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"Really?!? Are you really trying to fool me with this fake flower?!? But this nectar is so delicious!!!"
~Yellow Jacket (Hive ID#: 261854927)
A little process peek - choosing fabric for the bird quilt. www.shinyhappyworld.com/2014/04/choosing-fabrics-bird-qui...
The final image is a cross sectional and dorsal view of a piece of computer RAM. The hardware component that allows your computer to multitask by storing information in real time. As amazing as this technology is, we come full circle back to the native element that is copper. Seized in fiberglass and coated in gold, this hardware is fine tuned to being the next critical component in our evolutionary path.
Working on a retelling of the Solar engine so that it runs in real-time from microphone input. The original version existed only as renders because I was asking the computer to perform highly processor intensive particle repulsion. Given a mass of particles (10,000+), each particle had to exert a force on every other particle.
The original render ran at less than one frame per second. This version, still visually dense and reactive, runs at near 30fps on my laptop. Once the port to Cinder (with some optimization magic courtesy of Andrew Bell) is complete, we expect it to hit the coveted 60fps mark.
Still working on the visuals and behavior. Next up, variable size spheres and pushing more of the workload to the GPU.
Moscow. Gorky Park.
Camera: Canon EOS 5
Lens: Canon Zoom Lens EF 70-210 mm
Film: Kodak Vision3 200t + dev.D-76
Photo taken: 29/07/2017
Scanner: Noritsu LS-1100
Bonkers processed several different ways, (including with my BumpCam program), in the bedroom in Kitahiroshima in February of 2019.
Another one from the Blind Wino 618 camera, this time more of a straight scan for a true cross-processed look.
Ektachrome 100 film.
I thought it would be interesting to post a before and after on a digital frame after all the recent film colour which needs seconds to minor crop sometimes and then post, Canadian Film Lab do the heavy lifting but sometimes as here a film frame wouldn't have the look I was after. the sun was low and soft but the blue sky wasn't giving the Spring look I saw so off to CaptureOne.
The out of camera is just that, with some default sharpening in CaptureOne V10 that really doesn't affect the comparison and it can be turned off. It has a flat, called linear, profile, applied so no curve at all. The processed had adjustments to:
White Balance - to taste not accuracy
Crop - obvious on the OOC, I was view point restricted.
Colour Editor tool- to bring out the pink
Layers - just one to take down the upper branch exposure a touch as the colour had brought it up being similar to the selected pink hue. A bit heavy handed there, I need more practice and the mouse is not optimal for mask drawing.
RGB and Luma curves applied selectively
Levels just brought in a touch at extremes
Film Grain - Silver Rich
Clarity and Structure - just a touch
Sharpening on my default
How long on the job, I think about 5 mins in total, I'm getting better with the on-line tutorials but the new dedicated shortcut keyboard is attractive as is a Wacom tablet.
Taken on the Square Phase One P20 back Hasselblad V 500cm with the 100mm f3.5 CF Planar Hand held on the evening dog walk
Zeiss Otus 1.4/85mm Planar APO
~
The nearly 9000 acres of soybeans and rice will begin harvesting soon in rural Arkansas.
A nice Sunday afternoon studio shooting session with FB.
Story and other shot on my blog as soon as possible.
D200 + Tamron 28/75 f 2.8
SB 900+ shoot through umbrella high camera left M 1/16 ISO 100
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved.
The more I tweak this project, the more I love it. Through controlled accidents, I got it to look rather Nebular. I will continue tinkering and if all goes well, soon I will have an audio-responsive universe!
Read about it here. There is a short video too!
Subdivision of a quad using a 2D algorithm derived from Catmull Clark and Doo Sabin. For further images and information see: