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Washington, DC, USA September 28, 2015
Wall Street Journal middle market conference.
Photo by Ian Wagreich / © Ian Wagreich Photography
2016 SCCA National Championship Runoffs by Garmin VIRB
Mid-Ohio Sports Car Course - Lexington, OH
SCCA Club Racing
* This is not a program but instead, just an event media guide, as there were no programs from the event.
Flight Officer Aldeny is wasting no time putting one of our three Civvies through its paces to ensure that it is still working fine after a year of sitting around unused. if so, it will become the active aircraft in the rotation
Lt. Col. Edward D. Eldridge, commander of U.S. Army Garrison Casey, guest reader for the Area I Libraries kickoff of the Department of Defense summer reading program June 19. Eldridge read a “Paws to Read!” selection for the children and cut the ceremonial cake.
Tecumseh Library invited customers to participate in numerous activities and to make unique creations.
Prihatin Timbalan Ketua Menteri 1, YB Mohamad Fairus Khairuddinmelawat warga PPRT di Kampung Batu Uban
Program Masyarakat Madani di Perkampungan Batu Uban dirasmikan oleh Timbalan Ketua Menteri 1, YB Mohamad Fairus Khairuddin dan ADUN Batu Uban, YB Raveentharan
Summer at St. George's provides fun and enriching summer camps for children ages 4 to 15. www.summeratstgeorges.ca
Each summer, St. Georges opens its doors to the world and offers a dynamic, fun and safe boarding program. Boys and Girls aged 9 to 16 years come from all over the world to enjoy a total Canadian immersion experience in one of Canada's most beautiful cities and campuses.
I had the privilege to create all of the artwork for the Annapolis Opera 2019-2020 Season. This includes artwork for their mainstage production of Puccini’s Tosca. The next slides in the album feature every spread in the 36-page program. the program was set up in Adobe InDesign and features elements from Photoshop and Illustrator. I worked hard to infuse the show's branding wherever possible.
Tosca was the most challenging of the seven productions to create artwork for because I had so much to work with. The artwork for Susannah leapt fully formed from my mind onto the computer canvas, while the artwork for Tosca had many rounds of revisions and went back to the drawing board on several occasions.
I worked on the artwork for the two mainstage shows first and in tandem because this branding would be carried through the entire season. The result of their marriage is dark and brooding artwork that combines the themes and iconography from the two seemingly unrelated operas. Lust, loss of innocence and faith – strong women are torn down by their corrupt and supposedly religious leaders in both shows.
Annapolis Opera’s production of Tosca is set in Mussolini-era Rome, as opposed to the traditional year 1800 Napoleonic setting. This new World War II setting added yet another layer of meaning to an already emotionally complex show. Because I had plenty to work with, it was at first hard to narrow down what I wanted the focus of the artwork to be.
The artwork for Tosca relies heavily on fabric and grunge textures. The color palette contains a full range of blues, violets and purples as well as two distinct shades of red: fresh blood and drying blood. Both of these are distinctly different than the warm red-orange that dominated the palette of the 2018-2019 season. Besides the hand-lettered title lockup, the other fonts used for the show are Rhodes for subheadings and Gotham for all body copy.
The end result has the title of Tosca larger than life, hand-lettered in a way that is reminiscent of World War II propaganda posters. The “T” in Tosca is the dagger that is used to kill Scarpia, and it drips blood onto a cross designed to resemble the German Iron Cross. The dagger itself is modeled after one owned by Benito Mussolini. In this production Mussolini is represented in the ruthless Scarpia. I wanted to include the figures of Tosca and Scarpia in the artwork but ended up choosing to exclude them so as to keep the messaging clear and uncluttered.