I walked along side the old brewery buildings to the church, with the tower and spire staight ahead along a street of terraced houses.
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An extraordinary building comprising a medieval chancel and transepts, eighteenth-century nave and nineteenth-century tower and spire. Despite heavy-handed restorations of the nineteenth century - by Sir George Gilbert Scott and Ewan Christian in 1873 - which have resulted in loss of character, there is much to see. The fourteenth-century transepts are aisled - a most unusual feature in an ordinary parish church. The medieval authorities probably decided to invest in a lavish building to counteract the pulling power of the famous abbey which stood to the east. One of the pillars of the north transept has a series of contemporary small paintings of biblical scenes. You are advised to take a pair of binoculars to see them to advantage. The stalls in the chancel have misericords with a good selection of carved armrests, and there is also a crypt and an unforgettable east window of 1911.
www.kentchurches.info/church.asp?p=Faversham+1
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THE PARISH AND TOWN OF FAVERSHAM.
CALLED, according to Lambarde, in Saxon, Fafresham, and Fafresfeld, in the record of Domesday, Favershant, and in some few others, Fefresham.
THE PARISH lies adjoining to the high London road southward at the 47th mile-stone, and extends to the creek on the opposite side of the town, the houses on the south side of which reach to within two hundred yards of the road, whence there is a good view into it.
The parish includes the north side of the London road from the above mile-stone westward, almost as far as the summit of Judde-hill, and the liberties of the town extend as far of this space westward as the rivulet in Ospringe street. Thus this parish intervenes, and entirely separates that part of Ospringe parish, at the northern boundary of it, in which are the storekeeper's house of the royal mills, and part of the offices and gardens belonging to it, and some of the mills themselves, and in the town likewise, Ospringe parish again intervening, there is a small part of West-street which is within that parish. At the east end of Ospringe-street, though within Faversham parish, and the liberties of the town, close to the high London road, there is a handsome new-built house, erected not many years since by Mr.Bonnick Lypyeatt, who resided in it till his death in 1789. He left two daughters his coheirs, one of whom married Mr.C.Brooke, of London, and the other Captain Gosselin, of the Life-guards. It is now occupied by John Mayor, esq.
¶The rest, or northern part of the parish lies very low, and adjoins the marshes, of which there is a very large tract. The country here is a fine extended level, the fields of a considerable size, and mostly unincumbered with trees or hedgerows, the lands being perhaps as fertile and as highly cultivated as any within this county, being part of that fruitful value extending almost from Sittingborne to Boughton Blean, so often taken notice of before. The grounds adjoining the upper parts of the town are mostly hop plantations, of a rich and kindly growth, but several of them have lately given place to those of fruit. About twenty years ago the cultivation of madder was introduced here, and many induced by the prospect of great gains, made plantations of it at a very considerable expence, and a mill was erected for the purpose of grinding the roots, but from various disappointments, and unforeseen disadvantages, the undertakers of it were deterred from prosecuting the growth of it, and I believe they have for some time entirely discontinued it.
At the south-east extremity of this parish, as well as in other particular parts of this county, there are several chalk-pits, the most noted of these being called Hegdale pit, of a great depth, which though narrow at the top, yet more inward are very capacious, having, as it were, distinct rooms, supported by pillars of chalk. Several opinions have been formed concerning the intent and use of them, some that they were formed by the digging of chalk, for the building of the abbey, as well as afterwards from time to time, for the manuring of the neighbouring lands; others that the English Saxons might dig them, for the same uses that the Germans did, from whom they were descended, who made use of them, according to Tacitus, as a refuge in winter, as a repository for their corn, and as a place of security, for themselves, their families, and their property, from the searches of their enemies. (fn. 1)
Near the west end of the bridge, opposite the storekeeper's house of the royal powder-mills, there is a strong chalybeate spring, which on trial has been proved to be nearly equal to those of Tunbridge Wells. (fn. 2)
In the year 1774, a most remarkable fish, called mola salviani, orthe sun-fish, was caught on Faversham Flats, which weighed about nineteen pounds and a half, and was about two feet diameter. It is a fish very rarely seen in our narrow seas. (fn. 3)
THE TOWN ITSELF, and so much of the parish as is within the bounds of the corporation, is subject to the liberties of it, and of the cinque ports, and is exempt from the jurisdiction of the hundred of Faversham; but the rest of the parish, together with the rectory, is within the liberties of that hundred, which has been always esteemed as appurtenant to the manor of Faversham.
Although from the several discoveries which have been made of Roman antiquities in this neighbourhood, it is plain, that it could not be unknown to that nation, during their stay in this island, yet there is no mention made of this place by any writer during that period; and it seems, even in the time of the Saxons, to have been a place of but little consequence, notwithstanding it was then a part of the royal demesnes, as appears by a charter of Cenulph, king of Mercia, anno 812, wherein it is stiled the king's little town of Fefresham; and in one of Athelwolf, king of the West Saxons and of Kent, anno 839, where it is said to be made, only, in villa de Faverisham. However, it was of note sufficient, perhaps as being the king's estate, even in the time of king Alfred, at the first division of this county into those smaller districts, to give name to the hundred in which it is situated. Lambarde, Camden, and Leland say, that king Athelstan held a parliament, or meeting of his wife menat Faversham, about the year 903, (no doubt for 930) in which several laws were enacted. (fn. 8)
FAVERSHAM continued part of the antient demesnes of the crown of this realm at the time of the taking of the general survey of Domesday, in which it is entered, under the general title of Terra Regis, that is, the king's antient demesne, as follows:
In the lath of Wivarlet, in Favreshant hundred, king William holds Favreshant. It was taxed at seven sulings. The arable land is seventeen carucates. In demesne there are two. There are thirty villeins, with forty borderers, having twenty-four carucates. There are five servants, and one mill of twenty shillings, and two acres of meadow. Wood for the pannage of one hundred hogs, and of the pasture of the wood thirty-one shillings and two pence. A market of four pounds, and two salt-pits of three shillings and two-pence, and in the city of Canterbury, there are three houses of twenty-pence belonging to this manor. In the whole value, in the time of king Edward the Confessor, it was worth sixty pounds all but five shillings, and afterwards sixty pounds, and now it is worth four times twenty pounds.
¶The manor of Faversham, with the hundred appurtenant to it, remained part of the possessions of the crown till about the beginning of king Stephen's reign, when it was granted to William de Ipre, a foreigner, whom, for his faithful services against the empress Maud, the king, in his 7th year, created Earl of Kent; but within a few years afterwards, resolving to found an abbey here, he, with his queen Matilda, about the year 1147, exchanged the manor of Lillechirch, and other premises, for this manor and hundred, where they, at the latter end of that year, or the beginning of the year after, founded an abbey at a small distance from the town of Faversham, on the north-east side of it, for the space where Court, or Ab bey-street now stands was then unbuilt, and this was therefore, in the reign of Edward III. distinguished by the name of the New Town, as the rest of it, built before, was by that of the Old Town, and they appointed Clarembald, the prior of Bermondsey, to be abbot of this new foundation, which was dedicated to St. Saviour, and for their support, the king granted to him and the monks of it, twelve of whom had been removed with Clarembald for this purpose from Bermondsey, which priory was of the order of Clugni, the manor of Faversham, with its appurtenances, and other premises, in perpetual alms, with many liberties, as may be further seen in the charter itself. (fn. 9)
HE TOWN OF FAVERSHAM is within the limits of the cinque ports, being esteemed as a limb or member of the town of Dover, one of those ports. Of what antiquity these ports and antient towns are, when enfranchised, or at what times their members were annexed to them, has not been as yet, with any certainty, discovered; and, therefore, they are held to enjoy all their earliest liberties and privileges, as time out of mind, and by prescription.
It is, however certain, that at the time of king Edward the Consessor, the five ports were enfranchised with divers liberties, privileges, and customs, peculiar to themselves; for the better conducting of which they had the establishment of one grand court, called the court of Shipway, from its being almost always held at a place of that name near Hyth; in which the general business relating to the whole community was transacted before the warden, as principal and chief over them. Nevertheless, though they acted here jointly, like a county palatine as to the government, for the desence of the liberty of the whole, yet every particular corporation in each town acted severally and distinctly, according to its own privileges, charters, and customs within their own particular limits, without any controul or interference from this court, or the rest of the community. (fn. 20)
The five ports, as being from their situation most exposed to the depredations of enemies, were first incorporated for their own mutual defence, and were afterwards endowed with great privileges, for the public desence of the nation, and the king's service. The force they were enjoined to raise and keep in residence for this purpose was fifty-seven ships, properly furnished and accoutred for a certain number of days, to be ready at the king's summons, at their own charge, and if the state of affairs required their assistance any longer, they were paid by the crown. But because the expence was in after times found to be too burthensome for these five ports, several other towns were added as members to them, that they might bear a part of the charge, for which they were recompenced with a participation of their privileges and immunities. All which were confirmed to them by Magna Charta, by the name of the barons of the five ports, and again by one general charter by king Edward I. which, by inspeximus, has received confirmation, and sometimes additions, from most of the succeeding kings and queens of this realm.
¶FAVERSHAM, stiled both a town and a port at different times in antient records, isa corporation by prescription. In the oldest charter now remaining, which is that of the 36th year of king Henry III. wherein the members of it are stiled, according to the usual language of those times, barons, that is freemen, there is contained a confirmation of all their former antient rights and privileges. In the 42d year of the above reign, which is as far as can be traced by evidence, the jurisdiction of this town was then in a mayor or alderman, and twelve jurats. In a charter of Edward I. the barons of it are acknowledged to have done good services to him and his predecessors, kings of England; and in the 21st year of that reign, there is an entry of the mayor and jurats assembling in their hallmote, or portmote-court, as it is elsewhere called, together with the lord abbot's steward, and there sealing a fine with the town's seal, of a messuage and garden in Faversham, according to the use and custom of the court, by which it is evident, that this court was of some antiquity at that time. (fn. 21)
Faversham is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Ospringe.
The church, which stands close to the east side of the town, was dedicated to the assumption of our lady of Faversham. It is built in the form of a cross, of flints, with quoins of ashler stone. It had, until 1755, when it was taken down, a large square castellated tower in the middle of it, and there remains now another low tower at the north side of the west front, upon which is erected a frame of timber, covered with shingles. So long ago as king Henry the VIIth.'s reign, there seems to have been no steeple to this church, for in 1464, Edward Thomasson, of this town, gave sixty pounds towards the edifying of a new one to it; (fn. 31) and of later time, James Lawson, esq. a wealthy inhabitant of this town, who died in 1794, gave by his will 1000l. for the same purpose, with this sum, together with 500l. given by the corporation, and the remainder payable by a rate, a steeple, seventy-three feet high above the tower, with pinnacles at each corner of it, on the plan of St. Dunstan's in the East, has been erected, and is now nearly compleated, at the expence of 2500l.
Behind the tower, within the outer walls, is a strong timbered room, formerly called the tresory, in which, before the reformation, were carefully deposited the goods and ornaments of the church; over it was the chamber for the sextons. On the south side of the west front is a room, formerly open to the church, in which was taught reading and writing; under it is a neat chapel, with stone arches, supported by three pillars in the middle. Over the south porch there is another stone room, the window of which is grated with strong iron bars.
Mr. Henry Hatch, whose extensive charity to this town has already been mentioned, by will in 1533, gave a sum of money, at the discretion of the mayor, and his brethren, in making a new jewel-house for this church.
In 1440 there were placed in it five new bells, and in 1459 a sixth was added; these remained till 1749, when they were cast into a new peal of eight.
The church seems to have been built in the latter end of the reign of Edward I. or the beginning of the reign of Edward II. by a silver penny of one of those kings being found under the basis of one of the piers, which supported the middle tower. In the east window of the great chancel, were some time since remaining two shields of arms, viz. Gules, two lions passant-guardant, or a label of five points, azure; and Argent, a lion rampant, sable, within a bordure of the second, bezante.
In the year 1754, the body of the church, as well as the roof of it, on a survey, being deemed in a dangerous state, a faculty was obtained to pull it down, which was accordingly done, under the plan and directions of Mr. George Dance, of London, architect, at the expence of 2300l. besides which, 400l. was afterwards expended in an organ, and 100l. more in other ornaments, and ninety pounds in improving the great chancel, which through age was become very unsightly; so that the whole of it is now made equal to, if not the most elegant and spacious, of any parish church in this county, and is extensive and spacious enough to afford convenient room for all the parishioners of it.
¶When this church was new built, and the body and isles new paved, the grave-stones, many of which were antient, with brasses on them, were removed from the places where they lay, to other open and consipicuous parts of it. Among the monuments were those for Henry Hatche, merchant adventurer, 1533; Thomas Mendfield, 1614, John Fagg, esq. 1508, and one for Thomas Southouse, esq. 1558, who wrote the Monas tion Favershamiense. Both monuments and epitaphs are by far too numerous to insert in this place, they may be found at large in Weever's Funeral Monuments, in Lewis's Appendix to his History of Faversham Abbey, and in Harris's History of Kent. Besides which there is in the Appendix to Jacob's History of Faversham, a chronological list of such persons as have been known to have been buried in it.
This church measures from east to west, including the chancel, one hundred and sixty feet, the width of the body sixty five feet; the length of the isles from north to south one hundred and twenty-four feet, and their width forty-six feet.
Before the reformation, besides the high altar in the great chancel, there were two chapels, one dedicated to the Holy Trinity, and the other to St. Thomas, and there were several altars in the isles and chancels.
Morris-Jumel Mansion
65 Jumel Terrace, NYC
by navema
General Washington and his staff occupied the Mansion at the start of the American Revolution, from September 14th to October 21st, 1776. The Mansion served as headquarters for the Continental Army during Washington’s victory at the Battle of Harlem Heights. In October 1776, Washington moved north to White Plains in Westchester County. He left his staff behind at the Mansion for several weeks until the British captured the entire island of Manhattan.
Research suggests that Washington used this room as an office and bedchamber during the fall of 1776. He typically occupied a room that provided the most clam, even if it was neither the largest nor best chamber of the house. His personal servant, William Lee, accompanied the general to Morris-Jumel. Lee probably slept in the hall, outside this chamber.
The solid-color paper that currently hangs is a reproduction copied from a 1750s paper found in a London townhouse.
Selected Furnishings:
*Tilt-Top Candlestick: New York, 18th century
*Tender Bed and Linens: reproduction, coped from a New York bed, 1760-1790
*Windsor Chair: American, mid-Atlantic, 1750-1775
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HISTORY:
The Morris-Jumel Mansion located in historic Washington Heights, is the oldest house in Manhattan and is a National Historic Landmark in NYC. It served as a headquarters for both sides in the American Revolution.
George Washington made his headquarters here at the Mansion during the fall of 1776. It was during this period that the General's troops forced a British retreat at the Battle of Harlem Heights.
The house was built eleven years before the Revolution, in 1765, by British Colonel Roger Morris and his American wife, Mary Philipse. The breezy hilltop location proved an ideal location for the family's summer home. Known as Mount Morris, this northern Manhattan estate stretched from the Harlem to the Hudson Rivers and covered more than 130 acres. Loyal to the crown, the Morrises were eventually forced to return to England as a result of the American victory.
During the war, the hilltop location of the Mansion was valued for more than its cool summer breezes. With views of the Harlem River, the Bronx, and Long Island Sound to the east, New York City and the harbor to the south, and the Hudson River and Jersey Palisades to the west, Mount Morris proved to be a strategic military headquarters.
President Washington returned to the Mansion on July 10, 1790, and dined with members of his cabinet. Guests at the table included three future Presidents of the United States: John Adams, Thomas Jefferson, and John Quincy Adams. Alexander Hamilton and Henry Knox were in attendance as well.
The departure of the British at the close of the revolution did not end the upheaval in the life of the Mansion. Serving as an inn for New York City-bound travelers, ownership of the house passed through many hands. Finally, in 1810, the Mansion was restored to its original purpose as a country house by the French emigrant Stephen Jumel and his wife Eliza.
Stephen and Eliza added new doorways and stained glass to the facade of the Mansion. As regular visitors to France, they furnished much of the house in the French Empire style. Many of those objects, including a bed said to have belonged to the Emperor Napoleon, remain in the Mansion today.
Stephen Jumel died in 1832, and Eliza, then one of the wealthiest women in New York, later married the former U.S. Vice President, Aaron Burr. Their marriage lasted just two years. Eliza retained ownership of the Mansion until her death in 1865. After a twenty-year court battle, which was finally settled by the U.S Supreme Court, the property was divided and sold.
The Mansion itself survived the subdivision along with a small plot of land. In 1894 it was purchased by General Ferdinand P. and Lillie Earle. In tune with the deep patriotic sentiment of the late 19th century, the Earle's revered Washington and the Mansion's history as his headquarters. They persuaded the City of New York to purchase the house and remaining property in 1903 and to preserve it as a monument to the nation's past.
In 1904 the Washington's Headquarters Association, formed by four chapters of the Daughters of the American Revolution, took on the task of operating the museum. Today, the Morris-Jumel Mansion, Inc., an independent not-for-profit corporation assumes that responsibility.
The Mansion is built in the Palladian style, with a second story balcony and a two-story front portico supported by classical columns. The two-story octagon at the rear of the house is believed to be the first of its kind anywhere in the colonies.
The first floor of the 8,500 square foot house features rooms for family and social gatherings, and includes the parlor in which Madame Eliza Jumel married Aaron Burr in 1833. Across the hall stands the dining room where Washington likely entertained his guests in 1790. At the far end of the hall, the octagonal drawing room, or withdrawing room as it is properly known, provided a grand setting for social gatherings. Bedrooms on the second floor include those of George Washington, Eliza Jumel, and Aaron Burr. The basement houses the colonial-era kitchen and tells the story of domestic servitude at the Mansion. The room features the original hearth and a bee-hive oven as well as a collection of early American cooking utensils.
Through architecture and a diverse collection of decorative arts objects, each room of the Morris-Jumel Mansion reveals a specific aspect of its colorful history from the 18th through the 19th centuries.
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ELIZA JUMEL:
Eliza Jumel (April 7, 1775 – July 16, 1865) was a New York socialite. Born Eliza Bowen in Providence, Rhode Island to Phebe Kelley Bowen, a prostitute. Early in life Eliza Jumel worked as a prostitute herself. She would later claim to have been born on the high seas to a French naval officer and his aristocratic English wife.
She kept her past a secret when she met and married the wealthy French wine merchant Stephen Jumel in 1804. Due to her low social standing, she was rejected by New York society. In 1810, they moved to what became known as the Morris-Jumel Mansion.
In 1815, she traveled to Paris and became accepted as a Bonapartist sympathizer, going so far as to offer Napoleon safe passage to New York after his defeat at Waterloo, which he declined. Her opinions and actions in France proved too controversial, and in 1816, she was asked to leave the country by King Louis XVIII of France.
After leaving France, she returned to her home in New York, and her marriage began to deteriorate as Stephen Jumel, who stayed behind in France, saw his fortune decline and he learned of Eliza's early life as a prostitute. Eliza began selling Stephen's business holdings and using the profits to buy her way into New York society, eventually leaving her husband penniless.
Stephen Jumel died in 1832, and rumors persisted that Eliza had let him bleed to death. Fourteen months after her first husband's death, Eliza Jumel married the controversial former United States Vice President Aaron Burr. She supposedly married to increase her stature; he, for access to her fortune. Burr in turn misused the remnants of the Jumel fortune, and the two divorced on September 14, 1836, the date of Burr's death. Jumel lived for the rest of her life in the Manhattan mansion, and died at age 90 in 1865. She was buried in Manhattan at the Trinity Church Cemetery and Mausoleum.
Ugh - just got back from visiting John.
The whole thing happened late Saturday night (around 5:30am???) down on Delancey + Allen. He and Nicole were walking west crossing Allen and John got clipped out of nowhere as a car took the corner too fast (if you've ever crossed this intersection you'll know what I'm talking about).
The car threw him in the air and into the street (hence cuts to the face) and the driver just took off. Luckily people on the street (at 5am!) were able to help out.
John's okay though his right leg is bused up pretty bad - broken in a few places (can you see how swollen it is? The splint barely fits!). He goes into surgery tomorrow to get some pins put in and he'll be in a boot and on crutches for a while after. (cue: Dianne's "crutches are going to be HUGE in 07" theory). Nicole walked away without a scratch.
There was a waiting line of people to see him ("4 people at a time, please") and we were all joking about how he must be so sick of re-telling the story already (esp less than 24 hrs after). Sooooo... for anyone who paid a visit, add your entry to the "John Carney Broke His Leg" FAQ below. :)
ps: he's got his cell, so call or text if you want to say hi.
The California Hallway, circa 1940 as depicted in the Thorne Miniature Rooms at the Art Institute of Chicago.
The 68 Thorne Miniature Rooms enable one to glimpse elements of European interiors from the late 13th century to the 1930s and American furnishings from the 17th century to the 1930s. Painstakingly constructed on a scale of one inch to one foot, these fascinating models were conceived by Mrs. James Ward Thorne of Chicago and constructed between 1932 and 1940 by master craftsmen according to her specifications.
doppelbelichtungen
Kodak TriX 400 / Nikon F80 / Nikkor 24 mm
double exposure
Bauhaus Master's houses, Dessau / streets
A-Series Casement Windows, White Interior, Specified Equal Light Grille Pattern (2 wide x 2 tall), Frenchwood Hinged Patio Door, White Interior, Specified Equal Light Grille Pattern (2 wide x 3 tall), Encino Hardware in Distressed Bronze Finish, Picture Windows and Transom Windows
Please do not use my images without my explicit permission.
Dit is echt een geweldige plek m,n kleindochter kan er geen genoeg van krijgen we zijn er al een paar keer geweest en ze blijft het leuk vinden. Prijs is verdiend.
Op woensdag 19 november is bekend gemaakt dat Kossmann.dejong’s ontwerp voor de Wonderkamers in het Gemeentemuseum Den Haag een prestigieuze, internationale entertainment award ontvangt: de Thea Award for Outstanding Achievement. Deze prijs wordt jaarlijks uitgereikt door de Themed Entertainment Association in Amerika als wereldwijde erkenning voor de beste nieuwe attracties en themalocaties.
De jury over Wonderkamers: "The blend of art, storytelling, themed environments and gaming elements makes Wonder Rooms unique within the world of art museums. The creators did a great job in blending all these elements together into one experience."
the group was allowed into the abandoned panel house so I had a chance to wander around and examine some flats.
One of the many empty rooms at Barrington Court. This one was a Bedroom. This house was once used to display reproduction furniture in a 'real' situation, all items are now removed but sadly the display lighting remains, and 'spoils' the effect somewhat.
Hasselblad 500 C/M, Carl-Zeiss Distagon T* 50mm f/4, Fuji Provia 100F, Imacon Flextight Precision II
For the All New Scavenger Hunt #27 - Your favorite thing to do on holiday. Let's face it, my favorite thing to do 365 days a year is to read. Here are two of my bookcases, the rest are below. As you can see, I can't seem to stop buying books. Although I read a lot of books from the library, there are always a few that I want to own!
This Family Room, Born in the 1950's was originally the Dinning Room which, was moved to the west end of the Living Room.
Now with the opened up Kitchen it is a cozy
relationship for the two rooms.
These pictures are by Kirsten Kilduff at DizzyGoldfish.
Interior design by DORIAN G MUNCEY INTERIORS.
Overlooking the Gulf of Mexico. West Beach, Biloxi, Mississippi.
Telephone IDlewood 2-1551. TWX 389.
125 Rooms, all with TV - 100% Air Conditioned. A perfect setting for the vacation of a lifetime! Restaurant - Lounge - Swimming Pool - Childrens' Playground - Private Sand Beach - Gift Shop - Beauty Salon - Deep Sea Fishpond - Tackle Shop - Conference Rooms - Banquet Rooms - 5 Golf Courses Nearby - Finest Fishing on Coast.
AAA Approved. A Master Hosts Hotel
Hannau Color Productions
Koppel Card
44263
CAPA-009378
Luxury Park View one-bedroom suites offer 700 square feet with a master bedroom with a king bed, a large connecting parlour and a wood-burning fireplace with the services of the Fireplace Butler and Firewood Menu (Seasonal service October to April). The corner suite has spectacular views of the Park, also known as The Public Garden and The Boston Common and fashionable Newbury Street. Connecting rooms are offered, and are based on availability.
Elegant country mansion set in attractive formal gardens and extensive parkland
Explore Kingston Lacy, a lavish family home built to resemble an Italian Palace.
There’s plenty to see, from grand, beautifully detailed carvings, to intimate family souvenirs and even strange curiosities such as an ‘I owe you’ note from a king.
An art lover’s dream, take a look at rooms teeming with paintings by Rubens, Van Dyck, Titian and Brueghel. In the Egyptian Room you can discover the largest private collection of ancient Egyptian artefacts in the UK.
Enjoy a summer picnic on the south lawn or let the children run wild in the nearby play areas. Have a wander around the Japanese Garden, complete with authentic tea house or take a sheltered walk through the surrounding woodland. You can even learn how to grow your own food in the ‘Community Growing Spaces'.
Why head out on bike to explore our diverse 8,500 hectare estate. From Iron Age forts, to colourful heath land, water meadows and even a roman road, there’s loads to see.
Don’t forget to pop into the restaurant to try our home Elegant country mansion set in attractive formal gardens and extensive parkland
Explore Kingston Lacy, a lavish family home built to resemble an Italian Palace.
There’s plenty to see, from grand, beautifully detailed carvings, to intimate family souvenirs and even strange curiosities such as an ‘I owe you’ note from a king.
An art lover’s dream, take a look at rooms teeming with paintings by Rubens, Van Dyck, Titian and Brueghel. In the Egyptian Room you can discover the largest private collection of ancient Egyptian artefacts in the UK.
Enjoy a summer picnic on the south lawn or let the children run wild in the nearby play areas. Have a wander around the Japanese Garden, complete with authentic tea house or take a sheltered walk through the surrounding woodland. You can even learn how to grow your own food in the ‘Community Growing Spaces'.
Why head out on bike to explore our diverse 8,500 hectare estate. From Iron Age forts, to colourful heath land, water meadows and even a roman road, there’s loads to see.
Amazing view !! Of all the hotels in Seoul, the W Hotel in my opinion has the best views. The feel of the room in addition to the view is refreshing. Everything was absolutely perfect at this hotel except for the location. The nearest subway exit is not within walking distance. There is a shuttle bus which takes you to the subway exit but it arrives every 30 minutes. Also, the hotel itself is a bit off from the central part of Seoul. It's a good 20 minute taxi ride to the City Hall area and about 10 minutes by taxi to the Jamsil area. Spent a LOT of money on taxi fares during my stay here.
UPDATE : Just noticed that every hotel that is part of the Starwood Hotels Group does not allow early check-in. Other hotels will allow early check-in for no additional cost if there are rooms available. However, Starwood Hotels Group is not flexible with early check-in. For travelers who arrive early to Seoul and will stay at the W Hotel... you will not be able to check-in early for no additional cost.. To check-in early, you will have to pay a half-day fee.