View allAll Photos Tagged QuietSpaces
This has major family vacation vibes. Crater Lake is so stunning.
Available for purchase at quietspaces.darkroom.tech
Taken on a Canon EOS A2, on Fujifilm Superia 400
Available for purchase at quietspaces.darkroom.tech
Crater Lake is even more stunning in person that photos can show.
Available for purchase at quietspaces.darkroom.tech
Shot on a Canon EOS A2, with Fujifilm Superia 400
Available for purchase at quietspaces.darkroom.tech
captured in the early morning hours at hotel sonnwies in südtirol, this photograph is a study in simplicity and calm. with its crisp lines and gentle reflections, it transforms an ordinary pool into a space of quiet contemplation. the straight-edge railing slices through the frame, creating a sense of infinite depth and balance, while the stillness of the water evokes a moment of serene introspection. shot with the leica m11 monochrom and 50mm summilux f/1.4 asph, the image celebrates the beauty of minimalism in black and white, where every detail whispers rather than shouts.
It was late afternoon and many tourists were around. But this couple seemed to be able to find a relatively quiet space of their own. I thought the atmosphere was just beautiful.
This romantic scene was taken on Mount Eden, the highest hill in Auckland, North Island, New Zealand. This is also an excellent vantage point to view the cityscape of Auckland.
A quiet corner in dappled sunlight.
Grave stones of the long forgotten are shamefully propped up around the perimeter walls.
LR3328
I couldn't fit the whole waterfall in the frame with my 50mm lens, so I split it into two.
Available for purchase at quietspaces.darkroom.tech
Taken on a Canon EOS A2, on Fujifilm Superia 400
Available for purchase at quietspaces.darkroom.tech
Up we go, This staircase at the Filmhochschule München caught my eye because of how clean and direct it is. No decoration, no drama — just a clear structure that works. The black railing lines up perfectly with the white wall behind it, and that one little lamp on the left adds a nice bit of balance. It’s everyday architecture, but when the light hits right, it really stands out.
in an unadorned room, three chairs and a television set the stage for an absent audience. two vibrant red chairs, their color speaking louder than the silence around them, flank a solitary black chair, creating a visual dialogue of contrast and companionship. the stark white wall serves as a blank canvas, challenging the viewer to imagine the stories that these chairs might tell. the scene is a study in stillness, a static frame of modern life where human presence is implied yet conspicuously absent. this photograph captures the essence of potential interaction, the spaces between us, and the quiet anticipation of company in the simplicity of an everyday setting.
'Alone in the zone with dots, by Su_G' in a cushion mockup (c/o Roostery, showing part design only)
'Alone in the zone with dots, by Su_G': my entry in Spoonflower's Quiet Spaces Design Challenge, featuring… dots, dots, and more dots (white dots on black paths on an off-white ground). © Su Schaefer 2020
There is a quiet space, call it a zone, or zen, that dot after dot leads you to... calming your mind and soothing your feelings.
Relates to the kindred design ‘Turn it up to the Max by Su_G’, which was my entry in Spoonflower's Maximalist Design Challenge. Original: Poster pen + paper. © Su Schaefer 2019
www.spoonflower.com/design-challenge/quiet-spaces is the link for voting. Lots of great designs (over 800) so grab a coffee!
[Alone in the zone with dots by Su_G_©SuSchaefer]
This oil painting is 32 x 43 inches on linen. Ms. Wegodsky is a very accomplished fine artist. She resides here in the Atlanta, Georgia area.
The painting will be on display at the Marietta Cobb Museum of Art’s Metro Montage XXII juried exhibition beginning on July 9th. It’s always a great show. Opening night is on July 9th, 2022. The exhibition runs through September 4th. More information at:
A quietly powerful moment within The Phillips Collection is captured in this image of Étoile by Jean Arp (also known as Hans Arp). Installed in an intimate alcove of the museum, the artwork exemplifies Arp’s lifelong commitment to biomorphic abstraction, minimalism, and spiritual form. Two vertical panels, each a soft matte white, rise like modernist totems. Out of their surface emerge smooth, organic shapes—rounded nodules, a slanted cylinder, and curved extrusions—casting gentle shadows that subtly shift throughout the day.
The placement of the sculpture, nestled within a recess of clean white walls, encourages contemplation. There is a hushed clarity here, where geometry meets breath and volume becomes both tactile and metaphysical. Arp’s approach invites touch through the eye—his forms are non-representational, yet they feel familiar, almost like archetypes unearthed from memory or dreams.
Born in Alsace and active in the Dada and Surrealist movements, Arp's later work distills those influences into something more serene and abstract. Étoile strips away ornament, leaving a constellation of forms that feel placed by intuition rather than design. There's a rhythm in their arrangement that balances tension and grace.
The contrast between this white relief and the more linear, black painting glimpsed in the adjacent gallery highlights Arp’s gentle rebellion against rigidity. Where others imposed structure, he offered flow. Where others defined meaning, he left space for interpretation. The result is a work that breathes—even in stillness, even in silence.
This image captures not only the artwork but also the museum's curatorial insight. The lighting, warm and discreet, enhances the dimensionality of Arp’s forms without overpowering them. The surrounding space respects the integrity of the piece, offering it the visual and emotional room it needs to resonate.
Viewers encountering this work often pause, struck not by spectacle but by stillness. It’s a reminder that modern art doesn’t need to shout—it can whisper, coax, and move. Arp’s contribution to 20th-century abstraction remains vital precisely because of this subtlety. He wasn’t interested in defining the universe, only in reminding us that form, like life, is in constant evolution.
This artwork and its installation are a masterclass in restraint. The photograph seeks to honor that ethos—centering the work, allowing the architecture to recede, and capturing the calm, almost sacred quiet of the moment. Whether you are a fan of minimalism, a student of modern art, or simply someone who appreciates the purity of form, this piece offers a lasting impression.
Inside Lisbon’s MAAT (Museum of Art, Architecture and Technology), this soaring oval gallery immerses visitors in a contemporary photography exhibit. The curved white walls cradle black-and-white and color works, displayed in glowing frames that draw the eye down the dramatic corridor. The overhead grid of linear lighting and exposed ceiling structure enhances the modern, industrial aesthetic. Subdued and spacious, the room invites quiet contemplation, while visitors casually stroll or pause to admire the details. As one of MAAT’s signature interior spaces, this architectural marvel embodies Lisbon’s vibrant fusion of cultural heritage and cutting-edge design in the Belém riverside district.
Taken on a Canon AE-1 Program, on Fujifilm Superia 400
Available for purchase at quietspaces.darkroom.tech
There’s a hush here that feels almost sacred. Standing between these towering columns, surrounded by urns and trees, you become aware of every subtle sound—the distant flutter of wings, the rustle of leaves, your own breath. The architecture doesn’t overwhelm; it cradles. Light falls gently through the trees and onto the path, softening the classical forms into something intimate and calming. You can feel the energy shift as you move through this space—an unspoken invitation to slow down, notice the details, and connect with the present. In a city known for its motion, this moment offers a rare pause.
The D.T. Suzuki Museum in Kanazawa, Japan, is a serene sanctuary that embodies the profound simplicity of Zen philosophy. Designed by acclaimed architect Yoshio Taniguchi, the museum seamlessly integrates architecture, water, and light to create a meditative experience. The Contemplation Space, shown in this photo, is one of its most captivating features.
This tranquil water garden is bordered by minimalist white stone walls, which serve as a blank canvas for nature’s dynamic artistry. The reflective pool mirrors the lush greenery and cascading willow branches, creating a harmonious balance between the natural and built environment. The carefully placed rectangular aperture in the wall invites introspection, drawing your gaze to infinity. The play of light and shadow, coupled with the soft ripples of the water, encourages a deep connection to the present moment—a hallmark of Zen mindfulness.
The museum is not just an homage to D.T. Suzuki's teachings but a physical manifestation of his ideals. The architecture reflects his belief in quiet simplicity, with every element purposefully crafted to inspire reflection and inner peace. Situated in a peaceful corner of Kanazawa, the museum offers an escape from the modern world, allowing visitors to immerse themselves in the beauty of stillness.
A visit to the D.T. Suzuki Museum is both a cultural and spiritual experience. It’s a space where architecture and nature converge to evoke a profound sense of calm—a must-see destination for those seeking inspiration or tranquility in Japan.
For Our Daily Topic - In with the New (last year)
This landscape gives a view of one section of the tract. In addition to the moraines, there is an extensive wetland. Today there also was an interesting cloud formation and I love the illusion of being high up and the blue sky being water.
Read more about these tracts and hiking areas here - www3.sympatico.ca/tgrignon/
Don't use this image on websites, blogs or other media without explicit permission.
© All rights reserved
Nestled in the tranquil heart of Kanazawa, Japan, the D.T. Suzuki Museum offers visitors an immersive experience in Zen philosophy and minimalism. The Contemplation Space, as depicted in this image, is a cornerstone of the museum's design. Conceived by renowned architect Yoshio Taniguchi, the museum's architecture elegantly encapsulates the teachings of D.T. Suzuki, a pioneering figure in bringing Zen to the West.
This space is an embodiment of simplicity and mindfulness, with its understated wooden benches and smooth flooring that seamlessly integrate with the dark, serene backdrop. The choice of natural materials reflects Zen ideals, where form follows function, and every element serves a purpose. The soft interplay of light and shadow invites visitors to pause, reflect, and connect with the present moment, away from the distractions of modern life.
Taniguchi's design integrates traditional Japanese aesthetics with contemporary architecture, resulting in a space that resonates with both historical reverence and modern sophistication. The Contemplation Space is part of a larger narrative, complemented by the museum’s reflective water features and meticulously landscaped gardens. Together, these elements create an atmosphere of quiet introspection, where visitors can experience a profound sense of stillness.
The museum is not merely a tribute to D.T. Suzuki’s philosophy but also an architectural masterpiece that embodies the principles he taught. A visit to the D.T. Suzuki Museum is more than just a cultural outing—it is an opportunity to reconnect with oneself in a beautifully crafted space that epitomizes the essence of Zen.
You can find a large number of full-resolution photos under a Creative Commons license on my official website: nenadstojkovicart.com/albums
Working on studying photographer Uta Barth and emulating her approach. Critique welcome.
Uncropped. Blur created in-camera, using manual focus.