Religious art of Middle Ages in Europe
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2nd Place , Beautiful Capture Group , Week 37 contest , Oct 2012
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Johanneskirche in Stuttgart - church of St. Johann in Stuttgart
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Klosterkirche St. Anna im Lehel
is a Catholic abbey church in Munich, Germany.
It was the first Rococo church of Old Bavaria and shaped the development of religious architecture in Bavaria.
It is located in the center of Lehel opposite to the neo-romanesque Catholic parish church of St. Anna im Lehel.
@Wikipedia
The Church was built in 1799 on the former Caminho dos Pinheiros, today Rua da Consolação, with the help of alms from devotees to Our Lady of Consolation and with the endorsement of the diocesan bishop Mateus de Abreu Pereira were able to begin its construction, with the technique of taipa, quite common at the time. The oldest record of its construction is a document transcribed by Jacinto Ribeiro, in which it attributes the idealization of the temple to the faithful Luiz da Silva and his brothers. Located in a boggy and marshy region there is another document proving the Church's ancient existence: on November 23, 1803, an office was registered that showed the need for drinking water for the residents of the neighborhood "Nossa Senhora da Consolação". In view of the custom of baptizing the district with religious names, mainly related to sanctuaries, the Church, besides already existing, corresponded to an important piece for the functioning of the region. And, in the year 1810, a plant in the city of São Paulo contained the chapel.
Sagrada Família, Barcelona, España.
El Templo Expiatorio de la Sagrada Familia, conocido simplemente como la Sagrada Familia, es una basílica católica de Barcelona (España), diseñada por el arquitecto Antoni Gaudí. Iniciada en 1882, todavía está en construcción (noviembre de 2016). Es la obra maestra de Gaudí, y el máximo exponente de la arquitectura modernista catalana.
La Sagrada Familia es un reflejo de la plenitud artística de Gaudí: trabajó en ella durante la mayor parte de su carrera profesional, pero especialmente en los últimos años de su carrera, donde llegó a la culminación de su estilo naturalista, haciendo una síntesis de todas las soluciones y estilos probados hasta aquel entonces. Gaudí logró una perfecta armonía en la interrelación entre los elementos estructurales y los ornamentales, entre plástica y estética, entre función y forma, entre contenido y continente, logrando la integración de todas las artes en un todo estructurado y lógico.
La Sagrada Familia tiene planta de cruz latina, de cinco naves centrales y transepto de tres naves, y ábside con siete capillas. Ostenta tres fachadas dedicadas al Nacimiento, Pasión y Gloria de Jesús y, cuando esté concluida, tendrá 18 torres: cuatro en cada portal haciendo un total de doce por los apóstoles, cuatro sobre el crucero invocando a los evangelistas, una sobre el ábside dedicada a la Virgen y la torre-cimborio central en honor a Jesús, que alcanzará los 172,5 metros de altura. El templo dispondrá de dos sacristías junto al ábside, y de tres grandes capillas: la de la Asunción en el ábside y las del Bautismo y la Penitencia junto a la fachada principal; asimismo, estará rodeado de un claustro pensado para las procesiones y para aislar el templo del exterior. Gaudí aplicó a la Sagrada Familia un alto contenido simbólico, tanto en arquitectura como en escultura, dedicando a cada parte del templo un significado religioso.
The Expiatory Church of the Sagrada Familia, known simply as the Sagrada Familia, is a Roman Catholic basilica in Barcelona, Spain, designed by architect Antoni Gaudí. Begun in 1882, it is still under construction (November 2016). It is Gaudí's masterpiece and the greatest exponent of Catalan modernist architecture.
The Sagrada Familia is a reflection of Gaudí's artistic plenitude: he worked on it for most of his professional career, but especially in his later years, where he reached the culmination of his naturalistic style, synthesizing all the solutions and styles he had tried up to that point. Gaudí achieved perfect harmony in the interrelationship between structural and ornamental elements, between plasticity and aesthetics, between function and form, between content and container, achieving the integration of all the arts into a structured and logical whole. The Sagrada Familia has a Latin cross plan, five central naves, a three-aisled transept, and an apse with seven chapels. It boasts three façades dedicated to the Birth, Passion, and Glory of Jesus. When completed, it will have 18 towers: four at each portal, making a total of twelve for the apostles, four over the transept invoking the evangelists, one over the apse dedicated to the Virgin, and the central dome tower in honor of Jesus, which will reach 172.5 meters in height. The temple will have two sacristies next to the apse and three large chapels: the Assumption Chapel in the apse and the Baptism and Penance Chapels next to the main façade. It will also be surrounded by a cloister designed for processions and to isolate the temple from the exterior. Gaudí applied a highly symbolic content to the Sagrada Familia, both in architecture and sculpture, dedicating each part of the temple to a religious significance.
Canvases or gauzes were used primarily for religious and magical purposes. They were made for covering the head of the dead in the form of a headdresses. According to the beliefs of the time, the threads on these fabrics had to be spun in the form of an "S" in an anticlockwise direction. This thread, which had a magical character, was called lloque and, according to legend, the garments were infused with supernatural powers and served as protection in the afterlife.
"Fenêtre sainte"
La basilique Saint Pierre offerte à la vue depuis une galerie du musée du Vatican. Une vue pas comme les autres dans un Etat pas comme les autres....
St Peter's Basilica on view from a gallery in the Vatican Museum. A view like no other in a state like no other....
✨ A visual exploration of faith, light and heritage — see the full series:
👉 Sacred Figures – A Journey Through Religious Art in Europe : www.flickr.com/photos/201798544@N06/albums/72177720325181156
Two pilgrims on the banks of the Rhine, gazing at Cologne Cathedral—one of the most important landmarks of the Christian West.
Religious symbolism meets modern infrastructure, quiet contemplation meets lively urban space.
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Zwei Pilgerinnen am Ufer des Rheins, den Blick auf den Kölner Dom gerichtet – eines der bedeutendsten Wahrzeichen des christlichen Abendlandes.
Religiöse Symbolik trifft auf moderne Infrastruktur, stille Betrachtung auf lebendigen Stadtraum.
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SETÚBAL (Portugal): Portal da Igreja do Convento de Jesus.
Construção de Diogo Boitaca, data de 1490. Obra de grande importância no conjunto artístico português, é uma das primeiras a apresentar soluções da arquitetura manuelina.
info: Portugal, All About. «Portal da Igreja do Convento de Jesus». All About Portugal, www.allaboutportugal.pt/pt/setubal/monumentos/portal-da-i.... Acedido 20 de Novembro de 2021
Or, the separation of church and foyer. I found this 'ghost town' relic, along with a few other abandoned buildings, while seeking out old grain elevators in rural Saskatchewan. The foyer is separating from the main body of the church. Like most of the buildings in the former town, the church (and the elevators) was in very bad condition.
Gustaf Adolfs torg ("Gustaf Adolf's square") is a town square located in central Gothenburg, Sweden. It was named Stortorget (the Big Square) until 1854 when a statue of the founding father of Gothenburg, king Gustavus Adolphus of Sweden was raised. Surrounding the square are the city hall, the bource, including the law court extension and the main harbour canal of Gothenburg.
Gustav II Adolf (1594–1632) led Sweden to military supremacy during the Thirty Years' War, helping to determine the political as well as the religious balance of power in Europe.His most notable military victory was the Battle of Breitenfeld. He was poised to make himself a major European leader, but was killed at the Battle of Lützen in 1632. Within only a few years of his accession, Sweden had become the largest nation in Europe after Russia and Spain.
This Mayan Mother, is lighting Candles, a Mayan ritual, in a Catholic Church, to bring good fortune to her many family members. Ancient Pagan and recent (1630's) Christian religious beliefs are practiced, and even combined in Guatemala. This Church in Chichicastenango was full of a mix of Mayan and Catholic worshipers during Semana Santa Week.
The Chancel at the far end of St John The Baptist church in Shepherds Bush looking resplendent picked out in bright gold.
Le Tréport le 19 02 15. Nous sommes un jeudi. Une série supplémentaire à cette cité qui ne me lasse pas par sa simplicité désarmante.
Ma 17ème série sur ce port.
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Un vécu à chaque fois renouvelé. Un refrain du fonds des temps ! Déambulations toujours enivrantes. Et cette mer toujours en offrande.
Looking up in San Agustin Church in the historic Intramuros walled city in Manila, Philippines.
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