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(Comunicato Stampa - Archiviato in #TeleradioNews © Diritti riservati all'autore)
www.tr-news.it/2015/11/17/piedimonte-matese-gli-enti-loca...
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Title: "The anti-vivisection question."
Publisher: [London] : [Victoria Street Society For the Protection of Animals From Vivisection united with the International Association For the Protection of Animals From Vivisection]
Sponsor: Wellcome Library
Contributor: Wellcome Library
Date: 1884
Language: eng
Description: Consists of 25 separately titled articles
Includes bibliographical references
The moral aspects of vivisection / by Francis Power Cobbe. -- The Lord Chief Justice of England on Vivisection. -- Light in dark places / by Francis Power Cobbe. -- The uselessness of vivisection. -- Vivisection : is it justifiable? / Charles Bell Taylor. -- The futility of experiments with drugs on animals / by Edward Berdoe. -- Do the interests of humanity require experiments on living animals? : and if so, up to what point are they justifiable? / by F.S Arnold. -- Our meanest crime : a paper / by John H. Clarke. -- Pasteur's statistics / by Ernest Bell. -- Pasteur's treatment for hydrophobia : medical evidence, Irish opinions
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
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I'd like to add about 4" of length to this necklace using some kind of black metal chain. I can't figure out how to attach anything to it since it is metal connected straight to the metal forming links. If anyone can help with suggestions please add a comment!
Local limestone slabs are one of our specialties at House of Rocks. They offer a variety of uses from retaining walls to displays to water features. They are available in yellow and gray. The yellow slabs are available in a 12 and 18 inch thicknesses
Quarry Direct Pricing Available
Please call 913-432-5990 or email info@thehouseofrocks.com with any questions
Secretary-General António Guterres addresses the Security Council meeting on the situation in the Middle East, including the Palestinian question.
UN Photo/Manuel Elías
18 April 2024
New York, United States of America
Photo # UN71035340
#documentaSceptic is an art project addressing questions like " Is Documenta Dangerous ?" Why Athens ? " Do artists have a role or a function ? etc ...
IT AIM TO QUESTION THE STRUCTURE
Artist Thierry Geoffroy has been working on questioning Biennales and other cultural managed events like documenta since 1989 . Biennalist is an Art Format studying Biennales concepts and have it as inspiration for creation of art works .Often those events promote them selves with thematics or political atitudes . Biennalist take the thematics of the Biennales very seriously , and test their pertinance often on location . #DocumentaSceptic is part of the Biennalist. .
Artists have questioned for decades the canvas , the pigment , the museum ... , since 1989 Colonel and the Biennalists question the Biennales instead .Often Biennalist converge with Emergency Room ( today before it is too late ) .
#DocumentaSceptic has been to Athens + a personnal exhibition in CPH by Thierry Geoffroy / Colonel at SABSAY gallerie ( until july 1 ) with some of the art works in a changing ultracontemporary exhibition + a web project
www.emergencyrooms.org/documenta_sceptic.html
#documentasceptic #documenta14 #d14 #documentaathens #documentakassel #tank #panzer #leopard #learningfromathens #thierrygeoffroy #leopard #bestiaire #Sabsay #VeniceBiennale #Biennalist #thierrygeoffroycolonel #d14Athens #d14Kassel ##d14athendocumentakassel
documenta kassel Athens Athen d14 documenta14
www.emergencyrooms.org/formats.html
www.emergencyrooms.org/biennalist.html
documenta-sceptic.blogspot.dk/
press photo
SAN FRANCISCO, CALIFORNIA - SEPTEMBER 20: TechCrunch Builders Stage during TechCrunch Disrupt 2023 at Moscone Center on September 20, 2023 in San Francisco, California. E. Slomonson/The Photo Group for TechCrunch
"What is it exactly that you do Mary?" is a question i get asked almost everyday. Well, what you see here represents a good 70% of what I spend a LOT of my time doing. Meeting and talking with various stakeholders of whatever program possibility I happen to be looking into. Not super exciting, but a huge part of my job.
Photographed here are all the major heads of various municipal, governmental, and educational institutions involved in working with people with different abilities in Manta.
Chances are you know the deal by now! This is the craze that has been sweeping across Flickr, MySpace and many more websites aimed towards developing a worldwide community of friends.
ANYTHING you want...
5 questions.
1 chance.
5 honest answers.
Full confidentiality (Nobody will know what you asked me.)
Just Flickr mail me and let the fun begin.
Feel free to copy this onto your own Flickr page if you want to join in the fun!
Question: what do most of the telegraph poles, half the lamp-posts, most of the fire hydrants, most of the dog mess bins, grit bins and traffic signs in Skelmorlie village have in common?
2024 Conference of CSOs working on the Question of Palestine
“Building Bridges with International Civil Society to Address the Ongoing Nakba”
Convened by the
Committee on the Exercise of the Inalienable Rights of the Palestinian People (CEIRPP)
United Nations Office in Geneva (UNOG), Switzerland
3-4 April 2024, PLENARY III
“State Actions on Accountability: Discussing Best Practices”,
My brothers and i are going to order from bricklink for some old stuff and with the rest of my money i want to buy brickarms or brickforge. But i dont know where to buy.FFFUUUU-!!!
Jack Szostak has spent his life circling one of the oldest questions in science. How does life begin. Not as metaphor, but as chemistry that somehow learns to copy itself and change. He approaches the question with the patience of a careful observer and the curiosity of someone who never stopped wondering how the natural world first opened its eyes.
He was born in London and raised in Canada, drawn early to radios, circuits, and the quiet logic of biology. By his early twenties he was deep into graduate work at Cornell, where he helped reveal how chromosomes guard their ends. That work later contributed to a Nobel Prize in Physiology or Medicine. The recognition could have easily kept him anchored in genetics, yet it had the opposite effect. It cleared space for him to chase something even more elemental.
At Harvard and Massachusetts General Hospital he turned fully toward the origin of life. The lab became a place where ancient Earth could be rebuilt in small glass containers. He and his students tried to imagine a planet before biology. They studied which molecules were likely to have existed and how they might have assembled into simple protocells. They examined the early copying of nucleic acids and the fragile steps that must occur before evolution can take hold. Szostak’s own definition of life rests on that point. If it evolves, it is alive. Before that moment, it is still chemistry.
The work is demanding and beautifully slow. It requires an eye for tiny shifts in behavior and a willingness to test the same idea again and again. Szostak has the right temperament for this. He is calm, thoughtful, and open to surprise. He speaks with a gentle steadiness that makes the most complicated ideas seem almost plain.
When I photographed him in his Chicago home, the winter light was already fading. He welcomed the quiet, which suited the conversation. We talked about protocells and the first sparks of biology, and about the puzzles that still trouble him after so many years. His humor rose often, along with the soft trace of a Canadian accent.
His wife, Professor Yamuna Krishnan, stepped in and out of the room as we worked. She is a brilliant chemist in her own right, building molecular devices from DNA to study the inner life of cells. Her presence brought an extra warmth to the evening. Each time she walked into the room, something changed in him. His face softened and brightened in a way that needed no explanation. It was clear that their partnership carries both intellect and real affection.
In one portrait he sits in his study with two thick books stacked in front of him. One is his own doctoral thesis from his Cornell years. The other is Jennifer Doudna’s thesis, completed during her time in his lab. He rests his arms on them as if they are old companions. They are reminders of a long arc of discovery and mentorship, and of the people who have traveled through his scientific life.
Today Szostak continues his work at the University of Chicago. He studies the boundary where chemistry turns into biology, narrowing the gulf between the early Earth and the living world. His work remains steady and searching, not driven by the need to solve everything at once, but by the desire to understand something true about how life first appeared. In his hands, the origin of life feels less like an abstract mystery and more like a patient story unfolding, one experiment at a time.
This execution marked a shortlived turning point in advertising strategy for the World RPS Society. Instead of bludgeoning viewers with strong clear simple mesages as they had done in the past, a more subtle approach was explored.
While this execution went on to win many industry awards for it's thought-provocking approach and was appauled for not "insulting the intelligence of its viewer", for the most part, this execution went far over the heads of the intended audience
FAQ's
You no doubt have a question or two about corporations. You're not alone. Here are answers to many of the questions we're asked every day, followed by a convenient Dictionary of Terms:
What is a Corporation?
A corporation is a legal entity, separate from those who own it, and generally from those who manage it. When one's business corporation is sued, there are provisions in the law to protect owners (shareholders) and officers of that business corporation from personal liability (i.e. loss of one's personal home, car, bank accounts, etc.).
A corporation is created when articles of incorporation (charter or certificate of incorporation in certain states) are filed with the proscribed fees, and accepted by the proper state authority.
What is the structure of a corporation?
Stockholders own a corporation. While stockholders do not directly manage the corporation, they influence corporate decisions through indirect actions such as electing and removing directors, approving or disapproving amendments to the articles of incorporation, and voting on important corporate decisions.
The members of the Board of Directors are responsible for managing the affairs of the corporation. Usually, directors make only major business decisions, however they supervise and appoint officers who make the day-to-day business decisions of the corporation.
Officers are responsible for the everyday management of the corporation. Typically, officers are appointed directly by the Board of Directors. Officers are:
President - responsible for the implementation of the directives and orders of the Board of Directors. The president handles the day-to-day managerial business of the corporation and defers to the Board of Directors on matters of policy.
Secretary - responsible for the maintenance of corporate records.
Treasurer - responsible for the management of corporate bank accounts and funds. The Board of Directors dictates the actual policy.
A stockholder may serve on the Board of Directors and be an officer of the corporation. In fact, in most states, one person is enough to form a corporation, and that person can be the sole officer, director and stockholder. Posted from
This image is part wish, part question part expression of hope and love for the future. The Magician counting the grains of sand, the drummer of life, the dance of the spirit and the love of my life.
These were responses to Frontier fates that student had to answer very quickly. Time was allotted for group discussion and decision making and then as a group they were to write a paragraph about what they chose to do and why they made that decision. These two paragraphs met me expectations because they are a paragraph in length and they answered the question of what they chose and why they chose it.
This card uses a transfer from an artist trading card I made. See the original ATC here: www.flickr.com/photos/mandypoet/3850069859/in/set-7215762...
As Bear and I approached the end of our hike, perched high on boulders beside the trail were several volunteers greeting visitors to the park. They patiently answered questions they must get asked over and over and over, like "What trails are good for beginners?", "Are there really rattlesnakes here?", and "Why didn't the eagles fly Sam & Frodo to Mordor?"
Frederick “Rusty” Gage has spent his life asking a question many neuroscientists once considered heretical: can the adult brain grow new neurons?
When I photographed him at the Salk Institute in February 2026, that question felt less like rebellion and more like legacy. We made portraits in his study overlooking the Pacific, a quiet room washed in coastal light. The ocean moved below the cliffs in long, steady breaths. It is the same office once occupied by Jonas Salk, who recruited Rusty decades ago. The desk, the view, the gravity of the place. You feel it immediately. History is not abstract there. It presses in from the walls.
In the late twentieth century, neuroscience was built on a stark premise: you are born with a fixed number of neurons. Damage them and they are gone. Memory fades. Injury lingers. Aging narrows possibility. Rusty challenged that dogma with careful, methodical experiments that showed new neurons could, in fact, form in the adult hippocampus. The implications were enormous. Learning, mood, resilience, even the biology of hope took on new dimensions.
In person, what strikes you first is his attentiveness. He leans in slightly when you speak, hands folded, eyes steady behind round glasses. There is warmth in him that feels unforced. Soft spoken, yes, but never distant. You sense a mind that is constantly mapping connections, not only between neurons but between people. Students drift in and out of his orbit with ease. Colleagues seek him out. He listens more than he declares.
The study itself holds layers of meaning. Jonas Salk built the institute as a place where scientists could think expansively, where architecture and intellect met the horizon. Standing in that room with Rusty, you understand that recruitment was more than a hire. It was a passing of trust. Salk had imagined a future for biology that included imagination and risk. Rusty carried that forward into the living brain.
His work has since expanded beyond neurogenesis into how the genome shapes the nervous system over time. His lab explores mosaicism in the brain, the idea that our neurons are not genetically identical but subtly varied. The brain becomes not a static organ but a dynamic landscape, shaped by experience and by the restless choreography of DNA. It is a vision of the self that is fluid and intricate.
Photographing him in that office felt less like documenting a single scientist and more like tracing a lineage. Salk sought a vaccine that would protect children from paralysis. Rusty sought evidence that the adult brain was not condemned to decline. Both projects required a certain stubborn optimism. A belief that the body holds more possibility than we assume.
The weight of history was there, yes. But so was something lighter. A current of curiosity that refuses to settle. In Rusty Gage’s presence, you feel that science is not a monument. It is a conversation, still unfolding, with the ocean as witness.