View allAll Photos Tagged RESTORATION
synthetic grid/net/fabric?? don't know what it's called in English, (please if anybody can tell me?) to reinforce the plaster on the walls
Image from SDASM's Restoration Department
Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--Repository: San Diego Air and Space Museum
(further pictures and enormous amounts of information you can get by clicking on the link at the end of page!)
St. Stephen's Cathedral
Seat of the Archbishop (Cardinal) of Vienna, one of the most important buildings of the Central European High and Late Gothic, monumental example of the South-German-Austrian multi-naved church, landmark of Vienna. Characteristic is the independent lateral position of the towers, the inclusion of the romanesque western facade, the high Gothic hall choir and the mighty steep roof with colorful brick patterning.
History
1147
The first Romanesque church - from Passau founded (hence patron saint: saint Stephen Protomartyr) - is consecrated. It is located in a quarter of new settlements of merchants, which in the second half of the 12th Century was included in the city's fortifications (which is the part between Singerstraße and wool line (Wollzeile), the road to Hungary). It is located outside, to the southeast, of the oldest city area of the Roman fort, Vindobona. This building was in its dimensions already a large basilical complex, at its completion already including the floor plan of the Heath towers in the West.
1263
Re-consecration after the fire. The impacts on the Romanesque church are not precisely known. The huge gate was already previously rebuilt, when Vienna was for a short time residence of the emperor of the Holy Roman Empire. In succession, the reconstruction of the west gallery and the expansion of the western towers (Heath towers) took place. From this period stem also most of the sculptures of the giant gate, the vaults, capitals and rose windows at the west gallery.
Stephansdom64.jpg (35605 bytes)
1304 -1340
Construction of the Gothic hall choir, Albertinian choir, named after the Habsburg Albert II (1330-1358).
The citizenship of Vienna initially purchased the required properties and "as the owner of the Gothic choir in the Zwettler (city in Lower Austria) documents of 1303 and 1304 Viennese citizens are testified".
This civic foundation was then converted by a princely.
The following indulgence certificate - in the original written on parchment and provided with a hanging seal - is in a sense the main historical document of the choir consecration and thus also to the architectural history of St. Stephen of great importance.
1340
Bishop Peter of Marchapolis gives, at the request of the parishioners, all who attend at the anniversary of the consecration of the choir of St. Stephen's Church, which was accomplished on the above day in his presence by Bishop Albert of Passau, or at the feasts of the altar patrons of the church, an indulgence of 40 days.
1359
Laying of the foundation stone for further Gothic reconstruction of the nave (south and north wall), the Singertor and the Bischofstor (gate) and the two double chapels laterally to the Romanesque western building. Furthermore, the construction of overall four towers was planned. In fact, only the southern transept tower (the "saint Stephen's Tower") was first started.
1365
Those conversion measures are associated with the efforts of Duke Rudolf IV to raise Vienna to the status of a diocese, and with the founding of the University of Vienna.
1395
Consecration of the chapel of Saint Catherine ("baptistery") on the east side of the south tower.
1404
Peter of Prachatitz is Dombaumeister (cathedral builder). The citizenship by providing financial support pushes ahead the expansion of the tower.
1417 - 1430
Establishment of the lower sacristy
1433
Completion of the south tower under Hans von Prachatitz
1440 - 1459
Completion of the High Gothic nave
1450
Planning and construction of the North Tower by Hans Puchsbaum
1459
At Hüttentag of Regensburg the mason's lodge of St. Stephen's in Vienna is designated the leading main lodge in Central Europe.
1466
Extension of the upper sacristy
1469
Under Frederick III. the Diocese of Vienna is built.
1474
The Chapel of St. Barbara in the north tower is completed according to the plans of Puchsbaum. Formerly this building extension in the North Tower was called: Urbanuskapelle (chapel).
1511
Suspension of the building at the north tower. It is higher than the nave walls, but lower than the ridge height of the choir roof. As a crowning feature of the tower stump an octagonal structure was set up, which was closed with a so-called "Welsh hood" of Kaspar and Hans Saphoy 1578. The Welsh hood is a into the Gothic transmitted dome shape".
The back of the St. Stephen's Cathedral with the North Tower
1514/1519
1514/1519 at the top of saint Stephen's tower an eight-rayed sun ("Star") was fitted with a crescent moon as a symbol of spiritual and temporal power. When the Viennese in the Turkish siege (1529) throughout in the camp of their enemies saw similar symbols, they raised first objections against the "haidnisch Zaichen (heathen signs)", yet remained the "Moonlight" on the tower. Only on the occasion of the second siege (1683 ) vowed Leopold I to replace the "ungodly and unworthy Turks coat of arms" by the sign of the cross, when the city was liberated by God's assistance.
The from saint Stephen removed moon. Book illustration, 18th century
The new, of copper wrought double cross ("Spanish Cross") was made by coppersmith Hans Adam Bosch. It was one and a half meters high and had a weight of 45.5 kg. On September 14th, the Kreuzerhöhungstag (day of the elevation of the Cross) (in the same time the anniversary of the moving in of Leopold into the liberated city), it was placed under great spectacle. However, it was not flexible enough and already on 14th December it fell down due to a violent storm. On 31st October 1687 followed the setting up of a new crowning. To the Spanish Cross now the imperial double-headed eagle and the initials of Leopold I had been added. Cross and eagle had a height of 2.45 m and a weight of 67 kg.
St. Stephen's Cathedral around 1530
1640
Bishop Friedrich Count Breuner the Baroquisation of the equipment of the St. Stephen's Cathedral as a manifestation of the Counter-Reformation had started. He commissioned the brothers Jacob and Tobias Pock from Konstanz with the construction of a new high altar.
1683
Damages caused by numerous cannonballs at the second Turkish siege.
1700
Second wave of Baroquisation: Gothic winged altars and also their early Baroque successors are replaced by baroque marble altars.
1711
July 21st, 1711. In front of a large audience the k.k. Stückgießer (specialized iron caster) Johann Achamer carries out the casting of the great bell of saint Stephen. The for this purpose required metal comes from stocks of the Imperial arsenal of captured Turkish cannons. After Pölzung (supporting) of the underground vaults under the streets that touches the train, the bell weighing more than 17 tons on a special car or a loop of 100 people is brought from the Leopoldstadt on 29th October to the cathedral. On December 15th, Bishop Rummel undertakes the consecration of the bell, then it is pulled up to the south tower. There it rests on two oak beams, which for ringing can be screwed off. When Charles VI. solemnly moved into Vienna after his imperial coronation on 26th January 1712, the Pummerin was rung for the first time, in the process only the 813 kg in weight clapper was moved.
1720
The so-called catacombs are set up as a burial site.
1735
The cemetery around the church is closed down and in 1783 completely removed
Stock-im-Eisen-Platz and St. Stephen's Square before the demolition of the houses
Coloured engraving of V.C. Schütz. 1779
1803
The Steffl gets air: Demolition of houses on Stephansplatz
October. The strong increase in population leads to an increased volume of traffic. As part of "traffic-appropriate" measures streets are widened, squares enlarged, arcades created and traffic regulations introduced such as, e.g., the first one-way at the Carinthian gates (1802). With the demolition of the last still in front of the cathedral facade standing houses yet another basic expansion and redesign of the Stephansplatz can be completed.
1809
Also in the French wars the Cathedral is damaged by artillery fire.
1810
Repair work on the South Tower
1831
Renovation of the roof at the Albertinian choir
1842
On the occasion of the two renewals of the tower helmet in the 19th century respectively in 1842 and 1864, again a new double-headed eagle with a double cross was set on the spire. This last crowning of 1864 still today adorns the top of saint Stephen's tower.
1853 - 1854
Expansion of the remaining Wimperge (gables) in the roof area of which Puchsbaum under Frederick III. only one had realized.
1863 - 1864
Cathedral architect Friedrich Schmidt heads the restoration of the tower helmet.
1945
St. Stephen's Cathedral, April 1945 © Press Agency Votava St. Stephen's Cathedral, April 1945
The roof of St Stephen's Cathedral
is on fire 8th April 1945
Friday 13 April: Dombrand (cathedral's fire) in the last days of World War II. The roof burns down, the vaults of the middle choir and the southern side choir collapse. The Pummerin plunges down and breaks. The cathedral is badly damaged.
1945 - 1952
Reconstruction of the roof and choir
Triumphant entry of the new Pummerin in Vienna. The in St. Florian/Oberösterreich (Upper Austria) cast bell to Vienna had a true triumphal procession behind herself.
From the ruins of the Pummerin 1952 in St. Florian, Upper Austria, a new bell was cast and consecrated on 26th April 1952 in Vienna. The other bells of St. Stephen's Cathedral also consistently bore names as Halbpummerin, Viertelpummerin, Councillor Bell, Mentioned bell (Genanntenglocke), Zwölferin, beer bell (Bierglocke) etc. Very few of them survived the year 1945.
1953
Construction of the Bishop tomb in the catacombs under the Apostle Choir
1954 - 1965
Restoration of the South Tower
1956
Renovation of the Ducal Crypt, construction of the lower church and the lapidary (collection of stone monuments)
Completion of the tower helmet at the north tower (Saphoy'sche hood) with housing of the Pummerin
1961
In 1961 the cathedral received a new peal of eleven bells.
1973
Consecration of the People's altar (makeshift solution)
1977 - 1998
Restoration of the North Tower
1989
Remodeling of the sanctuary and the consecration of the new People's altar (September 14)
1991
Consecration of the new cathedral organ (Servants - Madonna gets here her new stand)
Overall length: 107.2 m outside inside 91.8 m
Width of the nave: 38.9 m
Height of the South tower: (High Tower) 136.7 m
Height of the North tower: 60.6 m
Height of the Heathen towers 65.6 m
While floods get all the headlines, water damage impacts owners across the nation - even in occasions of good weather. Tampa Fl Water restoration will enable you minimize the water harm carried out to your own home in addition to your belongings. Water injury can happen in every area of your private home and property, but there are specific areas that, if damaged, are more problematic and ought to be watched closely. Although water alone won't do the job, you will need to know the what, when, and how of hydrating oneself. For any type of restore, you must call in a Phoenix water heater restore technician.
visit here:
Westlake Village Water Damage Restoration
waterdamagewestlakevillage.net
Westlake Village
CA 91361
(818) 722-1370
Image from SDASM's Restoration Department
Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--Repository: San Diego Air and Space Museum
A 'raw' scan of the ambrotype before I try some simple restoration. I'm not going to touch the front (emulsion) side, but simply want to remove the paper and re-black the reverse.
Photo restoration work on a friends photo of his father.
A photograph was taken using my 7D mark II hand held and imported into lightroom. After some basic changes the photo was imported into photoshop CC for final corrections.
Sign that says "Restoration in Progress. Please Stay Off!!" outside a solar power generation facility
A restoration I did to for my friend Areti. First pic is the listing pic on ebay, that's how she got them, but taadaa I made them look all new again! Megara's hair have two different styles of curls and Pocahontas has handmade necklace and added belt (made by me). Well, I'm proud!
A friend asked me to do a restoration on a 70 year old photo he had of his grandfather. The original was about 2x3 inches. I would like to do better, but I don't think that there are any more details to bring out, and if anything over sharpened.
The castle has been the seat of the Percy family since Norman times. By 1138 the original motte and bailey castle, with wooden buildings, was replaced with stone buildings and walls. In 1309 the keep and defences were made even stronger by Henry de Percy. The castle then stayed unchanged for 400 years. By the 18th century it had fallen into ruins. The keep however was then turned into a gothic style mansion by Robert Adam. In the 19th century the Duke of Northumberland carried out more restoration of the castle.
—————————————————————————
ALNWICK CASTLE, THE CASTLE, STABLE COURT AND COVERED RIDING SCHOOL INCLUDING WEST WALL OF RIDING SCHOOL
Heritage Category: Listed Building
Grade: I
List Entry Number: 1371308
National Grid Reference: NU 18685 13574
Details
This list entry was subject to a Minor Amendment on 05/10/2011
NU 1813 NE 2/1 NU 1813 SE 1/1 20.2.52. 5330
Alnwick Castle The Castle, Stable Court and Covered Riding School including West Wall of Riding School
GV I
Alnwick Castle has work of every period on the line of the original motte and bailey plan. By 1138 a strong stone built border castle with a shell keep in place of the motte, formed the nucleus of the present castle with 2 baileys enclosing about 7 acres. The curtain walls and their square towers rest on early foundations and the inner gatehouse has round-headed arches with heavy chevron decoration. The Castle was greatly fortified after its purchase by Henry de Percy 1309 - the Barbican and Gatehouse, the semi-circular towers of the shell keep, the octagonal towers of the inner gateway and the strong towers of the curtain wall date from the early to mid C14. Ruinous by the C18, the 1st Duke had it rehabilitated and extended by James Prince and Robert Adam, the latter being mainly concerned with the interior decoration, very little of which remains except for fireplaces in the Housekeeper's and the Steward's Rooms and for inside the present Estates Office range. Capability Brown landscaped the grounds, filling in the former moat (formed by Bow Burn). The 4th Duke employed Anthony Salvin 1854-65 at the cost of £1/4 million to remove Adam's fanciful Gothic decoration, to restore a serious Gothic air to the exterior and to redesign the state rooms in an imposing grand Italian manner. The Castle is approached from Bailliff gate through the crenellated Barbican and Gatehouse (early C14): lion rampant (replica) over archway, projecting square side towers with corbelled upper parts, fortified passage over dry moat to vaulted gateway flanked by polygonal towers. Stone figures on crenellations here, on Aveners Tower, on Record Tower and on Inner Gateway were carved circa 1750-70 by Johnson of Stamfordham and probably reflect an earlier similar arrangement. In the Outer Bailey to the, north are the West Garrett (partly Norman), the Abbott's Tower (circa 1350) with a rib vaulted basement, and the Falconer's Tower (1856). To the south are the Aveners Tower [C18], the Clock Tower leading into the Stable Yard, the C18 office block, the Auditor's Tower (early Clk) and the Middle Gateway (circa 1309-15) leading to the Middle Bailey. The most prominent feature of the Castle on the west side is the very large Prudhoe Tower by Salvin and the polygonal apse of the chapel near to it. In the Middle Bailey, to the south are the Warders Tower (1856) with the lion gateway leading by a bridge to the grand stairs into the walled garden, the East Garrett and the Record Tower (C14, rebuilt 1885). In the curtain wall to the north are 2 blocked windows probably from an early C17 building now destroyed and the 'Bloody Gap', a piece of later walling possibly replacing a lost truer; next a small C14 watch tower (Hotspur's Seat); next the Constable's Tower, early C14 and unaltered with a gabled staircase turret; close by is the Postern Tower, early C14, also unaltered.'To the north-west of the Postern Tower is a large terrace made in the C18, rebuilt 1864-65, with some old cannon on it. The Keep is entered from the Octagon Towers (circa 1350) which have 13 heraldic shields below the parapet, besides the agotrop3ic figures, and a vaulted passage expanded from the Norman gateway (fragments of chevron on former outer arch are visible inside). The present arrangement of the inner ward is largely Salvin's work with a covered entrance with a projecting storey and lamp-bracket at the rear of the Prudhoe Tower and a corbelled corridor at 1st floor level on the east. Mediaeval draw well on the east wall, next to the original doorway to the keep, now a recess The keep, like the curtain walls, is largely mediaeval except for some C18 work on the interior on the west and for the Prudhoe Tower and the Chapel. The interior contrasts with the rugged mediaeval exterior with its sumptuous Renaissance decoration, largely by Italians - Montiroli, Nucci, Strazza, Mantavani and inspired from Italian sources. The chapel with its family gallery at the east end has 4 short rib vaulted bays and a shallow 3-light apse; side walls have mosaics, covered now with tapestry. The grand staircase With its groin vaulted ceiling leads to the Guard Chamber from which an ante-room leads west into the Library (in the Prudhoe Tower) and east into the Music Room (fireplace with Dacian captives by Nucci). Further on are the Red Drawing Room (caryatid fireplace by Nucci) and the Dining Room (ceiling design copied from St Lorenzo f.l.m. in Rome and fireplace with bacchante by Strazza and faun by Nucci). South of the Middle Gateway are Salvin's impressive Kitchen quarters where the oven was designed to burn a ton of coal per day. West of the Stable Courtyard, with C19 Guest Hall at the south end, is the C19 covered riding school, with stable to north of it, and with its west wall forming the east side of Narrowgate. The corner with Bailliffgate has an obtuse angled tower of 2 storeys, with a depressed ogee headed doorway from the street, and merlons.
Listing NGR: NU1863413479
historicengland.org.uk/listing/the-list/list-entry/137130...
—————————————————————————
ALNWICK CASTLE
Heritage Category: Park and Garden
Grade: I
List Entry Number: 1001041
National Grid Reference: NU1739315366, NU2254414560
Details
Extensive landscape parks and pleasure grounds developed from a series of medieval deer parks, around Alnwick Castle, the seat of the Percy family since the C14.
Between 1750 and 1786, a picturesque landscape park was developed for Hugh, first Duke of Northumberland, involving work by James Paine, Robert Adam, and the supervision of work by Lancelot Brown (1716-83) and his foremen Cornelius Griffin, Robson, and Biesley in the 1760-80s, working alongside James and Thomas Call, the Duke's gardeners. During the C19 each successive Duke contributed and elaborated on the expansive, planned estate landscape, within which the landscape park was extended. This was accompanied by extensive C19 garden works, including a walled, formal flower garden designed in the early C19 by John Hay (1758-1836), and remodelled mid C19 by William Andrews Nesfield (1793-1881).
NOTE This entry is a summary. Because of the complexity of this site, the standard Register entry format would convey neither an adequate description nor a satisfactory account of the development of the landscape. The user is advised to consult the references given below for more detailed accounts. Many Listed Buildings exist within the site, not all of which have been here referred to. Descriptions of these are to be found in the List of Buildings of Special Architectural or Historic Interest produced by the Department of Culture, Media and Sport.
HISTORIC DEVELOPMENT
In the C13, Hulne Park, West Park, and Cawledge were imparked within the Forest of Alnwick. Hulne Park lay to the north-west of Alnwick Castle and Cawledge to the south and south-east. By the late Middle Ages, Hulne Park extended to 4000 acres (c 1620ha) enclosed by some 13 miles (c 21km) of wall. It was stocked with some 1000 fallow deer and a tower at Hulne Priory served as a hunting lodge. The parks formed the basis of Alnwick Park, landscaped by Sir Hugh Smithson (1714-86) who in 1750 became Earl of Northumberland, inheriting his father-in-law's northern estates. Prior to this, from 1748 he and his wife, Elizabeth Seymour (1716-76), had lived at Stanwick, Yorkshire (qv) and at Syon Park, London (qv), where they had already established a reputation for gardening, attested by Philip Miller's dedication, in 1751, of his Gardener's Dictionary to the Earl.
Together they embarked on an ambitious scheme to restore the Castle, develop the grounds and estate, and restore the Percy family traditions and identity at Alnwick. Those employed at Alnwick were also involved elsewhere on the Northumberland estates: James Paine, architect at Syon House, Daniel Garrett, architect at Northumberland House, the Strand (1750-3), Robert Adam, architect at Syon (1762-9), Lancelot Brown, landscape architect at Syon Park (1754-72).
In 1751, Thomas Call (1717-82), who had been the Earl's gardener at Stanwick, prepared a scheme for the parklands and pleasure grounds, including a plan for Brizlee Hill (the south part of Hulne Park). Call and his relation James, working at Alnwick by 1756, were responsible for the development of Hulne Park over twenty years. The date and extent of Lancelot Brown's involvement at Alnwick is uncertain, although his foremen Griffin, Robson, and Biesley worked at Alnwick with teams of men between 1771and 1781 and records shown that they also worked alongside Call and his men (in 1773 for example, Call had a team of sixty men and Biesley one of seventy-eight).
Hulne Park was developed as a picturesque pleasure ground with extensive rides, follies, and the enhancement of natural features. A characteristic of the Duke's scheme was his recognition of antiquarian sites within the landscape, which were embellished. Thus in 1755, Hulne Priory was purchased to become the focal point of Hulne Park. A garden was made within the cloister walls and, from c 1763, the priory became the gamekeeper's residence, with a menagerie of gold and silver pheasants. Statues of friars cut by the mason Matthew Mills were set in the landscape. In 1774, a medieval commemorative cross to Malcolm Canmore (listed grade II), situated at the northern entrance to the North Demesne, was restored.
Following the Duchess' death in 1776, the Duke decorated all her favourite locations with buildings, some being ideas she had noted in her memoranda. Work also included other notes and ideas the Duchess had had, including the ruin at Ratcheugh Crag and some ninety-eight drives and incidents.
Plans for the parklands at the North Demesne, Denwick, and Ratcheugh Crags were developed in the late 1760s, although in the case of the North Demesne some parkland planting had been undertaken by 1760, and the major work undertaken in the early 1770s is that attributed to Brown, mainly on stylistic grounds.
During the C19, under the second Duke (1742-1817) the parks were extended, this including the purchase of Alnwick Abbey and part of its estate. The complex of drives was also extended and this was accompanied by extensive plantations, including the large Bunker Hill plantation central to the north area of Hulne Park, named to commemorate the Duke's action in 1775 in the War of American Independence. Most significantly, between 1806 and 1811, building centred on construction of a perimeter wall, defining the boundary of Hulne Park, and lodges and gateways at entrances to the parks. The carriage drives were extended, necessitating the construction of bridges over the River Aln. These schemes were implemented by estate workers, local masons, and David Stephenson, the Duke's architect.
As the Castle had no formal flower gardens, John Hay was commissioned between 1808 and 1812 to design pleasure gardens to the south-east of the Castle, linking it with a new walled garden at Barneyside, furnished with a range of hothouses, glasshouses, and pine pits. These were extended in the 1860s when Anthony Salvin, employed in the restoration of the Castle, built a gateway between the inner bailey and the pleasure gardens. Nesfield designed a scheme for the walled gardens to be developed as an ornamental flower and fruit garden, with a large central pool, conservatory, and a series of broad terraces and parterres. The Alnwick scheme can be compared to Nesfield's in the precincts of Arundel Castle, West Sussex (qv), in 1845.
Alnwick Castle, parks and estate remain (2000) in private ownership, the latest significant developments being the replanting and restoration of the North Demesne (1990s) and plans to completely remodel the walled garden.
SUMMARY DESCRIPTION
Alnwick Castle parks cover a tract of countryside encircling Alnwick town on its west, north, north-east, and south sides. The land is a mixture of contrasting landscape types, with high heather moorland and the rough crags of the Northumbrian Sandstone Hills sweeping down to the improved pasture lands along the wooded Aln valley. The parks exploit the boundaries of these distinctive landforms where the rugged moorland gives way to the pastoral, rolling landscape of the Aln, on its route to the sea. In the west parklands the river is confined between hills, and in places has incised deep, narrow valleys while in the east the landscape is more open.
The registered area of 1300ha is bounded on its north-east side by the Hulne Park wall, west of the Bewick to Alnwick Road (B6346). The west side of the area here registered follows field boundaries to the west of Shipley Burn, starting at Shipley Bridge, and then turns south-west at a point c 1km south of the bridge. It then runs for south-west for c 2.3km, to the west of Hulne Park, before crossing the River Aln and running parallel to Moorlaw Dean for c 1.2km, on the west side of the burn. The southern area is defined by Hulne Park wall running around the south point of Brizlee Wood then in a line due east, south of Cloudy Crags drive, to cross the Stocking Burn and reach Forest Lodge. The boundary then defines the north-western extent of Alnwick town and, crossing the Canongate Bridge, the southernmost extent of the Dairy Grounds.
To the east of the Castle the registered area takes in the entire North Demesne bounded on its north by Long Plantation, a perimeter belt which lies on the south side of Smiley Lane and then extends eastwards to meet the junction of the B1340 and A1 trunk road. The A1 has effectively cut through the North Demesne from north to south and, although physically divorcing the two areas, they are still visually conjoined. Defined on its north side within the hamlet of Denwick by tree belts, the park extends eastwards for 1km before cutting across southwards to meet the River Aln at Lough House. This latter stretch is bounded by a perimeter belt. The south boundary of the North Demesne follows the river in part, before meeting the Alnwick to Denwick road (B1340). To the south, the Castle gardens are delimited from the town by property boundaries along Bondgate. An outlying area of designed landscape at Ratcheugh is also included.
A complex series of drives is laid throughout the parks, particularly in Hulne Park. A series of thirty standing stones stand at the beginning of the drives or where they converge. These are inscribed with the names of the drives and act as signposts.
Alnwick Castle (1134 onwards, c 1750-68 by James Paine and Robert Adam, 1854-6 by Anthony Salvin, listed grade I) lies on the high ground on the south side of the Aln valley, commanding views to the north, east, and west. To the south is Alnwick town but the landscape is designed so that the town is not in view of the Castle. The principal views from the Castle lie over the North Demesne.
The North Demesne originally included Denwick Park (they have now been divided by the A1 road), and together these 265ha form the core parkland designed by Brown. Perimeter tree belts define the park, and clumps and scatters of specimen trees ornament the ground plan. The Aln has been dammed to give the appearance of an extensive, natural serpentine lake, with bridges as focal points: the Lion Bridge (John Adam 1773, listed grade I) and Denwick Bridge (1766, probably also by Adam, listed grade I). A programme of replanting and restoration of the North Demesne is under way (late 1990s).
The medieval deer park of Hulne extended to the north of the Shipley Road (outside the area here registered). Hulne Park is now 1020ha and is in agricultural and forestry use. The principal entrance from Alnwick town is Forest Lodge, the only extant part of Alnwick Abbey. Hulne Park is completely enclosed by an early C19 perimeter wall, c 3m high with shaped stone coping and buttresses every 20m. Nearly 5km of wall lies alongside roads, 5km across fields, and 5km defines perimeter woodland and moorland from the enclosed park.
The park design consists of a series of oval-shaped enclosures, defined by tree belts vital for shelter. The highest point is in the west area of the park, from where there are long-distance views east to the sea. The River Aln winds its way through the park via a series of contrasting steep valleys and flatter lands. The valleys are emphasised by planting on the upper slopes, while the lower areas are encircled with designed plantations to emphasise the river's meanders and ox-bow lakes.
Picturesque incidents survive at Nine Year Aud Hole, where the statue of a hermit (late C18, listed grade II) stands at the entrance to a natural cave along Cave Drive, and at Long Stone, a monolith standing high on the west side of Brizlee Hill, with panoramic views over Hulne Park to the north-west. The picturesque highlight is Hulne Priory (original medieval buildings, C18 alterations and enhancements, all listed grade I), which includes a summerhouse designed by Robert Adam (1778-80, listed grade I) and statues of praying friars erected in the Chapter House (late C18). The Priory's picturesque qualities are well appreciated from Brizlee Tower (Robert Adam, listed grade I), built in 1781 to commemorate the creation of the Alnwick parks by the first Duke and Duchess, a Latin inscription stating:
Circumspice! Ego omnia ista sum dimensus; Mei sunt ordines, Mea descriptio Multae etiam istarum arborum Mea manu sunt satae. [Look about you. I have measured all these things; they are my orders; it is my planning; many of these trees have been planted by my own hand.]
Brizlee is sited on a high point which can be seen in views north-west from the Castle, mirroring views north-east to the 'Observatory' on Ratcheugh Crag, a sham ruined castle sited as an eyecatcher on high ground and built by John Bell of Durham in 1784 (plans to further elaborate it were designed by Robert Adam).
Another principal feature of Hulne Park is a series of regular, walled enclosures (the walls set in ditches with banks cast up inside the compounds) which line Farm Drive, the central road through the park, north-westwards from Moor Lodge. This functioned as the third Duke's menagerie, and is still pasture.
The 15ha Dairy Ground links Hulne Park and the North Demesne. It principally consists of the Aln valley north-west of the Castle, stretching between Canongate Bridge and Lion Bridge, laid out as pleasure gardens. Barbara's Bank and the Dark Walk are plantations laid out with walks on the steep slopes with a Curling Pond to the north of the Aln.
The walled garden of 3ha lies to the south-east of the Castle, reached by the remains of C19 pleasure gardens laid out on the slopes above Barneyside. After the Second World War use of the glasshouses ceased, and until recently (late 1990s) the Estate Forestry Department used it. The earthwork terraces and remnants of specimen planting of Nesfield's scheme survive.
REFERENCES
Note: There is a wealth of material about this site. The key references are cited below.
The Garden, 5 (1874), pp 100-1, 188; 20 (1881), pp 155-6 Gardeners' Chronicle, ii (1880), pp 523-4, 587; ii (1902), pp 273-4 J Horticulture and Cottage Gardener 15, (1887), pp 296-8 P Finch, History of Burley on the Hill (1901), p 330 Country Life, 65 (22 June 1929), pp 890-8; 66 (6 July 1929), pp 16-22; 174 (4 August 1983), p 275 D Stroud, Capability Brown (1975), pp 103-4 Garden History 9, (1981), pp 174-7 Capability Brown and the Northern Landscape, (Tyne & Wear County Council Museums 1983), pp 19, 22-3, 27, 42 Restoration Management Plan, Alnwick Castle, (Land Use Consultants 1996) C Shrimpton, Alnwick Castle, guidebook, (1999)
Description written: August 2000 Resgister Inspector: KC Edited: June 2003
historicengland.org.uk/listing/the-list/list-entry/100104...
See also:-
A restoration/hand colorization I did at the request of another Flickr user who has asked to remain anonymous.
In this photo: The Miller Barn Restoration Project wrapped up last week. The HistoriCorps team did an outstanding job. We thank the team tremendously for helping us to preserve America's heritage.
September 8 through October 4, 2019, HistoriCorps, a national nonprofit organization dedicated to engaging volunteers in the rehabilitation of historic structures on publicly accessible lands, in partnership with the National Elk Refuge, worked to restore the 121 year old Historic Miller Barn.
The Historic Miller Barn on the National Elk Refuge, represents a range of historic events significant to the development of the National Elk Refuge and Jackson, WY. The 30-by-40 foot barn was built in 1898 and is on the National Register of Historic Places. The barn is part of the Historic Miller Ranch on the National Elk Refuge. The site referred to as the Historic Miller Ranch includes the original log home or Miller House, the Miller Barn, and a one-room log building that was once used as the original office for what later became Teton National Forest, known currently as Bridger-Teton National Forest.
HistoriCorps is a 501(c)3 nonprofit that provides volunteers of all skill levels with a hands-on experience preserving historic structures on public lands across America. Volunteers work with HistoriCorps field staff to learn preservation skills and put those skills to work saving historic places that have fallen into disrepair. HistoriCorps works to ensure America’s cultural and historical resources exist for generations to come.
Photo: Kari Cieszkiewicz/USFWS
At 21:47 GMT, the equinox happened, and so from then on, light is destined to win over darkness. Which meant, of course, that the day before then was the shortest "day", or amount of daylight.
This is the end of the year, the build up and excitement before Christmas, and at the same time, looking back at the year, and what has happened in the previous 50 or so weeks. So, a time of mixed emotions, good and bad, happy and sad.
But I was on vacation, or not going to work.
I am not up to date, but I did all the tasks I was supposed to do, threw a few electronic grenades over the walls, and was now happy not to think of that shit for two whole weeks.
For Jools, however, there was half a day to do, and then her employers paid for all those employed at the factory to go to a fancy place in Folkestone for lunch, drinks at the bar and a bottle of wine between four folks.
It was, in short, a time for celebration. Something I realise has not happened in my job since I left operational quality, to be happy and give thanks to those we work with. And be recognised for the good job we do.
So, I was to take Jools to work, and have the car for the day.
Jools was conscious that my plan for the day involved driving to the far west of Kent, so realised I needed an early start, and not dropping her off in Hythe at seven.
We left after coffee just after six, driving through Dover and Folkestone on the main road and motorway before turning over the downs into Hythe. I dropped her off in the town, so she could get some walking in. She always didn't walk, as waves of showers swept over the town, and me as I drove back home for breakfast and do all the chores before leaving on a mini-churchcrawl.
So, back home for breakfast, more coffee, wash up, do the bird feeders and with postcodes, set out for points in the extreme west. Now, Kent is not a big county, not say, Texas big, but it takes some time to get to some parts of the west of the county. Main roads run mainly from London to the coast, so going cross-country or cross-county would take time.
At first it was as per normal up the A20 then onto the motorway to Ashford then to Maidstone until the junction before the M26 starts. One of the reasons for going later was to avoid rush hours in and around Maidstone, Tonbridge and Tunbridge Wells.
As it was, after turning down the A road, things were fine until I got to Mereworth, but from there the road began to twist and turn until it lead me into Tonbridge. Once upon a time, this was a sleepy village or small town. The the railways came and it became a major junction. The road to Penshurt took me though the one way system, then down the wide High Street, over the river Medway and up the hill the other side.
Two more turns took me to my target, through what were once called stockbroker mansions, then down a hill, with the village laid out before me just visible through the trees.
The village was built around the outskirts of Penshurst Place, home to the Sidney family since Tudor times. Just about everything is named the Leicester something, the village having its own Leicester Square, though with no cinemas, and all timber framed houses and painfully picturesque.
The church lays behind the houses, the tower in golden sandstone topped with four spirelets.
I parked the car, and armed with two cameras, several lenses and a photographer's eye, walked to the church.
The reason for coming was I can only remember a little about my previous visit, but the Leicester name thing triggered in my head the thought the memorials and tombs might be worth a revisit.
So there I was.
Gilbert Scott was very busy here, so there is little of anything prior to the 19th century, but the memorials are there. Including one which features the heads of the children of Robert Sidney (d1702) in a cloud. Including the eldest son who died, apparently, so young he wasn't named, and is recorded as being the first born.
This is in the Sidney Chapel where the great and good are buried and remembered, it has a colourful roof, or roof beams, and heraldic shields. It has a 15th century font, which, sadly, has been brightly painted so is gaudy in the extreme.
I go around getting my shots, leave a fiver for the church. Go back to the car and program Speldhurst into the sat nav.
Its just a ten minute drive, but there is no place to park anywhere near the church. I could see from my slow drive-by the porch doors closed, and I convinced myself they were locked and not worth checking out.
I went on to Groombridge, where there is a small chapel with fabulous glass. I had been here before too, but wanted to redo my shots.
It was by now pouring with rain, and as dark as twilight, I missed the church on first pass, went to the mini-roundabout only to discover that it and the other church in the village were in Sussex. I turned round, the church looked dark and was almost certainly locked. I told myself.
I didn't stop here either, so instead of going to the final village church, I went straigh to Tunbridge Wells where there was another church to revisit.
I drove into the town, over the man road and to the car park with no waiting in traffic, how odd, I thought.
It was hard to find a parking space, but high up in the parking house there were finally spaced. I parked near the stairs down, grabbed my cameras and went down.
I guess I could have parked nearer the church, but once done it would be easier to leave the town as the road back home went past the exit.
I ambled down the hill leading to the station, over the bridge and down the narrow streets, all lined with shops. I think its fair to say that it is a richer town than Dover because on one street there were three stores offering beposke designer kitchens.
The church is across the road from the Georgian square known at The Pantiles, but it was the church I was here to visit.
I go in, and there is a service underway. I decide to sit at the back and observe.
And pray.
I did not take communion, though. The only one there who didn't.
About eight elderly parishioners did, though.
I was here to photograph the ceiling, and then the other details I failed to record when we were last here over a decade ago.
I was quizzed strongly by a warden as to why I was doing this. I had no answer other than I enjoyed it, and for me that is enough.
After getting my shots, I leave and begin the slog back up to the car, but on the way keeping my promise to a young man selling the Big Issue that I would come back and buy a copy. I did better than that in that I gave him a fiver and didn't take a copy.
He nearly burst into tears. I said, there is kindness in the world, and some of us do keep our promises.
By the time I got to the car park, it was raining hard again. I had two and a half hours to get to Folkestone to pick up Jools after her meal.
Traffic into Tunbridge Wells from this was was crazy, miles and miles of queues, so I was more than happy going the other way.
I get back to the M20, cruise down to Ashford, stopping at Stop 24 services for a coffee and something to eat. I had 90 minutes to kill, so eat, drink and scroll Twitter as I had posted yet more stuff that morning. In other news: nothing changed, sadly.
At quarter past four I went to pick up Jools, stopping outside the restaurant. When she got in she declared she had been drinking piña coladas. Just two, but she was bubby and jabbering away all the way home.
With Jools having eaten out, and with snacks I had, no dinner was needed, so when suppertime came round, we dined on cheese and crackers, followed by a large slice of Christmas cake.
She was now done for Christmas too.
----------------------------------------------------
A large sandstone church of nave, aisles, chancel and chapels that was restored by Sir George Gilbert Scott in 1864. It stands in an excellent position set back from the street in a large well-kept churchyard. The tower is of three stages with four pinnacles strangely set well back from the corners. Inside it is obvious that there have been many rebuildings and repairs, leaving a general character of the Victorian period. The good chancel screen is by Bodley and Garner and dates from 1897. Whilst it is well carved the florid design is more suited to a West Country church than to the Garden of England. The fifteenth-century font has been painted in bold colours in a way that can never have been imagined when it was new! Nearby is the Becket window designed by Lawrence Lee in 1970. It is quite unlike any other window in Kent and has an emphasis on heraldry - the figure of Becket and three knights are almost lost in the patchwork effect. Under the tower is the famous Albigensian Cross, a portion of thirteenth-century coffin lid with the effigy of a woman at prayer. The south chapel, which belongs to Penshurst Place, was rebuilt by Rebecca in 1820 and has a lovely painted ceiling. It contains some fine monuments including Sir Stephen de Pencester, a damaged thirteenth-century knight. Nearby is the large standing monument to the 4th Earl of Leicester (d. 1704) designed by William Stanton. It is a large urn flanked by two angels, above which are the heads of the earls children's floating in the clouds!
www.kentchurches.info/church.asp?p=Penshurst
-------------------------------------------
PENSHURST.
THE next parish eastward from Chidingstone is Penhurst, called in the Textus Roffenfis, Pennesherst. It takes its name from the old British word Pen, the height or top of any thing, and byrst, a wood. (fn. 1) It is called in some antient records, Pen cestre, and more vulgarly, Penchester, from some sortified camp or fortress antiently situated here.
There is a district in this parish, called Hallborough, which is within the lowy of Tunbridge, the manerial rights of which belong to Thomas Streatfeild, esq. and there is another part of it, comprehending the estate of Chafford, which is within the jurisdiction of the duchy court of Lancaster.
THIS PARISH lies in the Weald, about four miles Southward from the foot of the sand hills, and the same distance from Tunbridge town, and the high London road from Sevenoke. The face of the country is much the same as in those parishes last described, as is the soil, for the most part a stiff clay, being well adapted to the large growth of timber for which this parish is remarkable; one of these trees, as an instance of it, having been cut down here, about twenty years ago, in the park, called, from its spreading branches, Broad Oak, had twenty-one ton, or eight hundred and forty feet of timber in it. The parish is watered by the river Eden, which runs through the centre of it, and here taking a circular course, and having separated into two smaller streams, joins the river Medway, which flows by the southern part of the park towards Tunbridge. At a small distance northward stands the noble mansion of Penshurst-place, at the south west corner of the park, which, till within these few years, was of much larger extent, the further part of it, called North, alias Lyghe, and South parks, having been alienated from it, on the grounds of the latter of which the late Mr. Alnutt built his seat of that name, from whence the ground rises northward towards the parish of Lyghe. Close to the north west corner of Penshurst-park is the seat of Redleaf, and at the south west corner of it, very near to the Place, is the village of Penshurst, with the church and parsonage. At a small distance, on the other side the river, southward, is Ford-place, and here the country becomes more low, and being watered by the several streams, becomes wet, the roads miry and bad, and the grounds much covered with coppice wood; whence, about a mile southward from the river, is New House, and the boroughs of Frendings and Kingsborough; half a mile southward from which is the river Medway; and on the further side of it the estate of Chafford, a little beyond which it joins the parish of Ashurst, at Stone cross. In a deep hole, in the Medway, near the lower end of Penshurst-park, called Tapner's-hole, there arises a spring, which produces a visible and strong ebullition on the surface of the river; and above Well-place, which is a farm house, near the south-east corner of the park, there is a fine spring, called Kidder's-well, which, having been chemically analized, is found to be a stronger chalybeate than those called Tunbridge-wells; there is a stone bason for the spring to rise in, and run to waste, which was placed here by one of the earls of Leicester many years ago. This parish, as well as the neighbouring ones, abounds with iron ore, and most of the springs in them are more or less chalybeate. In the losty beeches, near the keeper's lodge, in Penshurst-park, is a noted beronry; which, since the destruction of that in lord Dacre's park, at Aveley, in Effex, is, I believe, the only one in this part of England. A fair is held here on July I, for pedlary, &c.
The GREATEST PART of this parish is within the jurisdiction of the honour of Otford, a subordinate limb to which is the MANOR of PENSHURST HALIMOTE, alias OTFORD WEALD, extending likewise over parts of the adjoining parishes of Chidingstone, Hever, and Cowden. As a limb of that of honour, it was formerly part of the possessions of the see of Canterbury, and was held for a long time in lease of the archbishops, by the successive owners of Penhurst manor, till the death of the duke of Buckingham, in the 13th year of king Henry VIII. in the 29th year of which reign, Thomas Cranmer, archbishop of Canterbury, exchanging Otford with the crown, this, as an appendage, passed with it, and it remained in the hands of the crown till the death of king Charles I. 1648; after which the powers then in being, having seised on the royal estates, passed an ordinance to vest them in trustees, to be sold, to supply the necessities of the state; when, on a survey made of this manor, in 1650, it appeared that the quit-rents due to the lord, from the freeholders in free socage tenure, were 16l. 18s. 3½d. and that they paid a heriot of the best living thing, or in want thereof, 3s. 4d. in money. That there were copyholders holding of it, within this parish, by rent and fine certain; that there was a common fine due from the township or borough of Halebury, and a like from the township of Penshurst, a like from the townships or boroughts of Chidingstone, Standford, and Cowden; and that there was a court baron and a court leet. The total rents, profits, &c. of all which amounted to 23l. and upwards. (fn. 2) After this the manor was sold by the state to colonel Robert Gibbon, with whom it remained till the restoration of king Charles II. when the possession and inheritance of it returned to the crown, where it remains, as well as the honour of Otford, at this time, his grace the duke of Dorset being high steward of both; but the see farm rents of it, with those of other manors belonging to the above mentioned honour, were alienated from the crown in king Charles II.'s reign, and afterwards became the property of Sir James Dashwood, bart. in whose family they still continue.
SOON AFTER the reign of William the Conqueror Penshurst was become the residence of a family, who took their name from it, and were possessed of the manor then called the manor of Peneshurste; and it appears by a deed in the Registrum Roffense, that Sir John Belemeyns, canon of St. Paul, London, was in possession of this manor, as uncle and trustee, in the latter part of king Henry III.'s reign, to Stephen de Peneshurste or Penchester, who possessed it in the beginning of the reign of king Edward I. He had been knighted, and made constable of Dover castle and warden of the cinque ports by Henry III. in which posts he continued after the accession of king Edward I. (fn. 3) He died without issue male, and was buried in the south chancel of this church, under an altar tomb, on which lay his figure in armour, reclining on a cushion. He left Margery, his second wife, surviving, who held this manor at her death, in the 2d year of king Edward II. and two daughters and coheirs; Joane, married to Henry de Cobham of Rundale, second son of John de Cobham, of Cobham, in this county, by his first wife, daughter of Warine Fitz Benedict; (fn. 4) and Alice to John de Columbers, as appears by an inquisition, taken in the 3d year of king Edward II. His arms, being Sable, a bend or, a label of three points argent, still remain on the roof of the cloisters of Canterbury cathedral. Alice, above mentioned, had this manor, with that of Lyghe adjoining, assigned to her for her proportion of their inheritance; soon after which these manors were conveyed to Sir John de Pulteney, son of Adam de Pulteney of Misterton, in Leicestershire, by Maud his wife. In the 15th year of that reign he had licence to embattle his mansion houses of Penshurst, Chenle in Cambridgeshire, and in London. (fn. 5) In the 11th year of king Edward III. Thomas, son of Sir John de Columbers of Somersetshire, released to him all his right to this manor and the advowson of the chapel of Penshurst; (fn. 6) and the year following Stephen de Columbers, clerk, brother of Sir Philip, released to him likewise all his right in that manor and Yenesfeld, (fn. 7) and that same year he obtained a grant for free warren within his demesne lands within the former. He was a person greatly esteemed by that king, in whose reign he was four times lord mayor of London, and is noticed by our historians for his piety, wisdom, large possessions, and magnificent housekeeping. In his life time he performed several acts of public charity and munificence; and among others he founded a college in the church of St. Laurence, since from him named Poultney, in London. He built the church of Little Allhallows, in Thamesstreet, and the Carmelites church, and the gate to their monastery, in Coventry; and a chapel or chantry in St. Paul's, London. Besides which, by his will, he left many charitable legacies, and directed to be buried in the church of St. Laurence above mentioned. He bore for his arms, Argent a fess dancette gules, in chief three leopards heads sable.
By the inquisition taken after his death, it appears, that he died in the 23d year of that reign, being then possessed of this manor, with the advowson of the chapel, Lyghe, South-park, and Orbiston woods, with lands in Lyghe and Tappenash, and others in this county. He left Margaret his wife surviving, who married, secondly, Sir Nicholas Lovaine; and he, in her right, became possessed of a life estate in this manor and the others above mentioned, in which they seem afterwards jointly to have had the see; for Sir William Pulteney, her son, in his life time, vested his interest in these manors and estates in trustees, and died without issue in the 40th year of the same reign, when Robert de Pulteney was found to be his kinsman and next heir, who was ancestor to the late earl of Bath. The trustees afterwards, in the 48th year of it, conveyed them, together with all the other estates of which Sir John Pulteney died possessed, to Sir Nicholas Lovaine and Margaret his wife, and their heirs for ever. Sir Nicholas Lovaine above mentioned was a descendant of the noble family of Lovaine, a younger branch of the duke of Lorraine. Godfrey de Lovaine, having that surname from the place of his birth, possessed lands in England in right of his mother, grand daughter of king Stephen, of whose descendants this Nicholas was a younger branch. He bore for his arms, Gules, a fess argent between fourteen billets or; which arms were quartered by Bourchier earl of Bath, and Devereux earl of Essex. (fn. 8) He died possessed of this manor, leaving one son, Nicholas, who having married Margaret, eldest daughter of John de Vere, earl of Oxford, widow of Henry lord Beaumont, died without issue, and a daughter Margaret, who at length became her brother's heir.
Margaret, the widow of Nicholas the son, on his death, possessed this manor for her life, and was afterwards re-married to Sir John Devereux, who in her right held it. He was descended from a family which had their surname from Eureux, a town of note in Normandy, and there were several generations of them in England before they were peers of this realm, the first of them summoned to parliament being this Sir John Devereux, who being bred a soldier, was much employed in the wars both of king Edward III. and king Richard II. and had many important trusts conferred on him. In the 11th year of the latter reign, being then a knight banneret, he was made constable of Dover castle and warden of the cinque ports. In the 16th year of that reign, he had licence to fortify and embattle his mansion house at Penshurst, the year after which he died, leaving Margaret his wife, surviving, who had an assignation of this manor as part of her dower. She died possessed of it, with Yensfield, and other lands, about the 10th year of king Henry IV. and was succeeded in them by Margaret, sister and heir of her husband, Nicholas Lovaine, who was twice married, first to Rich. Chamberlayn, esq. of Sherburn, in Oxfordshire; and secondly to Sir Philip St. Clere, of Aldham, St. Clere, in Ightham. (fn. 9) Both of these, in right of their wife, seem to have possessed this manor, which descended to John St. Clere, son of the latter, who conveyed it by sale to John duke of Bedford, third son of king Henry IV. by Mary his wife, daughter and coheir of Humphry de Bohun, earl of Hereford, Essex, and Northampton.
The duke of Bedford was the great support and glory of this kingdom in the beginning of the reign of his infant nephew, king Henry VI. his courage was unequalled, and was followed by such rapid success in his wars in France, where he was regent, and commanded the English army in person, that he struck the greatest terror into his enemies. The victories he acquired so humbled the French, that he crowned king Henry VI. at Paris, in which city he died greatly lamented, in the 14th year of that reign, (fn. 10) and was buried in the cathedral church of Roan. He was twice married, but left issue by neither of his wives. He died possessed of the manors of Penshurst, Havenden-court, and Yensfield, as was then found by inquisition; in which he was succeeded by his next brother, Humphry duke of Gloucester, fourth son of king Henry IV. by Mary his wife, daughter and coheir of Humphry de Bohun, earl of Hereford, &c. who in the 4th year of king Henry V. had had the offices of constable of Dover castle and warden of the cinque ports, granted to him for the term of his life; and in the 1st year of king Henry VI. was, by parliament, made protector of England, during the king's minority; and the same year he was constituted chamberlain of England, at the coronation of that prince was appointed high steward of England.
The duke was, for his virtuous endowments, surnamed the Good, and for his justice was esteemed the father of his country, notwithstanding which, after he had, under king Henry VI. his nephew, governed this kingdom twenty-five years, with great applause, he was, by the means of Margaret of Aujou, his nephew's queen, who envied his power, arrested at the parliament held at St. Edmundsbury, by John lord Beaumont, then high constable of England, accompanied by the duke of Buckingham and others; and the night following, being the last of February, anno 25 king Henry VI. he was found dead in his bed, it being the general opinion that he was strangled; though his body was shewn to the lords and commons, with an account of his having died of an apoplexy or imposthume; after which he was buried in the abbey of St. Alban, near the shrine of that proto-martyr, and a stately monument was erected to his memory.
This duke married two wives; first Jaqueline, daughter and heir of William duke of Bavaria, to whom belonged the earldoms of Holand, Zeland, and Henault, and many other rich seignories in the Netherlands; after which he used these titles, Humphrey, by the grace of God, son, brother, and uncle to kings; duke of Gloucester; earl of Henault, Holand, Zeland, and Pembroke; lord of Friesland; great chamberlain of the kingdom of England; and protector and defender of the kingdom and church of England. But she having already been married to John duke of Brabant, and a suit of divorce being still depending between them, and the Pope having pronounced her marriage with the duke of Brabant lawful, the duke of Gloucester resigned his right to her, and forthwith, after this, married Eleanor Cobham, daughter of Reginald, lord Cobham of Sterborough, who had formerly been his concubine. A few years before the duke's death she was accused of witchcrast, and of conspiring the king's death; for which she was condemned to solemn pennance in London, for three several days, and afterwards committed to perpetual imprisonment in the isle of Man. He built the divinity schools at Oxford, and laid the foundation of that famous library over them, since increased by Sir Thomas Bodley, enriching it with a choice collection of manuscripts out of France and Italy. He bore for his arms, Quarterly, France and England, a berdure argent. (fn. 11)
By the inquisition, taken after his death, it appears, that he died possessed of the manors of Penshurst, Havenden-court, and Yensfield, in this county, and that dying, without issue, king Henry VI. was his cousin and next heir.
¶The manor of Penshurst thus coming into the hands of the crown, was granted that year to Humphrey Stafford, who, in consideration of his near alliance in blood to king Henry VI. being the son of Edmund earl of Stafford, by Anne, eldest daughter of Thomas of Woodstock, duke of Gloucester, sixth and youngest son of king Edward III. Mary, the other daughter and coheir, having married Henry of Bullingbroke, afterwards king Henry IV. and grandfather of king Henry VI. (fn. 12) as well as for his eminent services to his country, had been, in the 23d year of that reign, created duke of Buckingham. He was afterwards slain in the battle of Northampton, sighting valiantly there on the king's part. By the inquisition, taken after his death, it appears that he died in the 38th year of that reign possessed of this manor of Penshurst, among others in this county and elsewhere; which afterwards descended down to his great grandson, Edward duke of Buckingham, but in the 13th year of Henry VIII. this duke being accused of conspiring the king's death, he was brought to his trial, and being found guilty, was beheaded on Tower-hill that year. In the par liament begun April 15, next year, this duke, though there passed an act for his attainder, yet there was one likewise for the restitution in blood of Henry his eldest son, but not to his honors or lands, so that this manor, among his other estates, became forseited to the crown, after which the king seems to have kept it in his own hands, for in his 36th year, he purchased different parcels of land to enlarge his park here, among which was Well-place, and one hundred and seventy acres of land, belonging to it, then the estate of John and William Fry, all which he inclosed within the pale of it, though the purchase of the latter was not completed till the 1st year of king Edward VI. (fn. 13) who seems to have granted the park of Penshurst to John, earl of Warwick, for that earl, in the 4th year of that reign, granted this park to that king again in exchange for other premises. In which year the king granted the manor of Penshurst, with its members and appurtenances, late parcel of the possessions of the duke of Buckingham, to Sir Ralph Fane, to hold in capite by knight's service, being the grandson of Henry Vane, alias Fane, of Hilsden Tunbridge, esq. but in the 6th year of that reign, having zealously espoused the interests of the duke of Somersee, he was accused of being an accomplice with him, and being found guilty, was hanged on Tower-hill that year.
PENSHURST is within the ECCLESIASTICAL JURISDICTION of the diocese of Rochester, and being a peculiar of the archbishop of Canterbury, is as such within the deanry of Shoreham.
The church, which is a large handsome building, is dedicated to St. John Baptist. It consists of three isles, a cross isle, and three chancels, having a tower steeple at the west end.
Among other monuments and inscriptions in this church are the following:—In the middle isle, a grave-stone, with the figure of a man and his two wives, now torn off, but the inscription remains in black letter, for Watur Draynowtt, and Johanna and Anne his wives, obt. 1507; beneath are the figures of four boys and three girls, at top, arms, two lions passant, impaling or, on a chief, two lions heads erased; a memorial for Oliver Combridge, and Elizabeth his wife, obt. 1698. In the chancel, memorials on brass for Bulman and Paire; within the rails of the altar a gravestone for William Egerton, LL. D. grandon of John, earl of Bridgwater, rector of Penshurst and Allhallows, Lombard-street, chancellor and prebendary of Hereford, and prebendary of Can terbury, he left two daughters and one son, by Anne, daughter of Sir Francis Head, obt. Feb. 26, 1737; on the south side of the altar, a memorial in brass for John Bust, God's painful minister in this place for twenty-one years; on the north side a mural monument for Gilbert Spencer, esq. of Redleafe-house, obt. 1709, arms, Spencer, an escutcheon of pretence for Combridge; underneath is another stone, with a brass plate, and inscription for William Darkenol, parson of this parish, obt. July 12, 1596; on grave-stones are these shields in brass, the figures and inscriptions on which are lost, parted per fess, in chief two lions passant guardant in base, two wolves heads erased; on another, the same arms, impaling a chevron between three padlocks; another, a lion rampant, charged on the shoulder with an annulet, and another, three lions passant impaling parted per chevron, the rest defaced. In the south chancel, on a stone, the figures of a man and woman in brass, and inscription in black letter, for Pawle Yden, gent. and Agnes his wife, son of Thomas Yden, esq. obt. 1564, beneath is the figure of a girl, arms, four shields at the corner of the stone, the first, Yden, a fess between three helmets; two others, with inscriptions on brass for infant children of the Sidney family; a small grave-stone, on which is a cross gradated in brass, and inscription in black letter, for Thomas Bullayen, son of Sir Thomas Bullayen; here was lately a monument for lady Mary . . . . . . eldest daughter of the famous John, duke of Northumberland, and sister to Ambrose, earl of Warwick, Robert, earl of Leicester, and Catharine, countess of Huntingdon, wife of the right hon. Sir Henry Sidney, knight of the garter, &c. at the west end of the chancel, a mural monument for Sir William Coventry, youngest son of Thomas, lord Coventry, he died at Tunbridge-wells, 1686; on the south side a fine old monument of stone, under which is an altar tomb, and on the wall above it a brass plate, with inscription in black letter, for Sir William Sidney, knightbanneret, chamberlain and steward to king Edward VI. and the first of the name, lord of the manor, of Penshurst, obt. 1553; on the front are these names, Sir William Dormer, and Mary Sidney, Sir William Fitzwilliam, Sir James Haninngton, Anne Sidney, and Lucy Sidney; on the south side a handsome monument, with the arms and quarterings of the Sidney family, and inscription for lord Philip Sidney, fifth earl of Leicester, &c. obt. 1705, and was succeeded by John, his brother and heir; for John, sixth earl of Leicester, cosin and heir of Henry Sidney, earl of Romney, &c. obt. 1737, his heirs Mary and Elizabeth Sidney, daughters and heirs of his brother the hon. Thomas Sidney, third surviving son of Robert, earl of Leicester, became his joint heirs, for Josceline, seventh earl of Leicester, youngest brother and heir male of earl John, died s. p. in 1743, with whom the title of earl of Leicester expired; the aforesaid Mary and Elizabeth, his nieces, being his heirs, of whom the former married Sir Brownlow Sherard, bart. and Elizabeth, William Perry, esq. on the monument is an account of the several personages of this noble family, their descent, marriages and issue, too long by far to insert here; on the north side is a fine monument for several of the infant children of this family, and beneath is an urn and inscriptions for Frances Sidney, fourth daughter, obt. 1692, æt. 6; for Robert Sidney, earl of Leicester, &c. fourth earl of this family, who married lady Elizabeth Egerton, by whom he had fifteen children, of whom nine died young, whose figures, as cherubims, are placed above, obt. 1702; Robert, the eldest son, obt. 1680, æt. 6; Elizabeth, countess of Leicester, obt. 1709, and buried here in the same vault with her lord. In the same chancel is a very antient figure in stone of a knight in armour, being for Sir Stephen de Penchester, lord warden and constable of Dover-castle in the reign of king Edward I. It was formerly laid on an altar tomb in the chancel, but is now placed erect against the door on the south side, with these words painted on the wall above it, SIR STEPHEN DE PENCHESTER. In the fourth window of the north isle, are these arms, very antient, within the garter argent a fess gules in chief, three roundels of the second, being those of Sir John Devereux, K. G. lord warden and constable, and steward of the king's house in king Richard II's reign; near the former was another coat, nothing of which now remains but the garter. In the same windows are the arms of Sidney; in the second window is this crest, a griffin rampant or. In the east window of the great chancel are the arms of England. In the east window of the south chancel are the arms of the Sidney family, with all the quarterings; there were also, though now destroyed, the arms of Sir Thomas Ratcliff, earl of Sussex, and lady Frances Sidney.
This church was of the antient patronage of the see of Canterbury, and continued so till the 3d year of queen Elizabeth, when Matthew, archbishop of Canterbury, granted it to that queen in exchange for the parsonage of Earde, alias Crayford; and though in the queen's letters patent dated that year, confirming this exchange, there is no value expressed, yet in a roll in the queen's office, it is there set down, the tenth deducted, at the clear yearly value of 32l. 1s. 9d. (fn. 24)
¶Soon after which the queen granted the church of Penshurst to Sir Henry Sidney, whose descendants, earls of Leicester, afterwards possessed it; from whom it passed, in like manner as Penshurst manor and place, to William Perry, esq. who died possessed of it in 1757, leaving Elizabeth his wife surviving, who continued proprietor of the advowson of this church at the time of her death in 1783; she by her last will devised it to trustees for the use of her eldest grandson, John Shelley, esq who has since taken the name of Sidney, and is the present owner of it.
In the 15th year of king Edward I. this church was valued at thirty marcs. By virtue of the commission of enquiry into the value of ecclesiastical livings, taken in 1650, issuing out of chancery, it was returned that the tithes belonging to the parsonage of Penshurst were one hundred and ten pounds per annum, and the parsonage house and glebe lands about fifty pounds per annum, the earl of Leicester being patron, and master Mawdell, minister, who received the profits for his salary. (fn. 25)
The annual value of it is now esteemed to be four hundred pounds and upwards. The rectory of Penshurst is valued in the king's books at 30l. 6s. 0½d. and the yearly tenths at 3l. 0s. 7½d. (fn. 26)
John Acton, rector of this parish, in 1429, granted a lease for ninety-nine years, of a parcel of his glebe land, lying in Berecroft, opposite the gate of the rectory, containing one acre one rood and twelve perches, to Thomas Berkley, clerk, Richard Hammond, and Richard Crundewell, of Penshurst, for the purpose of building on, at the yearly rent of two shillings, and upon deaths and alienations, one shilling to be paid for an heriot, which lease was confirmed by the archbishop and by the dean and chapter of Canterbury. (fn. 27)
Work being done on one of two Flakpanzer tanks in the world.
Flakpanzer Restoration Project taken in Canadian Forces Base (CFB) Borden, Ontario on October 14, 2017.
To follow this project, check out their facebook page:
www.facebook.com/FlakpanzerRestorationProject/
Photo: Avr Rachael Allen
Restoring power to Toomey/Starks/West Vinton. Entergy’s Hurricane Laura information website provides customers with storm restoration and recovery updates. Visit the site at entergy.com/hurricanelaura
History
Restoration House was originally two medieval buildings (1454 and 1502–22) with a space between.
They were joined together in 1640-1660 (tree ring data from roof) by inserting a third building between the two, to create a larger house.
The first owner of the completed house was Henry Clerke, a lawyer and Rochester MP. Clerke caused further works in 1670, the refacing of the entrance facade, the Great Staircase and other internal works.
The house was then bought by William Bockenham. It was owned by Stephen T. Aveling in the late 19th century, and he wrote a history of the house which was published in Vol. 15 of "Archaeologia Cantiana".
The house was purchased for £270,000[7] by the English entertainer Rod Hull, in 1986, to save it from being turned into a car park; and he then spent another £500,000 restoring it.
It was taken by the Receiver in 1994 to cover an unpaid tax bill.
The current owners over the past decade have uncovered decoration schemes from the mid 17th century, which reveal the fashionable taste of the period, much influenced by the fashions on the continent.
Charles Dickens
According to the biographer John Forster, the novelist Charles Dickens, who lived nearby, used Restoration House as a model for Miss Havisham's Satis House in Great Expectations; the name "Satis House" belongs to the house where Rochester MP, Sir Richard Watts, entertained Queen Elizabeth I - it is now the administrative office of King's School, Rochester.
The great pyramid of Djozer in Memphis being restored. This is the site of the original Pyramids in Egypt from 2650 BC. The king was seen as the living embodiment of the God Horus.
For most of our time in Egypt there was a heat haze and the sky was generally Grey, so sepia, black & white and split toning seem to be the only options for these photos...
Additional crews have been brought in to support restoration our efforts; we have nearly 500 people in the field working around the clock.
All photo rights are owned by Doc's Friends, Inc. and use of the photos on this site for publication must be approved by Doc's Friends, Inc. For more information, contact: www.b-29doc.com/media-contact/
ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2021. ARCHEOLOGIA - RIPRENDONO I LAVORI PER IL PIANO ARCHEOLOGICO SOTTERRANEO PRESSO LA SEDE ENPAM A PIAZZA VITTORIO. The NYT (12/01/2021). S.v., Esquilino's Weblog (28/12/2018) & Fondazione Enpam, Roma (19/12/2013) & (05/02/2014) [in PDF], NATIONAL GEOGRAPHIC / ITALIA (02/12/2020), Il Messaggero & Esquilino's Weblog (15-18/2020). wp.me/pbMWvy-XP
www.flickr.com/photos/imperial_fora_of_rome/50828410338
1). ROME - Caligula’s Garden of Delights, Unearthed and Restored - Relics from the favorite hideaway of ancient Rome’s most infamous tyrant have been recovered and put on display by archaeologists.
www.flickr.com/photos/imperial_fora_of_rome/50829162146
The fourth of the 12 Caesars, Caligula — officially, Gaius Julius Caesar Germanicus — was a capricious, combustible first-century populist remembered, perhaps unfairly, as the empire’s most tyrannical ruler. As reported by Suetonius, the Michael Wolff of ancient Rome, he never forgot a slight, slept only a few hours a night and married several times, lastly to a woman named Milonia.
www.flickr.com/photos/imperial_fora_of_rome/50829264207
During the four years that Caligula occupied the Roman throne, his favorite hideaway was an imperial pleasure garden called Horti Lamiani, the Mar-a-Lago of its day. The vast residential compound spread out on the Esquiline Hill, one of the seven hills on which the city was originally built, in the area around the current Piazza Vittorio Emanuele II.
www.flickr.com/photos/imperial_fora_of_rome/50828426963
There, just on the edge of the city, villas, shrines and banquet halls were set in carefully constructed “natural” landscapes. An early version of a wildlife park, the Horti Lamiani featured orchards, fountains, terraces, a bath house adorned with precious colored marble from all over the Mediterranean, and exotic animals, some of which were used, as in the Colosseum, for private circus games.
www.flickr.com/photos/imperial_fora_of_rome/50829179051
When Caligula was assassinated in his palace on the Palatine Hill in 41 A.D., his body was carried to the Horti Lamiani, where he was cremated and hastily buried before being moved to the Mausoleum of Augustus on the Campus Martius, north of the Capitoline Hill. According to Suetonius, the elite garden was haunted by Caligula’s ghost.
www.flickr.com/photos/imperial_fora_of_rome/50829162156
Historians have long believed that the remains of the lavish houses and parkland would never be recovered. But this spring, Italy’s Ministry of Cultural Heritage, Cultural Activities and Tourism will open the Nymphaeum Museum of Piazza Vittorio, a subterranean gallery that will showcase a section of the imperial garden that was unearthed during an excavation from 2006 to 2015. The dig, carried out beneath the rubble of a condemned 19th-century apartment complex, yielded gems, coins, ceramics, jewelry, pottery, cameo glass, a theater mask, seeds of plants such as citron, apricot and acacia that had been imported from Asia, and bones of peacocks, deer, lions, bears and ostriches.
www.flickr.com/photos/imperial_fora_of_rome/50829162181
“The ruins tell extraordinary stories, starting with the animals,” said Mirella Serlorenzi, the culture ministry’s director of excavations. “It is not hard to imagine animals, some caged and some running wild, in this enchanted setting.” The science of antiquities department of the Sapienza University of Rome collaborated on the project.
www.flickr.com/photos/imperial_fora_of_rome/50829246102
The objects and structural remnants on display in the museum paint a vivid picture of wealth, power and opulence. Among the stunning examples of ancient Roman artistry are elaborate mosaics and frescoes, a marble staircase, capitals of colored marble and limestone, and an imperial guard’s bronze brooch inset with gold and mother-of-pearl. “All the most refined objects and art produced in the Imperial Age turned up,” Dr. Serlorenzi said.
www.flickr.com/photos/imperial_fora_of_rome/50829162201
The classicist Daisy Dunn said the finds were even more extravagant than scholars had anticipated. “The frescoes are incredibly ornate and of a very high decorative standard,” noted Dr. Dunn, whose book “In The Shadow of Vesuvius” is a dual biography of Pliny the Elder — a contemporary of Caligula’s — and his nephew Pliny the Younger. “Given the descriptions of Caligula’s licentious lifestyle and appetite for luxury, we might have expected the designs to be quite gauche.”
www.flickr.com/photos/imperial_fora_of_rome/50829162221
The Horti Lamiani were commissioned by Lucius Aelius Lamia, a wealthy senator and consul who bequeathed his property to the emperor, most likely during the reign of his friend Tiberius from A.D. 14 to 37. When Caligula succeeded him — it is rumored that Caligula and the Praetorian Guard prefect Macro hastened the death of Tiberius by smothering him with a pillow — he moved into the main house.
www.flickr.com/photos/imperial_fora_of_rome/50829162256
In an evocative eyewitness account, the philosopher Philo, who visited the estate in A.D. 40 on behalf of the Jews of Alexandria, and his fellow emissaries had to trail behind Caligula as he inspected the sumptuous residences “examining the men’s rooms and the women’s rooms … and giving orders to make them more costly.” The emperor, wrote Philo, “ordered the windows to be filled up with transparent stones resembling white crystal that do not hinder the light, but which keep out the wind and the heat of the sun.”
www.flickr.com/photos/imperial_fora_of_rome/50829246152
Evidence suggests that after Caligula’s violent death — he was hacked to bits by his bodyguards — the house and garden survived at least until the Severan dynasty, which ruled from A.D. 193 to 235. By the fourth century, the gardens had apparently fallen into desuetude, and statuary in the abandoned pavilions was broken into pieces to build the foundations of a series of spas. The statues were not discovered until 1874, three years after Rome was made the capital of the newly unified Kingdom of Italy. With the Esquiline Hill in the midst of a building boom, the Italian archaeologist Rodolfo Lanciani nosed around freshly excavated construction sites and uncovered an immense gallery with an alabaster floor and fluted columns of giallo antico, considered the finest of the yellow marbles.
www.flickr.com/photos/imperial_fora_of_rome/50829162276
He later stumbled upon a rich deposit of classical sculptures that, at some point in the horti’s history, had been deliberately hidden to protect them. The treasures included the Lancellotti Discobolus, now housed at the National Museum of Rome; the Esquiline Venus and a bust of Commodus depicted as Hercules, now at the Capitoline Museums. In short time, the sculptures were carted off, the foundation of an apartment building was laid, and the ancient ruins were reburied.
www.flickr.com/photos/imperial_fora_of_rome/50828410003
The latest excavation of the horti unfolded under the detritus of the residences, which had been evacuated in the 1970s in the wake of a building collapse. Much like the 2012 exhumation of Richard III in Leicester, England, the unburying involved a modern parking site.
Sixteen years ago, the three-and-a-half-acre property was purchased by Enpam, a private foundation that manages pensions for Italian doctors and dentists. Exploratory core drilling for a new headquarters and a six-level underground garage brought forth a wealth of first-century relics, from the type of window glass described by Philo to lead pipes stamped with the name of Claudius, Caligula’s uncle and successor.
As construction crews erected the five-story office building, archaeologists in a trench 18 feet below street level gingerly screened and scraped away soil. In a study lab across town, paleobotanists and archaeozoologists analyzed fragments, and researchers painstakingly repaired a 10-foot-high wall fresco painted with pigment made from ground cinnabar. The entire $3.5 million conservation and restoration project was underwritten by Enpam.
www.flickr.com/photos/imperial_fora_of_rome/50829162291
Ground was broken for the Nymphaeum Museum in 2017. “The new space, in the basement of Enpam, brings to light one of the mythical places of the empire’s capital, one of the garden residences loved by the emperors,” said Daniela Porro, the museum director.
What all of this does for Caligula’s seemingly irredeemable reputation is an open question. He emerges from Suetonius’s “The Twelve Caesars,” written 80 years after the emperor was bumped off, as utterly depraved: having incestuous relationships with his sisters, sleeping with anyone he liked the look of, using criminals as food for his wild beasts when beef became too pricey and insisting that a loyal subject who had vowed to give his own life if the emperor survived an illness should carry through on his promise and die.
Mary Beard, a professor of classics at Cambridge University, posited that while Caligula might have been assassinated because he was a monster, it is equally possible that he was made into a monster because he was assassinated. In “SPQR,” her rich history of ancient Rome, she argues that “it is hard to resist the conclusion that, whatever kernel of truth they might have, the stories told about him are an inextricable mixture of fact, exaggeration, willful misinterpretation and outright invention — largely constructed after his death, and largely for the benefit of the new emperor, Claudius.”
Whether Caligula got a raw deal from history is a subject of hot and unyielding debate. “There is clearly some bias in the sources,” Dr. Dunn allowed. “But even without that, it is difficult to envision him as a good emperor. I doubt these new discoveries will do much to rehabilitate his character. But they should open up new vistas onto his world, and reveal it to be every bit as paradisiacal as he desired it to be.”
Foto / Fonte / source:
--- The New York Times (12/01/2021).
www.nytimes.com/2021/01/12/science/caligula-archaeology-r...
www.flickr.com/photos/imperial_fora_of_rome/50829162306
2). ROMA - ARCHEOLOGIA - RIPRENDONO I LAVORI PER IL PIANO ARCHEOLOGICO SOTTERRANEO PRESSO LA SEDE ENPAM A PIAZZA VITTORIO. Esquilino's Weblog (28/12/2018).
www.flickr.com/photos/imperial_fora_of_rome/50828410078
Il Riassunto, Roma - Un altro tassello per la rinascita dell’Esquilino: dal sito dell’ENPAM riportiamo integralmente la notizia della ripresa dei lavori per la costruzione di un piano archeologico sotterraneo presso la sede ENPAM a Piazza Vittorio. E’ un ulteriore progetto in via di esecuzione che nel medio termine renderà sempre più unico e affascinante il Rione. Un altro ambiente di eccezionale importanza e bellezza che, dopo essere stato nascosto per secoli e secoli, sarà di nuovo a disposizione per essere visitato e ammirato da residenti, turisti e archeologi.
www.flickr.com/photos/imperial_fora_of_rome/50829246252
Foto / Fonte / source:
--- Esquilino's Weblog (28/12/2018).
blog-esquilino.com/2018/07/28/riprendono-i-lavori-per-il-...
www.flickr.com/photos/imperial_fora_of_rome/50828410318
3). ROMA - L’Ente Nazionale di Previdenza e Assistenza dei Medici e degli Odontoiatri / Fondazione ENPAM - Inaugurata la nuova sede della Fondazione / I ritrovamenti archeologici & Riqualificazione dell’Esquilino. Fondazione ENPAM. (19/12/2013).
Inaugurata la nuova sede della Fondazione - Giovedì 19 dicembre la Fondazione Enpam ha presentato al pubblico la nuova sede di piazza Vittorio Emanuele II. A tagliare il nastro sono stati il presidente Alberto Oliveti e il sindaco di Roma Ignazio Marino. Nel corso della cerimonia inaugurale sono state illustrate le caratteristiche del palazzo che ospita i nuovi uffici. È intervenuta anche la sovrintendente per i Beni archeologici Mariarosaria Barbera, che ha presentato i risultati degli scavi condotti sotto l’edificio.
www.flickr.com/photos/imperial_fora_of_rome/50828410128
I ritrovamenti archeologici - Parallelamente alla costruzione del nuovo palazzo, avviata nel 2005 sui resti di un edificio di epoca post-unitaria, è stato condotto il più vasto scavo compiuto dopo quelli intrapresi in occasione del trasferimento della capitale del Regno d’Italia a Roma. Il risultato ottenuto sono 1600 metri quadrati di terreno investigati, 12 mila metri cubi di materiale passati al setaccio e più di 8 mila cassette di reperti attualmente in fase di pulizia e restauro. Tra i manufatti meglio conservati e di maggior interesse storico e archeologico spiccano una scala e una condotta per l’acqua recante le insegne dell’imperatore Claudio. “Sono molto felice di essere qui in duplice veste, da sindaco e iscritto all’Enpam dal 1979 – ha detto il sindaco di Roma Ignazio Marino –. Questa sede dimostra quanto Roma debba essere orgogliosa e attenta al suo patrimonio e quanto l’architettura contemporanea possa fare conservando comunque l’aspetto storico. Grazie all’Enpam che ha riqualificato la piazza qui di fronte”.
www.flickr.com/photos/imperial_fora_of_rome/50828410118
Lo scavo dà un contributo unico per poter ricostruire l’evoluzione degli insediamenti della Roma antica sul colle Esquilino. È in questa zona di proprietà degli imperatori infatti che insistevano i cosiddetti Horti Lamiani. L’area archeologica venuta alla luce testimonia la suddivisione in terrazzamenti, evidenziati dai muri lunghi e bassi, e arricchiti da numerose specie vegetali. Sulla stessa area inoltre, sono stati ritrovati i resti di un grande ambiente a pianta rettangolare di circa 400 metri quadri, risalente all’epoca imperiale e dotato di ambienti di servizio, di una fontana e di altre strutture murarie. Il progetto finale prevede la conservazione quasi integrale delle architetture e la trasformazione museale del seminterrato. Il piano destinato a ospitare la sala congressi della Fondazione sarà integrato da ricostruzioni virtuali in 3d, animazioni video, pannelli didascalici e vetrine espositive, per favorire la fruizione del contesto archeologico da parte del pubblico.
www.flickr.com/photos/imperial_fora_of_rome/50829246297
Riqualificazione dell’Esquilino - La nuova sede dell’Enpam inoltre restituisce decoro a piazza Vittorio e contribuisce a riqualificare il rione Esquilino. Nel palazzo, che è vigilato 24 ore su 24, lavorano ora 491 impiegati, con ricadute positive anche sulla sicurezza e sulle attività commerciali del quartiere. “Abbiamo fatto un’iniezione di medicina al quartiere” ha detto il presidente dell’Enpam, Alberto Oliveti. L’Ente è stato anche attento alla sostenibilità ambientale. Nonostante abbia coinvolto centinaia di persone, il cambiamento della sede di lavoro ha avuto un impatto pressoché nullo sulla viabilità locale: oltre la metà dei dipendenti (261) hanno l’abbonamento annuale al trasporto pubblico locale tramite il mobility manager dell’Enpam; il parcheggio sotterraneo può contenere tutti i motorini e le biciclette di coloro che arrivano su due ruote; ci sono inoltre una sessantina di posti auto.
www.flickr.com/photos/imperial_fora_of_rome/50829162456
Foto / fonte / source:
--- L’Ente Nazionale di Previdenza e Assistenza dei Medici e degli Odontoiatri / Fondazione ENPAM (19/12/2013).
www.enpam.it/news/inaugurata-la-nuova-sede-della-fondazione/
www.flickr.com/photos/imperial_fora_of_rome/50829246362
3.1). ROMA - Nei sotterranei un’area archeologica. Fondazione ENPAM (05/02/2014).
Nei sotterranei un’area archeologica - Resti della Roma imperiale sotto la nuova sede dell’Enpam riaffiorano da un passato di distruzione in un processo di riqualificazione urbanistica.
Uno scavo archeologico così vasto non si vedeva a Roma dagli anni in cui è diventata capitale del Regno d’Italia. Sotto Piazza Vittorio Emanuele II, la più grande piazza romana (316 x 174 metri) sono stati investigati 1.600 metri quadrati di terreno, passati al setaccio 12mila metri cubi di materiale e riempite più di 8mila cassette di reperti attualmente in fase di pulizia e restauro. Parallelamente alla costruzione dell’edificio dell’Enpam, gli archeologi della Soprintendenza speciale per i beni archeologici di Roma hanno svolto e monitorato una campagna di scavo portando alla luce resti risalenti all’epoca imperiale (III/IV secolo d.C). Già dalla fine dell’Ottocento era documentata in questa zona la presenza dei cosiddetti ‘Horti Lamiani’, vaste proprietà, ville e giardini appartenute alla ‘gens Lamia’ passate poi al demanio imperiale. All’inaugurazione, pochi giorni prima di Natale, i resti sotto la sede dell’Enpam sono stati illustrati dalla Soprintendente per i beni archeologici di Roma Mariarosa Barbera, che ha seguito gli scavi fin dall’inizio. Il ritrovamento – ha detto – riguarda una tra le ville più grandi dell’antichità romana, una specie di Villa d’Este. “Un ambiente a pianta rettangolare di circa 400 metri quadri completamente ricoperto di marmi, gemme, bronzi dorati, tarsie colorate – ha detto Barbera.
Stiamo ricomponendo le migliaia di frammenti di affreschi ritrovati. Nell’immediato futuro saranno visibili in questa sede pareti decorate, tra le più belle del mondo antico”. Spiccano per interesse storico e archeologico oltre che per lo stato di conservazione la scala in marmo (nella foto a tutta pagina) e una condotta per l’acqua su cui è impresso il nome dell’imperatore Claudio.
www.flickr.com/photos/imperial_fora_of_rome/50829162571
PROGETTO AREA MUSEALE - Per recuperare e valorizzare i reperti archeologici il progetto finale prevede l’allestimento di un percorso museale nel piano seminterrato accanto alla sala convegni e a un bar. Gli scavi quindi diventeranno un luogo vivo. “Il rudere non viene isolato – ha detto Mirella Serlorenzi, funzionario della Soprintendenza speciale per i beni archeologici di Roma – ma interagisce con le strutture moderne e diventa un arricchimento reciproco. Questo progetto ha dimostrato che è possibile conciliare tutela dell’antico e trasformazione della città contemporanea”. È prevista la conservazione quasi integrale delle architetture in parte visibili sotto pavimenti di vetro. Tutto questo nel contesto di un edificio in cui lavorano centinaia di dipendenti e si svolgono riunioni importanti per tutta la categoria dei medici e degli odontoiatri. Non potendo ricreare il contesto originario, saranno proposte ricostruzioni virtuali in 3d, animazioni video, effetti sonori, pannelli didascalici e vetrine espositive, in modo che il visitatore possa immaginare come era questa parte di città nel periodo romano. Da sottolineare – dice Serlorenzi – l’aspetto tecnologico e ingegneristico messo a punto per sorreggere le strutture archeologiche senza effettuare alcuna forma di delocalizzazione. Sono state fatte una serie di perforazioni circolari contigue riempite successivamente con tubi di acciaio legati tra loro a formare un sostegno”.
Foto / fonte / source:
--- L’Ente Nazionale di Previdenza e Assistenza dei Medici e degli Odontoiatri / Fondazione ENPAM (05/02/2014).
www.enpam.it/news/nei-sotterranei-unarea-archeologica/
www.flickr.com/photos/imperial_fora_of_rome/50829246397
3.2). ROMA - Nei sotterranei un’area archeologica. Fondazione ENPAM - Il Giornale della Previdenza, Anno XIX No. 1 (01/2014): 12-14 [in PDF].
PDF = Il Giornale della Previdenza, Anno XIX No. 1 (01/2014): 12-14 [in PDF].
fonte / source:
--- L’Ente Nazionale di Previdenza e Assistenza dei Medici e degli Odontoiatri / Fondazione ENPAM (05/02/2014).
www.enpam.it/news/nei-sotterranei-unarea-archeologica/
www.flickr.com/photos/imperial_fora_of_rome/50829246517
4). ROMA - Scoperto uno dei palazzi preferiti dell'imperatore Caligola. NATIONAL GEOGRAPHIC / ITALIA (02/12/2020).
Scoperto uno dei palazzi preferiti dell'imperatore Caligola - Un team di archeologi ha rinvenuto a Roma le rovine di uno dei palazzi preferiti dell'imperatore Caligola. Il luogo era conosciuto per il suo giardino esotico, con piante provenienti da luoghi remoti e animali selvaggi di tutti gli angoli dell'Impero.
Un team di archeologi italiani ha annunciato una scoperta straordinaria: le rovine di uno dei palazzi preferiti di Caligola, il terzo imperatore romano. L'esistenza di questo edificio – noto come Nympheum (casa delle ninfe) nelle fonti classiche – era conosciuta, ma la localizzazione esatta era andata perduta. Fino a pochi anni fa.
Il palazzo perduto - La scoperta è stata realizzata durante gli scavi in piazza Vittorio Emanuele II (più conosciuta come piazza Vittorio), nei pressi del Colosseo e della stazione ferroviaria di Roma Termini. I lavori erano cominciati tre anni fa e hanno portato alla luce decine di migliaia di resti archeologici, tra i quali anfore, pezzi di ceramica, gioielli, monete e una gran varietà di utensili domestici. Gli scavi più recenti sotto un edificio hanno portato a individuare le strutture del giardino che erano state sepolte, oltre a nuovi resti archeologici che hanno permesso di identificare il luogo come il palazzo perduto di Caligola.
Gli archeologi hanno rinvenuto semi di plante esotiche di origini diverse, ossa di animali selvaggi come cervi, orsi, leoni e struzzi. Sono stati questi gli elementi che hanno permesso di identificare la struttura come il Nympheum. Mirella Serlorenzi, direttrice del sitio archeologico, ha spiegato che alcuni di questi animali «correvano liberi come fosse un paesaggio incantato, ma [c'erano] anche animali feroci che venivano utilizzati, come nel Colosseo, per i giochi circensi privati». Caligola è passato alla storia proprio per il suo carattere stravagante e crudele, che si riconduce di solito a una misteriosa malattia mentale che lo colpì nel corso del suo primo anno di regno.
Gli scavi hanno permesso di identificare varie strutture del giardino, come una scala di marmo bianco che collegava i diversi livelli del giardino e una tubatura per il trasporto dell'acqua. Il nome Nympheum evoca le ninfe, divinità dei boschi e delle montagne, e in effetti nel giardino si era voluto ricreare uno spazio selvaggio. Questo spiegherebbe la presenza degli animali e dei ninfei, piccole grotte dedicate proprio alle divinità boschive. Le autorità italiane in collaborazione con l'Enpam, l'ente previdenziale dei medici proprietario del terreno nel quale è stata realizzata la scoperta, hanno lavorato per trasformare il luogo nel Museo-Ninfeo di Piazza Vittorio, che presto sarà aperto al pubblico.
Foto / fonte / source:
--- NATIONAL GEOGRAPHIC / ITALIA (02/12/2020).
www.storicang.it/a/scoperto-uno-dei-palazzi-preferiti-del...
www.flickr.com/photos/imperial_fora_of_rome/50829162661
5). ROMA - Dalle indagini archeologiche condotte su un settore degli Horti Lamiani nasce il Museo-Ninfeo di Piazza Vittorio presso il Palazzo della Fondazione Enpam. Il Messaggero & Esquilino's Weblog (15-18/2020).
www.flickr.com/photos/imperial_fora_of_rome/50828410433
Nei giorni scorsi è stato pubblicato su “Il Messaggero” un articolo a firma di Laura Larcan che descrive con dovizia di particolari il progetto da tempo annunciato e in fase di avanzata realizzazione di un museo nei sotterranei del Palazzo ENPAM a Piazza Vittorio che donerà un’altra fantastica attrazione archeologica al Rione Esquilino e alla città di Roma: stiamo parlando della Villa di Caligola, praticamente un’altra Domus Aurea che sorgeva nell’area dell’odierna Piazza Vittorio Emanuele II.
www.flickr.com/photos/imperial_fora_of_rome/50829246577
La singolarità è che oltre una costruzione fastosa con rivestimenti marmorei di eccezionale qualità e bellezza nella proprietà imperiale erano presenti lussureggianti giardini popolati da numerosi animali in libertà e fantastici giochi d’acqua. Presto sarà possibile ammirare ciò che rimane della “domus” comprese delle scale originali che collegavano i diversi livelli dei giardini e migliaia di reperti archeologici (alcuni unici nel loro genere) rinvenuti negli scavi che sono stati eseguiti dalla Soprintendenza speciale archeologia belle arti e paesaggio di Roma per riportare alla luce questa ulteriore perla del Rione Esquilino. Di seguito l’articolo del Messaggero del 15 novembre 2020 e i diversi post sui social network che testimoniano come la notizia abbia avuto una vasta eco anche internazionale.
www.flickr.com/photos/imperial_fora_of_rome/50829246627
5.1). ROMA - Horti Lamiani nasce il Museo-Ninfeo di Piazza Vittorio presso il Palazzo della Fondazione Enpam. Il Messaggero / Video (15/11/2020).
www.flickr.com/photos/imperial_fora_of_rome/50829246597
Fonte / foto/ video source:
--- Il Messaggero / Video (15/11/2020).
www.ilmessaggero.it/video/la_domus_aurea_di_caligola_muse...
www.flickr.com/photos/imperial_fora_of_rome/50829246642
5.2). ROMA - ARCHEOLOGIA / ESQUILINO: PRESTO SARÀ POSSIBILE VISITARE LA VILLA DI CALIGOLA NEI SOTTERRANEI DEL PALAZZO ENPAM A PIAZZA VITTORIO. Esquilino's Weblog (18/2020).
Fonte / foto / source:
--- Esquilino's Weblog (18/2020).
blog-esquilino.com/2020/11/18/esquilino-presto-sara-possi...
Capitol Visitor Center guides admire the freshly restored space.
Full Rotunda Interior Restoration project details are at www.aoc.gov/rotunda.
-----
This official Architect of the Capitol photograph is being made available for educational, scholarly, news or personal purposes (not advertising or any other commercial use). When any of these images is used the photographic credit line should read “Architect of the Capitol.” These images may not be used in any way that would imply endorsement by the Architect of the Capitol or the United States Congress of a product, service or point of view. For more information visit www.aoc.gov/terms.
The unveiling of the J.C. Davis at the B&O Railroad Museum, the last steam engine damaged in the 2003 Roundhouse roof collapse.
Photo: B&O Railroad Museum, Amanda Barrett
A big thank you to Gerard Caffrey for allowing me to share my restoration of this photographer of his grandfather Martin O’Brien, taken during World War 1.
Martin O’Brien is on the left of the photograph.
Martin was a private in the 9th Battalion of the Royal Dublin Fusiliers (Reg. No: 8794). He was killed in action on the Somme in the battle for the village of Ginchy, Flanders on the 9th of September 1916. Martin was born in Donnybrook and at the time of his death he was 34 years old married with children.
The photograph is believed to have been taken shortly before his death. At first glance the men appear to be posed in a comfortable environment note the furniture, but look more closely and you can see the rough ground beneath their feet.