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My little digi-wonder camera didn’t have a wide enough angle lens to take pictures inside so I used my 4x5 pinhole instead. (Efke PL 100 in Pyrocat-P).
This is the wet side or, more accurately, the sink. It’s messy and fun.
I bet some of you could script that it in Processing, Lisp or what ever. You will have to think about arrays, variables and classes. For 600 EUR/ square meter I offer a little mediation and draw your script on white cardboard in thise loose and crumpy style ...:-).
Factory Stock room. Shelves and benches full of stock in brown boxes were laid out in this room, inc. Bronzed handles; solid brass and oxy silvered.
Two lone coffins stand against the back wall.
Hey all -- as I've mentioned elsewhere, I'm not a big post-processor. But I decided to experiment -- honest opinions here, how did I do? Left is after and right is before.
Chalutier échoué dans la baie de Bénodet
Premier essai de procédé photoshop traitement croisé.
Failed trawler berry of Bénodet in Brittany (France)
First try Photoshop Cross-process
Dept. of Chemical Engineering & Applied Chemistry - McGuigan Lab, Faculty of Applied Science & Engineering, University of Toronto
Photo by Sara Collaton
// HACKPACT
// Showcase of 20 brief experiments (sound machines) we coded during november (MMXI).
// All of them explore the sound/graphic co-relation.
// Built with Processing and almost all of the audio with SuperCollider
// More info/detail about our codes here: www.realitat.com/HACKPACT
March 5th - 8th 2015
Calgary, Alberta
A&W Commercial shoot with Rethink Canada.
Nikon D600 / 50mm / 85mm / 17-35mm
Processed with LR4 / VSCO Film 04 Nikon.
This shat was taken by me from a ricemill at Ashuganj in Brahmanbaria.
This bow was working in the field, he used to help his parents in the field.
That was really hot environment but they was continuing their work.
I had captured this image for one reason, the boy was sweeping to separate rices and I liked the difference between the gold and normal part. its amazing.
// HACKPACT
// Showcase of 20 brief experiments (sound machines) we coded during november (MMXI).
// All of them explore the sound/graphic co-relation.
// Built with Processing and almost all of the audio with SuperCollider
// More info/detail about our codes here: www.realitat.com/HACKPACT
I think this was a 5 second exposure, at 200mm, I wasn't really expecting it to be sharp, but I didn't think I'd love the soft feel to the edges.