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I'm thinking of repainting these figs. Should I? If so, what colors or camouflages?
Also, I ordered from BrickWarriors last night (11:37 I think it was ;P) and I'm getting:
4 pairs of much needed Black Vambraces,
5 Mystery Packs,
1 Black Muscled Cuirass,
and 1 Steel lobster Armor
Thanks BrickWarriors!
About Shaving Bush Tree:
Several years ago we had a question about this most unusual plant and we saw several of the blooming flowers. Its common name is shaving brush tree (Pseudobombax longiflorum). Other common names are Guiana water chestnut and wild cocoa, but I haven’t found any references using the name slipper plant. It is a native of Brazil and is cultivated as an ornamental tree in the tropics and in southern Florida. The family that grew the shaving brush tree in Lafayette grew it in a container and put it indoors during winter for protection.
The deciduous tree is about 12 feet tall and grows best in poor, sandy soil, in full sun and high temperatures. It requires regular water, but cannot tolerate over-watering. Bloom time is from late summer to early winter. The fragrant flowers open at night and stay open the next day, although quality fades during that day. The petals are pure white and curled backwards. The velvety green foliage drops off before bloom begins. The flowers are attractive to bees, butterflies and birds.
Most of my information on shaving brush tree comes from the Dave’s Garden website (www.davesgarden.com), so the plant may be available from that address.
See more about Shaving bush tree at davesgarden.com/guides/pf/showimage/54863/
zipcodezoo.com/Plants/P/Pseudobombax_longiflorum.asp
www.acadianagardening.com/viewarticle.php?colid=806
www.webshots.com/search?query=pseudobombax
Nome: umburuçu, imbiriçu, Imbiruçu-do-cerrado.
Pseudobombax longiflorum
Nome: umburuçu, imbiriçu
Familia: Bombacaceae
Genero: Pseudobombax
Especie: longiflorum
Botanico: (Mart. & Zucc.) A.
Ocorrencia: cerradão, cerrado
Floracao: de junho a julho
Descricao: Espécie caducifolia
Porte: árvore
Folhas: compostas, alternas, palmadas
Flores: estames múltiplos, brancas
Frutos: até 40cm,deiscentes,oblongos,lineares,pilosos,castanho,sementes ovais, sementes envoltas em paina de cor bege
Uso: A paina do fruto é de cor bege, abundante, macia e utilizada para forrar almofadas, travesseiros e usada para fazer cordas por possuir fibras longas. O nome umburuçu vem de imbira=corda e açu=grande.
Árvore de porte médio, casca estriada a fendilhada na base do tronco em árvores velhas, ramos robustos, glabros.
Folhas alternas, compostas digitadas, longo-pecioladas, 7 a 9 folíolos oblongos ou elípticos, glabros, coriáceos, base truncada, aguda ou obtusa, ápice agudo ou retuso, cerca de 20 cm de comprimento e 10 cm de largura. Flores alvas, grandes, isoladas ou em grupos pequenos, com estames numerosos e longos. Fruto cápsula densamente revestida por pilosidade ferrugínea, cilíndrica (ou fusiforme), cerca de 30 cm de comprimento e 5 cm de diâmetro.
I'm really sorry that I haven't posted any thing in a couple of months but I have been really busy with school and haven't have time to build any thing.
I haven't built any thing on my halo frigate sadly but I'm about 70% done whit my scorpion tank.
So now for the question:
In the picture you can se my Swedish military vehicles. Do you think I should keep them or use the parts to build more halo vehicles?
We get wise by asking questions, and even if these are not answered, we get wise, for a well-packed question carries its answer on its back as a snail carries its shell. -James Stephens
New Instagram! instagram.com/45surf
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown / Black Hair!
And here're a couple of HD video movies I shot of the goddess with the 4K Sony:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Check out my greatest hits compilation, and let me know what you think:
www.elliotmcguckenphotography.com/45surf/45SURF-Heros-Ody...
Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosodysseymythology
New instagram! instagram.com/45surf
Pretty Swimsuit Bikini Model Goddess! :)
Follow me on facebook! facebook.com/elliot.mcgucken
Nikon D300 Photos of Beautfiul Sexy Hot Brunette!
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.
All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown Black Hair!
All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!
New Instagram! instagram.com/45surf
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown / Black Hair!
And here're a couple of HD video movies I shot of the goddess with the 4K Sony:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Check out my greatest hits compilation, and let me know what you think:
www.elliotmcguckenphotography.com/45surf/45SURF-Heros-Ody...
Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosodysseymythology
New instagram! instagram.com/45surf
Pretty Swimsuit Bikini Model Goddess! :)
Follow me on facebook! facebook.com/elliot.mcgucken
Nikon D300 Photos of Beautfiul Sexy Hot Brunette!
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.
All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown Black Hair!
All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Dynamic Dimensions Theory's First Law and equation: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c: dx4/dt=ic.
So the question is... who gets to be in the last photo of 2013? I've taken pictures of the littlefee today, which I'll upload later (hope they come out the light is terrible here!)
But who should be in my last doll a day 2013 pic?
I have consulted my Kaufman fieldguide to Butterflies of North America, and I believe this to be a Question Mark Comma also known as angelwings. The fieldguide says this is its winter form. Larval plantfood: Hops, nettles, elms, and hackberries.
Toni Burgering: Question of Balance (2006)
Question of Balance is een lichtobject van Toni Burgering en bestaat uit neonlichtelementen met verschillende lengtes en kleuren. De kleuren blauw en rood aan beide zijden representeren tegenstellingen zoals tussen man en vrouw, maatschappij en individu, jong en oud. De hoogste zuil in het midden, met de kleur groen, vertegenwoordigt hoop en toekomst en de elementen roze, lichtblauw en geel in het midden staan voor een nuancering van de harde tegenstellingen. Met deze lichtgevende elementen wil Toni Burgering het Evenaarplein verbijzonderen. Question of Balance is een initiatief van de Stichting Bewonersorganisatie Oosterflank (SBO) en tot stand gekomen door nauwe samenwerking van deze bewonersorganisatie, deelgemeente Prins Alexander en het CBK Rotterdam.
Toni Burgering: Question of Balance (2006)
Question of Balance is a light object by Toni Burgering and consists of neon light elements with different lengths and colours. The colours blue and red on both sides represent contrasts such as between man and woman, society and individual, young and old. The highest column in the middle, with the colour green, represents hope and future and the elements pink, light blue and yellow in the middle represent a nuance of the hard contrasts. With these luminous elements Toni Burgering wants to make the Evenaarplein special. Question of Balance is an initiative of the Stichting Bewonersorganisatie Oosterflank (SBO) and was created through close cooperation between this residents' organisation, the sub-municipality of Prins Alexander and the CBK Rotterdam.
Sony A7R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess in Laguna Beach! Victoria Beach! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3
New Instagram! instagram.com/45surf
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown / Black Hair!
And here're a couple of HD video movies I shot of the goddess with the 4K Sony:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Check out my greatest hits compilation, and let me know what you think:
www.elliotmcguckenphotography.com/45surf/45SURF-Heros-Ody...
Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosodysseymythology
New instagram! instagram.com/45surf
Pretty Swimsuit Bikini Model Goddess! :)
Follow me on facebook! facebook.com/elliot.mcgucken
Nikon D300 Photos of Beautfiul Sexy Hot Brunette!
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.
All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown Black Hair!
All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Dynamic Dimensions Theory's First Law and equation: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c: dx4/dt=ic.
Klick Link For Read Online Or Download Pilgrim Tips & Packing List Camino de Santiago: What you need to know beforehand, what you need to take, and what you can leave at home. Book : bit.ly/2haiRc1
Synopsis
You have seen the movie, you have read all the novels, now you want to walk “The Way†yourself - the Camino de Santiago. But you have questions, many questions: What does the daily life of a pilgrim actually look like? How big should your backpack be and do you need xyz? What is the best time to walk the Camino? Is it dangerous to walk alone, especially as a woman? What about the dangerous dogs you have heard so much about? Are there gender-separated showers and toilets in the pilgrim hostels? And when nature calls when you are on the trail, will there be outhouses or not? How can you prevent blisters and other health problems? Will you find enough places to buy food from or restaurants to eat in? And what about if you are vegetarian – will you find adequate
A Vörös Gárda Péterváron 1917-ben. Ismeretlen fényképész felvétele. A Vörös Gárdáról In: allpowertothesoviets.wordpress.com/2017/11/03/the-red-gua... Hozzáférés: 2020.12.14
The Red Guard and the October Revolution:
Posted on November 3, 2017 by allpowertothesoviets
What force did the Petrograd workers offer from a military point of view? This raises the question of the Red Guard. It is time to speak of this in greater detail, for the Red Guard is soon to come out on the great arena of history.
Deriving its tradition from 1905, the Workers’ Guard was reborn with the February revolution and subsequently shared the vicissitudes of its fate. Kornilov, while Commander of the Petrograd military district, asserted that during the days of the overthrow of the monarchy, 30,000 revolvers and 40,000 rifles disappeared from the military stores. Over and above that, a considerable quantity of weapons came into the possession of the people during the disarming of the police and by the hands of friendly regiments. Nobody responded to the demand to restore the weapons. A revolution teaches you to value a rifle. The organized workers, however, had received only a small part of this blessing.
During the first four months the workers were not in any way confronted with the question of insurrection. The democratic régime of the dual power gave the Bolsheviks an opportunity to win a majority in the soviets. Armed companies of workers formed a constituent part of the militia. This was, however, more form than substance. A rifle in the hands of a worker involves a totally different historic principle than the same rifle in the hands of a student.
The possession of rifles by the workers alarmed the possessing classes from the very beginning, since it shifted the correlation of forces sharply to the advantage of the factory. In Petrograd, where the state apparatus supported by the Central Executive Committee was at first an indubitable power, the Workers’ Militia was not much of a menace. In the provincial industrial regions, however, a reinforcement of the Workers’ Guard would involve a complete change of all relations, not only within the given plant but all around it. Armed workers would remove managers and engineers, and even arrest them. Upon resolutions adopted by a factory meeting the Red Guard would not infrequently receive pay out of the factory exchequer. In the Urals, with their rich tradition of guerrilla fighting in 1905, companies of the Red Guard led by the old veterans established law and order. Armed workers almost unnoticeably dissolved the old government and replaced it with soviet institutions. Sabotage on the part of the property owners and administrators shifted to the workers the task of protecting the plants – the machines, stores, reserves of coal and raw materials. Rôles were here interchanged: the worker would tightly grip his rifle in defense of the factory in which he saw the source of his power. In this way elements of a workers’ dictatorship were inaugurated in the factories and districts some time before the proletariat as a whole seized the state power.
Reflecting as always the fright of the property owners, the Compromisers tried with all their might to oppose the arming of the Petrograd workers or reduce it to a minimum. According to Minichev, all the arms in the possession of the Narva district consisted of “fifteen or twenty rifles and a few revolvers.” At that time robberies and deeds of violence were increasing in the capital. Alarming rumours were spreading everywhere heralding new disturbances. On the eve of the July demonstration it was generally expected that the district would be set fire to. The workers were hunting for weapons, knocking at all doors and sometimes breaking them in.
red guard detachment petrograd 1917
Red Guard detachment in Petrograd, 1917
The Putilov men brought back a trophy from the demonstration of July 3rd: a machine-gun with five cases of cartridgebelt. “We were happy as children,” said Minichev. Certain individual factories were somewhat better armed. According to Lichkov, the workers of his factory had 80 rifles and 20 big revolvers. Riches indeed! Through the Red Guard headquarters they got two machine-guns. They put one in the dining-room, one in the attic. “Our commander,” says Lichkov, “was Kocherovsky, and his first assistants were Tomchak, who was killed by White Guards in the October Days near Tsarskoe Selo, and Efimov, who was shot by White bands near Hamburg.” These scant words enable us to glance into the factory laboratory where the cadres of the October revolution and the future Red Army were forming, where the Tomchaks and Efimovs were being chosen out, tempered, and were learning to command, and with them those hundreds and thousands of nameless workers who won the power, loyally defended it from its enemy, and fell subsequently on all the fields of battle.
The July Days introduced a sudden change in the situation of the Red Guard. The disarming of the workers was now carried out quite openly – not by admonition but by force. However, what the workers gave up as weapons was mostly old rubbish. All the very valuable guns were carefully concealed. Rifles were distributed among the most reliable members of the party. Machine-guns smeared with tallow were buried in the ground. Detachments of the Guard closed up shop and went underground, closely adhering to the Bolsheviks.
The business of arming the workers was originally placed in the hands of the factory and district committees of the party. It was only after the recovery from the July Days that the Military Organisation of the Bolsheviks, which had formerly worked only in the garrison and at the front, took up the organisation of the Red Guard, providing the workers with military instructors and in some cases with weapons. The prospect of armed insurrection put forward by the party gradually prepared the advanced workers for a new conception of the function of the Red Army. It was no longer a militia of the factories and workers’ districts, but the cadres of a future army of insurrection.
During August, fires in the shops and factories multiplied. Every new crisis is preceded by a convulsion of the collective mind, sending forth waves of alarm. The factory and shop committees developed an intense labor of defending the plants from attacks of this kind. Concealed rifles came out into the open. The Kornilov insurrection conclusively legalized the Red Guard. About 25,000 workers were enrolled in companies and armed – by no means fully, to be sure – with rifles, and in part with machine-guns. Workers from the Schlusselberg powder factory delivered on the Neva a bargeful of hand grenades and explosives – against Kornilov! The compromisist Central Executive Committee refused this gift of the Greeks. The Red Guards of the Vyborg side distributed the gift by night throughout the district.
“Drill in the art of handling a rifle,” says the worker Skorinko, “formerly carried on in flats and tenements, was now brought out into the light and air, into the parks, the boulevards.” “The shops were turned into camps,” says another worker, Rakitov … “The worker would stand at his bench with knapsack on his back and rifle beside him.” Very soon all those working in the bomb factory except the old Social Revolutionaries and Mensheviks were enrolled in the Guard. After the whistle all would draw up in the court for drill. “Side by side with a bearded worker you would see a boy apprentice, and both of them attentively listening to the instructor …” Thus while the old czarist army was disintegrating, the foundation of a future Red Army was being laid in the factories.
As soon as the Kornilov danger passed, the Compromisers tried to slow up on the fulfillment of their promises. To the 30,000 Putilov men, for instance, only 500 rifles were given out. Soon the giving out of weapons stopped altogether. The danger now was not from the right, but the left; protection must be sought not among the proletarians but the junkers.
An absence of immediate practical aims combined with the lack of weapons caused an ebbing of workers from the Red Guard, but this only for a short interval. The foundation cadres had been laid down solidly in every plant; firm bonds had been established between the different companies. These cadres now knew from experience that they had serious reserves which could be brought to their feet in case of danger.
The going over of the Soviet to the Bolsheviks again radically changed the position of the Red Guard. From being persecuted or tolerated, it now became an official instrument of the Soviet already reaching for the power. The workers now often found by themselves a way to weapons, asking only the sanction of the Soviet. From the end of September on, and more especially from the 10th of October, the preparation of an insurrection was openly placed on the order of the day. For a month before the revolution in scores of shops and factories of Petrograd an intense military activity was in progress – chiefly rifle practice. By the middle of October the interest in weapons had risen to a new height. In certain factories almost every last man was enrolled in a company.
The workers were more and more impatiently demanding weapons from the Soviet, but the weapons were infinitely fewer than the hands stretched out for them. “I came to Smolny every day,” relates the engineer, Kozmin, “and observed how both before and after the sitting of the Soviet, workers and sailors would come up to Trotsky, offering and demanding weapons for the arming of the workers, making reports as to how and where these weapons were distributed, and putting the question: ‘But when does business begin?’ The impatience was very great …”
Formally the Red Guard remained non-party. But the nearer the final day came, the more prominent were the Bolsheviks. They constituted the nucleus of every company; they controlled the commanding staff and the communications with other plants and districts. The non-party workers and Left Social Revolutionaries followed the lead of the Bolsheviks.
However, even now, on the eve of the insurrection, the ranks of the Guard were not numerous. On the 16th, Uritzky, a member of the Bolshevik Central Committee, estimated the workers’ army of Petrograd at 40,000 bayonets. The figure is probably exaggerated. The resources of weapons remained still very limited. In spite of the impotence of the government it was impossible to seize the arsenals without taking the road of open insurrection.
On the 22nd, there was held an all-city conference of the Red Guard, its hundred delegates representing about twenty thousand fighters. The figure is not to be taken too literally – not all those registered had shown any sign of activity. But at a moment of alarm volunteers would pour into the companies in large numbers. Regulations adopted the next day by the conference defined the Red Guard as “an organisation of the armed forces of the proletariat for the struggle against counter-revolution and the defense of the conquests of the revolution.” Observe this: that twenty-four hours before the insurrection the task was still defined in terms of defense and not attack.
The basic military unit was the ten; four tens was a squad, three squads, a company; three companies, a battalion. With its commanding staff and special units, a battalion numbered over 500 men. The battalions of a district constituted a division. Big factories like the Putilov had their own divisions. Special technical commands – sappers, bicycles, telegraphers, machine-gunners and artillery men – were recruited in the corresponding factories, and attached to the riflemen – or else acted independently according to the nature of the given task. The entire commanding staff was elective. There was no risk in this: all were volunteers here and knew each other well.
The working women created Red Cross divisions. At the shops manufacturing surgical supplies for the army, lectures were announced on the care of the wounded. “Already in almost all the factories,” writes Tatiana Graff, “the working women were regularly on duty as nurses with the necessary first-aid supplies.” The organisation was extremely poor in money and technical equipment. By degrees, however, the factory committees sent material for hospital bases and ambulances. During the hours of the revolution these weak nuclei swiftly developed. An imposing technical equipment was suddenly found at their disposal. On the 24th the Vyborg district soviet issued the following order: “Immediately requisition all automobiles … Take an inventory of all first-aid supplies, and have nurses on duty in all clinics.”
A growing number of non-party workers were now going out for shooting drill and maneuvers. The number of posts requiring patrol duty was increasing. In the factories sentries were on duty night and day. The headquarters of the Red Guard were transferred to more spacious rooms. On the 23rd at a pipe foundry they held an examination of the Red Guard. An attempt of a Menshevik to speak against the insurrection was drowned in a storm of indignation: Enough, enough The time for argument is passed The movement was irresistible. It was seizing even the Mensheviks. “They were enrolling in the Red Guard,” says Tatiana Graff, “participating in all duties and even developing some initiative.” Skorinko tells how on the 23rd, Social Revolutionaries and Mensheviks, old and young, were fraternizing with the Bolsheviks, and how Skorinko himself joyfully embraced his own father, who was a worker in the same factory. The worker Peskovoi says that in his armed detachment, “there were young workers of sixteen and old men of fifty.” The variety of ages gave “good cheer and fighting courage.”
The Vyborg side was especially fervent in preparing for battle. Having stolen the keys of the drawbridges, studied out the vulnerable points of the district, and elected their military revolutionary committee, the factory committees established continuous patrols. Kayurov writes with legitimate pride of the Vyborg men: “They were the first to go to battle with the autocracy, they were the first to institute in their district the eight-hour day, the first to come out with a protest against the ten minister-capitalists, the first to raise a protest on July 7th against the persecution of our party, and they were not the last on the decisive day of October 25th.” What is true is true. The history of the Red Guard is to a considerable extent the history of the dual power. With its inner contradictions and conflicts, the dual power helped the workers to create a considerable armed force even before the insurrection. To cast up the general total of the workers’ detachments throughout the country at the moment of insurrection is hardly possible, at least at the present moment. In any case, tens and tens of thousands of armed workers constituted the cadres of the insurrection. The reserves were almost inexhaustible.
The organisation of the Red Guard remained, of course, extremely far from complete. Everything was done in haste, in the rough, and not always skilfully. The Red Guard men were in the majority little trained; the communications were badly organized; the supply system was poor; the sanitary corps lagged behind. But the Red Guard, recruited from the most self-sacrificing workers, was burning to carry the job through this time to the end. And that was the decisive thing. The difference between the workers’ divisions and the peasant regiments was determined not only by the social ingredients of the two – many of those clumsy soldiers after returning to their villages and dividing the landlords’ land will fight desperately against the White Guards, first in guerrilla bands and afterwards in the Red Army. Beside the social difference there existed another more immediate one: Whereas the garrison represented a compulsory assemblage of old soldiers defending themselves against war, the divisions of the Red Guard were newly constructed by individual selection on a new basis and with new aims.
The Military Revolutionary Committee had at its disposal a third kind of armed force: the sailors of the Baltic Fleet. In their social ingredients they are far closer to the workers than the infantry are. There are a good many Petrograd workers among them. The political level of the sailors is incomparably higher than that of the soldiers. In distinction from the none too belligerent reserves who have forgotten all about rifles, these sailors have never stopped actual service.
For active operations it was possible to count firmly upon the armed Bolsheviks, upon the divisions of the Red Guard, upon the advanced group of the sailors, and upon the better preserved regiments. The different elements of this collective army supplemented each other. The numerous garrisons lacked the will to fight. The sailor detachments lacked numbers. The Red Guard lacked skill. The workers together with the sailors contributed energy, daring and enthusiasm. The regiments of the garrison constituted a rather inert reserve, imposing in its numbers and overwhelming in its mass.
In contact as they were from day to day with workers, soldiers and sailors, the Bolsheviks were aware of the deep qualitative difference between the constituent parts of this army they were to lead into battle. The very plan of the insurrection was based to a considerable degree upon a calculation of these differences.
The possessing classes constituted the social force of the other camp. This means that they were its military weakness. These solid people of capital, the press, the pulpit – where and when have they ever fought? They are accustomed to find out by telegraph or telephone the results of the battles which settle their fate. The younger generation, the sons, the students? They were almost all hostile to the October revolution. But a majority of them too stood aside. They stood with their fathers awaiting the outcome of the battle. A number of them afterward joined the officers and junkers – already largely recruited from among the students. The property holders had no popular masses with them. The workers, soldiers, peasants had turned against them. The collapse of the Compromise Parties meant that the possessing classes were left without an army.
In proportion to the significance of railroads in the life of modern states, a large place was occupied in the political calculations of both camps by the question of the railroad workers. Here the hierarchical constitution of the personnel leaves room for an extraordinary political variegation, creating favorable conditions for the diplomats of the Compromisers. The lately formed Vikzhel had kept a considerably more solid root among the clerks and even among the workers than, for instance, the army committees at the front. In the railroads only a minority followed the Bolsheviks, chiefly workers in the stations and yards. According to the report of Schmidt, one of the Bolshevik leaders of the trade union movement, the railroad workers of the Petrograd and Moscow junctions stood closest of all to the party.
But even among the compromisist mass of clerks and workers there was a sharp shift to the left from the date of the railroad strike at the end of September. Dissatisfaction with the Vikzhel, which had compromised itself by talking and wavering, was more and more evident in the lower ranks. Lenin remarked: “The army of railroad and postal clerks continues in a state of sharp conflict with the government.” From the standpoint of the immediate tasks of the insurrection that was almost enough.
Things were less favorable in the post and telegraph service. According to the Bolshevik, Boky, “the men in the Post and Telegraph Offices are mostly Kadets.” But here too the lower personnel had taken a hostile attitude toward the upper ranks. There was a group of mail carriers ready at a critical moment to seize the Post Office.
It would have been hopeless in any case to try to change the minds of the railroad and postal clerks with words. If the Bolsheviks should prove indecisive, the advantage would remain with the Kadets and the compromisist upper circles. With a decisive revolutionary leadership the lower ranks must inevitably carry with them the intermediate layers, and isolate the upper circles of the Vikzhel. In revolutionary calculations statistics alone are not enough; the co-efficient of living action is also essential.
The enemies of the insurrection in the ranks of the Bolshevik party itself found, however, sufficient ground for pessimistic conclusions. Zinoviev and Kamenev gave warning against an under-estimation of the enemy’s forces. “Petrograd will decide, and in Petrograd the enemy has … considerable forces: 5,000 junkers, magnificently armed and knowing how to fight, and then the army headquarters, and then the shock troops, and then the Cossacks, and then a considerable part of the garrison, and then a very considerable quantity of artillery spread out fan-wise around Petrograd. Moreover the enemy with the help of the Central Executive Committee will almost certainly attempt to bring troops from the front …” The list sounds imposing, but it is only a list. If an army as a whole is a copy of society, then when society openly splits, both armies are copies of the two warring camps. The army of the possessors contained the wormholes of isolation and decay.
The officers crowding the hotels, restaurants and brothels had been hostile to the government ever since the break between Kerensky and Kornilov. Their hatred of the Bolsheviks, however, was infinitely more bitter. As a general rule, the monarchist officers were most active on the side of the government. “Dear Kornilov and Krymov, in what you failed to do perhaps with God’s help we shall succeed …” Such was the prayer of officer Sinegub, one of the most valiant defenders of the Winter Palace on the day of the uprising. But in spite of the vast number of officers, only single individuals were really ready to fight. The Kornilov plot had already proven that these completely demoralized officers were not a fighting force.
The junkers were not homogeneous in social make-up, and there was no unanimity among them. Along with hereditary fighters, sons and grandsons of officers, there were many accidental elements gathered up under pressure of war-needs even during the monarchy. The head of an engineering school said to an officer: “I must die with you … We are nobles, you know, and cannot think otherwise.” These lucky gentlemen, who did after all succeed in evading a noble death, would speak of the democratic junkers as low-breeds, as muzhiks “with coarse stupid faces.” This division into the blue blood and the black penetrated deeply into the junker schools, and it is noticeable that here too those who came out most zealously in defense of the republican government were the very ones who most mourned the loss of the monarchy. The democratic junkers declared that they were not for Kerensky but for the Central Executive Committee. The revolution had first opened the doors of the junker schools to the Jews. And in trying to hold their own with the privileged upper circles, the sons of the Jewish bourgeoisie became extraordinarily warlike against the Bolsheviks. But, alas, this was not enough to save the régime – not even to defend the Winter Palace. The heterogeneousness of these military schools and their complete isolation from the army brought it about that during the critical hours the junkers began to hold meetings. They began to ask questions: How are the Cossacks behaving? Is anybody coming out besides us? Is it worth while anyway to defend the Provisional Government? According to a report of Podvoisky, there were about 120 socialist junkers in the Petrograd military schools at the beginning of October, and of these 42 or 43 were Bolsheviks. “The junkers say that the whole commanding staff of the schools is counter-revolutionary. They are being definitely prepared in case anything happens to put down the insurrection …” The number of socialists, and especially Bolsheviks, was wholly insignificant, but they made it possible for Smolny to know everything of importance that went on among the junkers. In addition to that, the location of the military schools was very disadvantageous. The junkers were sandwiched in among the barracks, and although they spoke scornfully of the soldiers, they looked upon them with a great deal of dread.
The junkers had plenty of ground for caution. Thousands of hostile eyes were watching them from the neighboring barracks and the workers’ districts. This observation was the more effective in that every school had its soldier group, neutral in words but in reality inclining toward the insurrection. The school storerooms were in the hands of non-combatant soldiers. “Those scoundrels,” writes an officer of the Engineering School, “not satisfied with losing the key to the storeroom so that I had to give order to break in the door, also removed the breech-blocks from the machine-guns and hid them somewhere.” In these circumstances you could hardly expect miracles of heroism from the junkers.
But would not a Petrograd insurrection be threatened from without, from the neighboring garrisons? In the last days of its life the monarchy had never ceased to put its hope in that small military ring surrounding the capital. The monarchy had missed its guess, but how would it go this time? To guarantee conditions excluding every possible danger would have been to make the very insurrection unnecessary. After all, its aim was to break down the obstacles which could not be dissolved politically. Everything could not be calculated in advance, but all that could be, was.
Early in October a conference of the soviets of Petrograd province was held in Kronstadt. Delegates from the garrisons of the environs of the capital – Gatchina, Tsarskoe, Krasnoe, Oranienbaum, Kronstadt itself – took the very highest note set by the tuning-fork of the Baltic sailors. Their resolution was adhered to by the deputies of Petrograd province. The muzhiks were veering sharply through the Left Social Revolutionaries toward the Bolsheviks.
At a conference of the Central Committee on the 16th, a party worker in the province, Stepanov, drew a somewhat variegated picture of the state of the forces, but nevertheless with a clear predominance of Bolshevik colors. In Sestroretsk and Kolpino the workers are under arms; their mood is militant. In Novy Peterhoff the work in the regiment has fallen off; the regiment is disorganised. In Krasnoe Selo the 176th regiment is Bolshevik (the same regiment which patrolled the Tauride Palace on July 4th), the 172nd is on the side of the Bolsheviks, “and, besides, there is cavalry there.” In Luga the garrison of 30,000, after swinging over to the Bolsheviks, is wavering in part; the soviet is still defensist. In Gdov the regiment is Bolshevik. In Kronstadt the mood has declined; the garrison boiled over during the preceding months; the better part of the sailors are in the active fleet. In Schlusselburg, within 60 versts of Petrograd, the soviet long ago became the sole power; the workers of the powder factory are ready at any moment to support the capital.
In combination with the results of that Kronstadt conference of soviets, this information about the first line reserves may be considered entirely encouraging. The radiation of the February insurrection had been sufficient to dissolve discipline over a wide area. And it was now possible to look with confidence upon the nearby garrisons, their conditions being adequately known in advance.
The troops of Finland and the Northern front were among the second line reserves. Here conditions were still more favorable. The work of Smilga, Antonov, Dybenko had produced invaluable results. Along with the garrison of Helsingfors the fleet had become a sovereign in Finnish territory. The government had no more power there. The two Cossack divisions quartered in Helsingfors – Kornilov had intended them for a blow at Petrograd – had come in close contact with the sailors and were supporting the Bolsheviks, or the Left Social Revolutionaries, who in the Baltic Fleet were becoming less and less distinguishable from Bolsheviks.
Helsingfors was extending its hand to the sailors of the Reval naval base, whose attitude up to that time had been indefinite. The Congress of Soviets of the Northern Region, in which also apparently the Baltic Fleet had taken the initiative, had united the soviets of the garrisons surrounding Petrograd in such a wide circle that it took in Moscow on one side and Archangel on the other. “In this manner,” writes Antonov, “the idea was realized of armoring the capital of the revolution against possible attacks from Kerensky’s troops.” Smilga returned from the Congress to Helsingfors to organize a special detachment of sailors, infantry and artillery to be sent to Petrograd at the first signal. The Finland flank of the Petrograd insurrection was thus protected to the last degree. On this side no blow was to be expected, only strong help. On other portions of the front, too, things were wholly favorable – at least far more favorable than the most optimistic of the Bolsheviks in those days imagined. During October committee elections were held throughout the army, and everywhere they showed a sharp swing to the Bolsheviks. In the corps quartered near Dvinsk the “old reasonable soldiers” were completely snowed under in the elections to the regimental and company committees; their places were taken by “gloomy, grey creatures … with angry piercing eyes and wolfish snouts.” The same thing happened in other sectors. “Committee elections are in progress everywhere, and everywhere only Bolsheviks and defeatists are elected.” The governmental commissars began to avoid making trips to their units.
“Their situation is now no better than ours” We are quoting Baron Budberg. Two cavalry regiments of his corps, the Hussar and Ural Cossacks, who remained longest of all in the control of the commanders, and had not refused to put down mutinous units, suddenly changed color and demanded “that they be relieved of the function of punitive troops and gendarmes.” The threatening sense of this warning was clear to the Baron and to everybody else. “You can’t command a flock of hyenas, jackals and sheep by playing on a violin,” he wrote. “The only salvation lies in a mass application of the hot iron …” And here follows the tragic confession: “… a thing which we haven’t got and is nowhere to be gotten.”
If we do not cite similar testimony about other corps and divisions, it is only because their chiefs were not as observant as Budberg, or they did not keep diaries, or these diaries have not yet come to light. But the corps standing near Dvinsk was distinguished in nothing but the trenchant style of its commander from the other corps of the 5th Army, which in its turn was but little in advance of the other armies.
The compromisist committee of the 5th Army, which had long been hanging in the air, continued to send telegraphic threats to Petrograd to the effect that it would restore order in the rear with the bayonet. “All that was mere braggadocio and hot air,” writes Budberg. The committee was actually living its last days. On the 23rd it failed of re-election. The president of the new Bolshevik committee was Doctor Skliansky, a magnificent young organizer who soon developed his talent widely in the work of creating the Red Army, and who died subsequently an accidental death while canoeing on one of the American lakes.
The assistant of the government Commissar of the Northern front reports to the War Minister on the 22nd of October that the ideas of Bolshevism are making great headway in the army, that the mass wants peace, and that even the artillery which has held out to the very last moment has become “hospitable to defeatist propaganda.” This too is no unimportant symptom. “The Provisional Government has no authority” – reports its own direct agent three days before the revolution.
To be sure, the Military Revolutionary Committee did not then know of all these documents. But what it did know was amply sufficient. On the 23rd, representatives of various units at the front filed past the Petrograd Soviet and demanded peace. Otherwise, they answered, they would march to the rear and “destroy all the parasites who want to keep on fighting for another ten years.” Seize the power, the front men said to the Soviet, ’the trenches will support you.”
In the more remote and backward fronts, the South-western and Romanian, Bolsheviks were still rare specimens, curiosities. But the mood of the soldiers here was the same as elsewhere. Efgenia Bosh tells how in the 2nd Corps of the Guards, quartered in the vicinity of Zhmerinka, among 60,000 soldiers, there was one young communist and two sympathizers. This did not prevent the corps from coming out in support of the insurrection in the October days.
To the very last hour the government circles rested their hope in the Cossacks. Hut the less blind among the politicians of the right camp understood that here too things were in a very bad way. The Cossack officers were Kornilovists almost to a man. The rank-and-file were tending more and more to the left. In the government they did not understand this, imagining that the coolness of the Cossack regiments to the Winter Palace was caused by injured feelings about Kaledin. In the long run, however, it became clear even to the Minister of Justice, Maliantovich, that “only the Cossack officers” were supporters of Kaledin. The rank-and-file Cossacks, like all the soldiers, were simply going Bolshevik. Of that front which in the early days of March had kissed the hands and feet of liberal priests, had carried Kadet ministers on its shoulders, got drunk on the speeches of Kerensky, and believed that the Bolsheviks were German agents – of that there was nothing left. Those rosy illusions had been drowned in the mud of the trenches, which the soldiers refused to go on kneading with their leaky boots. “The denouement is approaching,” wrote Budberg on the very day of the Petrograd insurrection, “and there can be no doubt of its outcome. On our front there is not one single unit … which would not be in the control of the Bolsheviks.”
L.D. Trotsky, “The Art of Insurrection,” The History of the Russian Revolution
Kronológia: libcom.org/library/bolsheviks-workers-control-solidarity-...
The average woman would rather have beauty than brains, because the average man can see better than he can think. ~Author Unknown
One of the questions I get a lot on Instagram (I have a much more significant following there, and they are much more vocal) is how do I manage to consistently find extremely attractive models year after year. Not just that, but beyond, how is it that I manage to befriend them and build such good relationships with them and their families that they literally before daily parts of my life. I didn't realize this was a struggle for photographers, but I do underhand the importance. If you want to make it on a high level, you need to have a steady stream of extremely high quality models. Preferably ones you don't have to pay. So, if you have any questions about this, feel free to ask. It's not just limited to that though: if you have any questions about me; my photography; or photography in general now is your chance to ask.
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown / Black Hair!
And here're a couple of HD video movies I shot of the goddess with the 4K Sony:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Check out my greatest hits compilation, and let me know what you think:
www.elliotmcguckenphotography.com/45surf/45SURF-Heros-Ody...
Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosodysseymythology
New instagram! instagram.com/45surf
Pretty Swimsuit Bikini Model Goddess! :)
Follow me on facebook! facebook.com/elliot.mcgucken
Nikon D300 Photos of Beautfiul Sexy Hot Brunette!
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.
All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown Black Hair!
All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!
This one appeared to be sucking up sediments from the gravel with its super long proboscis. And yes, that's its real name.
Best viewed in lightbox
Some of you may have noticed that, unfortunately, owing to the fact that a certain person who sells truck photos on eBay commercially has been lifting my images from this album and selling them I have had to remove 2300 photos that didn't have a watermark. I have now run around 1700 through Lightroom and added a watermark with the intention of bulk uploading them again. Rather than watermark the existing (hidden) files in Flickr one at a time it will be easier to do it this way. I definitely won’t be adding individual tags with the make and model of each vehicle I will just add generic transport tags. Each photo is named after the vehicle and reg in any case. For anyone new to these images there is a chapter and verse explanation below. It is staggering how many times I get asked questions that a quick scan would answer or just as likely I can’t possibly answer – I didn’t take them, but, just to clarify-I do own the copyright- and I do pursue copyright theft.
This is a collection of scanned prints from a collection of photographs taken by the late Jim Taylor A number of years ago I was offered a large number of photographs taken by Jim Taylor, a transport photographer based in Huddersfield. The collection, 30,000 prints, 20,000 negatives – and copyright! – had been offered to me and one of the national transport magazines previously by a friend of Jim's, on behalf of Jim's wife. I initially turned them down, already having over 30,000 of my own prints filed away and taking space up. Several months later the prints were still for sale – at what was, apparently, the going rate. It was a lot of money and I deliberated for quite a while before deciding to buy them. I did however buy them directly from Jim’s wife and she delivered them personally – just to quash the occasional rumour from people who can’t mind their own business. Although some prints were sold elsewhere, particularly the popular big fleet stuff, I should have the negatives, unfortunately they came to me in a random mix, 1200 to a box, without any sort of indexing and as such it would be impossible to match negatives to prints, or, to even find a print of any particular vehicle. I have only ever looked at a handful myself unless I am scanning them. The prints are generally in excellent condition and I initially stored them in a bedroom without ever looking at any of them. In 2006 I built an extension and they had to be well protected from dust and moved a few times. Ultimately my former 6x7 box room office has become their (and my own work’s) permanent home.
I hope to avoid posting images that Jim had not taken his self, however should I inadvertently infringe another photographers copyright, please inform me by email and I will resolve the issue immediately. There are copyright issues with some of the photographs that were sold to me. A Flickr member from Scotland drew my attention to some of his own work amongst the first uploads of Jim’s work. I had a quick look through some of the 30 boxes of prints and decided that for the time being the safest thing for me to do was withdraw the majority of the earlier uploaded scans and deal with the problem – which I did. whilst the vast majority of the prints are Jims, there is a problem defining copyright of some of them, this is something that the seller did not make clear at the time. I am reasonably confident that I have since been successful in identifying Jims own work. His early work consists of many thousands of lustre 6x4 prints which are difficult to scan well, later work is almost entirely 7x5 glossy, much easier to scan. Not all of the prints are pin sharp but I can generally print successfully to A4 from a scan.
You may notice photographs being duplicated in this Album, unfortunately there are multiple copies of many prints (for swapping) and as I have to have a system of archiving and backing up I can only guess - using memory - if I have scanned a print before. The bigger fleets have so many similar vehicles and registration numbers that it is impossible to get it right all of the time. It is easier to scan and process a print than check my files - on three different PC’s - for duplicates. There has not been, nor will there ever be, any intention to knowingly breach anyone else's copyright. I have presented the Jim Taylor collection as exactly that-The Jim Taylor Collection- his work not mine, my own work is quite obviously mine.
Unfortunately, many truck spotters have swapped and traded their work without copyright marking it as theirs. These people never anticipated the ease with which images would be shared online in the future. I would guess that having swapped and traded photos for many years that it is almost impossible to control their future use. Anyone wanting to control the future use of their work would have been well advised to copyright mark their work (as many did) and would be well advised not to post them on photo sharing sites without a watermark as the whole point of these sites is to share the image, it is very easy for those that wish, to lift any image, despite security settings, indeed, Flickr itself, warns you that this is the case. It was this abuse and theft of my material that led me to watermark all of my later uploads. I may yet withdraw non-watermarked photos, I haven’t decided yet. (I did in the end)
To anyone reading the above it will be quite obvious that I can’t provide information regarding specific photos or potential future uploads – I didn’t take them! There are many vehicles that were well known to me as Jim only lived down the road from me (although I didn’t know him), however scanning, titling, tagging and uploading is laborious and time consuming enough, I do however provide a fair amount of information with my own transport (and other) photos. I am aware that there are requests from other Flickr users that are unanswered, I stumble across them months or years after they were posted, this isn’t deliberate. Some weekends one or two “enthusiasts” can add many hundreds of photos as favourites, this pushes requests that are in the comments section ten or twenty pages out of sight and I miss them. I also have notifications switched off, I receive around 50 emails a day through work and I don’t want even more from Flickr. Other requests, like many other things, I just plain forget – no excuses! Uploads of Jim’s photos will be infrequent as it is a boring pastime and I would much rather work on my own output.
There is a continuing debate among theoretical physicists about how the stuff (matter/energy) of the universe could have originated of its own accord, out of 'nothing' (the elusive, so-called ‘theory of everything’). However, the most important question in this debate: Where did information come from? Has been largely ignored, but this is absolutely CRUCIAL - because the universe, as we know it, could not exist without information. The laws of nature, are indicative of order, they govern and control the whole material universe, and extremely complex information is essential for all life.
Information is rightly called the third fundamental property of the universe.
So we have to wonder why the crucial question of the origin of information is excluded from the 'theory of everything' debate?
Without a credible explanation of the origin of information - any proposed theory of 'everything' would, in fact, be a theory of 'nothing' ... and absolutely useless.
Life requires information from the very outset, even the tiniest, most primitive cell is packed with complex information (coded in DNA), and the means of interpreting it.
Life could not exist without information. The first life on earth (regardless of how you believe it originated) needed complex information right from the very start, this is certain and beyond any dispute.
So how did information arise in the first life? Was the information for life just floating about in the ether waiting to alight on the right mixture of chemicals in some primordial soup? I think not! (but atheists have not yet proposed any better explanation).
However, even if such an incredible thing were possible, the question would still remain as to how this information originated within the universe? Where did it come from, and why? Hence for any atheist, the origin of DNA code itself, and the information it contains, is an impossible dilemma.
The unanswerable question for atheism is, which came first, information or matter?
Information cannot possibly create itself, but neither can matter. To suggest that either of them originated, of their own accord, from nothing, is self-evidently, utter nonsense and completely unscientific.
(Atheists will never be able to answer this question because the only logical option is - - a non-contingent first cause of all the material realm, which is eternally pre-existent, intelligent, non-material and therefore not subject to natural laws which govern all natural entities, i.e. a Supernatural Creator God).
Amazingly, we were told by ‘experts’ in 2004 that the discovery of the simple sugar glycoldehide in a gas cloud (known as Sagittarius B2 allegedly detected light years away in the middle of our galaxy) could explain the origin of DNA & life. (Daily Mirror newspaper, UK, 22/9/2004)
This is comparable to claiming that, if a component for making ink were to be discovered in outer space, it would explain how the complete works of Shakespeare could have originated spontaneously, of their own accord - and some people call that science - - incredible!
Make no mistake, atheism is just another religion.
Atheists are very fond of telling us what they don’t believe, but just what do they believe?
Because they reject an eternal, pre-existent, non-material first cause, every atheist is obliged to believe the preposterous notion that, the potential and information for life, as well as all the laws of nature, must have been an intrinsic property of the first matter/energy, when this matter/energy arose by its own power, and of its own volition, out of absolutely nothing, at the beginning of everything!!!! (albeit contrary to logic, common sense, and the laws of nature that govern all matter).
Surely this must be the ultimate miracle to outdo all other miracles.
Supporters of this bizarre, magical belief are very fond of describing atheism as “the only rational viewpoint,” - - -
They call such a belief rational? - - -
What do you think?
Atheists cannot accept that any information pre-existed the material. Therefore, matter not only had to create itself, but also its own governing laws & information, from nothing, and so the god of the atheist religion of naturalism is credited with even more creative powers than those usually attributed to an eternally pre-existing, Supernatural God.
In other words, ‘matter’ is automatically ascribed by atheist belief as a self-created, intelligent entity.
(This is completely contrary to logic, and to natural laws which describe the inherent properties and behaviour of matter and all natural occurrences, without exception).
“It’s just unbelievable what unbelievers are willing to believe, in order to be unbelievers” (Dr. Duane Gish)
Consider this ...
Long, long, long ago, in an eternal void of nothingness, a tiny cosmic egg arose of its own volition. Then, all of a sudden, the egg accidentally exploded and proceeded to expand until it became the whole universe and everything within it.
(This is the atheistic, ‘Big Bang’, fairy story of creation in a nutshell - - - or should that be eggshell?). But where could this cosmic egg have come from? - - - who knows? - - - perhaps a cosmic chicken laid it? - - - if so - - - where did the cosmic chicken come from? - - - don’t even ask! - - - because the only thing we are absolutely sure of is that we are still waiting for any ‘Big Bang’ supporter to propose a better solution. - - - Please don’t hold your breath!
The best they have come up with so far, is that the 'nothing' in which the cosmic egg emerged, wasn't really nothing, but 'something', i.e. SPACE. But, any fool can see that this is just a device to make a ridiculous belief sound plausible. It is obviously not plausible, because they then have to explain how space (which is not nothing, but just a part of the contingent, material realm) originated, which takes the whole ridiculous idea back to square one.
Since information is not a physical element (and as information is a fundamental constituent of the universe and an essential feature of all life) to assert that the universe is composed solely of matter and energy is clearly wrong.
The speculated ‘Big Bang’ explosion is an accidental, purposeless and destructive event, with no directing, informational component whatsoever. As it is not possible for such a ‘Big Bang’ or any other undirected release of energy to create useful information (or any sort of order) it is patently obvious that this ‘Big Bang’ story of creation is erroneous.
Where has wisdom gone?
For all our modern knowledge and technology, ancient man had a wisdom in these matters which far surpasses modern ideas.
It is now almost 2 thousand years ago that Christ's Apostle John delivered the ultimate ‘theory of everything’. He understood (like many of his predecessors) that the most important factor in the question of origins is information: “In the beginning was the word” [(word: logos) = information]. John 1; 1. (the 'Word' is applied by John to Jesus Christ as true God and true man - meaning the universe was created by the Word (Jesus), by means of God's word - intelligent, constructive information).
All sensible people realise that information just had to come first, nothing constructive or creative can occur without information. Science tells us that, any input of raw energy alone, tends to increase entropy. Only organised or directed energy (energy with an informational component) can temporarily reverse or reduce the effects of entropy.
Without information, nothing material could exist in its present form.
Information derives only from an intelligent source, so only information from a pre-existing, supernatural, intelligent source could bring everything material into being, organise and control its construction and behaviour, and maintain its continued existence.
So the essential, single, first cause had to be both uncaused and intelligent.
There is no other logical option.
Belief in God did not just evolve (as some atheists keep telling us) as a means for ‘ignorant’, ‘primitive’, ‘superstitious’ humans to explain things they could not understand.
On the contrary, ancient man (from the time of Adam) fully understood (better than many of the so-called experts today) that the material universe does not contain within itself any possible means of creating itself and its essential, regulatory information, out of nothing.
A non-contingent, pre-existing, supernatural (non-material), eternal, infinite and omnipotent force had to be responsible for creating it. An essential element of that force is a supreme intelligence which has to be the original source of all information.
“ALL THINGS WERE MADE BY HIM; AND WITHOUT HIM WAS NOT ANY THING MADE THAT WAS MADE. IN HIM WAS LIFE
AND THE LIFE WAS THE LIGHT OF MEN” John 1: 3-4.
In this computer age, people are again beginning to understand the particular relevance of information.
A computer (the hardware) processes and stores information (the software). Without any software programming, the hardware would be useless.
As Chuck Missler points out in his book ‘Cosmic Codes; “software has no mass. (its embodiment may have weight, but the software doesn’t. It simply codes information)”.
A computer disk loaded with a million bytes of software will weigh no more than a blank disk and the information it contains can be sent invisibly through the airwaves from one point to another.
To quote Chuck Missler again “if you and I were meeting face-to-face, I would still not be able to see the real you. I would only see the temporary residence you are occupying. The real you, your personality - - call it soul, spirit, whatever - - is not visible. It is software not hardware. The codes - - your history, your accumulated responses to the events of your life, your attitudes - - are all simply informational, not physical. It is software only and software has no mass”. According to Einstein, time is a physical property - - - “that which has no mass has no time. You are eternal, that is what the Bible has declared all along. You are eternal whether you like it or not” Chuck Missler, Cosmic Codes. 1999. Koinonia house.
The information for life ....
Atheists and evolutionists have no idea how the first, genetic information originated. They claim the spontaneous generation of life (abiogenesis) is an established scientific fact, but this is completely disingenuous. Apart from the fact that abiogenesis violates the Law of Biogenesis, the Law of Cause and Effect and the Second Law of Thermodynamics, it also violates Information Theory.
Atheists and evolutionists have an enormous problem with explaining how the DNA code originated. However that is not the major problem. The impression is given to the public, that evolutionists only have to find an explanation for the origin of DNA by natural processes - and the problem of the origin of genetic information will have been solved. That is a confusion in the minds of many people that evolutionists cynically exploit. It is far from the truth, as they very well know.
Explaining how DNA was formed by chemical processes, explains only how the information storage medium was formed, it tells us nothing about the origin of the information it carries.
To clarify this it helps to compare DNA to other information, storage mediums.
For example, if we compare DNA to the written word, we understand that the alphabet is a tangible medium for storing, recording and expressing information, it is not information in itself. The information is recorded in the sequence of letters, forming meaningful words.
You could say that the alphabet is the 'hardware' created from paper and ink, and the sequential arrangement of the letters is the software. The software is a mental construct, not a physical one.
The same applies to DNA. DNA is not information of itself, just like the alphabet it is the medium for storing and expressing information. It is an amazingly efficient storage medium. However, it is the sequence or arrangement of the amino acids which is the actual information, not the DNA code.
So, if evolutionists are ever able to explain how DNA was formed by chemical processes, it would explain only how the information storage medium was formed. It will tell us nothing about the origin of the information it carries. Therefore, when atheists and evolutionists tell us it is only a matter of time before 'science' will be able to fill the 'gaps' in our knowledge and explain the origin of genetic information, they are not being honest. Explaining the origin of the 'hardware' by natural processes is an entirely different matter to explaining the origin of the software.
Next time you hear atheists skating over the problem of the origin of genetic information with their usual bluff and bluster, and parroting their usual nonsense about science being able to fill such gaps in knowledge in the future, don't be fooled. They cannot explain the origin of genetic information, and never will be able to. The software cannot be created by chemical processes or the interaction of energy and matter, it is not possible. If you don't believe that. then by all means put it to the test, by challenging any atheist or evolutionist to explain how genetic information (not DNA) can originate by natural means?
Why God must exist.
www.flickr.com/photos/101536517@N06/15818838060
FOUNDATIONS OF SCIENCE
The Law of Cause and Effect. Dominant Principle of Classical Physics. David L. Bergman and Glen C. Collins
www.thewarfareismental.net/b/wp-content/uploads/2011/02/b...
"The Big Bang's Failed Predictions and Failures to Predict: (Updated Aug 3, 2017.) As documented below, trust in the big bang's predictive ability has been misplaced when compared to the actual astronomical observations that were made, in large part, in hopes of affirming the theory."
“How many people have ever lived?” That's the question this graphic tries to answer. I've recently updated it for 2011.
The numbers in this piece are speculative but are as accurate as modern research allows. It’s widely accepted that prior to 2002 there had been somewhere between 106 and 140 billion homo sapiens born to the world. The graphic below uses the conservative number (106 bn) as the basis for a circle graph. The center dot represents how many people are currently living (red) versus the dead (white). The dashed vertical line shows how much time passed between milestones. The spectral graph immediately below this text illustrates the population ‘benchmarks’ that were used to estimate the population over time. Adding the population numbers gets you to 106 billion. The red sphere is then used to compare against other data.
What's different in the 2011 version of Population of the Dead? To start I've included both all time population estimates. White represents the 106 billion conservative estimate while the more liberal estimation of 140 billion is represented by the gray outer zone.
A number of corrections have been included this time around. First, the red circle is actually to scale throughout the image, so all the circles can be easily compared to one another.
When I originally published this, I was eviscerated by a few select mathematicians who pointed out that using the radius or diameter as the basis for scaling the circles was incorrect. One blogger gave me a much appreciated math lesson which motivated me to update the graphic. I'm still not a math guy, so if the numbers are still wrong forgive me. I did use the area this time, not the diameter.
However, I'd also like to restate that proper math isn't exactly the point of this image. One viewer, Andrew Liebchen, says this far more elegantly than I can in a comment he left for me, "In some ways, the circle within the circle is poetic. It implies that in time, all the living will die; the that is red will become white. Meanwhile, new births will forever increase the overall area." In short, the point is to reflect on the scale of life and death. ;-)
Finally, I'd like to thank everyone who's viewed or promoted this image! 111,920 have viewed it on Flickr alone, but it's been posted and reposted all over the web on sites like Visual.ly, Digg, Reddit, Dzone, and DesignFloat. I've also spotted prints in the wild. Thanks everyone, truly flattering!
Research Notes: The research used to create largely came from this article from The Scientific American, published by Ciara Curtin on March 1, 2007. Her article cites Carl Haub, a demographer at the Population Reference Bureau, and Joel Cohen, a professor of populations at the Rockefeller and Columbia Universities in New York City, as sources. A number of other sources were used including research from the Forum of the Future, the Population Reference Bureau, Jeffery Sachs Blog and publications by the United Nations.
View the High Res copy
Update Jan 29, 2010: Fixed Spelling Mistake
Update Feb 11, 2010: Proceeds from this graphic now being donated to One Million Bones
Update Aug 27, 2011: 2011 version released
Originally published at appfrica.net/blog/2009/11/16/population-of-the-dead/
Hi heres an official update of what is happening I will be moving to Idaho on September 7th. I will most likely will not be posting stuff as I will be renting the top floor of a house for a week till we find a house, I have some stuff planned for a Civil War build and a small death of King Philip scene that I hopefully will bring to Brickslopes 2017. The question is what I should use for the white settler? What should I use for a 1600's settler, what torso should I use? I will most likely never really upload a WW2 scene as I think its really overdone and theirs only a good bit of builders that can pull it off...Thanks for your cooperation :-/
When Jesus came to the region of Caesarea Philippi he put this question to his disciples, ‘Who do people say the Son of Man is?’ And they said, ‘Some say he is John the Baptist, some Elijah, and others Jeremiah or one of the prophets.’ ‘But you,’ he said ‘who do you say I am?’ Then Simon Peter spoke up, ‘You are the Christ,’ he said ‘the Son of the living God.’ Jesus replied, ‘Simon son of Jonah, you are a happy man! Because it was not flesh and blood that revealed this to you but my Father in heaven. So I now say to you: You are Peter and on this rock I will build my Church. And the gates of the underworld can never hold out against it. I will give you the keys of the kingdom of heaven: whatever you bind on earth shall be considered bound in heaven; whatever you loose on earth shall be considered loosed in heaven.’
- Matthew 13:16-19, which is today's Gospel for the Solemnity of Saints Peter and Paul.
Wall painting in Lancaster Cathedral.
jsc2020e017044 (April 8, 2020) --- At the Cosmonaut Hotel crew quarters in Baikonur, Kazakhstan, Expedition 63 crewmember Chris Cassidy of NASA responds to questions provided by reporters in a virtual question and answer session April 8 as he prepares for launch. Cassidy and Anatoly Ivanishin and Ivan Vagner of Roscosmos will launch April 9 on the Soyuz MS-16 spacecraft from the Baikonur Cosmodrome for a six-and-a-half month mission on the International Space Station. Credit: Andrey Shelepin/Gagarin Cosmonaut Training Center
www.youtube.com/watch?v=0is07uv9_oM
MERRY CHRISTMAS ALL MENTALLY ILL.
SIMONE CRISTICCHI - Ti regalerò una rosa .
WILL GIVE YOU A ROSE
A red rose to paint everything
A rose to comfort your each and every tear
And a rose to show you my love
I will give you a rose
A white rose as if you were my wife
A white rose to help you forget
Each little pain
My name is Antonio and I’m mad
I was born in 1954 and I’ve lived here since I was a baby
I believed I could talk with the devil
So they closed me in a mental home for forty years
I’m writing you this letter because I don’t know how to talk
Forgive the handwriting of a school child
And I’m astonished I’m still feeling emotions
But it’s the fault of my hand that won’t stop shaking
I’m like a piano with a broken key
The dissonant chord of an orchestra of drunks
Day and night seem the same
In the dim light the pierces the opaque glass
I’m still pissing myself because I’m afraid
To the sane, we have always been rubbish
Smelling of piss and sawdust
This is mental illness and there is no cure
I will give you a rose
A red rose to paint everything
A rose to comfort your each and every tear
And a rose to show you my love
I will give you a rose
A white rose as if you were my wife
A white rose to help you forget
Each little pain
Mad people are like question marks with no sentences
Thousands of spaceships that never return home
They are snowmen spread out under the sun
Mad people are messengers of a God that doesn’t want them
I build snow for myself out of polystyrene
My illness is that I’ve been left alone
Now take a telescope and measure the distance
Look between me and you – who is more dangerous?
We loved each other secretly in a hospital ward
Finding a corner that would be ours alone
I remember the few moments when we felt alive
Not like the medical records crammed in the archives
Of all my memories, you’ll be the last to disappear
You were like an angel tied to a radiator
In spite of everything I’m still waiting for you
And when I close my eyes I feel your hands caressing me
I will give you a rose
A red rose to paint everything
A rose to comfort your each and every tear
And a rose to show you my love
I will give you a rose
A white rose as if you were my wife
A white rose to help you forget
Each little pain
My name is Antonio and I’m on the roof
Dear Margherita, I’ve waited for you for 20 years
We go mad when no one understands us
Also when your best friend betrays you
I leave you this letter, now I must go
Forgive the handwriting of a school child
Are you astonished I’m still feeling something?
Surprise yourself again because Antonio knows how to fly
JE T'OFFRIRAI UNE ROSE
Je t'offrirai une rose
Une rose rouge pour peindre toute chose
Une rose pour consoler chacune de tes larmes
Et une rose pour t'aimer
Je t'offrirai une rose
Une rose blanche comme si tu étais mon épouse
Une rose blanche qui te serve à oublier
La moindre douleur.
Je m'appelle Antonio et je suis fou
Je suis né en 54 et je vis ici depuis que j'étais enfant
Ils m'ont enfermé ainsi dans un asile pendant quarante ans
Je t'écris cette lettre car je ne sais pas parler
Pardonne ma calligraphie de première primaire
Et je m'étonne d'éprouver encore une émotion
Mais la faute est à ma main qui ne cesse de trembler.
Je suis un piano forte avec une touche cassée
L'accord dissonant d'un orchestre d'ivrognes
Et jour et nuit se ressemblent
Dans le peu de lumière qui traverse les vitres opaques
Je fais encore sous moi tant j'ai peur
Pour la société des sains , nous avons toujours été des rebuts
Je pue de pisse et de chiure
C'est une maladie mentale et il n'existe pas de cure.
Je t'offrirai une rose
Une rose rouge pour peindre toute chose
Une rose pour consoler chacune de tes larmes
Et une rose pour t'aimer
Je t'offrirai une rose
Une rose blanche comme si tu étais mon épouse
Une rose blanche qui te serve à oublier
La moindre douleur.
Les fous sont des points d'interrogation sans phrases
Des milliers d'astronefs qui rentrent à la base
Ce sont des pantins étendus à sécher au soleil
Les fous sont des apôtres d'un Dieu qui n'en veut pas
Je me fabrique de la neige avec la frigolite
Ma pathologie est d'être resté seul
Maintenant prenez un télescope... Mesurez les distances
Et regardez entre vous et moi... qui est le plus dangereux ?
Dans les pavillons, nous nous aimons en cachette
Taillant un coin qui soit seulement le nôtre
Je me rappelle les rares instants où nous nous sentons vivants
Plus comme des dossiers cliniques perdus dans des archives
De mes souvenirs, tu seras le dernier à disparaître
Tu étais comme un ange lié à un radiateur
Malgré tout, je t'attends encore
Et si je ferme les yeux, je sens ta main qui m'effleure.
Je t'offrirai une rose
Une rose rouge pour peindre toute chose
Une rose pour consoler chacune de tes larmes
Et une rose pour t'aimer
Je t'offrirai une rose
Une rose blanche comme su tu étais mon épouse
Une rose blanche que te serve à oublier
La moindre douleur.
Je m'appelle Antonio et je suis sur le toit
Chère Marguerite, ça fait vingt ans que je t'attends
Nous sommes les fous quand personne ne nous comprend
Je te laisse cette lettre, à présent je dois partir
Pardonne ma calligraphie de première primaire
Et tu t'étonnes que j'ai encore une émotion ?
Tu es surprise encore qu’Antonio sache voler.
Ti regalerò una rosa
Una rosa rossa per dipingere ogni cosa
Una rosa per ogni tua lacrima da consolare
E una rosa per poterti amare
Ti regalerò una rosa
Una rosa bianca come fossi la mia sposa
Una rosa bianca che ti serva per dimenticare
Ogni piccolo dolore
Mi chiamo Antonio e sono matto
Sono nato nel ’54 e vivo qui da quando ero bambino
Credevo di parlare col demonio
Così mi hanno chiuso quarant’anni dentro a un manicomio
Ti scrivo questa lettera perché non so parlare
Perdona la calligrafia da prima elementare
E mi stupisco se provo ancora un’emozione
Ma la colpa è della mano che non smette di tremare
Io sono come un pianoforte con un tasto rotto
L’accordo dissonante di un’orchestra di ubriachi
E giorno e notte si assomigliano
Nella poca luce che trafigge i vetri opachi
Me la faccio ancora sotto perché ho paura
Per la società dei sani siamo sempre stati spazzatura
Puzza di piscio e segatura
Questa è malattia mentale e non esiste cura
Ti regalerò una rosa
Una rosa rossa per dipingere ogni cosa
Una rosa per ogni tua lacrima da consolare
E una rosa per poterti amare
Ti regalerò una rosa
Una rosa bianca come fossi la mia sposa
Una rosa bianca che ti serva per dimenticare
Ogni piccolo dolore
I matti sono punti di domanda senza frase
Migliaia di astronavi che non tornano alla base
Sono dei pupazzi stesi ad asciugare al sole
I matti sono apostoli di un Dio che non li vuole
Mi fabbrico la neve col polistirolo
La mia patologia è che son rimasto solo
Ora prendete un telescopio… misurate le distanze
E guardate tra me e voi… chi è più pericoloso?
Dentro ai padiglioni ci amavamo di nascosto
Ritagliando un angolo che fosse solo il nostro
Ricordo i pochi istanti in cui ci sentivamo vivi
Non come le cartelle cliniche stipate negli archivi
Dei miei ricordi sarai l’ultimo a sfumare
Eri come un angelo legato ad un termosifone
Nonostante tutto io ti aspetto ancora
E se chiudo gli occhi sento la tua mano che mi sfiora
Ti regalerò una rosa
Una rosa rossa per dipingere ogni cosa
Una rosa per ogni tua lacrima da consolare
E una rosa per poterti amare
Ti regalerò una rosa
Una rosa bianca come fossi la mia sposa
Una rosa bianca che ti serva per dimenticare
Ogni piccolo dolore
Mi chiamo Antonio e sto sul tetto
Cara Margherita sono vent’anni che ti aspetto
I matti siamo noi quando nessuno ci capisce
Quando pure il tuo migliore amico ti tradisce
Ti lascio questa lettera, adesso devo andare
Perdona la calligrafia da prima elementare
E ti stupisci che io provi ancora un’emozione?
Sorprenditi di nuovo perché Antonio sa volare.
Some of you may have noticed that, unfortunately, owing to the fact that a certain person who sells truck photos on eBay commercially has been lifting my images from this album and selling them I have had to remove 2300 photos that didn't have a watermark. I have now run around 1700 through Lightroom and added a watermark with the intention of bulk uploading them again. Rather than watermark the existing (hidden) files in Flickr one at a time it will be easier to do it this way. I definitely won’t be adding individual tags with the make and model of each vehicle I will just add generic transport tags. Each photo is named after the vehicle and reg in any case. For anyone new to these images there is a chapter and verse explanation below. It is staggering how many times I get asked questions that a quick scan would answer or just as likely I can’t possibly answer – I didn’t take them, but, just to clarify-I do own the copyright- and I do pursue copyright theft.
This is a collection of scanned prints from a collection of photographs taken by the late Jim Taylor A number of years ago I was offered a large number of photographs taken by Jim Taylor, a transport photographer based in Huddersfield. The collection, 30,000 prints, 20,000 negatives – and copyright! – had been offered to me and one of the national transport magazines previously by a friend of Jim's, on behalf of Jim's wife. I initially turned them down, already having over 30,000 of my own prints filed away and taking space up. Several months later the prints were still for sale – at what was, apparently, the going rate. It was a lot of money and I deliberated for quite a while before deciding to buy them. I did however buy them directly from Jim’s wife and she delivered them personally – just to quash the occasional rumour from people who can’t mind their own business. Although some prints were sold elsewhere, particularly the popular big fleet stuff, I should have the negatives, unfortunately they came to me in a random mix, 1200 to a box, without any sort of indexing and as such it would be impossible to match negatives to prints, or, to even find a print of any particular vehicle. I have only ever looked at a handful myself unless I am scanning them. The prints are generally in excellent condition and I initially stored them in a bedroom without ever looking at any of them. In 2006 I built an extension and they had to be well protected from dust and moved a few times. Ultimately my former 6x7 box room office has become their (and my own work’s) permanent home.
I hope to avoid posting images that Jim had not taken his self, however should I inadvertently infringe another photographers copyright, please inform me by email and I will resolve the issue immediately. There are copyright issues with some of the photographs that were sold to me. A Flickr member from Scotland drew my attention to some of his own work amongst the first uploads of Jim’s work. I had a quick look through some of the 30 boxes of prints and decided that for the time being the safest thing for me to do was withdraw the majority of the earlier uploaded scans and deal with the problem – which I did. whilst the vast majority of the prints are Jims, there is a problem defining copyright of some of them, this is something that the seller did not make clear at the time. I am reasonably confident that I have since been successful in identifying Jims own work. His early work consists of many thousands of lustre 6x4 prints which are difficult to scan well, later work is almost entirely 7x5 glossy, much easier to scan. Not all of the prints are pin sharp but I can generally print successfully to A4 from a scan.
You may notice photographs being duplicated in this Album, unfortunately there are multiple copies of many prints (for swapping) and as I have to have a system of archiving and backing up I can only guess - using memory - if I have scanned a print before. The bigger fleets have so many similar vehicles and registration numbers that it is impossible to get it right all of the time. It is easier to scan and process a print than check my files - on three different PC’s - for duplicates. There has not been, nor will there ever be, any intention to knowingly breach anyone else's copyright. I have presented the Jim Taylor collection as exactly that-The Jim Taylor Collection- his work not mine, my own work is quite obviously mine.
Unfortunately, many truck spotters have swapped and traded their work without copyright marking it as theirs. These people never anticipated the ease with which images would be shared online in the future. I would guess that having swapped and traded photos for many years that it is almost impossible to control their future use. Anyone wanting to control the future use of their work would have been well advised to copyright mark their work (as many did) and would be well advised not to post them on photo sharing sites without a watermark as the whole point of these sites is to share the image, it is very easy for those that wish, to lift any image, despite security settings, indeed, Flickr itself, warns you that this is the case. It was this abuse and theft of my material that led me to watermark all of my later uploads. I may yet withdraw non-watermarked photos, I haven’t decided yet. (I did in the end)
To anyone reading the above it will be quite obvious that I can’t provide information regarding specific photos or potential future uploads – I didn’t take them! There are many vehicles that were well known to me as Jim only lived down the road from me (although I didn’t know him), however scanning, titling, tagging and uploading is laborious and time consuming enough, I do however provide a fair amount of information with my own transport (and other) photos. I am aware that there are requests from other Flickr users that are unanswered, I stumble across them months or years after they were posted, this isn’t deliberate. Some weekends one or two “enthusiasts” can add many hundreds of photos as favourites, this pushes requests that are in the comments section ten or twenty pages out of sight and I miss them. I also have notifications switched off, I receive around 50 emails a day through work and I don’t want even more from Flickr. Other requests, like many other things, I just plain forget – no excuses! Uploads of Jim’s photos will be infrequent as it is a boring pastime and I would much rather work on my own output.
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown / Black Hair!
And here're a couple of HD video movies I shot of the goddess with the 4K Sony:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Check out my greatest hits compilation, and let me know what you think:
www.elliotmcguckenphotography.com/45surf/45SURF-Heros-Ody...
Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosodysseymythology
New instagram! instagram.com/45surf
Pretty Swimsuit Bikini Model Goddess! :)
Follow me on facebook! facebook.com/elliot.mcgucken
Nikon D300 Photos of Beautfiul Sexy Hot Brunette!
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.
All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown Black Hair!
All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!
Here's a quiz question: name a location that this could have been taken at?
As in many cities Edinburgh is making great advances in providing accurate information to passengers at bus stops as to when the next bus is due to arrive. Lothian Buses has been accelerating speedily in installing time track display monitors at stops, not just in the centre of the city but across the region.
Here's how it works: Each bus is fitted with a tracking device in order for the RTPI system to know where it is. The system calculates how long it will take to arrive at each of the stops along the route. Using satellite technology the system then communicates the bus information to a display at the bus stop. Lothian's displays show the service number, the destination and when the bus is due to arrive in minutes. There are also symbols for estimated timings and disabled details.
For the bus enthusiast this is an excellent piece of equipment as it allows us to know when to prepare for the shot and also we can wander across the street to the other side to see when the one coming in the other direction is due. What a pity the monitor can't also show the fleet number - now that would be REAL progress!