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cross processing filter B02

Believe it or not, I DON'T have too much time on my hands! I have a full-time job that bores the life out of me so I have to be as creative as I can be when I'm home or I feel like I'm going to shrivel up and die!!!! Am I too dramatic? Perhaps.

 

I have a lot of old jagged East TN rocks to work with so I smoothed this one out and made a little thatch roof with Apoxie Sculpt. The chimney is wood-filler and the paints are craft acrylics.

 

This is a really fun, EASY project that would be good for kids. Plus, it makes a really cute piece of garden art when it is finished! I suggest everyone try this project!

 

How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.

International Photographer. Please visit the website for more information!

 

I also welcome you to stop by the fan page and chat me up on some photography. I love exploring new ideas and sharing tips!

 

www.chriswithersphotography.com

www.facebook.com/cwwphotography

  

hasselblad ektar-100 friends and hall

The Breathing Process came through Panama City and we decided to shoot a promo, more to come of this set later.

www.myspace.com/tbp

Processed by RIT Darkroom 0.48b

Toronto Island, Toronto

June 2009

 

Vivitar Ultra Wide & Slim

Fuji Provia 100 (Cross Processed)

Roll: 06

A generative typeface created using autonomous agents, grid setup, and separation + target behaviour.

a super sped up look into designing this poster!

 

gotta check tweetie

First attempt for printing on fabric since oh, april 2005! (has it really been that long? wow.) Consensus: not too bad! Printing on fabric is an entirely different beast than on paper. I was pretty foolish and didn't consider the image I was making in relation to the size of the screens I bought, so there was very little room to play with and I was working with a 14" squeegee on a 13.75" wide image, all on a 20x24 screen. Ooops! So that thick outline did not print the way I wanted to, but I will revise that in the design. Fortunately the fabric soaks up ink so even with multiple passes you can't see the lines or anything.

 

Error two: print on the left (well, the middle) was the first print, and I seriously underestimated how much ink to mix. Remixing it, I wound up making the rest a little yellower. This is what happens when we're low-fi, folks! I think it'll be okay though.

 

Layer two tomorrow? Hmm, we'll see!

PS: I need a better drying rack :(

My 1st roll of colour (C-41 process) film processed at home, by hand.

The (35mm) film was several years expired.

I used my Zeiss Ikon Contina iii.

I've altered some images in Photoshop, but in general, I was really pleased with the results, and it was so exciting to process at home!.

Oban, Scotland.

Stills from the Animus Snakes project. Cropped for portfoliotacularity.

Dept. of Chemical Engineering & Applied Chemistry - Mahadevan Lab, Faculty of Applied Science & Engineering, University of Toronto

 

Photo by Sara Collaton

 

I took this one on my birthday and got an explore for it. Unfortunately LR erased by synchronisation the clicks and favourites.

Processed with VSCO with hb2 preset

Wanted to see if I could make "27 Dec 2009" by Graphic Nothing:

www.flickr.com/photos/ilikegraphics/4224283979/in/set-721...

Stills from this video: vimeo.com/115615469. Images gathered from Tumblr. Programmed in Processing.

 

Immagine realizzata con la Holga in x-pro, (ma questo lo sapete già).

Milano, nella zona di Corso Como, durante uno dei miei pellegrinaggi alla Galleria Sozzani.

 

www.fabiobetelli.it

A beautiful November Sunday walk through Stanley Park.

November 2014.

 

Nikon D5100 + Sigma 30mm F1.4

 

instagram.com/chairman_ting

Here I used all 10 completed Copperheads to "animate" the process of him transforming from robot mode into car mode.

 

I think it was a clever use of the unusual situation of having all of the figures that I had.

Processed with VSCO with hb2 preset

A double exposed roll of expired Fuji Velvia 50 slide film. Exposed first at ISO 80, then the second time around at ISO 32. Cross processed in C-41 chemicals. Both exposures taken on a Canon EOS A2E camera.

Texture from here Original photo here. Lots of curves, hue changes etc. in Photoshop.

Summilux - f/4.0 on G1 body with Raynox 250.

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