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Happy 15th Birthday bratz!

 

While my original doll collection started with My Scene I didn't really become a collector until I got my first bratz maybe 10 or so years ago (11? 12? 13?!) in a box of other assorted my scene dolls (a B-R-ATZ, BRATZ CLASS! Yasmin) and soon started to see them as more than the 'skanky' barbie counterpart I immediately felt before simply due to prior Barbie loyalty and after the kidz came out? The rest was history XD

 

Opening my mind to them allowed me to open my mind to not being so stuck in my stubbornness about things and was instrumental in expanding my personal horizons in general.

 

Bratz for me came with new friends who have been instrumental in making me the person I've become to this very day and learning things like 'different isn't bad' and thinking critically about, like, value judgements mainstream society places on expression of urban culture when they can't monetize it in a way they see fit. (and, as I got older, the racial aspect of said value judgements became even clearer but that's perhaps a conversation for another time ;3)

 

The biggest thing bratz gave me was learning how to understand & value different perspectives as valid experiences and to really be willing to let myself grow. If you only saw their clothing you missed the focus on friendship & individuality.

 

Not to mention? Bratz was uber feminist for an audience that needed it - Nobody's Girl, the Rock Angel ballad about prioritizing yourself over a potential spouse? ICONIQUE and something I don't feel girls hear a lot - and even if I go back & forth on the current incarnation at times I can say that there's still a glimmer of what made Bratz such an important part of my own life and if these dolls lead to that for other people then I can be all for it.

The Augusta Clothing Company is a luxury women's fashion boutique located at 601 5th Ave S, Naples, FL 34102. Opened in March 2026, this flagship storefront marks the brand's primary expansion from its historic roots in Missouri's wine country to Florida's Gulf Coast.

 

Brand Concept and Curated Style

The Founder: The boutique features collections personally curated by Jerri Hoffmann, matriarch of the family-run private equity firm, Hoffmann Family of Companies.

 

Target Audience: The wardrobe selection focuses primarily on styling women spanning from their late 20s through their 70s.

 

Style Profile: Offerings prioritize a professional, polished mission blended with fun, on-trend seasonal items built for long-term wardrobe assembly.

 

Inventory: Hand-picked items focus heavily on high-quality ready-to-wear dresses, sportswear, premium footwear, jewelry, and distinct accessories.

 

Store Leadership: The Naples flagship is led by Store Director Andrea Pereira, who brought extensive high-end luxury retail experience from previous management roles at Gucci and Hermès.

 

Strategic Background

Origin: The brand initially debuted in April 2022 inside a 150-year-old Wine Hall building located in Historic Augusta, Missouri.

 

Scale: The 5th Avenue South storefront is three times larger than the original Missouri location. The building was purchased by the Hoffmanns for $6.5 million as part of a broader corporate footprint in downtown Naples.

 

Credit for the data above is given to the following websites:

theaugustaclothingcompany.com/

www.google.com/search?q=the+augusta+clothing+company+napl...

www.google.com/search?q=who+is+the+architect+of+601+fifth...

www.google.com/search?q=what+year+was+the+building+at+601...

www.google.com/search?q=what+is+the+architectural+style+o...

www.google.com/search?q=who+was+the+architect+of+601+fift...

 

© All Rights Reserved - you may not use this image in any form without my prior permission.

   

Maple Ridge, BC Canada

 

A Harbour Authority (HA) is a non-profit, locally controlled organization which operates under a head lease with the Department of Fisheries and Oceans (DFO) to operate and maintain a DFO-owned public commercial fishing harbour in the best interests of the commercial fishing fleet.

 

The harbour facility consists entirely of the property and water lots under the ownership of DFO – Small Craft Harbours (SCH).

 

An HA must operate the harbour as a public facility in accordance with the terms of the head lease and must at all times prioritize the needs of the commercial fishing industry above all else

 

Image best viewed in large screen.

 

Thank-you for your visit, and any comments or faves are always very much appreciated! ~Sonja.

Biennalist :

Biennalist is an Art Format commenting on active biennials and managed cultural events through artworks.Biennalist takes the thematics of the biennales and similar events like festivals and conferences seriously, questioning the established structures of the staged art events in order to contribute to the debate, which they wish to generate.

-------------------------------------------

links about Biennalist :

 

Thierry Geoffroy/Colonel:

en.wikipedia.org/wiki/Thierry_Geoffroy

 

en.wikipedia.org/wiki/Emergency_Room_(art)

 

www.emergencyrooms.org/formats.html

 

www.colonel.dk/

 

—--Biennale from wikipedia —--

 

The Venice International Film Festival is part of the Venice Biennale. The famous Golden Lion is awarded to the best film screening at the competition.

Biennale (Italian: [bi.enˈnaːle]), Italian for "biennial" or "every other year", is any event that happens every two years. It is most commonly used within the art world to describe large-scale international contemporary art exhibitions. As such the term was popularised by Venice Biennale, which was first held in 1895. Since the 1990s, the terms "biennale" and "biennial" have been interchangeably used in a more generic way - to signify a large-scale international survey show of contemporary art that recurs at regular intervals but not necessarily biannual (such as triennials, Documenta, Skulptur Projekte Münster).[1] The phrase has also been used for other artistic events, such as the "Biennale de Paris", "Kochi-Muziris Biennale", Berlinale (for the Berlin International Film Festival) and Viennale (for Vienna's international film festival).

Characteristics[edit]

According to author Federica Martini, what is at stake in contemporary biennales is the diplomatic/international relations potential as well as urban regeneration plans. Besides being mainly focused on the present (the “here and now” where the cultural event takes place and their effect of "spectacularisation of the everyday"), because of their site-specificity cultural events may refer back to,[who?] produce or frame the history of the site and communities' collective memory.[2]

 

The Great Exhibition in The Crystal Palace in Hyde Park, London, in 1851, the first attempt to condense the representation of the world within a unitary exhibition space.

A strong and influent symbol of biennales and of large-scale international exhibitions in general is the Crystal Palace, the gigantic and futuristic London architecture that hosted the Great Exhibition in 1851. According to philosopher Peter Sloterdijk,[3][page needed] the Crystal Palace is the first attempt to condense the representation of the world in a unitary exhibition space, where the main exhibit is society itself in an a-historical, spectacular condition. The Crystal Palace main motives were the affirmation of British economic and national leadership and the creation of moments of spectacle. In this respect, 19th century World fairs provided a visual crystallization of colonial culture and were, at the same time, forerunners of contemporary theme parks.

The Venice Biennale as an archetype[edit]

 

The structure of the Venice Biennale in 2005 with an international exhibition and the national pavilions.

The Venice Biennale, a periodical large-scale cultural event founded in 1895, served as an archetype of the biennales. Meant to become a World Fair focused on contemporary art, the Venice Biennale used as a pretext the wedding anniversary of the Italian king and followed up to several national exhibitions organised after Italy unification in 1861. The Biennale immediately put forth issues of city marketing, cultural tourism and urban regeneration, as it was meant to reposition Venice on the international cultural map after the crisis due to the end of the Grand Tour model and the weakening of the Venetian school of painting. Furthermore, the Gardens where the Biennale takes place were an abandoned city area that needed to be re-functionalised. In cultural terms, the Biennale was meant to provide on a biennial basis a platform for discussing contemporary art practices that were not represented in fine arts museums at the time. The early Biennale model already included some key points that are still constitutive of large-scale international art exhibitions today: a mix of city marketing, internationalism, gentrification issues and destination culture, and the spectacular, large scale of the event.

Biennials after the 1990s[edit]

The situation of biennials has changed in the contemporary context: while at its origin in 1895 Venice was a unique cultural event, but since the 1990s hundreds of biennials have been organized across the globe. Given the ephemeral and irregular nature of some biennials, there is little consensus on the exact number of biennials in existence at any given time.[citation needed] Furthermore, while Venice was a unique agent in the presentation of contemporary art, since the 1960s several museums devoted to contemporary art are exhibiting the contemporary scene on a regular basis. Another point of difference concerns 19th century internationalism in the arts, that was brought into question by post-colonial debates and criticism of the contemporary art “ethnic marketing”, and also challenged the Venetian and World Fair’s national representation system. As a consequence of this, Eurocentric tendency to implode the whole word in an exhibition space, which characterises both the Crystal Palace and the Venice Biennale, is affected by the expansion of the artistic geographical map to scenes traditionally considered as marginal. The birth of the Havana Biennial in 1984 is widely considered an important counterpoint to the Venetian model for its prioritization of artists working in the Global South and curatorial rejection of the national pavilion model.

International biennales[edit]

In the term's most commonly used context of major recurrent art exhibitions:

Adelaide Biennial of Australian Art, South Australia

Asian Art Biennale, in Taichung, Taiwan (National Taiwan Museum of Fine Arts)

Athens Biennale, in Athens, Greece

Bienal de Arte Paiz, in Guatemala City, Guatemala[4]

Arts in Marrakech (AiM) International Biennale (Arts in Marrakech Festival)

Bamako Encounters, a biennale of photography in Mali

Bat-Yam International Biennale of Landscape Urbanism

Beijing Biennale

Berlin Biennale (contemporary art biennale, to be distinguished from Berlinale, which is a film festival)

Bergen Assembly (triennial for contemporary art in Bergen, Norway)www.bergenassembly.no

Bi-City Biennale of Urbanism\Architecture, in Shenzhen and Hong Kong, China

Bienal de Arte de Ponce in Ponce, Puerto Rico

Biënnale van België, Biennial of Belgium, Belgium

BiennaleOnline Online biennial exhibition of contemporary art from the most promising emerging artists.

Biennial of Hawaii Artists

Biennale de la Biche, the smallest biennale in the world held at deserted island near Guadeloupe, French overseas region[5][6]

Biwako Biennale [ja], in Shiga, Japan

La Biennale de Montreal

Biennale of Luanda : Pan-African Forum for the Culture of Peace,[7] Angola

Boom Festival, international music and culture festival in Idanha-a-Nova, Portugal

Bucharest Biennale in Bucharest, Romania

Bushwick Biennial, in Bushwick, Brooklyn, New York

Canakkale Biennial, in Canakkale, Turkey

Cerveira International Art Biennial, Vila Nova de Cerveira, Portugal [8]

Changwon Sculpture Biennale in Changwon, South Korea

Dakar Biennale, also called Dak'Art, biennale in Dakar, Senegal

Documenta, contemporary art exhibition held every five years in Kassel, Germany

Estuaire (biennale), biennale in Nantes and Saint-Nazaire, France

EVA International, biennial in Limerick, Republic of Ireland

Göteborg International Biennial for Contemporary Art, in Gothenburg, Sweden[9]

Greater Taipei Contemporary Art Biennial, in Taipei, Taiwan

Gwangju Biennale, Asia's first and most prestigious contemporary art biennale

Havana biennial, in Havana, Cuba

Helsinki Biennial, in Helsinki, Finland

Herzliya Biennial For Contemporary Art, in Herzliya, Israel

Incheon Women Artists' Biennale, in Incheon, South Korea

Iowa Biennial, in Iowa, USA

Istanbul Biennial, in Istanbul, Turkey

International Roaming Biennial of Tehran, in Tehran and Istanbul

Jakarta Biennale, in Jakarta, Indonesia

Jerusalem Biennale, in Jerusalem, Israel

Jogja Biennale, in Yogyakarta, Indonesia

Karachi Biennale, in Karachi, Pakistan

Keelung Harbor Biennale, in Keelung, Taiwan

Kochi-Muziris Biennale, largest art exhibition in India, in Kochi, Kerala, India

Kortrijk Design Biennale Interieur, in Kortrijk, Belgium

Kobe Biennale, in Japan

Kuandu Biennale, in Taipei, Taiwan

Lagos Biennial, in Lagos, Nigeria[10]

Light Art Biennale Austria, in Austria

Liverpool Biennial, in Liverpool, UK

Lofoten International Art Festival [no] (LIAF), on the Lofoten archipelago, Norway[11]

Manifesta, European Biennale of contemporary art in different European cities

Mediations Biennale, in Poznań, Poland

Melbourne International Biennial 1999

Mediterranean Biennale in Sakhnin 2013

MOMENTA Biennale de l'image [fr] (formerly known as Le Mois de la Photo à Montréal), in Montreal, Canada

MOMENTUM [no], in Moss, Norway[12]

Moscow Biennale, in Moscow, Russia

Munich Biennale, new opera and music-theatre in even-numbered years

Mykonos Biennale

Nakanojo Biennale[13]

NGV Triennial, contemporary art exhibition held every three years at the National Gallery of Victoria, Melbourne, Australia

October Salon – Belgrade Biennale [sr], organised by the Cultural Center of Belgrade [sr], in Belgrade, Serbia[14]

OSTEN Biennial of Drawing Skopje, North Macedonia[15]

Biennale de Paris

Riga International Biennial of Contemporary Art (RIBOCA), in Riga, Latvia[16]

São Paulo Art Biennial, in São Paulo, Brazil

SCAPE Public Art Christchurch Biennial in Christchurch, New Zealand[17]

Prospect New Orleans

Seoul Biennale of Architecture and Urbanism

Sequences, in Reykjavík, Iceland[18]

Shanghai Biennale

Sharjah Biennale, in Sharjah, UAE

Singapore Biennale, held in various locations across the city-state island of Singapore

Screen City Biennial, in Stavanger, Norway

Biennale of Sydney

Taipei Biennale, in Taipei, Taiwan

Taiwan Arts Biennale, in Taichung, Taiwan (National Taiwan Museum of Fine Arts)

Taiwan Film Biennale, in Hammer Museum, Los Angeles, U.S.A.

Thessaloniki Biennale of Contemporary Art [el], in Thessaloniki, Greece[19]

Dream city, produced by ART Rue Association in Tunisia

Vancouver Biennale

Visayas Islands Visual Arts Exhibition and Conference (VIVA ExCon) in the Philippines [20]

Venice Biennale, in Venice, Italy, which includes:

Venice Biennale of Contemporary Art

Venice Biennale of Architecture

Venice Film Festival

Vladivostok biennale of Visual Arts, in Vladivostok, Russia

Whitney Biennial, hosted by the Whitney Museum of American Art, in New York City, NY, USA

Web Biennial, produced with teams from Athens, Berlin and Istanbul.

West Africa Architecture Biennale,[21] Virtual in Lagos, Nigeria.

WRO Biennale, in Wrocław, Poland[22]

Music Biennale Zagreb

[SHIFT:ibpcpa] The International Biennale of Performance, Collaborative and Participatory Arts, Nomadic, International, Scotland, UK.

 

—---Venice Biennale from wikipedia —

 

The Venice Biennale (/ˌbiːɛˈnɑːleɪ, -li/; Italian: La Biennale di Venezia) is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation.[2][3][4] The biennale has been organised every year since 1895, which makes it the oldest of its kind. The main exhibition held in Castello, in the halls of the Arsenale and Biennale Gardens, alternates between art and architecture (hence the name biennale; biennial).[5][6][7] The other events hosted by the Foundation—spanning theatre, music, and dance—are held annually in various parts of Venice, whereas the Venice Film Festival takes place at the Lido.[8]

Organization[edit]

Art Biennale

Art Biennale

International Art Exhibition

1895

Even-numbered years (since 2022)

Venice Biennale of Architecture

International Architecture Exhibition

1980

Odd-numbered years (since 2021)

Biennale Musica

International Festival of Contemporary Music

1930

Annually (Sep/Oct)

Biennale Teatro

International Theatre Festival

1934

Annually (Jul/Aug)

Venice Film Festival

Venice International Film Festival

1932

Annually (Aug/Sep)

Venice Dance Biennale

International Festival of Contemporary Dance

1999

Annually (June; biennially 2010–16)

  

International Kids' Carnival

2009

Annually (during Carnevale)

  

History

1895–1947

On April 19, 1893, the Venetian City Council passed a resolution to set up an biennial exhibition of Italian Art ("Esposizione biennale artistica nazionale") to celebrate the silver anniversary of King Umberto I and Margherita of Savoy.[11]

A year later, the council decreed "to adopt a 'by invitation' system; to reserve a section of the Exhibition for foreign artists too; to admit works by uninvited Italian artists, as selected by a jury."[12]

The first Biennale, "I Esposizione Internazionale d'Arte della Città di Venezia (1st International Art Exhibition of the City of Venice)" (although originally scheduled for April 22, 1894) was opened on April 30, 1895, by the Italian King and Queen, Umberto I and Margherita di Savoia. The first exhibition was seen by 224,000 visitors.

The event became increasingly international in the first decades of the 20th century: from 1907 on, several countries installed national pavilions at the exhibition, with the first being from Belgium. In 1910 the first internationally well-known artists were displayed: a room dedicated to Gustav Klimt, a one-man show for Renoir, a retrospective of Courbet. A work by Picasso "Family of Saltimbanques" was removed from the Spanish salon in the central Palazzo because it was feared that its novelty might shock the public. By 1914 seven pavilions had been established: Belgium (1907), Hungary (1909), Germany (1909), Great Britain (1909), France (1912), and Russia (1914).

During World War I, the 1916 and 1918 events were cancelled.[13] In 1920 the post of mayor of Venice and president of the Biennale was split. The new secretary general, Vittorio Pica brought about the first presence of avant-garde art, notably Impressionists and Post-Impressionists.

1922 saw an exhibition of sculpture by African artists. Between the two World Wars, many important modern artists had their work exhibited there. In 1928 the Istituto Storico d'Arte Contemporanea (Historical Institute of Contemporary Art) opened, which was the first nucleus of archival collections of the Biennale. In 1930 its name was changed into Historical Archive of Contemporary Art.

In 1930, the Biennale was transformed into an Ente Autonomo (Autonomous Board) by Royal Decree with law no. 33 of 13-1-1930. Subsequently, the control of the Biennale passed from the Venice city council to the national Fascist government under Benito Mussolini. This brought on a restructuring, an associated financial boost, as well as a new president, Count Giuseppe Volpi di Misurata. Three entirely new events were established, including the Biennale Musica in 1930, also referred to as International Festival of Contemporary Music; the Venice Film Festival in 1932, which they claim as the first film festival in history,[14] also referred to as Venice International Film Festival; and the Biennale Theatro in 1934, also referred to as International Theatre Festival.

In 1933 the Biennale organized an exhibition of Italian art abroad. From 1938, Grand Prizes were awarded in the art exhibition section.

During World War II, the activities of the Biennale were interrupted: 1942 saw the last edition of the events. The Film Festival restarted in 1946, the Music and Theatre festivals were resumed in 1947, and the Art Exhibition in 1948.[15]

1948–1973[edit]

The Art Biennale was resumed in 1948 with a major exhibition of a recapitulatory nature. The Secretary General, art historian Rodolfo Pallucchini, started with the Impressionists and many protagonists of contemporary art including Chagall, Klee, Braque, Delvaux, Ensor, and Magritte, as well as a retrospective of Picasso's work. Peggy Guggenheim was invited to exhibit her collection, later to be permanently housed at Ca' Venier dei Leoni.

1949 saw the beginning of renewed attention to avant-garde movements in European—and later worldwide—movements in contemporary art. Abstract expressionism was introduced in the 1950s, and the Biennale is credited with importing Pop Art into the canon of art history by awarding the top prize to Robert Rauschenberg in 1964.[16] From 1948 to 1972, Italian architect Carlo Scarpa did a series of remarkable interventions in the Biennale's exhibition spaces.

In 1954 the island San Giorgio Maggiore provided the venue for the first Japanese Noh theatre shows in Europe. 1956 saw the selection of films following an artistic selection and no longer based upon the designation of the participating country. The 1957 Golden Lion went to Satyajit Ray's Aparajito which introduced Indian cinema to the West.

1962 included Arte Informale at the Art Exhibition with Jean Fautrier, Hans Hartung, Emilio Vedova, and Pietro Consagra. The 1964 Art Exhibition introduced continental Europe to Pop Art (The Independent Group had been founded in Britain in 1952). The American Robert Rauschenberg was the first American artist to win the Gran Premio, and the youngest to date.

The student protests of 1968 also marked a crisis for the Biennale. Student protests hindered the opening of the Biennale. A resulting period of institutional changes opened and ending with a new Statute in 1973. In 1969, following the protests, the Grand Prizes were abandoned. These resumed in 1980 for the Mostra del Cinema and in 1986 for the Art Exhibition.[17]

In 1972, for the first time, a theme was adopted by the Biennale, called "Opera o comportamento" ("Work or Behaviour").

Starting from 1973 the Music Festival was no longer held annually. During the year in which the Mostra del Cinema was not held, there was a series of "Giornate del cinema italiano" (Days of Italian Cinema) promoted by sectorial bodies in campo Santa Margherita, in Venice.[18]

1974–1998[edit]

1974 saw the start of the four-year presidency of Carlo Ripa di Meana. The International Art Exhibition was not held (until it was resumed in 1976). Theatre and cinema events were held in October 1974 and 1975 under the title Libertà per il Cile (Freedom for Chile)—a major cultural protest against the dictatorship of Augusto Pinochet.

On 15 November 1977, the so-called Dissident Biennale (in reference to the dissident movement in the USSR) opened. Because of the ensuing controversies within the Italian left wing parties, president Ripa di Meana resigned at the end of the year.[19]

In 1979 the new presidency of Giuseppe Galasso (1979-1982) began. The principle was laid down whereby each of the artistic sectors was to have a permanent director to organise its activity.

In 1980, the Architecture section of the Biennale was set up. The director, Paolo Portoghesi, opened the Corderie dell'Arsenale to the public for the first time. At the Mostra del Cinema, the awards were brought back into being (between 1969 and 1979, the editions were non-competitive). In 1980, Achille Bonito Oliva and Harald Szeemann introduced "Aperto", a section of the exhibition designed to explore emerging art. Italian art historian Giovanni Carandente directed the 1988 and 1990 editions. A three-year gap was left afterwards to make sure that the 1995 edition would coincide with the 100th anniversary of the Biennale.[13]

The 1993 edition was directed by Achille Bonito Oliva. In 1995, Jean Clair was appointed to be the Biennale's first non-Italian director of visual arts[20] while Germano Celant served as director in 1997.

For the Centenary in 1995, the Biennale promoted events in every sector of its activity: the 34th Festival del Teatro, the 46th art exhibition, the 46th Festival di Musica, the 52nd Mostra del Cinema.[21]

1999–present[edit]

In 1999 and 2001, Harald Szeemann directed two editions in a row (48th & 49th) bringing in a larger representation of artists from Asia and Eastern Europe and more young artists than usual and expanded the show into several newly restored spaces of the Arsenale.

In 1999 a new sector was created for live shows: DMT (Dance Music Theatre).

The 50th edition, 2003, directed by Francesco Bonami, had a record number of seven co-curators involved, including Hans Ulrich Obrist, Catherine David, Igor Zabel, Hou Hanru and Massimiliano Gioni.

The 51st edition of the Biennale opened in June 2005, curated, for the first time by two women, Maria de Corral and Rosa Martinez. De Corral organized "The Experience of Art" which included 41 artists, from past masters to younger figures. Rosa Martinez took over the Arsenale with "Always a Little Further." Drawing on "the myth of the romantic traveler" her exhibition involved 49 artists, ranging from the elegant to the profane.

In 2007, Robert Storr became the first director from the United States to curate the Biennale (the 52nd), with a show entitled Think with the Senses – Feel with the Mind. Art in the Present Tense.

Swedish curator Daniel Birnbaum was artistic director of the 2009 edition entitled "Fare Mondi // Making Worlds".

The 2011 edition was curated by Swiss curator Bice Curiger entitled "ILLUMInazioni – ILLUMInations".

The Biennale in 2013 was curated by the Italian Massimiliano Gioni. His title and theme, Il Palazzo Enciclopedico / The Encyclopedic Palace, was adopted from an architectural model by the self-taught Italian-American artist Marino Auriti. Auriti's work, The Encyclopedic Palace of the World was lent by the American Folk Art Museum and exhibited in the first room of the Arsenale for the duration of the biennale. For Gioni, Auriti's work, "meant to house all worldly knowledge, bringing together the greatest discoveries of the human race, from the wheel to the satellite," provided an analogous figure for the "biennale model itself...based on the impossible desire to concentrate the infinite worlds of contemporary art in a single place: a task that now seems as dizzyingly absurd as Auriti's dream."[22]

Curator Okwui Enwezor was responsible for the 2015 edition.[23] He was the first African-born curator of the biennial. As a catalyst for imagining different ways of imagining multiple desires and futures Enwezor commissioned special projects and programs throughout the Biennale in the Giardini. This included a Creative Time Summit, e-flux journal's SUPERCOMMUNITY, Gulf Labor Coalition, The Invisible Borders Trans-African Project and Abounaddara.[24][25]

The 2017 Biennale, titled Viva Arte Viva, was directed by French curator Christine Macel who called it an "exhibition inspired by humanism".[26] German artist Franz Erhard Walter won the Golden Lion for best artist, while Carolee Schneemann was awarded a posthumous Golden Lion for Lifetime Achievement.[27]

The 2019 Biennale, titled May You Live In Interesting Times, was directed by American-born curator Ralph Rugoff.[28]

The 2022 edition was curated by Italian curator Cecilia Alemani entitled "The Milk of Dreams" after a book by British-born Mexican surrealist painter Leonora Carrington.[29]

The Biennale has an attendance today of over 500,000 visitors.[30][31][32]

Role in the art market[edit]

When the Venice Biennale was founded in 1895, one of its main goals was to establish a new market for contemporary art. Between 1942 and 1968 a sales office assisted artists in finding clients and selling their work,[33] a service for which it charged 10% commission. Sales remained an intrinsic part of the biennale until 1968, when a sales ban was enacted. An important practical reason why the focus on non-commodities has failed to decouple Venice from the market is that the biennale itself lacks the funds to produce, ship and install these large-scale works. Therefore, the financial involvement of dealers is widely regarded as indispensable;[16] as they regularly front the funding for production of ambitious projects.[34] Furthermore, every other year the Venice Biennale coincides with nearby Art Basel, the world's prime commercial fair for modern and contemporary art. Numerous galleries with artists on show in Venice usually bring work by the same artists to Basel.[35]

Central Pavilion and Arsenale[edit]

The formal Biennale is based at a park, the Giardini. The Giardini includes a large exhibition hall that houses a themed exhibition curated by the Biennale's director.

Initiated in 1980, the Aperto began as a fringe event for younger artists and artists of a national origin not represented by the permanent national pavilions. This is usually staged in the Arsenale and has become part of the formal biennale programme. In 1995 there was no Aperto so a number of participating countries hired venues to show exhibitions of emerging artists. From 1999, both the international exhibition and the Aperto were held as one exhibition, held both at the Central Pavilion and the Arsenale. Also in 1999, a $1 million renovation transformed the Arsenale area into a cluster of renovated shipyards, sheds and warehouses, more than doubling the Arsenale's exhibition space of previous years.[36]

A special edition of the 54th Biennale was held at Padiglione Italia of Torino Esposizioni – Sala Nervi (December 2011 – February 2012) for the 150th Anniversary of Italian Unification. The event was directed by Vittorio Sgarbi.[37]

National pavilions[edit]

Main article: National pavilions at the Venice Biennale

The Giardini houses 30 permanent national pavilions.[13] Alongside the Central Pavilion, built in 1894 and later restructured and extended several times, the Giardini are occupied by a further 29 pavilions built at different periods by the various countries participating in the Biennale. The first nation to build a pavilion was Belgium in 1907, followed by Germany, Britain and Hungary in 1909.[13] The pavilions are the property of the individual countries and are managed by their ministries of culture.[38]

Countries not owning a pavilion in the Giardini are exhibited in other venues across Venice. The number of countries represented is still growing. In 2005, China was showing for the first time, followed by the African Pavilion and Mexico (2007), the United Arab Emirates (2009), and India (2011).[39]

The assignment of the permanent pavilions was largely dictated by the international politics of the 1930s and the Cold War. There is no single format to how each country manages their pavilion, established and emerging countries represented at the biennial maintain and fund their pavilions in different ways.[38] While pavilions are usually government-funded, private money plays an increasingly large role; in 2015, the pavilions of Iraq, Ukraine and Syria were completely privately funded.[40] The pavilion for Great Britain is always managed by the British Council[41] while the United States assigns the responsibility to a public gallery chosen by the Department of State which, since 1985, has been the Peggy Guggenheim Collection.[42] The countries at the Arsenale that request a temporary exhibition space pay a hire fee per square meter.[38]

In 2011, the countries were Albania, Andorra, Argentina, Australia, Austria, Bangladesh, Belarus, Belgium, Brazil, Bulgaria, Canada, Chile, China, Congo, Costa Rica, Croatia, Cuba, Cyprus, Czechia and Slovakia, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Haiti, Hungary, Iceland, India, Iran, Iraq, Ireland, Israel, Italy, Japan, Korea, Latvia, Lithuania, Luxembourg, Macedonia, Mexico, Moldova, Montenegro, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russia, San Marino, Saudi Arabia, Serbia, Singapore, Slovenia, South Africa, Spain, Sweden, Switzerland, Syrian Arab Republic, Taiwan, Thailand, Turkey, Ukraine, United Arab Emirates, United Kingdom, United States of America, Uruguay, Venezuela, Wales and Zimbabwe. In addition to this there are two collective pavilions: Central Asia Pavilion and Istituto Italo-Latino Americano. In 2013, eleven new participant countries developed national pavilions for the Biennale: Angola, Bosnia and Herzegowina, the Bahamas, Bahrain, the Ivory Coast, Kosovo, Kuwait, the Maldives, Paraguay, Tuvalu, and the Holy See. In 2015, five new participant countries developed pavilions for the Biennale: Grenada,[43] Republic of Mozambique, Republic of Seychelles, Mauritius and Mongolia. In 2017, three countries participated in the Art Biennale for the first time: Antigua & Barbuda, Kiribati, and Nigeria.[44] In 2019, four countries participated in the Art Biennale for the first time: Ghana, Madagascar, Malaysia, and Pakistan.[45]

As well as the national pavilions there are countless "unofficial pavilions"[46] that spring up every year. In 2009 there were pavilions such as the Gabon Pavilion and a Peckham pavilion. In 2017 The Diaspora Pavilion bought together 19 artists from complex, multinational backgrounds to challenge the prevalence of the nation state at the Biennale.[47]

The Internet Pavilion (Italian: Padiglione Internet) was founded in 2009 as a platform for activists and artists working in new media.[48][49][50] Subsequent editions were held since,[51] 2013,[51] in conjunction with the biennale.[52]

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وینسVenetsiya

art umjetnost umění kunst taideτέχνη művészetList ealaínarte māksla menasartiKunst sztuka artăumenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist

venice biennale Venezia Venedig biennalen Bienal_de_Venecia Venise Venecia Bienalo Bienal Biënnale Venetië Veneza Μπιενάλε της Βενετίας ヴェネツィ ア・ビエンナーレ 威尼斯双年展 Venedik Bienali Venetsian biennaali Wenecji biennial #venicebiennale #venicebiennial biennalism

Veneziako Venecija Venècia Venetië Veneetsia Venetsia VenedigΒ ενετία Velence Feneyjar Venice Venēcija Venezja Venezia Wenecja VenezaVeneția Venetsiya Benátky Benetke Fenisוועניס Վենետիկ ভেনি স威尼斯 威尼斯 ვენეციისવે નિસवेनिसヴ ェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya Italy italia

 

--------key words

headband protest fashion protestfashion artistic intervention performance artformat action installation critical critic critique institutional critic choregraphy scenography

#venicebiennale #biennalist #artformat #biennale #artbiennale #biennial

#BiennaleArte2024 #artformat

Yet another domestic clone of Soviet technology, the M-240 German is the Yugoslav rendition of the 2S4 Tyulpan heavy mortar system. The German--named after the Balkan spirit associated with rain and hail--sports a 240mm mortar, presently the largest caliber associated with any mortar system in active service. Many in the West have ridiculed the fact that Yugoslavia continues to employ such cumbersome weapons given the transition to light, mobile strike forces; however, the JNA is more than pleased to keep the German around given it allows for a lot of firepower to be put downrange with very few munitions actually needing to be fired. Indeed a battery of four M-240s can do as much work as twelve M-122 Bies. It should be noted, however, that the M-240 can only fire one round every minute (further automation by the JNA has actually decreased the time to 50 seconds, but we won't get caught up in pedantry here); therefore, the units are fired sparingly in symmetric operations in order to decrease the chances of counter-battery fire suppressing or eliminating them.

 

During the Wars of Dissolution in the 1990s, many M-240s were utilized by ultranationalist factions as modern siege weapons or simply as instruments of cultural destruction. The warring parties would often target whole market places or sites of piety and level them with one or two rounds after sacking them. Additionally, the relatively small size of the mortar system meant it could be hidden quite easily from the deadly eyes of NATO bombers; hence, it was quite common to find M-240s abandoned in mundane maintenance garages or somewhere similar once Belgrade was able to consolidate and quash the numerous secessionist parties. Following the conclusion of these bloody conflicts, it was easy for state inspectors to discern what weapon system caused such extensive damage to ancient towns and national infrastructure as the signature of 240mm of high explosives is quite unique.

 

It is rumored that several M-240s have made it into the hands of the Black Cross units in Ukraine. Several city blocks in Odessa feature the same sort of damage and blast marks created in the aforementioned Yugoslav towns, so the rumors are likely true despite the OSCE not having direct eyes on the weapon systems. In point of fact, the OSCE has lobbied for NATO to prioritize finding and eliminating any potential M-240s in Black Cross possession in order to minimize the indiscriminate damage being sustained by sites of historical import in Ukraine and elsewhere.

Striking mural on the side wall of Gallagher’s pub, Chester Street, Birkenhead. The "Birkenhead Drill" refers to the historical event where soldiers aboard the sinking HMS Birkenhead in 1852 displayed remarkable discipline by staying in formation while prioritizing the evacuation of women and children into lifeboats.

  

"Women and children first", known to a lesser extent as the Birkenhead drill, is an unofficial code of conduct and gender role whereby the lives of women and children were to be saved first in a life-threatening situation, typically abandoning ship, when survival resources such as lifeboats were limited. However, it has no basis in maritime law.

Supervising Doctor: "Okay, nurses, what can you tell me about this patient? He seems anxious to get home."

 

Surgical Nurse Brown: "Sir, we tried and tried to tell him he had to stay in bed while he was here in the hospital for his own safety."

 

Nurse Georgina: "Yes, Doctor. I told him several times not to have wheelchair races in the hallway with the older patients. They knew he was no match for them anyway."

 

Floor Nurse Jolene: "I can attest for that! He almost ran over my foot as I came out of the nurses' station."

 

Supervising Doctor: "Well, young man. What do you have to say for yourself? We tried to keep you safe while you heal."

 

Calamity Carl: "Thanks, guys for all you do. I just want to get home and try that leap from the garage roof to the sandbox. You should have seen the look on my mom's face when I tried that!"

 

20200917 261/366

________

September 17 Is World Patient Safety Day

 

On September17 the World Health Organization will commemorate World Patient Safety Day. The objective is to raise global awareness about the importance of addressing health worker safety as a prerequisite for patient safety.

 

The theme for 2020 is “Healthy worker Safety: A Priority for Patient Safety”, and the slogan is “Safe health workers, Safe Patients”.

 

No one should be harmed in health care. Yet thousands of patients across the world suffer avoidable harm, or are put at risk of injury, while receiving health care every single day.

 

World Patient Safety Day calls for global solidarity and concerted action by all countries and international partners to improve patient safety. Furthermore, the Day brings together patients, families, caregivers, communities, health workers, health care leaders and policy-makers to show their commitment to patient safety. The theme of the very first World Patient Safety Day in 2019 was aimed at establishing the legacy of the day and highlighting the importance of prioritizing and addressing patient safety globally by all stakeholders. From 2020 and in the coming years, a new theme will be selected each year, raising awareness and promoting positive change around patient safety priority areas.

 

The COVID-19 pandemic has unveiled the huge challenges health workers are facing globally. Health workers encounter increased risk of healthcare associated infections, violence, accidents, stigma, illness and death. Furthermore, working in stressful environments exacerbates risks to the physical and mental health and safety of health workers making them more prone to errors which might lead to patient harm.

  

23250 McKay Avenue

Maple Ridge, BC Canada

 

A Harbour Authority (HA) is a non-profit, locally controlled organization which operates under a head lease with the Department of Fisheries and Oceans (DFO) to operate and maintain a DFO-owned public commercial fishing harbour in the best interests of the commercial fishing fleet.

 

The harbour facility consists entirely of the property and water lots under the ownership of DFO – Small Craft Harbours (SCH).

 

An HA must operate the harbour as a public facility in accordance with the terms of the head lease and must at all times prioritize the needs of the commercial fishing industry above all else

 

Image best viewed in large screen.

 

Thank-you for your visit, and any comments or faves are always very much appreciated! ~Sonja.

A familiar sight/sound for over 20 years, Cummins 6BT-powered Dennis Darts are now on the verge of total extinction in the West of Scotland, with the number of operators still operating them now down to a mere three, these being Coakley's of Motherwell, First Glasgow & Avondale of Clydebank, the collective number of buses across all 3 operators numbering less than 10. All are on borrowed time pending the arrival of more modern replacements.

 

One of the last 6BT-powered Darts to arrive in the area is Avondale's ex-Go Ahead London General Pointer Y987 TGH (ex-LDP187) in the latter half of 2014, joining several batchmates that had arrived at least 2 years prior.

 

Fast forward to early 2018, with all it's sister buses withdrawn & having gained a front-end repaint in common with the numerous East Lancs Darts in the fleet in late 2017, 987 now stands as the only 6BT-powered vehicle left in service with the company; also outlasting NK51-reg ex-Go North East examples fitted with the same engine type. Given Avondale's usual bus-buying methods (sporadic & from multiple sources), there's no way of telling exactly how long it'll last. Given that it's now a non-standard machine, it's replacement will likely be prioritized.

 

Caught turning onto Argyll Rd with a 200 from Drumchapel to Linnvale, a primary haunt for it & it's now withdrawn sisters.

 

Photo Date: 26th March 2018

Coney Island Beach

 

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Haven't been on flickr in what feel likes months, life is busy right now, gotta prioritize!

 

I've had the chance to process some photos in the last few days, and also finally pushed out my blog, which needs lots of work.. But the important thing is that it's functional and I'm populating it with content.

 

I hope all is well with you guys, and I'll try to check your streams soon!

I hope you find the time to read this (long) text - Eupalinos

 

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In his brilliant two-part book Endgame, my friend Derrick Jensen asks:

 

“Do you believe that our culture will undergo a voluntary transformation to a sane and sustainable way of living?

 

For the last several years I’ve taken to asking people this question, at talks and rallies, in libraries, on buses, in airplanes, at the grocery store, the hard- ware store. Everywhere. The answers range from emphatic nos to laughter. No one answers in the affirmative. One fellow at one talk did raise his hand, and when everyone looked at him, he dropped his hand, then said, sheepishly, “Oh, voluntary? No, of course not.” My next question: how will this understand- ing—that this culture will not voluntarily stop destroying the natural world, eliminating indigenous cultures, exploiting the poor, and killing those who resist—shift our strategy and tactics? The answer? Nobody knows, because we never talk about it: we’re too busy pretending the culture will undergo a magical transformation."

 

In this article, my friend Elisabeth Robson and I invite you to imagine the scope of changes necessary to make our society sustainable. This transformation could be done voluntarily. But as Derrick reminds us, there is no evidence that will happen. On the contrary, every indicator of ecological health is heading in the wrong direction, and greenwashing abounds. This, ultimately, is why I am an ecological revolutionary.

 

by Max Wilbert and Elisabeth Robson

____

 

Since January 15th, 2021, we have been fighting to Protect Thacker Pass from a proposed open-pit lithium mine.

 

For some people, our protest is confusing. Most mainstream environmentalists support lithium mining for producing electric car batteries. Yet here we are, proud environmentalists who have fought the fossil fuel industry for many years, now fighting the electric car industry.

 

Electric Cars are Not a Solution

 

We argue that switching to electric cars won’t significantly help solve global warming—a position that is actually backed by evidence (see, for instance, this chart, or read the book Bright Green Lies).

 

Mining lithium and the other materials used in electric cars destroys sensitive wildlife habitat, releases toxic pollution, bulldozes Native American sacred sites—and pumps out quite a lot of greenhouse gasses.

 

Electric cars provide the illusion that we’re making progress. And (not coincidentally) they make car manufacturers a LOT of money. Tesla’s Elon Musk is the richest man in the world. Electric car manufacturers and the mining companies providing their raw materials are quite happy for the public to remain ignorant of what’s required to make their products. The idea that buying an electric car will save the planet is called “greenwashing”—false advertising persuasion by eco-propaganda that white washes the true ecological harm caused by a product or process.

 

The only thing green about EVs is the money being made.

 

Are Fossil Fuels the Answer?

 

No. Fossil fuels extraction, processing, and burning causes catastrophic habitat destruction, toxic pollution, and global climate destabilization. Look at the legacy of oil drilling in Nigeria, at the BP oil spill in the Gulf of Mexico, at the toxicity caused by the fracking industry, or at the ecocide of mountaintop removal coal mining. Continuing to burn fossil fuels is unacceptable.

 

As grassroots activists, we’ve spent years fighting oil pipelines and blockading coal trains to stop the destruction caused by drilling and burning fossil fuels. And we’re not funded by the fossil fuel industry. Every dollar we’ve raised comes from donations from regular people who are fed up with the greenwashing lies.

 

The problem is that mining lithium, cobalt, and silicon and the many other metals and minerals required to build EVs, their batteries, and other “clean” technologies is just as bad for the planet as fossil fuels are.

 

There isn’t much difference between an open-pit coal mine and open-pit lithium mine. Both destroy habitat. Both poison water. And both release massive quantities of greenhouse gases.

 

So, What’s the Solution?

 

One of the most common questions we’re asked is “If electric vehicles aren’t the answer, what is your solution?”

 

True sustainability is not nearly as simple and easy as buying different products, like electric cars, and putting up solar panels and wind turbines. A truly sustainable life doesn’t mean swapping out gas for lithium-ion batteries.

 

The state of the planet is dire, from melting ice caps to expanding deserts, from clearcut logging to soil erosion, from the collapse of ocean fish populations to rising temperatures. Our planet is already deep into the 6th mass extinction crisis.

 

Reversing these trends will mean transforming our entire society, from top to bottom. It will entail changing the foundation of our economy, our communities, our work, our political structures, and beyond. This is daunting, and it is also our only hope.

 

But this is still vague. What, exactly, does this transformation look like? What is our solution?

 

What is “Sustainability”?

 

In the broadest sense, sustainability refers to the ability to maintain or support a process continuously over time. Hopefully it is clear to everyone reading this that the societies we live in are not sustainable in the sense of being able to be maintained continuously over time.

 

Almost everything we consume, do, and create currently depends on fossil fuels, which are rapidly being drawn down as the world uses over 100 million barrels of oil per day and 24 million tons of coal per day.

 

Look around you. It’s probably true that every human-made object surrounding you right now was created with the help of fossil fuel energy.

 

These minerals took hundreds of millions of years to form and, if we continue burning them, they will run out. Burning fossil fuels is causing climate change. This is on top of the harms of extracting fossil fuels—the oil spills, clearcuts, mountaintop removal mining, and so on. Relying on fossil fuels to power our lives is not sustainable.

 

Even if we were able to replace fossil fuel energy with solar and wind power, and fossil fuel plastics with other materials, that would still not be sustainable, since the other materials we use to construct our human “stuff” are also non-renewable. For instance, lithium, a key ingredient in electric car batteries, is concentrated by volcanic eruptions, rock weathering, and water evaporation over millions of years. Just like fossil fuels, once we use up all the lithium we can find, we will never be able to get more from the Earth. This is also true of the other metals and minerals required to build cars, wind turbines, and solar panels, among many other things. And while 100% recycling is a good idea in theory, in practice, 100% recycling is impossible — and industrial recycling is itself an energy-intensive and highly polluting industry.

 

The Costs of Modernity

 

True sustainability means meeting two conditions: first, we must use only what the Earth can regenerate on human time-scales. And second, that use must not degrade the natural world (this would reduce the Earth’s carrying capacity over time).

 

All of us descend from lines of ancestors who lived for thousands of years using the energy of the sun, energy stored in plants through photosynthesis, energy stored in the animals who ate those plants, and the animals who ate other animals. Living sustainably meant ensuring that we gave back as much as we took from the Earth, returning our biodegradable waste to the environment to decompose and provide food for animals, returning the energy we used to the circle of life.

 

If you find yourself balking, pause for a moment and take a deep breath. Your doubtfulness makes sense. We’ve all been raised to venerate technology, idolize engineers and scientists, and see modernity as progress. And it’s self-evident that modern technology is useful — and at times, lifesaving. There are certainly benefits from industrial modernity, especially for the wealthiest nations and people in the world.

 

Consider again, however, the costs. We live on the only planet known to support life in the universe, and as the global climate is destabilizing, 200 species a day are being driven extinct, overshoot is accelerating, and planetary life-support systems like forests and oceans are failing. Industrial civilization is undermining its own foundation; and as the historian Arnold Toynbee noted, “Great civilizations are not murdered. They take their own lives.” We are not immune from this historic pattern.

 

If environmental collapse is coming—or already here, with every indicator of ecological health heading in the wrong direction and accelerating—then returning to a simpler way of life is inevitable. The only question is, will we do so willingly, or will we be forced as modernity crumbles around us?

 

We face a choice: either we sacrifice the ability of future generations to live so that we can have another decade of smart phones and cars, or we make a change. The moral choice is clear.

 

The 6 Elements of Sustainability

 

Sustainability requires a completely different way of thinking and being in the world. It also requires concrete action. In this section, we lay out 6 elements to initiate transition to a truly sustainable society.

 

We Must Reduce

 

We Must Relocalize

 

We Must Ration

 

We Must Restore

 

We Must Rethink

 

We Must Remember

 

As you read through each element, you’ll see that all the elements are related to one another. We can’t ration if we don’t reduce. We can’t relocalize if we don’t restore the natural environment. And we can’t do any of this if we don’t rethink our way of being in the world, remember our connections to and dependency upon nature, and make revolutionary, not just incremental, change.

 

These are mutually supporting efforts that entail fundamental shifts in the goals we pursue in our culture and economy. Achieving them will require far-reaching political vision and leadership, some level of global cooperation, and an emergency mobilization of all society.(1)

 

Element 1: We Must Reduce

 

Reusing is trendy, recycling is mainstream, but reduction is taboo. We live in societies built on growth, where economic stagnation or negative population growth is considered an emergency. To move towards sustainability, we must dramatically reduce the size of the economy (including the amount we consume) and the size of our population.

 

Reducing consumption includes reducing and eventually eliminating our consumption of cars. The average household in the United States owns 1.88 cars. This is not sustainable.

 

Population, contrary to popular belief, can reduced in humane ways. It begins with making culturally-appropriate family planning, sex education, and birth control widely available. It also requires reproductive freedom for women. Such programs have been proven effective to reduce birth rates to below replacement level (2.1 children per woman), which means population will go down.

 

Reducing our consumption and our population is a key element to enable a rapid weaning off industrial fuels, energy, and materials, along with industrial agriculture (one of the main industries destroying the planet)

 

Element 2: We Must Relocalize

 

We live in the most mobile, globalized society to ever exist, depending on fossil-fueled trucks, cars, trains, airplanes, and ships to transport huge quantities of goods and huge numbers of people all over the planet on a daily basis. This is ecologically untenable.

 

The fact that many of us enjoy rapid, convenient travel is not important compared to life on this planet. Reversing ecological collapse isn’t about what we want and desire. It’s about what the planet can sustain.

 

A sustainable future is a local future, in which people live, work, and get the basic necessities of life close to home, and rarely travel long distances. The “locavore” movement has proposed the idea of a 100-mile diet to combat an unsustainable food system. The same concept should be adapted to travel.

 

Producing and powering automobiles is incredibly destructive to nature, and so a sustainable world means we must retire all cars and stop producing new ones. Reducing and eliminating car production and use means almost everything about our lifestyles has to change. If we try to completely replace cars with public transportation—attempting to allow the kind of freedom of travel we currently enjoy—we’re just going to create new problems to replace the old problems. Some public transportation will help in the transition to a world in which we all travel less, but the reality is, we’re all going to have to learn how to travel less.

 

This will be incredibly disruptive, but not as disruptive as ecological collapse. And there are benefits. In the future, we’ll walk and bike more, which means we’ll work close to where we live. We’ll need to depend more on our local communities. To carpool, or share a car with a neighborhood during a transition period, we’ll need to get to know the people we live next to a whole lot better. We won’t move as often, and we’ll probably live closer to our friends and families so we don’t have to travel so far to see them.

 

Relocalizing also means relocalizing what we consume, including food, clothes, what we use to build our homes and the stuff we put in them, medical care, and more. Currently, our society relies on global shipping networks of ships, trains, and trucks to deliver the things we use. This global shipping network cannot exist in a truly sustainable society. Therefore, we must learn how to live using only what we can get from our local areas. Initially that local area may be the entire country, then perhaps the state we live in, and then, finally, our local community.

 

We must be careful in the process of relocalizing because without simultaneously reducing population and consumption, this process could quickly destroy the environments around our local communities. It is critical that we prioritize what is most important—food, water, shelter, basic medical care—as we relocalize our communities and minimize our use of all material goods that are not absolutely essential.

 

Element 3: We Must Ration

 

Confronting ecological reality means confronting scarcity. When we stop making new cars, and begin gradually eliminating fossil fuels, the wealthy and powerful may seek to hoard resources (let’s be real: they’re already doing it). This results in violence and suffering, and will exacerbate shortages already occurring due to overshoot and ecological collapse.

 

Faced with this predicament, the moral approach is to ration what is left. Rationing must of course be accompanied by a dramatic reduction in the consumption of energy as well as material goods. A reasonable starting goal here (depending on the level of consumption in a given region) would be to rapidly reduce energy and material consumption by half, then aim for 90 percent or more.

 

Rationing should be implemented in fair ways and will require guardrails and procedures. For example, food, medical care, and other basic needs should be prioritized over shopping malls, consumer goods, entertainment, and so on (people should continue having fun, of course—but not in ways that are wasteful of energy and materials).

 

This rationing should also be implemented fairly and equitably on an international level. People in the U.S. and Europe, for example, should not be “rationed” an allotment of cobalt mined by slave labor in the Democratic Republic of Congo. Nor should Congolese people be “rationed” an allotment of salmon exported from the Pacific Rim. Rationing will feel more dramatic in the wealthiest nations, because we use way, way too much. In poorer countries, rationing will not be as dramatic. We don’t subscribe to the colonial assertion that all countries should aim for a “Low-energy European lifestyle,” as is a common refrain in some degrowth communities. A low energy European lifestyle is grossly unsustainable when compared to land-based peoples, the only sustainable societies on Earth.

 

Element 4: We Must Restore

 

As we implement reduction, relocalizing, and rationing, we must simultaneously take action to protect forests, rivers, prairies, and other wild lands from development, logging, mining, and other destructive activities. As much as possible must be preserved.

 

To be effective, this will require a dramatic shift in economic structures. For example, jobs in extractive industries must be temporarily replaced with jobs in restoration (removing dams, tearing up concrete, dismantling malls and vast parking lots, earthworks to reduce erosion and build soil, waterworks to increase soil health and restore aquifers, and so on)—beginning with the least materially important/most frivolous sectors, and rapidly expanding to other areas of the economy.

 

As we reduce consumption—of everything—the economy as we know it will no longer exist. Going to the grocery store to get food that arrives there from all over the country and the world will no longer be an option. The food we eat will need to come from local sources, which means restoring habitat, soils, and watersheds. Surviving as part of nature rather than by dominating nature will not be an option without healthy, flourishing natural communities. Restoring these natural communities (“ecosystems”) and our relationships with the natural world should become everyone’s top priority. Restoring our local environments is also what will enable us to find enough food, clean water, and materials to build shelter without degrading the natural communities we depend on: we cannot relocalize without also restoring.

 

Focusing on restoration rather than a growing consumption-based economy will require global, widespread education programs and job retraining programs that can educate people in ecosystem restoration, watershed health, subsistence food production, biology, ecology, and permaculture.

 

This education should begin with young children, and as many people as possible should be put to work tearing down destructive infrastructure and replacing it with restored natural communities. Small-scale, place-based, ecologically embedded methods for survival and flourishing should be developed simultaneously. Shifting government subsidies from extractive, military, and other ecologically destructive activities would provide funding for these programs.

 

Element 5: We Must Rethink

 

Shifting from a lifestyle of consumption, immediate gratification, and a worldview that we are separate from the world and that the world is ours to consume will require completely changing how we think and the stories we tell. We must change from stories of domination to stories of cooperation, respect and gratitude for our place in the natural world.

 

Our entire media landscape is focused on selling us things, most of which we don’t really need. This is what keeps the growth economy growing. These stories perpetuate and expand unsustainable lifestyles of consumption, and they do so all around the world.

 

Instead, we need stories that help us understand how to live in a world of ecological collapse, a world in which our society, our population, and our consumption must scale down, rather than scaling forever up. We need stories that are local, that teach us how to live well in the place we are now, and how to deal with the challenges we all will face as we shift in our way of being in the world. And we need culture, education, music, poetry, and other traditions that support that shift.

 

Element 6: We Must Remember

 

Karl Benz was the first person to sell cars. Between 1888 and 1893, he sold 25 Benz gas-powered vehicles, or “horseless carriages,” to customers. The Motorwagen, as it was called, had a 1 liter single-cylinder engine with 2/3 of one horsepower. By 1899, Benz was the largest car company in the world, selling 572 cars.

 

Many of you probably have great grandparents, or great-great grandparents, who were born before 1899. It’s likely none of them owned a car. And yet it is unthinkable for most people in the United States to imagine life without a car, or without being able to get on a plane, or a train, or a bus. In little more than 130 years we’ve completely transformed our society from one in which most people walked everywhere to one in which most people own a car and drive whenever they want. Three generations—a blink of the eye in compared to the 300,000 or so years humans have been on this Earth—is all it took to forget what it’s like to get around without a motor.

 

We can remember. If your grandparents or great grandparents are still alive, ask them what it was like before most people owned a car. Ask them what it was like before we had plastic, when most things people purchased were made to last a lifetime.

 

This is just the beginning of the remembering required to change our stories. We must remember that before industrial civilization, before we forgot that we aren’t at the top of some imagined hierarchy allowed to take whatever we want from the world without giving anything back, humans lived in cooperation with the rest of the natural world, and the stories our ancestors told each other reflected that. These are the stories we must remember.

 

Facing Reality

 

If all of this sounds like a fantasy to you, we feel the same way. The massive transformation we’ve outlined in these elements is incredibly unlikely to happen at the speed and scale necessary to halt the ongoing ecological crisis. There is simply too much inertia and power behind endless growth.

 

This makes it likely we are facing the collapse of civilization in coming years and decades. In fact, the gradual unraveling has begun.

 

Everything is heading in the wrong direction: population growth and consumption goes up, so economic growth goes up, so development goes up, so extraction goes up, so pollution goes up, and so habitat and species loss goes up. These trends have been described by the International Geosphere-Biosphere Program (IGBP) as the Great Acceleration, and you may be familiar with the graphic the IGBP published in 2015 illustrating skyrocketing trends across 24 socioeconomic and earth system categories:

 

In 2015, there were 7.3 billion people on the planet. There are now 8 billion. Governments encourage population growth with child tax credits and, in some countries, by paying people to have more children.

 

In 2015, there were 1.2 billion cars and commercial vehicles in use around the world. Now there is almost 1.5 billion. Governments encourage electric car purchases with tax credits, and encourage car corporations by lowering corporate tax rates, and by making sure these companies stay in business with bailouts and fiscal incentives.

 

In 2015, global average CO2 concentration was 399 ppm. In 2022, it’s up to 421 ppm. Governments work hard to ensure steady economic growth through central bank fiscal policies, laws friendly to corporations, and aid packages during recessions. Economic growth is tied to CO2 concentrations because economic growth is tied to fossil fuel use and materials use.

 

Each year, industrial culture grows. Each year, we get further away from sustainability.

 

It is anathema in our society to suggest that growth might not be desirable. Imagine a politician running for congress or the presidency in the United States, saying: “We need to cut back, reverse economic growth, tighten our belts, curb population growth, stop being consumeristic, and spend less money.” Do you think that politician would be successful in getting elected? No, we don’t either. (Nonetheless, we expect this to become a pillar of independent political parties in the future, and gradually become more mainstream).

 

Instead of understanding ourselves as animals completely dependent on habitat for our lives, modern society teaches us to see ourselves as consumers. The stories we are told by corporations and the stories we tell each other are that growth is good, and we get there by consuming more. And so, we are encouraged every day by our governments, by corporations, even by our peer groups, to believe that we can buy our way out of the crises we face. If we just buy an electric vehicle, or buy our electricity from a community solar project, or buy a pair of jeans from a company that has pledged to build a “sustainable supply chain,” then everything will be okay.

 

But we all know this is wrong. Once we begin to understand the scale and scope of the impacts of industrial culture, it quickly becomes obvious that we can’t buy our way out of this predicament, and that incremental change will never be enough. We must face that reality.

 

The Revolutionary Moment

 

Ecological collapse is already well underway and social collapse is not far behind. So what do we do?

 

Albert Einstein said, “We cannot solve our problems with the same thinking we used when we created them.” We need completely different ways of thinking, completely different ways of living in the world, and completely different stories. And we need concrete change to the institutions and political structures of our world. In short, we need revolutionary change.

 

“Revolutionary” means “involving or causing a complete or dramatic change.” When you hear the word “revolutionary” you might immediately wonder, “Does that mean I need to help overthrow the government, because maybe I’m not up for that.” Revolutionary change means changing everything, from where we get our food, to how we build our homes, to how we get around, to—yes—creating different kinds of government. In these revolutionary times, revolutionary responses are justified—especially since many powerful people and institutions are prepared to lie, cheat, and fight to defend the old status quo.

 

Radical changes are coming, whether we want them or not. We are entering a revolutionary moment, where the contradiction — the fundamental conflict — between civilization and ecology is coming to a head. We are already seeing increased environmental radicalism and an associated authoritarian backlash. We believe in observing these truths and acting upon them, rather than trying to deny reality. In this moment, we believe that means acting to steer the future towards the most just, humane outcomes.

 

It’s time to gather our courage. We are not alone. We are not alone in facing the ecological crisis, and we will not be alone if we work together on the solution. To reiterate what we said earlier, it will take all of us: all our different passions and skills, and whatever each individual has to offer. We will each play a part, and do what we can, together.

 

Top 15 Actions To Begin Moving Towards A Truly Sustainable Society

 

Governments must stop subsidizing all environmentally and socially destructive activities and shift those subsidies to activities that restore biotic communities and that promote local self-sufficiency.

 

Governments must ensure reproductive freedom and full political, economic, and sexual liberty for women around the world.

 

Immediately and permanently halt all extractive and destructive activities: mining, fracking, mountaintop removal, tar sands production, nuclear power, and offshore drilling chief among them. This includes halting manufacture and production of all cars.

 

Immediately and completely protect all remaining native forests, prairies, and wetlands.

 

Restore all damaged lands and restore soil. Confiscate land from those who do not do this.

 

Immediately halt all activities that draw down acquifers.

 

Restore all polluted and compromised rivers, including halting all dam construction and removing all existing dams.

 

Immediately begin phasing-out mono-crop agriculture.

 

Charge government with increasing the number and range of threatened and endangered wildlife and the habitat they require.

 

Governments stop funding for new, large infrastructure and development projects, including new highways, dams, power projects, mines, etc.

 

Reduce carbon emissions by 20% per year, over the next five years to prevent catastrophic climate change.

 

Begin to contract global economies while ensuring all have basic needs met.

 

Significantly reduce consumption of all but strictly necessary goods and services.

 

Punish environmental crimes commensurate with the harm caused to the public and to the planet.

 

Close all U.S. military bases on foreign soil, and bring home all military personnel within two years. Reduce the military budget by 20% per year until it reaches 20% of its current size. Replace the Department of Defense with the Department of Peace.

 

Despite the magnitude of change that’s required, local and regional efforts to begin the work described above will pay dividends regardless, mitigating some of the worst outcomes.

 

One Possible Future

 

There’s a lot to describe about a long term vision—we could write a book about such a vision. So we highlight just some of the ways we see our solution unfolding if humanity could come together to make it happen.

 

50 years:

 

Birth rates have fallen significantly and the great decline in population has begun, reducing pressure on Earth’s ecosystems.

 

The most wasteful, least-useful, most polluting industries (e.g. cruise ships, shopping malls, golf courses, chemical manufacturers) have been shut down for decades.

 

All new fossil fuel extraction has ended and a rationing program is in place. Fossil fuel use from the remaining stored reserves is prioritized for the most important uses: food, water, and emergency medical use, and total burn is less than 2% of peak levels.

 

Material extraction has plummeted. Populations have migrated from suburbs, isolated rural homes, and urban centers alike to cluster in small, widely spaced villages, where they repurpose materials from buildings torn down in areas that are being restored and engage in small scale food production and craft industry.

 

The foundation for new governmental structures based on direct democracy and representative assemblies has been laid. Militaries have been dramatically scaled down and restructured to focus on land restoration.

 

100 years:

 

Human population is nearing 2 billion and steadily falling.

 

As population has declined, most people have migrated from areas of extreme cold and heat to more temperate zones where less energy is required to stay warm and grow food. We all live hyper-local lives, living near relatives and friends for our entire lives, and spend most of the day restoring ecosystems, hunting and growing food, relaxing, and building community.

 

No fossil fuels are being burned. All mining and chemical manufacturing has been terminated. All nuclear power plants have been shut down and all nuclear waste has been stored as safely as possible. All large dams have been removed.

 

Small electrical systems are maintained in a few regional locations for medical procedures. People rely on simple, time-tested technologies such as passive solar, perennial polycultures, and animal husbandry for basic needs.

 

Government is becoming more local, but regional confederations and even global trade networks are maintained for diplomacy, a small amount of trade, and information sharing.

 

500 years:

 

Human population is less than 100 million.

 

Each year there are more salmon that return to rivers than the previous year; each year there are more songbirds than the previous year. Forests are beginning to grow old again, creating thriving habitat for plants and animals, and humans have begun to relearn how to exist as human mammals in the great web of life.

 

Natural communities are well on their way to recovery, so food and cleaner water are once again abundant. Forever chemicals still pollute every square inch of the world, and continue impacting our health, but over the coming millennia will gradually pose less of a problem for humans and the rest of the natural world as they become sequestered under layers of soil and rock.

 

Children are no longer raised learning the names of corporations, but instead learn stories about the names of plants and animals, how to hunt and fish, which plants are edible and which are not, how to build shelters, and how to stay warm. The stories told around the fire at night describe the great rehumanizing of our species, our recovered relationships with the natural world, and the sacredness of all life on Planet Earth.

  

Posted by Max Wilbert on facebook

 

So live your life, ay ay ay.

 

Instead of chasing that paper.

 

Just live your life (Oh!), ay ay ay.

 

Ain’t got no time for no haters

 

Just live your life (Oh!), ay ay ay.

 

No telling where it’ll take you.

 

Just live your life (Oh!), ay ay ay.

 

Cause I’m a paper chaser.

 

Just living my life.

 

I’m the opposite of moderate, immaculately polished with the spirit of a hustler

 

and the swagger of a college kid.

 

Allergic to the counterfeit, impartial to the politics.

 

Articulate but still would grab a nigga by the collar quick.

 

Whoever had problems, they reckonsile they just holla ‘tip.

 

If that don’t work and just fails, then turn around and follow ‘tip.

 

I got love for the game but ay I’m not in love with all of it.

 

I do without the fame and the rappers nowadays are comedy.

 

The hootin’ and the hollerin’, back and forth with the argueing.

 

Where you from, who you know, what you make and what kind of car you in.

 

Seems as though you lost sight of whats important with the positive.

 

And checks until your bank account, and you’re about poverted.

 

Your values is a disarrayed, prioritized are horribly.

 

Unhappy with the riches cause you pis-pone morraly.

 

Ignoring all prior advice and fore warning.

 

And we might be full of ourselves all of a sudden aren’t we?

 

Models: Moa+nono+Hayooy+yasmeen(yoyo)+nenos I poid

 

Piced by: Moa xD

 

Edit: Miss Flower <3

 

After weeks of tense wrangling between the White House and House Republicans, the fiscal deal reached on Saturday to raise the debt ceiling while constraining federal spending bolsters President Biden’s argument that he is the one figure who can still do bipartisanship in a profoundly partisan era.

 

But it comes at the cost of rankling many in his own party who have little appetite for meeting Republicans in the middle and think the president cannot stop himself from giving away too much in an eternal and ephemeral quest for consensus. And it will now test his influence over fellow Democrats he will need to pass the deal in Congress.

 

The agreement in principle that he reached with Speaker Kevin McCarthy represents a case study in governing for Mr. Biden’s presidency, underscoring the fundamental tension of his leadership since the primaries in 2020 when he overcame progressive rivals to win the Democratic nomination. Mr. Biden believes in his bones in reaching across the aisle even at the expense of some of his own priorities.

 

He has shown that repeatedly since being inaugurated two and a half years ago even as skeptics doubted that cross-party accommodation was still possible. Most notably, he pushed through Congress a bipartisan public works program directing $1 trillion to building or fixing roads, bridges, airports, broadband and other infrastructure; legislation expanding treatment for veterans exposed to toxic burn pits; and an investment program to boost the nation’s semiconductor industry, all of which passed with

 

This is not a moment, however, in which bipartisanship is valued in the way it was when Mr. Biden came up through the Senate in the 1970s, 1980s and 1990s. His desire to position himself as the leader who can bring together a deeply divided country is at the heart of his case for a second term next year. But it conflicts with the interests of many Democrats who see more political benefit in standing firm against former President Donald J. Trump’s Republican Party and prefer to draw a sharper contrast for their own elections in 2024 when they hope to recapture the House.

______________________________

Understanding The U.S. Debt Ceiling

 

What is the debt ceiling? The debt ceiling, also called the debt limit, is a cap on the total amount of money that the federal government is authorized to borrow via U.S. Treasury securities, such as bills and savings bonds, to fulfill its financial obligations. Because the United States runs budget deficits, it must borrow huge sums of money to pay its bills.

 

The limit has been hit. What now? America hit its technical debt limit on Jan. 19. The Treasury Department has begun using “extraordinary measures” to continue paying the government’s obligations. These measures are essentially fiscal accounting tools that curb certain government investments so that the bills continue to be paid. Those options could be exhausted by June.

 

What is at stake? Once the government exhausts its extraordinary measures and runs out of cash, it will be unable to issue new debt and pay its bills. The government may wind up defaulting on its debt if it cannot make required payments to its bondholders. Such an outcome would be economically devastating and could plunge the world into a financial crisis.

 

How can the government avert disaster? There is no official playbook for what Washington can do. But options do exist. The Treasury could try to prioritize payments, such as paying bondholders first. If the United States does default on its debt, which would rattle the markets, the Federal Reserve could step in to buy some of those Treasury bonds.

 

Why is there a limit on U.S. borrowing?

Congress must authorize borrowing, according to the Constitution. The debt limit was instituted in the early 20th century so that the Treasury would not need to ask for permission each time it had to issue debt to pay bills.

 

“The agreement represents a compromise, which means not everyone gets what they want,” Mr. Biden said in a written statement issued late Saturday night as the deal was being announced. “That’s the responsibility of governing.”

 

Most importantly from Mr. Biden’s point of view, the agreement averts a catastrophic national default that could have cost many jobs, tanked the stock markets, jeopardized Social Security payments and sent the economy reeling. He is banking on the assumption that Americans will appreciate mature leadership that does not gamble with the nation’s economic health.

 

But many on the political left are aggravated that Mr. Biden in their view gave into Mr. McCarthy’s hostage-taking strategy. The president who said the debt ceiling was “not negotiable” ended up negotiating it after all to avoid a national default, barely even bothering with the fiction that talks over spending limits were somehow separate.

 

Liberals were pushing Mr. Biden to stiff the Republicans and short-circuit the debt ceiling altogether by claiming the power to ignore it under the 14th Amendment, which says the “validity of the public debt” of the federal government “shall not be questioned.” But while Mr. Biden agreed with the constitutional interpretation, he concluded it was too risky because the nation could still go into default while the issue was being litigated in the courts.

 

And so, much to the chagrin of his allies, the bargaining of recent weeks was entirely on Republican terms. While details were still emerging this weekend, the final agreement included no new Biden fiscal initiatives like higher taxes on the wealthy or expanded discounts for insulin. The question essentially was how much of the Limit, Save and Grow Act passed by House Republicans last month would the president accept in exchange for increasing the debt ceiling.

 

But Mr. Biden succeeded in stripping the Limit, Save and Grow Act significantly down from what it originally was, to the great consternation of conservative Republicans. Instead of raising the debt ceiling for less than one year while imposing hard caps on discretionary spending for 10 years, the agreement links the two so that the spending limits last just two years, the same as the debt ceiling increase. While Republicans insisted on predicating the limits on a baseline of 2022 spending levels, appropriations adjustments will make it effectively equivalent to the more favorable baseline of 2023.

 

As a result, the agreement will pare back anticipated spending over the decade just a fraction of what the Republicans sought. The Congressional Budget Office estimated that the caps passed by House Republicans last month would have trimmed $3.2 trillion in discretionary spending over 10 years; a rough New York Times calculation suggests the agreement reached by Mr. Biden and Mr. McCarthy might cut just $650 billion instead.

 

Moreover, while Mr. Biden did not advance many new Democratic policy goals in the agreement with Mr. McCarthy, he effectively shielded the bulk of his accomplishments from the first two years of his presidency from Republican efforts to gut them.

 

Just as Mr. McCarthy knows he will lose potentially dozens of Republicans disappointed in the accommodations he made, the president expects many in his own party to vote against the final product as well.Credit...Haiyun Jiang for The New York Times

The Republican plan envisioned revoking many of the clean energy incentives that Mr. Biden included in the Inflation Reduction Act, eliminating additional funds for the Internal Revenue Service to chase wealthy tax cheats and blocking the president’s plan to forgive $400 billion in student loans for millions of Americans. None of that was in the final package.

 

Indeed, the I.R.S. provision offers an example of Mr. Biden’s deal-making. As a token concession to Republicans, he agreed to cut around $10 billion from the additional $80 billion previously allocated to the agency, but most of that money will be used to avoid deeper cuts in discretionary spending sought by Republicans.

 

One of the touchiest areas for Mr. Biden’s progressive allies was the Republican insistence on imposing or expanding work requirements on recipients of social safety-net programs, including Medicaid, food assistance and welfare payments for families. Mr. Biden, who supported work requirements on welfare in the 1990s, initially signaled openness to considering the Republican proposals, only to face a fierce blowback from Democrats.

 

On Friday night, even as the deal was coming together, the White House issued a sharp statement accusing Republicans of trying to “take food out of the mouths of hungry Americans” while preserving tax cuts for the wealthy — a broadside aimed as much at reassuring restive liberals as assailing hard-line conservatives.

 

The final agreement between Mr. Biden and Mr. McCarthy includes no work requirements for Medicaid, but does raise the age for people who must work to receive food aid through the Supplemental Nutrition Assistance Program, or SNAP, to 54 while eliminating requirements for veterans and homeless people. The agreement moderates Republican provisions to expand work requirements for Temporary Assistance for Needy Families.

 

The challenge now for Mr. Biden is selling the compromise to his fellow Democrats. Just as Mr. McCarthy knows he will lose potentially dozens of Republicans disappointed in the accommodations he made, the president expects many in his own party to vote against the final product as well. But he needs to deliver enough Democrats to offset G.O.P. defections to forge a bipartisan majority.

 

Within minutes of the deal being announced on Saturday night, the White House sent briefing materials and talking points to every House Democrat and was following up on Sunday with telephone calls. “Negotiations require give and take,” the talking points said. “No one gets everything they want. That’s how divided government works. But the president successfully protected his and Democrats’ core priorities and the historic economic progress we’ve made over the past two years.”

 

Mr. Biden has been here before. As vice president, he was President Barack Obama’s chief negotiator in several fiscal showdowns, but he so aggravated fellow Democrats who thought he gave away too much that Senator Harry M. Reid of Nevada, then the party leader in the Senate, effectively barred Mr. Biden in 2013 from negotiations over a debt ceiling increase.

 

Kicking a vice president out of the room, of course, is one thing. Mr. Biden is now the president and the leader of his party heading into a re-election year. It’s his room. And he is managing it on his own terms, like it or not.

 

Peter Baker is the chief White House correspondent and has covered the last five presidents for The Times and The Washington Post. He is the author of seven books, most recently “The Divider: Trump in the White House, 2017-2021,” with Susan Glasser.

Phillip Burton Federal Building and U.S. Courthouse, 450 Golden Gate Ave, San Francisco, CA 94102

What: To protest Biden’s inaction on Line 3 and demand that he and the Army Corp of Engineers revoke the permit now.

Support Indigenous communities in Minnesota who are putting their bodies on the line trying to defend their home from the construction of the Line 3 tar sands pipeline.

 

Tell President Biden to get off his ass. He pledged to be the climate president, and it’s in his power to put a stop to this pipeline.

1

That the Government must tell the truth about the climate and wider ecological emergency, it must reverse all policies not in alignment with that position and must work alongside the media to communicate the urgency for change including what individuals, communities and businesses need to do.

 

2

The Government must enact legally binding policies to reduce carbon emissions to net zero by 2025 and take further action to remove the excess of atmospheric greenhouse gases. It must cooperate internationally so that the global economy runs on no more than half a planet’s worth of resources per year.

 

3

We do not trust our Government to make the bold, swift and long-term changes necessary to achieve these changes and we do not intend to hand further power to our politicians. Instead we demand a Citizens’ Assembly to oversee the changes, as we rise from the wreckage, creating a democracy fit for purpose.

 

4

We demand a just transition that prioritizes the most vulnerable people and indigenous sovereignty; establishes reparations and remediation led by and for Black people, Indigenous people, people of color and poor communities for years of environmental injustice, establishes legal rights for ecosystems to thrive and regenerate in perpetuity, and repairs the effects of ongoing ecocide to prevent extinction of human and all species, in order to maintain a livable, just planet for all.

. DSC_2098

Five Eyes and Two Sorcerers

 

Perpetuating wartime structures

Through peacetime violence

Maintaining cultures of force

An everyday daily life experience

Simply acceptable

Postcolonial trauma

 

From royal decree to state legitimization

The removal of customary values

As basis for social order

Continuous socio-economic upheaval

To prioritize revenue gain

Enforced understanding

Of where each and every one stands

 

All for those at the top

Resources

Benefits

For those at the bottom

Lower health status

Political disarmament

 

Read more: www.jjfbbennett.com/2019/12/melbourne-to-darwin-november-...

 

One-off sponsorship: www.paypal.me/bennettJJFB

Rovingian Ritual for Visiting Sacred Places - The Initial Invocation Anathra and Final Invocation Sandhara by Daniel Arrhakis (2026)

 

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Rovingian Ritual for Visiting Sacred Places - The Initial Invocation (Presentation and Respect) Anathra and Final Invocation (Farewell and Gratitude) Sandhara

 

Rovingian animism uses a poetic invocation to ask permission and demonstrate respect when accessing sacred places. Organized in stanzas of two, three, or four lines, Rovingian prayers combine a rigid formal structure with complete freedom of content.

 

This ritual establishes a safe cycle of transition between the everyday world and the spiritual realm, both upon entering and exiting the space. By focusing on profound reverence and awareness of the environment, the practice mirrors various esoteric and monastic traditions of the real world.

 

Spatial sovereignty: The requirement of permission emphasizes that sacred spaces, ruins, or abandoned places are living and active environments, not just empty buildings or monuments.

 

1. Intrinsic Characteristics of Rovingian Evocations

 

Poetic: Written and chanted like poems.

 

Deeply Personalized: They prioritize individual spiritual authenticity of the nomad monk. They do not follow rigid and dogmatic scripts.

 

Liturgical Variability: Each evocation differs from practitioner to practitioner.

 

Universal Meter: Mandatory structure of 4+4+2 line stanzas in Anathra and 4+2 line stanzas in Sandhara.

 

Personal Resonance: Exact words and tone belong entirely to the monk or council.

 

2. Initial Evocation at the Entrance (Presentation, Intention and Respect): Anathra (4+4+2)

 

Anathra functions as a spiritual "knocking on the door." It acknowledges the sovereignty of the space and establishes the monk's humble intention before crossing the threshold.

 

Practices in the Abandoned Space: Recognition of the environment as a living and active place, and not as empty ruins.

 

Offerings of Reciprocity: These are dependent on the prohibition of egocentric petitions or requests for favors. Instead, the monk offers something as a sign of gratitude for the hospitality of the space. The offering can be material (water, seeds, dried flowers, colored or plain) or immaterial (silence, a prayer, or condensed energy).

 

The invocations (introduction prayers) or Anathras vary from monk to monk; the poems necessarily follow the structure of 4+4+2 stanzas (two quatrains followed by a couplet) as in the following example:

 

(4 lines, Introduction and Intention)

 

Oh, guardian of these ruins that time could not erase,

Preserved through the centuries by your soul and grace.

May your kind hospitality judge me worthy of this floor,

To cross with respect and devotion your sacred door.

 

(4 lines - Intention and Respect)

 

O ancient walls of stone, witnesses of days gone by,

Where noble columns lift sacred ground up to the sky.

For nothing is more manifest, in seeking out this shrine,

Than mindful gestures and silent prayers of mine.

 

(2 lines, request to enter)

 

Grant me your gentle blessing, O force that dwells inside,

I walk with bare feet on the soil, and soul open wide.

 

The last couplet may also be replaced by another if an offering of pure water is made on the stones or steps of the place. Example:

 

(2 lines - Offering of Reciprocity)

  

"I leave this pure water as an offering and sign,

To cross into your kingdom, spiritual and sublime."

 

____________________________________________________________________________________________________

 

Ritual de Visita Rovingiano a Locais Sagrados - A Evocação Inicial (Apresentação e Respeito) Anathra e Final ( Despedida e Agradecimento) Sandhara

  

O animismo rovingiano utiliza uma evocação de entrada poética para pedir permissão e demonstrar respeito ao aceder a lugares sagrados. Organizadas em estrofes de duas, três ou quatro linhas, as preces rovingianas combinam uma estrutura formal rígida, mas com total liberdade de conteúdo.

 

Este ritual estabelece um ciclo seguro de transição entre o mundo quotidiano e o reino espiritual, tanto à entrada como à saída do espaço. Ao focar-se na reverência profunda e na consciência do ambiente, a prática espelha diversas tradições esotéricas e monásticas do mundo real.

 

Soberania espacial : A exigência de permissão enfatiza que os espaços sagrados, ruínas ou lugares abandonados, são ambientes vivos e ativos, e não apenas edifícios ou monumentos vazios.

 

1. Características Intrínsecas das Evocações Rovingianas

 

Poéticas: Escritas e entoadas como poemas.

 

Profundamente Personalizadas: Priorizam a autenticidade espiritual individual do monge nómada. Não seguem guiões rígidos e dogmáticos.

 

Variabilidade Litúrgica: Cada evocação difere de praticante para praticante.

 

Métrica Universal: Estrutura obrigatória de estrofes de 4+4+2 linhas na Anathra e 4+2 linhas na Sandhara.

 

Ressonância Pessoal: Palavras exatas e tom pertencem inteiramente ao monge ou ao conselho.

  

2. Evocação Inicial na Entrada (Apresentação, Intenção e Respeito): Anathra (4+4+2)

 

A Anathra funciona como um "bater à porta" espiritual. Reconhece a soberania do espaço e estabelece a intenção humilde do monge antes de cruzar o limiar.

 

Práticas no Espaço Abandonado: Reconhecimento do ambiente como um local vivo e ativo, e não como ruínas vazias.

 

Oferendas de Reciprocidade: Estão dependentes da proibição de petições egocêntricas ou pedidos de favores. Em vez disso, o monge oferece algo em sinal de gratidão pela hospitalidade do espaço. A oferenda pode ser material (água, sementes, flores secas, coloridas ou simples) ou imaterial (silêncio, uma reza, ou energia condensada).

 

As evocações (rezas de apresentação) ou Anathras variam de monge para monge, os poemas seguem obrigatoriamente a estrutura de estrofes 4+4+2 (duas quadras seguidas de um dístico) como o exemplo seguinte:

 

(4 linhas, Apresentação)

 

Oh, guardião destas ruínas que o tempo não apagou,

E que a tua alma sagrada por séculos preservou.

Que a tua hospitalidade me julgue digno deste chão,

Para cruzar o limiar com respeito e devoção.

 

(4 linhas - Intenção e Respeito)

 

Oh, paredes de pedra, testemunhas do passado,

Onde as colunas ao céu elevam o solo sagrado.

Pois nada mais manifesto, na busca por este altar,

Do que a prece do meu gesto e o silêncio de orar.

 

(2 linhas, pedido para entrar)

 

Concede-me a tua licença, ó força que o templo encerra,

Pois trago a alma suspensa e os pés descalços na terra.

 

Último dístico poderá ainda ser substituído por outro se se fizer uma oferenda de água pura sobre as pedras ou os degraus do local. Exemplo:

 

(2 linhas - Oferenda de Reciprocidade)

 

Deixo esta água pura como oferta e sinal,

Para cruzar o vosso reino sublime e espiritual.

   

SBB LRZ - 1

  

Here’s my rendition of a single unit of SBB’s firefighting train.

 

Given the time constraints of the challenge, I knew that I would only be able to complete one unit of the LRZ consist. Therefore, I chose the largest unit with a water cannon. I would need the space to house, the battery/receiver, pump, water tank, drive motor, and cannon rotation mechanism. I began the design in LDD and quickly drafted the frame, cab and container. This gave me a rough idea of the space I had to work with. I tried to position the pump motor as low as possible to allow for the maximum amount of height for the cylinder. Since there was only one option for the drive motor placement and cabin space was already limited, the placement of the cannon rotation mechanism and drive motor had to be placed in the container. Due to the vertical distances between the cannon rotation motor and cabin, I opted to use a pulley system because the string could be guided through a series of holes to account for the vertical displacement.

 

When I eventually started building the model IRL, I encountered some unexpected setbacks; namely two parts I had used did not exist in the colors I had used in LDD. This required some time to redesign. In addition to a bricklink kerfuffle, I had lost valuable time to complete the model. I prioritized functionality over aesthetics and realism.

  

Information:

company.sbb.ch/en/the-company/responsibility-society-envi...

La Plata street grid is the master plan of planning engineer Pedro Benoit in 1881.

 

The city has an obelisk commemorating his city plan.

 

These two plaques are attached at the base of the obelisk.

 

The Obelisk of La Plata is a was inaugurated 19 November, 1932, on the occasion of the fiftieth anniversary of the founding of the city.

 

The obelisk is located in Plaza San Martín at the corner of 6 and 50 and diagonal 80.

 

The monument 1947 plaque is a tribute from the Engineers Center of the Province of Buenos Aires to the engineer (Pedro Benoit) who oversaw the layout and construction of the city of La Plata.

 

The 1969 plaque is a tribute from La Unión Administradores de Inmuebles -

The Property Administrators Union (UADI) was attached during Engineering Week 1969 anniversary date 19 November.

 

It was founded 21 December, 1983 with the purpose of achieving the union of natural and legal persons dedicated to the administration of buildings in horizontal property, fields and real estate in general, for the purpose of good common and prioritize the activity. OK.

 

Crap, crap, crap! " I think to myself, as the purple creature rampages across the lacrosse field towards Jessica. I need to be there. Distract the monster, or something. She's going to die, if I do nothing. But if I do, I run the risk of outing myself as a hero.. Am I really prioritizing my secret identity over her life? Really? This is a no brainer... My hands start to glow, ready to fire off a light bolt. It's then that one of the Somerset players extends her arms, hitting the creature square in the face. Others hit it with various projectiles, leading it away from Jessica. The creature looks really unphased by the attacks, and growls as it runs off towards Pine Grove Mall. When Nate's not looking, I leave the stands. Sorry bud. Jessica notices me running towards her and shakes her head. She points in the direction of the monster and mouths "I'll be fine.. Go get that thing before he hurts anyone else." Even though I can tell she's definitely not fine. But I just nod in response

 

Have to make a quick pit stop by my locker to get my costume, then I can go try and stop whatever that thing is. If only my costume could just project itself on me. That would make everything way easier. But unfortunately, that's not gonna happen. I use all the shortcuts I can to get to my locker. Minutes pass by and I finally get my costume, and follow the path of destruction.

 

Sure enough, the reptilian creature's at Pine Grove Mall causing oh so much property damage. Someone's fighting it. Dressed in a yellow and grey costume, with a golden visor. Definitely not someone I've ever seen before. I'm assuming he's a hero, but I can't say for certain just yet. Rock formations come spiking up from underneath the creature. The costumed hero sees me flying towards them, and gives me a peace sign. The creature manages to break out of the makeshift prison, and throws a car at the guy

 

"Sup?" He asks nonchalantly, as he creates a barrier in front of him. It's made of stone, and rock. I try making a crane construct, to pull the people out-of-the-way, but to no avail. Constructs still aren't working... Well that's a bust. Guess it's a good thing this guy prepared for it. Created a dome, so the car wouldn't fall on the civilians. Okay, yeah, he's a hero.

 

"Who are you?"

 

"I'd feel a little insulted if it weren't for the fact we're in Cardinal right now. The names Faultline, and don't you ever forget it bro!" He replies, giving me a thumbs up. Well that would explain his powers. But did he seriously just call me bro?

 

"Right... Well, it's nice to meet you Fautline. What brings you to Cardinal anyway? Also, do you have any bright ideas as to how to take this creature down? I'm open to suggestions, since this seems to have barely any effect on it." I repeatedly fire off light bolts, hoping to at least slow it down a little. Even going as far as to increase the intensity of the bolts. But the burn marks left by the bolts are quickly healed over. Safe to assume it has some sort of healing factor. Great... Faultline even summons a big boulder, and throws it at the creature.. Unfortunately for us, he catches it. It almost looks like it's grinning, before it throws it towards a crowd of people. I'm quick to blast the boulder quickly with multiple light beams, before Faultline recalls what remains of the boulder.

 

"Awh man, he caught my finisher.." He groans, almost under his breath before continuing. "Oh, I just happened to be in the neighbourhood watching a lacrosse game. Gotta show school spirit, and support the local team, ya know? Wait, why are you asking me for ideas? This isn't one of yours?" So he's from Somerset Academy? How convenient. Not everyday you'll see a Sunrise City hero over here.

 

"Nope! First time I've seen it!" Well, not quite the first time, but he doesn't need to know about mystical liquids, and everything else.

 

"Uhm, maybe we lure it to a nearby river or something? Maybe it can't swim?" He suggests with a shrug.

 

"Actually... That's not that bad of an idea... It looks like some sort of reptile. Reptiles and cold water don't mix.. At least, that's what school keeps telling me."

 

"Smart! You heard the guy! Hey ugly! Come and get me!" Faultline yells, as the debris on the ground rises up, and flies towards the creature. It's more of an annoyance than actually hurting it, but it's enough to lure it into following us. Along the way, Faultline works as crowd control, moving people out-of-the-way, along with hitting the creature with whatever he's got. As for me, I keep blasting it with low intensity light blasts. We manage to avoid the oncoming cars, and other bits of landscape that the reptile decides to throw at us.

 

It isn't long, before we reach Northbay Wharf, over in the Ashen Coast district. Helps that we keep provoking the reptile into running faster after us. I lower myself just slightly, just as we near the end of the pier. Using myself as bait.. Easily one of my worst ideas. Sure enough, the monstrous reptile takes the bait, tackling me into the deep blue waters of the bay. The creature shows its dominance by punching, and kicking me repeatedly. My powers are pretty much useless here in the water, so I'm left to try to swim away. Yep, absolutely terrible idea. Instantly regret it. Thankfully the reptile slows down with its punches, enough for me to avoid it rather easily. It keeps fighting to get up, but keeps struggling. It isn't long before it stops fighting entirely, and falls unconscious, its form switching into one more humanoid. At this point, Faultline scoops him up, as I swim to shore. Holy crap, it actually worked. I can't believe that actually worked.

High Line volunteers Anne Heany spends an early morning hand watering drought-tolerant plants along the High Line an elevated railway line owned by the City of New York, today the High Line is a 1.45-mile-long linear public park maintained, operated, and programmed by Friends of the High Line, in partnership with the New York City Department of Parks & Recreation, on Tuesday, September 15, 2015. High Line was opened in 1934 and moved goods to and from Manhattan’s largest industrial district until 1980. The third and final phase officially opened to the public on September 21, 2014. The High Line's green roof system with drip irrigation is designed to allow the planting beds to retain as much water as possible; because many of the plants are drought-tolerant, they need little supplemental watering. When supplemental watering is needed, hand watering is used so as to tailor the amount of water to the needs of individual species and weather conditions, and to conserve water. High Line is independently funded from U.S. Department of Agriculture (USDA) Forest Service (USFS). Urban forestry and green spaces are priority areas for USFS. With 80 percent* of the nation's population in urban areas, there are strong environmental, social, and economic cases to be made for the conservation of green spaces to guide growth and revitalize city centers and older suburbs. Urban forests broadly include urban parks, street trees, landscaped boulevards, public gardens, river and coastal promenades, greenways, river corridors, wetlands, nature preserves, natural areas, shelter belts of trees and working trees at industrial brownfield sites. Urban forests are dynamic ecosystems that provide needed environmental services by cleaning air and water helping to control storm water, and conserving energy. They add form, structure, beauty and breathing room to urban design, reduce noise, separate incompatible uses, provide places to recreate, strengthen social cohesion, leverage community revitalization, and add economic value to our communities. Urban forests, through planned connections of green spaces, form the green infrastructure system on which communities depend. Green infrastructure works at multiple scales from the neighborhood to the metro area up to the regional landscape. This natural life support system sustains clean air and water, biodiversity, habitat, nesting and travel corridors for wildlife, and connects people to nature. Urban forests, through planned connections of green spaces, form the green infrastructure system on which communities depend. Urban and Community Forestry (UCF) is a cooperative program of the US Forest Service that focuses on the stewardship of urban natural resources. UCF provides technical, financial, research and educational services to local government, non-profit organizations community groups, educational institutions, and tribal governments. The program is delivered through its legislative partners, the state forestry agencies in 59 states and US territories. Forest Service cooperative programs are currently being redesigned to make more effective use of federal resources. Programs will be focused on issues and landscapes of national importance and prioritized through state and regional assessments. Over the next five years an increasing percentage of funding will be focused on landscape scale projects. Three national themes provide a framework for this work: conserve working forest landscapes; protect forests from harm; and enhance benefits associated with trees and forests. More information and upcoming webinars on December 9, 2015 | 1:00pm-2:15pm ET; January 13, 2016 | 1:00pm-2:15pm ET; and February 10, 2016 | 1:00pm-2:15pm ET can be seen at *http://www.fs.fed.us/ucf/program.shtml. USDA Photo By Lance Cheung.

 

Janie Outfit Fatpack (PBR)

⁂ Clothing designed for physical activity, exercise, or sports, prioritizing comfort, functionality, protection, and thermal regulation. Ideal for looking fabulous at the gym!

⁂ - eBody Reborn & Waifus - Legacy & Bombshell & Perky - Maitreya LaraX & LaraX Petite - Nhumana & Lively

⁂ Hud Colored 8 different colors!

⁂ Inworld: maps.secondlife.com/secondlife/Chebi/218/100/100

⁂ Markeplace: marketplace.secondlife.com/stores/241706

⁂ Flickr: www.flickr.com/photos/193492537@N03/

⁂ Primfeed: www.primfeed.com/sarahnextdoordesigns.resident

⁂ Facebook: www.facebook.com/Next-Door-Designs-107032658345660

⁂Instagram: www.instagram.com/anitalachapelle/

 

Rodeo Beach - Marin headlands, california

I had plans on taking care of a few things and finish up some planing for a day trip up the north coast, but as I moved closer to San Francisco, I could see that there was some very interesting weather happening out in the Marin County area. I ran through my list of things to do and managed to "re-prioritize" a few things so I could make it out for sunset. The clouds were high and thin over the Golden Gate Bridge, but it looked like there was a fog bank moving in on the coast. I figured that the fog bank would kill most of the light that would have made another GGB image unique, so I headed for Rodeo Beach.

 

Rodeo is a nice, convenient beach. It offers up some nice rocky foreground on the south end, and some high cliffs on the north end. With the tide on its way to the negative end of the scale, I decided to go back to a spot on the north end of the beach that I found last year around this time. Most of the time this rocky area of the beach is covered in water, but with this negative tide, it was exposed and looking perfect for a long exposure.

 

The sky was moving fast with patches of low clouds / fog, so a shorter exposure to capture / paint the waves just wouldn't work in my opinion. The sky looked flat, even more flat than seen here, so long exposure it was. After making two images from this spot (I burned a half hour on these two) I packed up my camera (yes..... this time I decided to not be so lazy) and moved to the south end of the beach.

 

View my stream on black here

 

Canon 5D Mark II

Exposure: 480

Aperture: f/16.0

Focal Length: 20 mm

ISO Speed: 50

Lens: 17-40 f/4L

B+W 10 stop solid ND

Lee hard edge GND .3 & .9

The Maserati 250F is a symbol of 1950s motorsport, encapsulating the era's elegance and ambition. Unveiled to capitalize on the 1954 Formula 1 regulation changes, the 250F featured a tubular space frame. This deceptively simple design, prioritized balance and agility, making it a formidable contender on the racetrack for several years, not only for privateers, but also professionals. It's success culminated in the 5th and last F1 World Champion title for Juan-Manuel Fangio in 1957.

 

2.500 cc

6 In-line

240 - 270 hp

 

Maserati 110 Years

19/12/2024 - 23/02/2025

 

Autoworld

www.autoworld.be

Brussels - Belgium

July 2024

WEEK 31 – Brinkley Kroger

 

Geez – I sure can write a lot, can't I? Looks like my shortest description so far for this album is seven lines in Microsoft Word. Thank you, as always, to those of you who suffer through my verboseness! :)

 

Wrapping things up for today, here's a shot from the bread department back down towards produce. Something I found interesting is the presence of curved walls beginning here at bread and rolls (see photo note). This extends from here across the rear wall of the salesfloor, resulting in similar curves at the back left and back right corners. Such rounded corners were a hallmark of this décor's predecessor (Bauhaus), and evidently were carried over into the wannabe neon era as well, if only at the beginning (more on that later!). But it's also notable that this store certainly was not originally built with those corners, and that the ones I just mentioned are the only rounded corners present here: in this view, you can see one of those regular, squared-off corners up in produce, in fact (see other photo note). Weird...

 

I hung around the bread section for a little while waiting to get this and the last shot, which also surely didn't help prioritize my ticking-away visit here. Like I said, if I could've taken more photos, I most certainly would've. But regardless, my remaining 10 pics are coming tomorrow, so stick around!

 

(c) 2017 Retail Retell

These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)

July 18, 2023 The Hill Live brings together caregivers, patients, clinical experts, and lawmakers to answer these questions and more as we discuss the fight against Alzheimer’s and breakthroughs in providing relief to those who suffer from agitation and aggression.

Alzheimer’s disease affects about 55 million people worldwide, including 6.5 million Americans, and has no cure. Some patients with Alzheimer’s sometimes show signs of extreme aggression or become restless and anxious as their brains lose the ability to negotiate with new stimulus.

 

Agitation is a common neuropsychiatric symptom in Alzheimer’s dementia and one of the most complex and stressful aspects of caring for people living with the condition. It is reported in approximately half of people with Alzheimer’s dementia and is associated with earlier alternative living placement.

 

What do patients, caregivers and families navigating the complexities of agitation associated with Alzheimer’s need to know? How are researchers and doctors better understanding risk factors and diagnoses? What policy actions can prioritize research, detection and treatment? And what are the access considerations for patients and their caregivers as they navigate this difficult symptom?

LOCATION

National Press Club Holeman Lounge, 529 14th St. NW, 13th Floor, Washington, DC 20045

Canyonlands National Park is an American national park located in southeastern Utah near the town of Moab. The park preserves a colorful landscape eroded into numerous canyons, mesas, and buttes by the Colorado River, the Green River, and their respective tributaries. Legislation creating the park was signed into law by President Lyndon Johnson on September 12, 1964.

 

The park is divided into four districts: the Island in the Sky, the Needles, the Maze, and the combined rivers—the Green and Colorado—which carved two large canyons into the Colorado Plateau. While these areas share a primitive desert atmosphere, each retains its own character. Author Edward Abbey, a frequent visitor, described the Canyonlands as "the most weird, wonderful, magical place on earth—there is nothing else like it anywhere."

 

In the early 1950s, Bates Wilson, then superintendent of Arches National Monument, began exploring the area to the south and west of Moab, Utah. After seeing what is now known as the Needles District of Canyonlands National Park, Wilson began advocating for the establishment of a new national park that would include the Needles. Additional explorations by Wilson and others expanded the areas proposed for inclusion into the new national park to include the confluence of Green and Colorado rivers, the Maze District, and Horseshoe Canyon.

 

In 1961, Secretary of the Interior Stewart Udall was scheduled to address a conference at Grand Canyon National Park. On his flight to the conference, he flew over the Confluence (where the Colorado and Green rivers meet). The view apparently sparked Udall's interest in Wilson's proposal for a new national park in that area and Udall began promoting the establishment of Canyonlands National Park.

 

Utah Senator Frank Moss first introduced legislation into Congress to create Canyonlands National Park. His legislation attempted to satisfy both nature preservationists' and commercial developers' interests. Over the next four years, his proposal was struck down, debated, revised, and reintroduced to Congress many times before being passed and signed into creation.

 

In September, 1964, after several years of debate, President Lyndon B. Johnson signed Pub.L. 88–590, which established Canyonlands National Park as a new national park. Bates Wilson became the first superintendent of the new park and is often referred to as the "Father of Canyonlands."

 

The Colorado River and Green River combine within the park, dividing it into three districts called the Island in the Sky, the Needles, and the Maze. The Colorado River flows through Cataract Canyon below its confluence with the Green River.

 

The Island in the Sky district is a broad and level mesa in the northern section of the park, between the Colorado and Green rivers. The district has many viewpoints overlooking the White Rim, a sandstone bench 1,200 feet (370 m) below the Island, and the rivers, which are another 1,000 feet (300 m) below the White Rim.

 

The Needles district is located south of the Island in the Sky, on the east side of the Colorado River. The district is named for the red and white banded rock pinnacles which are a major feature of the area. Various other naturally sculpted rock formations are also within this district, including grabens, potholes, and arches. Unlike Arches National Park, where many arches are accessible by short to moderate hikes, most of the arches in the Needles district lie in backcountry canyons, requiring long hikes or four-wheel drive trips to reach them.

 

The Ancestral Puebloans inhabited this area and some of their stone and mud dwellings are well-preserved, although the items and tools they used were mostly removed by looters. The Ancestral Puebloans also created rock art in the form of petroglyphs, most notably on Newspaper Rock along the Needles access road.

 

The Maze district is located west of the Colorado and Green rivers. The Maze is the least accessible section of the park, and one of the most remote and inaccessible areas of the United States.

 

A geographically detached section of the park located north of the Maze district, Horseshoe Canyon contains panels of rock art made by hunter-gatherers from the Late Archaic Period (2000-1000 BC) pre-dating the Ancestral Puebloans. Originally called Barrier Canyon, Horseshoe's artifacts, dwellings, pictographs, and murals are some of the oldest in America. The images depicting horses date from after 1540 AD, when the Spanish reintroduced horses to America.

 

Since the 1950s, scientists have been studying an area of 200 acres (81 ha) completely surrounded by cliffs. The cliffs have prevented cattle from ever grazing on the area's 62 acres (25 ha) of grassland. According to the scientists, the site may contain the largest undisturbed grassland in the Four Corners region. Studies have continued biannually since the mid-1990s. The area has been closed to the public since 1993 to maintain the nearly pristine environment.

 

Mammals that roam this park include black bears, coyotes, skunks, bats, elk, foxes, bobcats, badgers, ring-tailed cats, pronghorns, desert bighorn sheep, and cougars. Desert cottontails, kangaroo rats and mule deer are commonly seen by visitors.

 

At least 273 species of birds inhabit the park. A variety of hawks and eagles are found, including the Cooper's hawk, the northern goshawk, the sharp-shinned hawk, the red-tailed hawk, the golden and bald eagles, the rough-legged hawk, the Swainson's hawk, and the northern harrier. Several species of owls are found, including the great horned owl, the northern saw-whet owl, the western screech owl, and the Mexican spotted owl. Grebes, woodpeckers, ravens, herons, flycatchers, crows, bluebirds, wrens, warblers, blackbirds, orioles, goldfinches, swallows, sparrows, ducks, quail, grouse, pheasants, hummingbirds, falcons, gulls, and ospreys are some of the other birds that can be found.

 

Several reptiles can be found, including eleven species of lizards and eight species of snake (including the midget faded rattlesnake). The common kingsnake and prairie rattlesnake have been reported in the park, but not confirmed by the National Park Service.

 

The park is home to six confirmed amphibian species, including the red-spotted toad, Woodhouse's toad, American bullfrog, northern leopard frog, Great Basin spadefoot toad, and tiger salamander. The canyon tree frog was reported to be in the park in 2000, but was not confirmed during a study in 2004.

 

Canyonlands National Park contains a wide variety of plant life, including 11 cactus species,[34] 20 moss species, liverworts, grasses and wildflowers. Varieties of trees include netleaf hackberry, Russian olive, Utah juniper, pinyon pine, tamarisk, and Fremont's cottonwood. Shrubs include Mormon tea, blackbrush, four-wing saltbush, cliffrose, littleleaf mountain mahogany, and snakeweed

 

Cryptobiotic soil is the foundation of life in Canyonlands, providing nitrogen fixation and moisture for plant seeds. One footprint can destroy decades of growth.

 

According to the Köppen climate classification system, Canyonlands National Park has a cold semi-arid climate ("BSk"). The plant hardiness zones at the Island in the Sky and Needles District Visitor Centers are 7a with an average annual extreme minimum air temperature of 4.0 °F (-15.6 °C) and 2.9 °F (-16.2 °C), respectively.

 

The National Weather Service has maintained two cooperative weather stations in the park since June 1965. Official data documents the desert climate with less than 10 inches (250 millimetres) of annual rainfall, as well as hot, mostly dry summers and cold, occasionally wet winters. Snowfall is generally light during the winter.

 

The station in The Neck region reports an average January temperature of 29.6 °F and an average July temperature of 79.3 °F. Average July temperatures range from a high of 90.8 °F (32.7 °C) to a low of 67.9 °F (19.9 °C). There are an average of 45.7 days with highs of 90 °F (32 °C) or higher and an average of 117.3 days with lows of 32 °F (0 °C) or lower. The highest recorded temperature was 105 °F (41 °C) on July 15, 2005, and the lowest recorded temperature was −13 °F (−25 °C) on February 6, 1989. Average annual precipitation is 9.33 inches (237 mm). There are an average of 59 days with measurable precipitation. The wettest year was 1984, with 13.66 in (347 mm), and the driest year was 1989, with 4.63 in (118 mm). The most precipitation in one month was 5.19 in (132 mm) in October 2006. The most precipitation in 24 hours was 1.76 in (45 mm) on April 9, 1978. Average annual snowfall is 22.8 in (58 cm). The most snowfall in one year was 47.4 in (120 cm) in 1975, and the most snowfall in one month was 27.0 in (69 cm) in January 1978.

 

The station in The Needles region reports an average January temperature of 29.7 °F and an average July temperature of 79.1 °F.[44] Average July temperatures range from a high of 95.4 °F (35.2 °C) to a low of 62.4 °F (16.9 °C). There are an average of 75.4 days with highs of 90 °F (32 °C) or higher and an average of 143.6 days with lows of 32 °F (0 °C) or lower. The highest recorded temperature was 107 °F (42 °C) on July 13, 1971, and the lowest recorded temperature was −16 °F (−27 °C) on January 16, 1971. Average annual precipitation is 8.49 in (216 mm). There are an average of 56 days with measurable precipitation. The wettest year was 1969, with 11.19 in (284 mm), and the driest year was 1989, with 4.25 in (108 mm). The most precipitation in one month was 4.43 in (113 mm) in October 1972. The most precipitation in 24 hours was 1.56 in (40 mm) on September 17, 1999. Average annual snowfall is 14.4 in (37 cm). The most snowfall in one year was 39.3 in (100 cm) in 1975, and the most snowfall in one month was 24.0 in (61 cm) in March 1985.

 

National parks in the Western US are more affected by climate change than the country as a whole, and the National Park Service has begun research into how exactly this will effect the ecosystem of Canyonlands National Park and the surrounding areas and ways to protect the park for the future. The mean annual temperature of Canyonlands National Park increased by 2.6 °F (1.4 °C) from 1916 to 2018. It is predicted that if current warming trends continue, the average highs in the park during the summer will be over 100 °F (40 °C) by 2100. In addition to warming, the region has begun to see more severe and frequent droughts which causes native grass cover to decrease and a lower flow of the Colorado River. The flows of the Upper Colorado Basin have decreased by 300,000 acre⋅ft (370,000,000 m3) per year, which has led to a decreased amount of sediment carried by the river and rockier rapids which are more frequently impassable to rafters. The area has also begun to see an earlier spring, which will lead to changes in the timing of leaves and flowers blooming and migrational patterns of wildlife that could lead to food shortages for the wildlife, as well as a longer fire season.

 

The National Park Service is currently closely monitoring the impacts of climate change in Canyonlands National Park in order to create management strategies that will best help conserve the park's landscapes and ecosystems for the long term. Although the National Park Service's original goal was to preserve landscapes as they were before European colonization, they have now switched to a more adaptive management strategy with the ultimate goal of conserving the biodiversity of the park. The NPS is collaborating with other organizations including the US Geological Survey, local indigenous tribes, and nearby universities in order to create a management plan for the national park. Right now, there is a focus on research into which native plants will be most resistant to climate change so that the park can decide on what to prioritize in conservation efforts. The Canyonlands Natural History Association has been giving money to the US Geological Survey to fund this and other climate related research. They gave $30,000 in 2019 and $61,000 in 2020.

 

A subsiding basin and nearby uplifting mountain range (the Uncompahgre) existed in the area in Pennsylvanian time. Seawater trapped in the subsiding basin created thick evaporite deposits by Mid Pennsylvanian. This, along with eroded material from the nearby mountain range, became the Paradox Formation, itself a part of the Hermosa Group. Paradox salt beds started to flow later in the Pennsylvanian and probably continued to move until the end of the Jurassic. Some scientists believe Upheaval Dome was created from Paradox salt bed movement, creating a salt dome, but more modern studies show that the meteorite theory is more likely to be correct.

 

A warm shallow sea again flooded the region near the end of the Pennsylvanian. Fossil-rich limestones, sandstones, and shales of the gray-colored Honaker Trail Formation resulted. A period of erosion then ensued, creating a break in the geologic record called an unconformity. Early in the Permian an advancing sea laid down the Halgaito Shale. Coastal lowlands later returned to the area, forming the Elephant Canyon Formation.

 

Large alluvial fans filled the basin where it met the Uncompahgre Mountains, creating the Cutler red beds of iron-rich arkose sandstone. Underwater sand bars and sand dunes on the coast inter-fingered with the red beds and later became the white-colored cliff-forming Cedar Mesa Sandstone. Brightly colored oxidized muds were then deposited, forming the Organ Rock Shale. Coastal sand dunes and marine sand bars once again became dominant, creating the White Rim Sandstone.

 

A second unconformity was created after the Permian sea retreated. Flood plains on an expansive lowland covered the eroded surface and mud built up in tidal flats, creating the Moenkopi Formation. Erosion returned, forming a third unconformity. The Chinle Formation was then laid down on top of this eroded surface.

 

Increasingly dry climates dominated the Triassic. Therefore, sand in the form of sand dunes invaded and became the Wingate Sandstone. For a time climatic conditions became wetter and streams cut channels through the sand dunes, forming the Kayenta Formation. Arid conditions returned to the region with a vengeance; a large desert spread over much of western North America and later became the Navajo Sandstone. A fourth unconformity was created by a period of erosion.

 

Mud flats returned, forming the Carmel Formation, and the Entrada Sandstone was laid down next. A long period of erosion stripped away most of the San Rafael Group in the area, along with any formations that may have been laid down in the Cretaceous period.

 

The Laramide orogeny started to uplift the Rocky Mountains 70 million years ago and with it, the Canyonlands region. Erosion intensified and when the Colorado River Canyon reached the salt beds of the Paradox Formation the overlying strata extended toward the river canyon, forming features such as The Grabens. Increased precipitation during the ice ages of the Pleistocene quickened the rate of canyon excavation along with other erosion. Similar types of erosion are ongoing, but occur at a slower rate.

 

Utah is a landlocked state in the Mountain West subregion of the Western United States. It borders Colorado to its east, Wyoming to its northeast, Idaho to its north, Arizona to its south, and Nevada to its west. Utah also touches a corner of New Mexico in the southeast. Of the fifty U.S. states, Utah is the 13th-largest by area; with a population over three million, it is the 30th-most-populous and 11th-least-densely populated. Urban development is mostly concentrated in two areas: the Wasatch Front in the north-central part of the state, which is home to roughly two-thirds of the population and includes the capital city, Salt Lake City; and Washington County in the southwest, with more than 180,000 residents. Most of the western half of Utah lies in the Great Basin.

 

Utah has been inhabited for thousands of years by various indigenous groups such as the ancient Puebloans, Navajo, and Ute. The Spanish were the first Europeans to arrive in the mid-16th century, though the region's difficult geography and harsh climate made it a peripheral part of New Spain and later Mexico. Even while it was Mexican territory, many of Utah's earliest settlers were American, particularly Mormons fleeing marginalization and persecution from the United States via the Mormon Trail. Following the Mexican–American War in 1848, the region was annexed by the U.S., becoming part of the Utah Territory, which included what is now Colorado and Nevada. Disputes between the dominant Mormon community and the federal government delayed Utah's admission as a state; only after the outlawing of polygamy was it admitted in 1896 as the 45th.

 

People from Utah are known as Utahns. Slightly over half of all Utahns are Mormons, the vast majority of whom are members of the Church of Jesus Christ of Latter-day Saints (LDS Church), which has its world headquarters in Salt Lake City; Utah is the only state where a majority of the population belongs to a single church. A 2023 paper challenged this perception (claiming only 42% of Utahns are Mormons) however most statistics still show a majority of Utah residents belong to the LDS church; estimates from the LDS church suggests 60.68% of Utah's population belongs to the church whilst some sources put the number as high as 68%. The paper replied that membership count done by the LDS Church is too high for several reasons. The LDS Church greatly influences Utahn culture, politics, and daily life, though since the 1990s the state has become more religiously diverse as well as secular.

 

Utah has a highly diversified economy, with major sectors including transportation, education, information technology and research, government services, mining, multi-level marketing, and tourism. Utah has been one of the fastest growing states since 2000, with the 2020 U.S. census confirming the fastest population growth in the nation since 2010. St. George was the fastest-growing metropolitan area in the United States from 2000 to 2005. Utah ranks among the overall best states in metrics such as healthcare, governance, education, and infrastructure. It has the 12th-highest median average income and the least income inequality of any U.S. state. Over time and influenced by climate change, droughts in Utah have been increasing in frequency and severity, putting a further strain on Utah's water security and impacting the state's economy.

 

The History of Utah is an examination of the human history and social activity within the state of Utah located in the western United States.

 

Archaeological evidence dates the earliest habitation of humans in Utah to about 10,000 to 12,000 years ago. Paleolithic people lived near the Great Basin's swamps and marshes, which had an abundance of fish, birds, and small game animals. Big game, including bison, mammoths and ground sloths, also were attracted to these water sources. Over the centuries, the mega-fauna died, this population was replaced by the Desert Archaic people, who sheltered in caves near the Great Salt Lake. Relying more on gathering than the previous Utah residents, their diet was mainly composed of cattails and other salt tolerant plants such as pickleweed, burro weed and sedge. Red meat appears to have been more of a luxury, although these people used nets and the atlatl to hunt water fowl, ducks, small animals and antelope. Artifacts include nets woven with plant fibers and rabbit skin, woven sandals, gaming sticks, and animal figures made from split-twigs. About 3,500 years ago, lake levels rose and the population of Desert Archaic people appears to have dramatically decreased. The Great Basin may have been almost unoccupied for 1,000 years.

 

The Fremont culture, named from sites near the Fremont River in Utah, lived in what is now north and western Utah and parts of Nevada, Idaho and Colorado from approximately 600 to 1300 AD. These people lived in areas close to water sources that had been previously occupied by the Desert Archaic people, and may have had some relationship with them. However, their use of new technologies define them as a distinct people. Fremont technologies include:

 

use of the bow and arrow while hunting,

building pithouse shelters,

growing maize and probably beans and squash,

building above ground granaries of adobe or stone,

creating and decorating low-fired pottery ware,

producing art, including jewelry and rock art such as petroglyphs and pictographs.

 

The ancient Puebloan culture, also known as the Anasazi, occupied territory adjacent to the Fremont. The ancestral Puebloan culture centered on the present-day Four Corners area of the Southwest United States, including the San Juan River region of Utah. Archaeologists debate when this distinct culture emerged, but cultural development seems to date from about the common era, about 500 years before the Fremont appeared. It is generally accepted that the cultural peak of these people was around the 1200 CE. Ancient Puebloan culture is known for well constructed pithouses and more elaborate adobe and masonry dwellings. They were excellent craftsmen, producing turquoise jewelry and fine pottery. The Puebloan culture was based on agriculture, and the people created and cultivated fields of maize, beans, and squash and domesticated turkeys. They designed and produced elaborate field terracing and irrigation systems. They also built structures, some known as kivas, apparently designed solely for cultural and religious rituals.

 

These two later cultures were roughly contemporaneous, and appear to have established trading relationships. They also shared enough cultural traits that archaeologists believe the cultures may have common roots in the early American Southwest. However, each remained culturally distinct throughout most of their existence. These two well established cultures appear to have been severely impacted by climatic change and perhaps by the incursion of new people in about 1200 CE. Over the next two centuries, the Fremont and ancient Pueblo people may have moved into the American southwest, finding new homes and farmlands in the river drainages of Arizona, New Mexico and northern Mexico.

 

In about 1200, Shoshonean speaking peoples entered Utah territory from the west. They may have originated in southern California and moved into the desert environment due to population pressure along the coast. They were an upland people with a hunting and gathering lifestyle utilizing roots and seeds, including the pinyon nut. They were also skillful fishermen, created pottery and raised some crops. When they first arrived in Utah, they lived as small family groups with little tribal organization. Four main Shoshonean peoples inhabited Utah country. The Shoshone in the north and northeast, the Gosiutes in the northwest, the Utes in the central and eastern parts of the region and the Southern Paiutes in the southwest. Initially, there seems to have been very little conflict between these groups.

 

In the early 16th century, the San Juan River basin in Utah's southeast also saw a new people, the Díne or Navajo, part of a greater group of plains Athabaskan speakers moved into the Southwest from the Great Plains. In addition to the Navajo, this language group contained people that were later known as Apaches, including the Lipan, Jicarilla, and Mescalero Apaches.

 

Athabaskans were a hunting people who initially followed the bison, and were identified in 16th-century Spanish accounts as "dog nomads". The Athabaskans expanded their range throughout the 17th century, occupying areas the Pueblo peoples had abandoned during prior centuries. The Spanish first specifically mention the "Apachu de Nabajo" (Navaho) in the 1620s, referring to the people in the Chama valley region east of the San Juan River, and north west of Santa Fe. By the 1640s, the term Navaho was applied to these same people. Although the Navajo newcomers established a generally peaceful trading and cultural exchange with the some modern Pueblo peoples to the south, they experienced intermittent warfare with the Shoshonean peoples, particularly the Utes in eastern Utah and western Colorado.

 

At the time of European expansion, beginning with Spanish explorers traveling from Mexico, five distinct native peoples occupied territory within the Utah area: the Northern Shoshone, the Goshute, the Ute, the Paiute and the Navajo.

 

The Spanish explorer Francisco Vázquez de Coronado may have crossed into what is now southern Utah in 1540, when he was seeking the legendary Cíbola.

 

A group led by two Spanish Catholic priests—sometimes called the Domínguez–Escalante expedition—left Santa Fe in 1776, hoping to find a route to the California coast. The expedition traveled as far north as Utah Lake and encountered the native residents. All of what is now Utah was claimed by the Spanish Empire from the 1500s to 1821 as part of New Spain (later as the province Alta California); and subsequently claimed by Mexico from 1821 to 1848. However, Spain and Mexico had little permanent presence in, or control of, the region.

 

Fur trappers (also known as mountain men) including Jim Bridger, explored some regions of Utah in the early 19th century. The city of Provo was named for one such man, Étienne Provost, who visited the area in 1825. The city of Ogden, Utah is named for a brigade leader of the Hudson's Bay Company, Peter Skene Ogden who trapped in the Weber Valley. In 1846, a year before the arrival of members from the Church of Jesus Christ of latter-day Saints, the ill-fated Donner Party crossed through the Salt Lake valley late in the season, deciding not to stay the winter there but to continue forward to California, and beyond.

 

Members of the Church of Jesus Christ of Latter-day Saints, commonly known as Mormon pioneers, first came to the Salt Lake Valley on July 24, 1847. At the time, the U.S. had already captured the Mexican territories of Alta California and New Mexico in the Mexican–American War and planned to keep them, but those territories, including the future state of Utah, officially became United States territory upon the signing of the Treaty of Guadalupe Hidalgo, February 2, 1848. The treaty was ratified by the United States Senate on March 10, 1848.

 

Upon arrival in the Salt Lake Valley, the Mormon pioneers found no permanent settlement of Indians. Other areas along the Wasatch Range were occupied at the time of settlement by the Northwestern Shoshone and adjacent areas by other bands of Shoshone such as the Gosiute. The Northwestern Shoshone lived in the valleys on the eastern shore of Great Salt Lake and in adjacent mountain valleys. Some years after arriving in the Salt Lake Valley Mormons, who went on to colonize many other areas of what is now Utah, were petitioned by Indians for recompense for land taken. The response of Heber C. Kimball, first counselor to Brigham Young, was that the land belonged to "our Father in Heaven and we expect to plow and plant it." A 1945 Supreme Court decision found that the land had been treated by the United States as public domain; no aboriginal title by the Northwestern Shoshone had been recognized by the United States or extinguished by treaty with the United States.

 

Upon arriving in the Salt Lake Valley, the Mormons had to make a place to live. They created irrigation systems, laid out farms, built houses, churches, and schools. Access to water was crucially important. Almost immediately, Brigham Young set out to identify and claim additional community sites. While it was difficult to find large areas in the Great Basin where water sources were dependable and growing seasons long enough to raise vitally important subsistence crops, satellite communities began to be formed.

 

Shortly after the first company arrived in the Salt Lake Valley in 1847, the community of Bountiful was settled to the north. In 1848, settlers moved into lands purchased from trapper Miles Goodyear in present-day Ogden. In 1849, Tooele and Provo were founded. Also that year, at the invitation of Ute chief Wakara, settlers moved into the Sanpete Valley in central Utah to establish the community of Manti. Fillmore, Utah, intended to be the capital of the new territory, was established in 1851. In 1855, missionary efforts aimed at western native cultures led to outposts in Fort Lemhi, Idaho, Las Vegas, Nevada and Elk Mountain in east-central Utah.

 

The experiences of returning members of the Mormon Battalion were also important in establishing new communities. On their journey west, the Mormon soldiers had identified dependable rivers and fertile river valleys in Colorado, Arizona and southern California. In addition, as the men traveled to rejoin their families in the Salt Lake Valley, they moved through southern Nevada and the eastern segments of southern Utah. Jefferson Hunt, a senior Mormon officer of the Battalion, actively searched for settlement sites, minerals, and other resources. His report encouraged 1851 settlement efforts in Iron County, near present-day Cedar City. These southern explorations eventually led to Mormon settlements in St. George, Utah, Las Vegas and San Bernardino, California, as well as communities in southern Arizona.

 

Prior to establishment of the Oregon and California trails and Mormon settlement, Indians native to the Salt Lake Valley and adjacent areas lived by hunting buffalo and other game, but also gathered grass seed from the bountiful grass of the area as well as roots such as those of the Indian Camas. By the time of settlement, indeed before 1840, the buffalo were gone from the valley, but hunting by settlers and grazing of cattle severely impacted the Indians in the area, and as settlement expanded into nearby river valleys and oases, indigenous tribes experienced increasing difficulty in gathering sufficient food. Brigham Young's counsel was to feed the hungry tribes, and that was done, but it was often not enough. These tensions formed the background to the Bear River massacre committed by California Militia stationed in Salt Lake City during the Civil War. The site of the massacre is just inside Preston, Idaho, but was generally thought to be within Utah at the time.

 

Statehood was petitioned for in 1849-50 using the name Deseret. The proposed State of Deseret would have been quite large, encompassing all of what is now Utah, and portions of Colorado, Idaho, Nevada, Wyoming, Arizona, Oregon, New Mexico and California. The name of Deseret was favored by the LDS leader Brigham Young as a symbol of industry and was derived from a reference in the Book of Mormon. The petition was rejected by Congress and Utah did not become a state until 1896, following the Utah Constitutional Convention of 1895.

 

In 1850, the Utah Territory was created with the Compromise of 1850, and Fillmore (named after President Fillmore) was designated the capital. In 1856, Salt Lake City replaced Fillmore as the territorial capital.

 

The first group of pioneers brought African slaves with them, making Utah the only place in the western United States to have African slavery. Three slaves, Green Flake, Hark Lay, and Oscar Crosby, came west with this first group in 1847. The settlers also began to purchase Indian slaves in the well-established Indian slave trade, as well as enslaving Indian prisoners of war. In 1850, 26 slaves were counted in Salt Lake County. Slavery didn't become officially recognized until 1852, when the Act in Relation to Service and the Act for the relief of Indian Slaves and Prisoners were passed. Slavery was repealed on June 19, 1862, when Congress prohibited slavery in all US territories.

 

Disputes between the Mormon inhabitants and the federal government intensified after the Church of Jesus Christ of Latter-day Saints' practice of polygamy became known. The polygamous practices of the Mormons, which were made public in 1854, would be one of the major reasons Utah was denied statehood until almost 50 years after the Mormons had entered the area.

 

After news of their polygamous practices spread, the members of the LDS Church were quickly viewed by some as un-American and rebellious. In 1857, after news of a possible rebellion spread, President James Buchanan sent troops on the Utah expedition to quell the growing unrest and to replace Brigham Young as territorial governor with Alfred Cumming. The expedition was also known as the Utah War.

 

As fear of invasion grew, Mormon settlers had convinced some Paiute Indians to aid in a Mormon-led attack on 120 immigrants from Arkansas under the guise of Indian aggression. The murder of these settlers became known as the Mountain Meadows massacre. The Mormon leadership had adopted a defensive posture that led to a ban on the selling of grain to outsiders in preparation for an impending war. This chafed pioneers traveling through the region, who were unable to purchase badly needed supplies. A disagreement between some of the Arkansas pioneers and the Mormons in Cedar City led to the secret planning of the massacre by a few Mormon leaders in the area. Some scholars debate the involvement of Brigham Young. Only one man, John D. Lee, was ever convicted of the murders, and he was executed at the massacre site.

 

Express riders had brought the news 1,000 miles from the Missouri River settlements to Salt Lake City within about two weeks of the army's beginning to march west. Fearing the worst as 2,500 troops (roughly 1/3rd of the army then) led by General Albert Sidney Johnston started west, Brigham Young ordered all residents of Salt Lake City and neighboring communities to prepare their homes for burning and evacuate southward to Utah Valley and southern Utah. Young also sent out a few units of the Nauvoo Legion (numbering roughly 8,000–10,000), to delay the army's advance. The majority he sent into the mountains to prepare defenses or south to prepare for a scorched earth retreat. Although some army wagon supply trains were captured and burned and herds of army horses and cattle run off no serious fighting occurred. Starting late and short on supplies, the United States Army camped during the bitter winter of 1857–58 near a burned out Fort Bridger in Wyoming. Through the negotiations between emissary Thomas L. Kane, Young, Cumming and Johnston, control of Utah territory was peacefully transferred to Cumming, who entered an eerily vacant Salt Lake City in the spring of 1858. By agreement with Young, Johnston established the army at Fort Floyd 40 miles away from Salt Lake City, to the southwest.

 

Salt Lake City was the last link of the First Transcontinental Telegraph, between Carson City, Nevada and Omaha, Nebraska completed in October 1861. Brigham Young, who had helped expedite construction, was among the first to send a message, along with Abraham Lincoln and other officials. Soon after the telegraph line was completed, the Deseret Telegraph Company built the Deseret line connecting the settlements in the territory with Salt Lake City and, by extension, the rest of the United States.

 

Because of the American Civil War, federal troops were pulled out of Utah Territory (and their fort auctioned off), leaving the territorial government in federal hands without army backing until General Patrick E. Connor arrived with the 3rd Regiment of California Volunteers in 1862. While in Utah, Connor and his troops soon became discontent with this assignment wanting to head to Virginia where the "real" fighting and glory was occurring. Connor established Fort Douglas just three miles (5 km) east of Salt Lake City and encouraged his bored and often idle soldiers to go out and explore for mineral deposits to bring more non-Mormons into the state. Minerals were discovered in Tooele County, and some miners began to come to the territory. Conner also solved the Shoshone Indian problem in Cache Valley Utah by luring the Shoshone into a midwinter confrontation on January 29, 1863. The armed conflict quickly turned into a rout, discipline among the soldiers broke down, and the Battle of Bear River is today usually referred to by historians as the Bear River Massacre. Between 200 and 400 Shoshone men, women and children were killed, as were 27 soldiers, with over 50 more soldiers wounded or suffering from frostbite.

 

Beginning in 1865, Utah's Black Hawk War developed into the deadliest conflict in the territory's history. Chief Antonga Black Hawk died in 1870, but fights continued to break out until additional federal troops were sent in to suppress the Ghost Dance of 1872. The war is unique among Indian Wars because it was a three-way conflict, with mounted Timpanogos Utes led by Antonga Black Hawk fighting federal and Utah local militia.

 

On May 10, 1869, the First transcontinental railroad was completed at Promontory Summit, north of the Great Salt Lake. The railroad brought increasing numbers of people into the state, and several influential businessmen made fortunes in the territory.

 

Main article: Latter Day Saint polygamy in the late-19th century

During the 1870s and 1880s, federal laws were passed and federal marshals assigned to enforce the laws against polygamy. In the 1890 Manifesto, the LDS Church leadership dropped its approval of polygamy citing divine revelation. When Utah applied for statehood again in 1895, it was accepted. Statehood was officially granted on January 4, 1896.

 

The Mormon issue made the situation for women the topic of nationwide controversy. In 1870 the Utah Territory, controlled by Mormons, gave women the right to vote. However, in 1887, Congress disenfranchised Utah women with the Edmunds–Tucker Act. In 1867–96, eastern activists promoted women's suffrage in Utah as an experiment, and as a way to eliminate polygamy. They were Presbyterians and other Protestants convinced that Mormonism was a non-Christian cult that grossly mistreated women. The Mormons promoted woman suffrage to counter the negative image of downtrodden Mormon women. With the 1890 Manifesto clearing the way for statehood, in 1895 Utah adopted a constitution restoring the right of women's suffrage. Congress admitted Utah as a state with that constitution in 1896.

 

Though less numerous than other intermountain states at the time, several lynching murders for alleged misdeeds occurred in Utah territory at the hand of vigilantes. Those documented include the following, with their ethnicity or national origin noted in parentheses if it was provided in the source:

 

William Torrington in Carson City (then a part of Utah territory), 1859

Thomas Coleman (Black man) in Salt Lake City, 1866

3 unidentified men at Wahsatch, winter of 1868

A Black man in Uintah, 1869

Charles A. Benson in Logan, 1873

Ah Sing (Chinese man) in Corinne, 1874

Thomas Forrest in St. George, 1880

William Harvey (Black man) in Salt Lake City, 1883

John Murphy in Park City, 1883

George Segal (Japanese man) in Ogden, 1884

Joseph Fisher in Eureka, 1886

Robert Marshall (Black man) in Castle Gate, 1925

Other lynchings in Utah territory include multiple instances of mass murder of Native American children, women, and men by White settlers including the Battle Creek massacre (1849), Provo River Massacre (1850), Nephi massacre (1853), and Circleville Massacre (1866).

 

Beginning in the early 20th century, with the establishment of such national parks as Bryce Canyon National Park and Zion National Park, Utah began to become known for its natural beauty. Southern Utah became a popular filming spot for arid, rugged scenes, and such natural landmarks as Delicate Arch and "the Mittens" of Monument Valley are instantly recognizable to most national residents. During the 1950s, 1960s, and 1970s, with the construction of the Interstate highway system, accessibility to the southern scenic areas was made easier.

 

Beginning in 1939, with the establishment of Alta Ski Area, Utah has become world-renowned for its skiing. The dry, powdery snow of the Wasatch Range is considered some of the best skiing in the world. Salt Lake City won the bid for the 2002 Winter Olympics in 1995, and this has served as a great boost to the economy. The ski resorts have increased in popularity, and many of the Olympic venues scattered across the Wasatch Front continue to be used for sporting events. This also spurred the development of the light-rail system in the Salt Lake Valley, known as TRAX, and the re-construction of the freeway system around the city.

 

During the late 20th century, the state grew quickly. In the 1970s, growth was phenomenal in the suburbs. Sandy was one of the fastest-growing cities in the country at that time, and West Valley City is the state's 2nd most populous city. Today, many areas of Utah are seeing phenomenal growth. Northern Davis, southern and western Salt Lake, Summit, eastern Tooele, Utah, Wasatch, and Washington counties are all growing very quickly. Transportation and urbanization are major issues in politics as development consumes agricultural land and wilderness areas.

 

In 2012, the State of Utah passed the Utah Transfer of Public Lands Act in an attempt to gain control over a substantial portion of federal land in the state from the federal government, based on language in the Utah Enabling Act of 1894. The State does not intend to use force or assert control by limiting access in an attempt to control the disputed lands, but does intend to use a multi-step process of education, negotiation, legislation, and if necessary, litigation as part of its multi-year effort to gain state or private control over the lands after 2014.

 

Utah families, like most Americans everywhere, did their utmost to assist in the war effort. Tires, meat, butter, sugar, fats, oils, coffee, shoes, boots, gasoline, canned fruits, vegetables, and soups were rationed on a national basis. The school day was shortened and bus routes were reduced to limit the number of resources used stateside and increase what could be sent to soldiers.

 

Geneva Steel was built to increase the steel production for America during World War II. President Franklin D. Roosevelt had proposed opening a steel mill in Utah in 1936, but the idea was shelved after a couple of months. After the attack on Pearl Harbor, the United States entered the war and the steel plant was put into progress. In April 1944, Geneva shipped its first order, which consisted of over 600 tons of steel plate. Geneva Steel also brought thousands of job opportunities to Utah. The positions were hard to fill as many of Utah's men were overseas fighting. Women began working, filling 25 percent of the jobs.

 

As a result of Utah's and Geneva Steels contribution during the war, several Liberty Ships were named in honor of Utah including the USS Joseph Smith, USS Brigham Young, USS Provo, and the USS Peter Skene Ogden.

 

One of the sectors of the beachhead of Normandy Landings was codenamed Utah Beach, and the amphibious landings at the beach were undertaken by United States Army troops.

 

It is estimated that 1,450 soldiers from Utah were killed in the war.

We will never forget him or the thousands of others murdered in Egypt for their passion for freedom and Justice.

 

On 2 February 2018, about fifty people gathered outside the Egyptian Embassy in London for a vigil to mark the second anniversary of the discovery of the horrificly mutilated corpse of Cambridge university student, Giulio Regeni, at the edge of the Cairo-Alexandria desert road in Egypt.

 

Within hours of the discovery of his body, his family knew that he must have been the victim of the most appalling sustained violence. His corpse was so terribly disfigured that his mother explained he was virtually unrecognisable. She could only identiy him from the tip of his nose.

 

But what was equally striking was the location where the body had been dumped, on one of Egypt's busiest highways close to the watchtowers of a security services base.

 

On 25th January 2016, the fifth anniversary of Egypt's 2011 uprising, a thirty year old Italian national Giulio Regeni disappeared from the streets of Cairo.

 

He was a student of one of Britain's most prestigious universities - Cambridge and was researching the crucial role of trade unions in relation to Egyptian political power and workers' rights.

 

During his research he managed to cultivate contacts with numerous key individuals within several Independent trade unions which the Egyptian government planned to make illegal. He often expressed fear to his friends that he might be detained by Egyptian authorities.

 

It was not until 3 February 2016, nine days after his disappearance, that Regeni's half-naked and battered corpse was found dumped by the roadside. His mother remarked that Giulio's disfigured face carried "all the evils of the world."

 

A senior Egyptian police official, who it was later discovered had a prior criminal record for both torture and murder, announced that Regeni had been the victim of a road traffic accident.

 

However an Italian autopsy indicated that he had been tortured to death over a period of approximately one week and had suffered over 24 bone fractures, multiple stab wounds, numerous cigarette burns and sharp razor cuts and that all his finger and toe nails had been yanked out.

 

On 21 April a Reuters correspondent reported that he had received confirmation of Regeni's arrest and detention by Egyptian security services in January from no fewer than six sources in Egypt's police and intelligence services but Egypt's Interior Minister angrily denied the report as having "no basis in truth."

 

The Regeni case is not an isolated incident - every month dozens of Egyptians, from among those who either dare to criticize the government or dare in anyway not to conform, are forcibly disappeared from their homes or from the streets and many of them either die in detention or eventually appear months later in court charged with offences, such as protesting without a license or spreading false information against the state.

 

Recent estimates put the number of political detainees in Egypt's prisons at approximately 60,000.

 

The Italian government have been infuriated by the lack of any honest attempt by the Egyptian authorities to discover and punish those responsible for Regeni's murder. Although some Italians have been disappointed by the very limited scale of Italian diplomatic and economic reprisals - they have at least gone further than the British government - withdrawing their ambassador in April 2016 for consultations and on 30 June the Italian senate voted to halt aviation supplies for Egyptian military aircraft including F-16s.

 

Meanwhile the British government has done virtually nothing - except issue a brief statement after it was embarrassed into action by an online parliamentary petition - prior to which I'm unaware of any statement on the issue by British diplomats who appear to wish to prioritize profit and trade over human rights.

 

More information about the Regeni case and the human rights crisis in Egypt can be found from

 

The Egypt Solidarity Initiative at

 

egyptsolidarityinitiative.org/

 

and also on Facebook or from Amnesty International at

 

www.amnesty.org.uk/blogs/press-release-me-let-me-go/truth...

 

Update April 2020 -. If anyone is interested in the forgotten history of British imperialism and how it impacted the lives of millions of people around the world including Egypt from the 1700s until today - I've posted over 600 short articles on the following website. roguenation.org/ including the following page where you can select from over 600 pages according to country - roguenation.org/choose-by-country

"Seize the day" is a popular phrase that translates the Latin "carpe diem". This idiom encourages people to make the most of the present moment without worrying too much about the future. It's a philosophy that advocates for living life to the fullest by taking action, pursuing opportunities, and appreciating the now. The phrase suggests a sense of urgency, reminding us that time is finite and each day is a unique chance to create something meaningful, experience joy, and fulfill our potential. It's an antidote to procrastination and a call to embrace life's possibilities.

 

The concept behind "seize the day" has been a recurring theme throughout history, appearing in various forms of literature and philosophy. From ancient Roman poets like Horace to modern-day motivational speakers, the idea remains the same: life is fleeting, and we should not waste a single moment. It's a powerful reminder to prioritize experiences over possessions and to value our time. This doesn't mean acting recklessly, but rather approaching each day with intention and purpose, actively choosing to live rather than simply exist. In essence, it's a timeless call to action for anyone who wants to lead a more fulfilled and engaged life.

The police showed up, and with that came questions. Questions that the twins weren't necessarily prepared to answer. Gretel lied, and said that they were just watching a movie. Hansel, on the other hand, stayed silent. Upon pushing further, they would learn the truth as Hansel wasn't as good a liar as Gretel was. He would tell them of the body that was dragged into the woods, and the rifle that was used. He covered up the fact Gretel was the one to shoot the man however, and said it was all his idea, as he was tired of the man abusing them. Gretel didn't want Hansel to go away for her actions, so she would later admit to killing the man. As they weren't sure which of the kids to believed, they were both brought in to juvenile court.

----------------------

The bullet soars through the air, but of course, there's a forcefield protecting Big Time. The crowd goes into a panic, and the Archon team works on evacuating the building. It's then, that the ground starts to shake beneath them.

 

"I'll go after the sniper. After all, it's me they want dead. They're really going to regret this." Big Time says, as she locomotive jumps towards the building. Within a few jumps, she's almost within range. Disassembling the sniper rifle, I pull out my signature rifle, the one I used for my very first kill all those years ago. Loading it with bean bag rounds, I get ready for the fight ahead. Almost a minute later, Big Time smashes through the window.

 

"I'm not sure what your beef is with me, or who hired you. Either way, bring it on." She taunts, as Hansel shoots a smoke arrow, allowing for me to get a bean bag shot at her ribcage. Stumbling back, she uses her grappling gun to yank the rifle from my hands, before throwing it across the room. Pulling out a baton from her back holster, she runs towards Hansel, nimbly avoiding each shot he takes. They exchanges blows, with various punches and kicks mixed together. As I reach for my gun, Big Time throws her baton at my hand, before rolling over to the stove. Grabbing a frying pan, she hits Hansel in the back. Hansel grunts in pain, but he's able to grab her cape, and throw her into the kitchen table, it breaking upon impact. This doesn't too to much to dissuade her though, as she gets up rather quickly, throwing discs, which explode right in front of me. Such a confined space, it's hard to effectively use our trademarked weapons.

 

"Really, this is nothing personal. Strictly business. Or maybe it is a little personal too." My brother coughs, as he regains his composure. I try tackling her, but she simply sidesteps out of the way, and as I fall down, she drops a pellet, which encases the lower half of my body in ice. Hansel quickly shoots a fire arrow, which melts it rather fast. It already feels like this fight has dragged on for hours, even though it's maybe been a couple of minute, as all of us are sweating profusely. My ears start ringing, as a flashbang goes off.

 

"Just give up already!" She yells, her voice echoing in my ears.

 

"Ow, ow, ow!" I groan, as she keeps on pummeling me. But it's moments later, that it all stops. Once my vision finally clears, there she was, Big Time, shot through the heart, a pool of blood, forming on the ground. I look to my brother, and he, of course, has his bow drawn.

 

"Yeah, I know we were supposed to bring her in alive. One wrong blow, and you would've been crippled for life, or dead. I'm sorry, but I'll always prioritize you and your health over this job sis. I'm supposed to be the one to protect you after all, I'm older."

 

"By like a minute, so it hardly even counts!"

 

"A minute's still a minute!" Hansel says with a laugh, as he starts packing up our gear.

 

"Guess this means we aren't getting paid." I say with a frown, as we leave the crime scene.

 

"Well, there's always next time!" My brother says, trying to cheer me up, but I can blatantly see that he's worried.

 

"Yeah.. We better get going." I say, slinging the bag over my shoulder.

 

"Agreed." Hansel nods, and with that, we leave.

Self-care is an act of self-love. Prioritize yourself, take care of yourself, and discover how personal well-being can radiate to all areas of your life. 💖💖

A conservationist zoo that prioritizes the welfare of its animals and provides a really pleasant, relaxing and instructive experience for its visitors.

Naples is a city in Collier County, Florida, United States. As of the 2020 census, the population was 19,115. Naples is a principal city of the Naples–Marco Island metropolitan area, which had a population of about 375,752 as of 2020. Naples' USPS City population (i.e. the total population that lists Naples as the city on their postal address and who consider themselves residents of Naples) includes most of the communities in Collier County with the notable exceptions of Immokalee, Marco Island, Ave Maria, Everglades City and a few others, and thus Naples' USPS City population is approximately 333,083.

 

The city is mostly known for its high-priced homes, white-sand beaches, and numerous golf courses. Naples is the self-titled "Golf Capital of the World", as it has the second most holes per capita out of all communities, and the most holes of any city in Florida. The city is also known for being appealing to retirees, and a large percent of the population is made up of them.

 

Credit for the data above is given to the following website:

en.wikipedia.org/wiki/Naples,_Florida

 

© All Rights Reserved - you may not use this image in any form without my prior permission.

  

 

SKBW Cheongsam

♡ The Japanese-style dress, based primarily on the kimono and yukata, is characterized by its minimalist elegance. It prioritizes comfort, clean lines, natural materials, and a wrap silhouette, reflecting tradition and cultural sophistication.

♡ For bodies:

♥ Gen X Classic ♥ Lara ♥ Petit ♥ Lara X ♥ Lara X Petit ♥Bomshell ♥ Erika ♥ Reborn ♥ Waifu ♥ Star ♥ Legacy ♥ Perky

♡ 10 beautiful colors!

♡In World: maps.secondlife.com/secondlife/Exclusive%20Village/207/18...

♡Marketplace: marketplace.secondlife.com/stores/119058

♡Primfeed: www.primfeed.com/zinti.resident

♡Flickr: www.flickr.com/photos/126285169@N02/

♡Skindustrial Bodyworks Ceo: Zinti Resident

 

“Peel-up” benches are a signature element of High Line an elevated railway line owned by the City of New York, today the High Line is a 1.45-mile-long linear public park maintained, operated, and programmed by Friends of the High Line, in partnership with the New York City Department of Parks & Recreation, on Tuesday, September 15, 2015. High Line was opened in 1934 and moved goods to and from Manhattan’s largest industrial district until 1980. The third and final phase officially opened to the public on September 21, 2014. The High Line's green roof system with drip irrigation is designed to allow the planting beds to retain as much water as possible; because many of the plants are drought-tolerant, they need little supplemental watering. When supplemental watering is needed, hand watering is used so as to tailor the amount of water to the needs of individual species and weather conditions, and to conserve water. High Line is independently funded from U.S. Department of Agriculture (USDA) Forest Service (USFS). Urban forestry and green spaces are priority areas for USFS. With 80 percent* of the nation's population in urban areas, there are strong environmental, social, and economic cases to be made for the conservation of green spaces to guide growth and revitalize city centers and older suburbs. Urban forests broadly include urban parks, street trees, landscaped boulevards, public gardens, river and coastal promenades, greenways, river corridors, wetlands, nature preserves, natural areas, shelter belts of trees and working trees at industrial brownfield sites. Urban forests are dynamic ecosystems that provide needed environmental services by cleaning air and water helping to control storm water, and conserving energy. They add form, structure, beauty and breathing room to urban design, reduce noise, separate incompatible uses, provide places to recreate, strengthen social cohesion, leverage community revitalization, and add economic value to our communities. Urban forests, through planned connections of green spaces, form the green infrastructure system on which communities depend. Green infrastructure works at multiple scales from the neighborhood to the metro area up to the regional landscape. This natural life support system sustains clean air and water, biodiversity, habitat, nesting and travel corridors for wildlife, and connects people to nature. Urban forests, through planned connections of green spaces, form the green infrastructure system on which communities depend. Urban and Community Forestry (UCF) is a cooperative program of the US Forest Service that focuses on the stewardship of urban natural resources. UCF provides technical, financial, research and educational services to local government, non-profit organizations community groups, educational institutions, and tribal governments. The program is delivered through its legislative partners, the state forestry agencies in 59 states and US territories. Forest Service cooperative programs are currently being redesigned to make more effective use of federal resources. Programs will be focused on issues and landscapes of national importance and prioritized through state and regional assessments. Over the next five years an increasing percentage of funding will be focused on landscape scale projects. Three national themes provide a framework for this work: conserve working forest landscapes; protect forests from harm; and enhance benefits associated with trees and forests. More information and upcoming webinars on December 9, 2015 | 1:00pm-2:15pm ET; January 13, 2016 | 1:00pm-2:15pm ET; and February 10, 2016 | 1:00pm-2:15pm ET can be seen at *http://www.fs.fed.us/ucf/program.shtml. USDA Photo By Lance Cheung.

what could possibly be his age now.

At his age, a lot of young men may worry about education, party, getting into good colleges.

some worry about prioritizing their study abroad programs, Greece or Barcelona?

some may worry on how the date would go tonight.

 

He does not seem to be bind in those worries. He is chilled out listening to his 'thing' through his earbuds. He does not have the luxury to worry about life, the heat, the poverty and shit.

All he knows is the fact that he has to be 'on the move' : to catch his next customer.

 

press 'L' to look at the story.

 

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Next < On every street .4 < Previous

Dhaka, Bangladesh, 2011

In June 2020, after experiencing a devastating spring due to COVID, New York State announced that certain businesses could begin partially opening again. New York City’s response included a program called Open Restaurants, which allowed restaurants to use sidewalks and parking spaces for outdoor, socially distant dining. Owners quickly built temporary enclosures in the streets in front of their businesses to try and recover from months of shutdown. Small stretches of Brooklyn in early 2021 display the variety and feel of these enclosures. Hopefully, the Open Restaurants initiative will help these businesses to survive and may even lead to a more permanent reorienting of streets to prioritize people over cars.

Although at first glance you would be forgiven for thinking that this loco is at the end of the line and awaiting the chop. The good news is that it is in fact on the comeback trail with Railway Support Services. Having been at Tyseley for over a year, the Gronk has been moved back to Wishaw to allow for its overhaul and repaint to be completed. At the time of writing, the plan was for this shunter to be the next to receive major attention once 08516 engine repairs are complete and the loco moved back to Briston Barton Hill. This is as ever subject to other members of the RSS active fleet needing unexpected attention in which they would likely be prioritized.

 

The loco itself was completed at BR Crewe Works way back in the spring of 1959, its first identity being D3735. Its first allocated shed was St Margaret’s in Edinburgh and has spent its whole BR career in Scotland. 08568 having called Inverness, Aberdeen and Motherwell all home at some point or another. During its privatised career, the loco has been based at Glasgow works for many years and with it had several different owners as the plant changed hands.

 

During its Alstom ownership, it was overhauled, along with other Glasgow works resident 08730 (which coincidentally is now owned by RSS and is visible in at least one of these shots) in the early 2000’s and released in an attractive two-tone grey with red sole bar, buffer beams and finished off with a blue roof and the name ‘St Rollox’ in yellow on the battery boxes. 08730 received the name ‘The Caley’.

 

Diversity as an Ethical Value in Universal Diplomacy and Space Exploration by Daniel Arrhakis (2026)

 

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Diversity as an Ethical Value in Universal Diplomacy and Space Exploration

 

Diversity as a Driver for Coexistence and Universal Peace

 

The appreciation of diversity is presented as a fundamental principle for peaceful coexistence and the construction of world and universal peace. Within the framework of Rovingian animism, spiritual development is not measured by the ability to dominate the ecosystem, but rather by the aptitude to maintain harmonious relationships within a diverse environment. Thus, the acceptance of diversity is seen as the first step towards peaceful coexistence among individuals and among different peoples.

 

Diversity: An Essential Diplomatic Competence

 

The Rovingian animist perspective highlights diversity not only as an ethical value, but also as a crucial diplomatic competence for the future of humanity. By applying the logic of animism—where everything possesses agency and spirit—to space exploration, a model of cosmic ethics is proposed that can avoid the errors of the colonialist past. This model prioritizes integration over conquest, promoting spiritual evolution based on the construction of horizontal relationships.

 

Universal Ecosystem and Cosmic Diplomacy

 

In Rovingian animism, the concept of horizontal power replaces the traditional hierarchy of domination with a network of relationships. Earth is perceived as the first circle of an ecosystem that expands into the cosmos. The acceptance of biological and cultural diversity in our own environment is presented as an indispensable condition for success in dialogue with the "truly other" in space, whether near or far.

 

The Interstellar Rosetta Stone

 

When encountering other civilizations, the importance of technical language is secondary to the ontological stance. Intrinsic respect, recognizing the "other"—even if not biological or comprehensible—as a subject with rights, becomes essential. Animism teaches us to value the diplomacy of listening, encouraging us to "hear" that which does not speak our language, such as the forest, the river, or the void. This paradigm puts an end to anthropocentrism, suggesting that, to coexist in the universe, humanity must abandon its role as the center of the narrative and become an integral part of the universal fabric.

 

The First Step: Internal Acceptance of Diversity

 

Acceptance of universal diversity begins with the pacification of one's own internal differences. Rovingian animism, as a tool for translation, demands a revolution in perception: it is necessary to see the universe as a community of subjects, and not merely as a storehouse of resources. This is the starting point for a cosmic ethic grounded in coexistence and mutual respect.

 

Transcultural and Exobiological Communication - Sacred Geometries as a Connecting Tool.

 

Geometry is the basis of mathematics, the only language we presumably share with any advanced intelligence in the universe. Unlike phonetic languages, which depend on human cultural conventions, geometric patterns are based on physical constants and universal laws that govern the structure of matter and energy.

 

The study of sacred geometry in human multiculturalism reveals recurring patterns that act as the "encrypted memory" of our species. The study of the diversity of these geometries as witnesses to our millennial existence as humanity can provide the tools for communication with other universal extraplanetary cultures.

 

Geometries as a Connecting Tool

 

Understanding how different human cultures have encoded knowledge in geometries helps to create translation models for intelligences that operate on distinct scales of perception.

  

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A Diversidade Como Valor Ético na Diplomacia Universal e Exploração Espacial

 

A Diversidade Como Motor Para a Coexistência e a Paz Universal

 

A valorização da diversidade é apresentada como um princípio fundamental para a coexistência pacífica e a construção de uma paz mundial e universal. No âmbito do animismo rovingiano, o desenvolvimento espiritual não é medido pela capacidade de dominar o ecossistema, mas sim pela aptidão em manter relações harmoniosas dentro de um ambiente diverso. Assim, a aceitação da diversidade é vista como o primeiro passo para uma convivência pacífica entre os indivíduos e entre diferentes povos.

 

Diversidade: Competência Diplomática Essencial

 

A perspetiva animista rovingiana destaca a diversidade não apenas como um valor ético, mas também como uma competência diplomática crucial para o futuro da humanidade. Ao aplicar a lógica do animismo — onde tudo possui agência e espírito — à exploração espacial, propõe-se um modelo de ética cósmica capaz de evitar os erros do passado colonialista. Este modelo prioriza a integração em vez da conquista, promovendo uma evolução espiritual baseada na construção de relações horizontais.

 

Ecossistema Universal e Diplomacia Cósmica

 

No animismo rovingiano, o conceito de poder horizontal substitui a tradicional hierarquia de domínio por uma rede de relações. A Terra é percecionada como o primeiro círculo de um ecossistema que se expande para o cosmos. A aceitação da diversidade biológica e cultural no nosso próprio ambiente é apresentada como condição indispensável para o sucesso no diálogo com o "verdadeiramente outro" no espaço, seja ele próximo ou distante.

 

A Pedra de Roseta Interestelar

 

Ao encontrar outras civilizações, a importância da linguagem técnica é secundarizada em relação à postura ontológica. O respeito intrínseco, ao reconhecer o "outro" — mesmo que não seja biológico ou compreensível — como sujeito portador de direitos, torna-se essencial. O animismo ensina a valorizar a diplomacia da escuta, incentivando a "ouvir" aquilo que não fala a nossa língua, como a floresta, o rio ou o vácuo. Este paradigma põe fim ao antropocentrismo, sugerindo que, para coexistir no universo, a humanidade deve abandonar o papel de centro da narrativa e tornar-se parte integrante do tecido universal.

 

O Primeiro Passo: Aceitação Interna da Diversidade

 

A aceitação da diversidade universal começa pela pacificação das próprias diferenças internas. O animismo rovingiano, enquanto ferramenta de tradução, exige uma revolução na perceção: é necessário ver o universo como uma comunidade de sujeitos, e não apenas como um armazém de recursos. Este é o ponto de partida para uma ética cósmica fundamentada na coexistência e no respeito mútuo.

 

Comunicação Transcultural e Exobiológica - As Geometrias Sagradas como Ferramenta de Ligação.

 

A geometria é a base da matemática, a única linguagem que presumivelmente partilhamos com qualquer inteligência avançada no universo. Diferente de línguas fonéticas, que dependem de convenções culturais humanas, os padrões geométricos baseiam-se em constantes físicas e leis universais que regem a estrutura da matéria e da energia.

 

O estudo da geometria sagrada no multiculturalismo humano revela padrões recorrentes que atuam como "memória criptografada" da nossa espécie.

O estudo da diversidade destas geometrias enquanto testemunhas da nossa existência milenar enquanto humanidade, podem dar as ferramentas para a comunicação com outras culturas extraplanetárias universais.

 

As Geometrias como Ferramenta de Ligação

 

Compreender como diferentes culturas humanas codificaram conhecimento em geometrias ajuda a criar modelos de tradução para inteligências que operam em escalas de perceção distintas.

   

Fifteen pounds. I've left them behind. So long, suckers… may you never return to my lovehandles. Eleven more, and I will reach my goal.

 

I've never really fully committed to making my lifestyle healthier, because I don't think I prioritized my health much in the past. I would tell myself, "I deserve to eat this [bad junk foody thing]" because I felt I'd had a hard day, or was miserable at my job, or frustrated about something. There always seemed to be a fair reason why my comfort was more valuable to me than my health.

 

I think when you talk about dieting, people make a lot of assumptions. I know I always have. But this hasn't felt anything like all the assumptions I've always made. It really doesn't seem like much of a physical change… my reflection looks the same, so far as I can tell. It feels like a mental change… an emotional change. I feel strong enough to not have to rely on false comforts that not-so-good foods provide. I feel like instead of wanting to say, "I deserve to eat this," I now want to say, "I deserve to NOT eat this." It has been a personal challenge where I get to prove to myself that I am stronger than I thought I was.

 

My mom has motivated me so much. She lost FORTY POUNDS in about five months. It helped me immensely to have an image of her in my head on the days I felt like succumbing to a bad temptation. In the past, when I'd eat, I wouldn't really snack… I'd binge. I always felt I didn't have enough self-control to successfully pull a turnaround like this off. But when someone close to you can do it… you start truly wondering if you might just be able to, too. I was *loathe* to ever consider counting calories. It sounds like a prison sentence, doesn't it? Well, guess what? It's more like budgeting money. So, I've been budgeting calories for two months without making *too* many changes or rules for myself about what I eat. I haven't changed my [limited] exercise habits, nor have I discontinued my consumption of cheese (my favourite food). And lo and behold… magic happened.

 

So, folks of Flickr… just in case you have felt the way I felt… I'm pleasantly surprised to tell you that you can indeed do it. If you ever need a little motivation, please drop me a line, 'cause I am starting to actually believe my goal is achievable. And now that I believe in me… I believe in you, too.

 

Cervine: of or relating to deer

 

The ending of an unfinished 52 week

You may have noticed I have not posted in a few weeks and you may also be thinking doesnt a 52 week mean you post once a week for a year? Well I regret to inform you that I am retiring my 52 week. I dont want to say quitting or giving up because, while I am stopping it, I dont feel like those are the right words. It ran its course and looking back I did improve and had some amazing times and did some crazy things that I may have not gotten to do if I had not been doing my 52 week. But at the same time it wasn't the 52 week I wanted to lead. I wanted to accomplish a successful 52 week where you could see steady and great growth in my photography skills, understanding of lighting, photoshop skills and creativity. I wanted a 52 week where very few, if any, weeks were skipped. I wanted a 52 week that I coud devote a good amount of time to. But I wasnt always growing, I definitely missed many weeks and I neglected my project tremendously. Often times I would wait until the last day to think of an idea, shoot it, and then edit it. But the main reason I am stopping this first attempt (there will definitely be future ones that will be more successful!) at a 52 week is because this is it. This is my final year of high school. Throughout this year I will experience my last year as an editor, my last year as a designer for the yearbook, my first and last year as a designer for the paper, my last year as a photog for NW, my last year with my journalism family in that room I began to call home. And the truth is Im running out of time. There isnt enough hours in the day or days in the week. So in order to hopefully have more quality concept photos Im going to put more focus in each one rather than worrying that I get one posted before I go to bed Sunday night. And in order to put my full effort into becoming the best editor I can be and taking the best journalistic photos I can take and creating the most beautiful spreads I can design, I need to put in the time. Because I am not satisfied enough with all my work that I have done here, because I want to end this precious time here by blowing everyone away with something amazing. for once I want to do something great. And I want to give my time to being a better editor, because I feel like I have been a pretty awful one so far. And it hurts, I hate thinking im a bad editor...but the truth is that I have been. So I had to create new priorities. I had to put journalism first. concept photography second. and money, well I have to cut that out for now. my 52 week isnt the only thing Im cutting out. Despite how I said I hated my job that first week I got it, I forgot to mention that I kind of ended up loving it. It was a stellar job and i got to work with some great people and it really was a lot of fun. Being a griller at Mongolian BBQ was most definitely the best job a high school student could ever even hope for. However I recently turned in my 2 weeks notice which made me a lot more upset than I thought it would. I will hopefully be back their in the summer but for now, I have to prioritize. I should have appreciated what a great job I had more, but I didnt. So I will these last couple of weeks and then I will continue on focusing on trying to become better. and will hopefully still be posting good things here relatively frequently.

 

in other news...Ill be 18 on the 18th, which is pretty soon! My golden birthday, so hopefully that means itll be a good year! Trying to think of what photo I want to do for my birthday....

201222-N-N0777-1002 PORTSMOUTH, Va. (Dec. 22, 2020) Hospitalman Naomi Ishou, from San Diego, assigned to Naval Medical Center Portsmouth (NMCP), fills a syringe with the new COVID-19 vaccine. Medical staff assigned to the aircraft carrier USS George H. W. Bush (CVN 77) were at NMCP to receive the first round of the vaccine. NMCP is supporting the fleet by providing the voluntary vaccination within the DoD phased approach to prioritizing mission-essential healthcare personnel in receiving the vaccine. GHWB is currently at Norfolk Naval Shipyard for its Docking Planned Incremental Availability (DPIA). (U.S. Navy photo by Mass Communication Specialist Seaman Novalee Manzella)

Are animals really kept differently in organic farming?

 

The Federal Ministry and the EU assure us that the animals have more space, organic feed and exercise and that this is regularly checked by state-approved inspection bodies.

 

ChatGPT:

What is the truth about organic food?

 

The truth about organic food is that it is grown or raised without the use of synthetic pesticides, genetically modified organisms (GMOs), antibiotics, or hormones. Organic farming practices prioritize soil health, biodiversity, and the use of naturally derived or organic inputs.

 

Studies have shown that organic food may have higher levels of certain nutrients, such as antioxidants and certain vitamins, compared to conventionally grown counterparts. Organic farming also promotes environmental sustainability by reducing pollution, conserving water, and promoting wildlife habitat.

 

However, some studies have found only minor differences in nutrient content between organic and conventional foods. It is important to note that organic food is not necessarily healthier or safer than conventionally grown food, as both can be part of a healthy diet. The primary benefits of choosing organic food are the reduced exposure to synthetic pesticides and supporting more sustainable farming practices.

 

Additionally, it is important to note that organic certification standards can vary across countries, and there can still be some level of pesticide use in organic farming. Consumers should look for reputable organic certification labels to ensure their food meets specific organic standards.

 

Ultimately, the decision to choose organic food depends on personal values, preferences, and budget.

Le Parc is a luxury beachfront high-rise condominium located at 4951 Gulf Shore Boulevard North in the prestigious Park Shore neighborhood of Naples, Florida.

 

Development and Construction

Completion: The building was completed in 1990.

 

Developers: It was delivered by the Lutgert Companies (specifically the Lutgert Group) in collaboration with BCB Builders.

 

Architecture: Designed by the firm WilsonMiller Inc., the 22-story tower features a distinctive curved facade with reflective glass windows.

 

Curved Facade: The building features a distinctive curved exterior that creates a striking silhouette against the Naples skyline.

 

Reflective Glass: It utilizes expansive reflective glass windows to blend with the surrounding sky and Gulf of Mexico.

 

Floor-to-Ceiling Windows: Units are designed with 9-foot floor-to-ceiling glass to maximize panoramic views of the water.

 

Lobby Aesthetics: The interior public spaces, such as the grand two-story lobby, incorporate sophisticated materials like Venetian tile, Brazilian hardwood, and mother-of-pearl inlays.

 

Structural Materials: The building is constructed with concrete block and stucco, typical of Florida high-rise architecture for durability and insulation.

 

While many buildings in Naples follow a Mediterranean or Neo-Mediterranean style, Le Parc leans more toward a contemporary, clean-lined luxury aesthetic intended to prioritize visibility of the Gulf of Mexico and Venetian Bay.

 

Recent Updates:

The building recently underwent a total renovation of its lobby and social rooms to maintain its luxury status.

 

Building Specifications

Structure: The high-rise consists of 22 residential floors (often cited as 19 to 23 stories depending on the inclusion of the lobby and parking levels).

 

Units: There are 78 total residences, including 10 penthouse units.

 

Unit Sizes:

2 Bedroom + Den: Starting at approximately 2,300 square feet.

3 Bedroom + Den: Ranging up to 3,579 square feet.

Penthouses: Expansive units reaching up to 5,779 square feet.

 

Market History and Milestones

Record Sale: In April 2022, a penthouse unit (#PH-402) set a building record by selling for $14,600,000.

 

Historical Low: The lowest recorded sale price in the building was $699,500 for unit #704 back in 1998.

 

Value Retention: Its position as the northernmost high-rise in Park Shore provides unobstructed views of the Gulf, Venetian Bay, and Clam Bay, which has historically helped maintain high property values.

 

Amenities and Lifestyle

Beach Access: Direct access to the white sandy beaches of the Gulf and the 1.25-mile Park Shore Beach promenade.

 

On-site Facilities: Includes a beachfront pool and spa, a modern fitness center with saunas/steam rooms, a Har-Tru tennis court, and a grand social room with a catering kitchen.

Security: The building features 24-hour security, a gated entry, and a resident manager.

 

Credit for the data above is given to the following websites:

www.google.com/search?q=history+of+le+parc+condos+naples+...

rocketreach.co/wilsonmiller-inc-profile_b5c6cb85f42e0cca

 

© All Rights Reserved - you may not use this image in any form without my prior permission.

Ecosystems and Fauna: A Cinematic Wildlife Study

 

This collection, titled "Ecosystems and Fauna," presents a high-fidelity visual exploration of the animal kingdom through a hyper-realistic lens. The series traverses diverse habitats, from the mist-covered wetlands where Great Blue Herons and Egrets stand in silent vigil, to the sun-drenched, arid plains home to wild mustangs. Each composition prioritizes atmospheric storytelling, utilizing dramatic lighting, soft bokeh, and intricate textures—capturing the rugged fur of a Grizzly Bear, the prehistoric scales of an alligator, and the piercing gaze of a Great Horned Owl amidst forest embers. This work aims to bridge the gap between traditional wildlife photography and modern digital synthesis, focusing on the quiet, powerful essence of nature in its rawest form.

 

These images have been generated by Artificial Intelligence.

 

After a 5 year hiatus, the recent return to service of Conway Scenic Railroad's beefy 0-6-0 #7470 once again allowed the Mass. Bay Railroad Enthusiasts (MBRRE) to run their "Steam in the Snow" excursion on January 4th. Until 2015, this excursion had been a regular, annual event, run on the first weekend of each new year, but the expiration of the engine's Form 4 had left New England's rail fans a bit steam-starved for several years. In the summer of 2019, the railroad's new management prioritized the completion of an FRA 1,472 Service Day Inspection, allowing the locomotive to return to service for special events, including this excursion.

 

The 7470 was built in 1921 by Canada's Grand Trunk Railway, which later became part of the Canadian National System. She's an 87-ton, 0-6-0, coal-burning switcher with 36,700 lbs of tractive effort. She was acquired from Canada in 1968 by Dwight Smith, the founder of the Conway Scenic Railroad, and has been there ever since. Because she was built for yard service and never intended as a road engine, she does have limited range, mainly due to water usage. Since her recent return to service, the Conway Scenic folks have also rehabbed a tank car for use as an auxiliary water car, and on all of her recent trips beyond Bartlett, she's been using that car as a water bottle. In this photo, we see the 7470 with her water car, making the short run from the roundhouse to the platform area, where she'll shortly tie-on to her passenger train and bring smiles to New England steam fans once again.

( is flickr's new layout making it impossible to read such a long commentary? if so, you can find it and read it here instead if you want @ leitan.ghost.io/update-041714/ ) -

 

hi, flickr follower and friends of mine (and new friends, too!) -- time for an update.

  

i've been almostly totally AWOL from flickr and very absent from most of the internet & my usual social circles online (i.e Second Life) for about a month now. while most of my close friends & acquaintances may know why this is the case, i obviously have not been in communication with everyone, and i've also met quite a few new people recently IRL who i've exchanged screennames and contact info with (hi!) - so i thought i'd write a general update on how things are going for anyone who may have concern for me, and talk about what's been going on, and what my plans for the second half of April and the beginning of May are.

  

first of all, it's no secret - or at least fairly obvious - to most people that follow me online or perhaps even meet me IRL that i have both physical and mental health complications. i like to play these down most of the time unless i am simply trying to express my negativity to get it out of my sytem, because i don't want to draw unnecessecary attention to myself for these reasons or seem like i am trying to be a special little snowflake to anyone. however, it's undeniable that these are at times serious enough that they do at times severely interfere with my day-to-day functionality and ability to live, study, work, play, learn, etc as another person of my age might be able to do.

  

i have tried to be more open about my problems in recent years because i feel that the better people understand me, the more they can comprehend that i mean absolutely no ill intent when, for example, i do not reply to your messages in a timely manner, or if i do not get around to uploading photos of you as promptly as would be expected if i was a professional (which i am not) but is simply polite courtesy even as an amateur.

  

however, i never mean to offend, deliberately ignore, or inconvenience anyone who had been kind enough to be my friend (online or offline) over the years, no matter whether you are a vague acquaintance whom i like, someone i admire, or someone who i have become good friends with - i both appreciate your tolerance of my shortcomings and am thankful to have you all around when i myself actually am around.

  

briefly going back to what i said about not wishing to be given pity or to appear that i am attention whoring, this is also why i tend to refer to my problems in a vague rather than specific manner when talking about them in public (with a few exceptions, perhaps). however this is not because i will be offended if you wish to know exactly what is going on with me (for those of you who don't already) -- i have been working on being more open about discussing these things, as spending nearly half a decade in therapy and on medications and actually getting appropriate medical care has, actually, helped me make some personal progress about how i approach this.

  

so what i basically wish to say is that if you feel put out in any way by my behavior (or lack of), then please do not be afraid to ask about my personal circumstances, as i will talk about them as candidly as i am comfortable with without taking offense. however i try my best to avoid talking about them in specific detail unless specifically asked, as i do not want to burden others with them, and again, do not want to appear like i am whining or begging for pity and attention when - despite the severity of the problems i have - i also have many things in my life to be extremely grateful for, so i do not think that i have the right to complain and expect pity or vindication.

  

all i want is for people to understand that i only mean well, even if i cannot always cope with my own self enough to come through and be as good a person as you might hope me to be.

  

in the past week, i've finally been feeling capable of socializing, going out more, being creative again, working on projects, and so on, as a result of being slightly less sick. this does not mean i am 'better' - i will never get 'better' in the sense of being 'cured' - but it does mean that i'm hoping to rejoin and be active again in both the online & local communities i love, spend more time with my friends (IRL and online), and to follow through on any promises i may have made to people and had to postpone due to my sickness (for example, processing and sending out photographs, replying to messages, as above, etc)

  

i do please ask that you be patient with me in all of this and forgive me if my erratic behavior has inconvenienced you in any way.

 

i will be trying to continue my 365 from now on, and i will begin working on my backlog of photos that dates as far back as mid-March, especially prioritizing the ones i took at Anime Boston although i will mix in some other snaps inbetween in the coming days or weeks.

  

on a final note, if i am capable of handling all of this, i have some exciting and fun project plans i want to talk about and share with you all, but right now i am going to wait a little longer before doing so, as i want to make sure that i am still feeling grounded and regain my 'balance' once more before announcing something i don't feel i can commit to.

  

so, yeah! a big hello and thank you to both my oldest friends & followers online and offline, as well as my very new acquaintances who may have stumbled across my flickr or other contact info (if i did not just straight up give it to you outright)

  

if you have anything of urgent importance to me, i encourage you to leave a message on my public Skype @ xxleitanxx as i do not respond to emails, FMs, PMs etc with the same expediency as i do to Skype or text messages (the latter only being relevant if you have my phone number!)

 

if you read this entire thing, i'm also extremely grateful.

 

i hope to start updating every day again as soon as i feel fully capable of doing so.

 

thank you so much everyone.

I think the Formal Funk collection is probably the number one line I had to find when I began collecting dolls again in 2011. I remember seeing these dollies in the stores when they came out. For Christmas 2003, my sister and Dad picked out the Formal Funk Super Stylin' Runway Disco with Nevra, as well as Formal Funk Dylan. I didn't have any prom clothes for my Bratz back then, which made me want these girls even more. The dolls seemed so exquisitely beautiful and ornate. They were almost too good to be true to my younger self. How I fantasized about owning their delicate prom dresses and putting my favorite Xpress It! Yasmin doll in every one! Even back in 2003, I think Jade had my favorite outfits of the set. I love her daring orange prom dress and her alternate kimono inspired one. But all the girls are dressed in a very flattering way, and can we just appreciate how many accessories they came with?!!! Colleen didn't even bother setting them all out for the photo, or it would have looked too cluttered. But the dolls came with two complete outfits, with fixings like purses and headbands. They also had an assortment of makeup and journals with little tiny PROM pictures!!! My heart skips a beat at the thought of little cartoon Formal Funk Bratz on doll sized photos! It's no wonder I prioritized collecting this line from the get go. I've also been known to hoard extras from this set. Strangely, spare prom dresses come in handy. For instance, Jade's orange gown is dashing on my outfit-less Chic Mystique Yasmin!

 

I have duplicates of all the dolls, except Cloe. I actually have four Sasha dolls in all--one is in the other Formal Funk outfit, one models a fashion pack, and one models a Hollywood Style dress. Despite being "limited" these dolls were obviously abundant! The Dana in this photo came from "Craigslist 1." She has amazing hair! It sits perfectly on top of her head still, and it doesn't feel stiff and icky like my other Dana doll's hair used to feel. The Sasha doll pictured here was my second. My cousin's girlfriend gave me her childhood Bratz during the summer of 2012--and Sasha was one of them. I was really happy because this Sasha came with all her clothes...at the time, I didn't have the blue tube top. Yasmin is very special to me, because she was my first girl Formal Funk doll ever, besides Nevra. Dad bought me Yasmin and Koby together at an indoor flea market, during the summer of 2011. I felt like the luckiest girl ever, because both dolls were in awesome shape and had quite a bit of their stuff. I believe I found the Jade in this photo during the summer of 2012 at my local flea market. I happened to get her orange dress the same day on my second Winter Ball Beauty Cloe doll. However, when I got my second Jade off eBay, she came with all her clothing and accessories, which were much nicer than the scraps I had before. So that's what the Jade in this photo is actually wearing. Cloe was a pain in the butt to find. I was constantly getting her clothing, but the doll evaded me for three years. I saw one at my local flea market during the summer of 2013, but she was in bad condition, and the seller wanted way too much money for her. A few months later, I found this girl on eBay in a lot with Wintertime Wonderland Sasha, New Year's CeleBratztion! Yasmin, and a few others.

 

I also have Formal Funk Dylan, Cameron, and two Koby dolls. I chose not to picture them yet because Cameron is missing most of his stuff, and I have yet to find Eitan.

Rovingian Council - Spiritual and Personal Independence - Metaphysical Resilience and Algorithmic Resistance by Daniel Arrhakis (2026)

 

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Rovingian Council: Spiritual and Personal Independence

 

Metaphysical Resilience and Algorithmic Resistance

 

The Rovingian Council presents a unique approach to spirituality and personal autonomy, outlined by a philosophy of life that values intellectual freedom and metaphysical resilience. Unlike conventional monastic traditions, Rovingian nomadic monks do not follow rigid rules, but rather an individual animistic spiritual quest, becoming a reference for independence and self-determination.

 

Self-Constructed Moral Edifice

 

Rovingian morality is constructed, not inherited. This process involves three fundamental pillars:

 

- Empirical Experience: Truth emerges from direct contact with reality and with the "other." The nomadic monk learns and adjusts his ethics from experience, rejecting imposed dogmas.

 

- Spiritual Diplomacy: The Rovingian moves between different cultures without losing his essence, developing a capacity for adaptation and mutual respect.

 

- Solid Humanistic and Ecological Foundation: The focus is on human value and ecological respect, considered universal laws above any clerical code.

 

Animism and Universal Ecology

 

Rovingian spirituality transcends the limits of temples, being lived in nature. The main elements are:

 

- Vital Connection: The recognition that everything possesses a "soul" or vital energy fosters an ethic of natural and spontaneous environmental care.

 

- Independence from Dogmas: By seeing the sacred in the natural world, the individual frees themselves from institutional intermediaries, becoming responsible for their own relationship with the divine.

 

Silent and Indomitable Resistance

 

In practice, Rovingian philosophy reveals itself in times of crisis through three central attitudes:

 

- Against Misinformation: The spirit trained in direct observation becomes immune to false narratives and digital bubbles, strengthening discernment.

 

- Algorithmic Sovereignty: The refusal to allow behavior to be shaped by mathematical calculations or social networks protects individual autonomy.

 

- Antifragility: While rigid systems break under pressure, the nomadic monk adapts, maintaining his inner integrity intact.

 

Application in Contemporary Daily Life

 

Spiritual independence can be cultivated along three practical axes:

 

- Curating Experiences: Prioritizing travel and real encounters instead of passively consuming information.

 

- Developing Critical Thinking: Questioning whether personal convictions are authentic or implanted through media repetition.

 

- Cognitive Hygiene: Practicing "data fasting" to recover inner hearing and observation of nature.

 

- Ideological Minimalism: Abandoning labels and temporal dogmas, seeking what is perennial and universal.

 

- Existential Minimalism: Reducing dependence on external structures to maximize freedom of movement.

 

Pillars of Metaphysical Resilience

 

The strength of the Rovingian Council lies in its ability to transform vulnerability into antifragility, highlighting three fundamental principles:

 

- Inner Compass: Ethics is a conscious response to the suffering and beauty of the world, replacing prohibitions with discernment and compassion.

 

- Diplomacy of the Self: The nomadic monk inhabits any system without being colonized, maintaining his inner law as an eternal, respectful "stranger."

 

- Sacred Ecology: Environmental care is an act of devotion, for the sacred resides in the biosphere, not in books.

 

Algorithmic Resistance

 

This is the most innovative aspect of Rovingian philosophy, manifesting in two central points:

 

- Disobedience to Data: Basing decisions on intuition and empirical experience makes the individual "incalculable" for marketing and social control systems.

 

- Real Presence: In a world of simulations, the organic, the breathing, and the finite are valued, reinforcing the authenticity of the experience.

 

In short, the Rovingian Council proposes that true freedom does not reside in the absence of rules, but in the capacity to create internal laws based on compassion, observation, and respect for nature.

 

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Conselho Rovingiano: Independência Espiritual e Pessoal

 

Resiliência Metafísica e Resistência Algorítmica

 

O Conselho Rovingiano apresenta uma abordagem única de espiritualidade e autonomia pessoal, delineada por uma filosofia de vida que valoriza a liberdade intelectual e a resiliência metafísica. Ao contrário das tradições monásticas convencionais, os monges nómadas rovingianos não seguem regras rígidas, mas sim uma busca espiritual animista individual, tornando-se referência de independência e autodeterminação.

 

Edifício Moral Autoedificado

 

A moralidade rovingiana é construída, não herdada. Este processo envolve três pilares fundamentais:

 

- Experiência Empírica: A verdade emerge do contato direto com a realidade e com o "outro". O monge nómada aprende e ajusta sua ética a partir da vivência, rejeitando dogmas impostos.

 

- Diplomacia Espiritual: O rovingiano transita entre diferentes culturas sem perder sua essência, desenvolvendo uma capacidade de adaptação e respeito mútuo.

 

- Sólida Base Humanista e Ecológica: O foco está no valor humano e no respeito ecológico, considerados leis universais acima de qualquer código clerical.

 

Animismo e Ecologia Universal

 

A espiritualidade rovingiana transcende os limites dos templos, sendo vivida na natureza. Os principais elementos são:

 

- Conexão Vital: O reconhecimento de que tudo possui uma "alma" ou energia vital fomenta uma ética de cuidado ambiental natural e espontânea.

 

- Independência de Dogmas: Ao enxergar o sagrado no mundo natural, o indivíduo liberta-se de intermediários institucionais, tornando-se responsável pela própria relação com o divino.

 

Resistência Silenciosa e Indomável

 

Na prática, a filosofia rovingiana revela-se em tempos de crise, através de três atitudes centrais:

 

- Contra a Desinformação: O espírito treinado na observação direta torna-se imune a narrativas falsas e bolhas digitais, fortalecendo o discernimento.

 

- Soberania Algorítmica: A recusa em permitir que o comportamento seja moldado por cálculos matemáticos ou redes sociais protege a autonomia individual.

 

- Antifragilidade: Enquanto sistemas rígidos quebram sob pressão, o monge nómada adapta-se, mantendo sua integridade interior intacta.

 

Aplicação no Quotidiano Contemporâneo

 

A independência espiritual pode ser cultivada em três eixos práticos:

 

- Curadoria de Experiências: Privilegiar viagens e encontros reais em vez de consumo passivo de informação.

 

- Desenvolvimento do Sentido Crítico: Questionar se as convicções pessoais são autênticas ou implantadas por repetição mediática.

 

- Higiene Cognitiva: Praticar o "jejum de dados" para recuperar a audição interior e a observação da natureza.

 

- Minimalismo Ideológico: Abandonar rótulos e dogmas temporais, buscando o que é perene e universal.

 

- Minimalismo Existencial: Reduzir a dependência de estruturas externas para maximizar a liberdade de movimento.

 

Pilares da Resiliência Metafísica

 

A força do Conselho Rovingiano está na capacidade de transformar vulnerabilidade em antifragilidade, destacando três fundamentos:

 

- Bússola Interna: A ética é uma resposta consciente ao sofrimento e à beleza do mundo, substituindo proibições por discernimento e compaixão.

 

- Diplomacia do Eu: O monge nómada habita qualquer sistema sem se deixar colonizar, mantendo sua lei interna como um eterno "estrangeiro" respeitoso.

 

- Ecologia Sacralizada: O cuidado ambiental é um ato de devoção, pois o sagrado reside na biosfera, não em livros.

 

Resistência Algorítmica

 

Este é o aspeto mais inovador da filosofia rovingiana, que se manifesta em dois pontos centrais:

 

- Desobediência aos Dados: Basear decisões na intuição e experiência empírica torna o indivíduo "incalculável" para sistemas de marketing e controle social.

 

- Presença Real: Em um mundo de simulações, valoriza-se o orgânico, o que respira e o que é finito, reforçando a autenticidade da experiência.

 

Em síntese, o Conselho Rovingiano propõe que a verdadeira liberdade não reside na ausência de regras, mas na capacidade de criar leis internas baseadas na compaixão, observação e respeito pela natureza.

  

Vision:

 

AirSmart’s journey began in 2005 when Paul Steelman, an acclaimed architect and the Founder and CEO of Steelman Partners, established Steelman Aviation Inc. Paul is renowned for designing world-class casinos and resorts and has been a resident of Las Vegas for over 30 years.

 

His vision for an aviation company was inspired by the need for on-demand, efficient air travel customized to individuals, corporations, families, and even pets. Based in Las Vegas, Steelman Aviation aimed to fill a void in the private air travel market by combining luxury, reliability, and affordability, setting it apart from other aviation services.

 

Evolution:

 

In 2019, Steelman Aviation evolved into AirSmart and introduced a fractional ownership program for PC-12’s. As they embraced growth and innovation, the company made the strategic decision to shift focus in 2024. They no longer offer fractional ownership, and stay focused on specialties in fleet management and aircraft acquisition, enabling them to better serve owners and clients.

 

In 2023, the company welcomed Keith Drake as CEO. With over 30 years of experience in private aviation, Keith has energized AirSmart’s vision and brought a wealth of knowledge and expertise to their team. His strategic insights have led to the enhancement of services and offerings, including a tailored fleet, management solutions and streamlined aircraft acquisition processes.

 

Under his leadership, AirSmart has implemented innovative practices that prioritize compliance, client satisfaction and operational efficiency. Keith’s commitment to excellence has set a new standard in the ever-evolving aviation industry, ensuring that AirSmart remains at the forefront of providing exceptional on-demand air travel.

 

Based in Las Vegas, their versatile charter fleet, matched with  experienced pilots and flight operations staff, guarantees an exceptional travel experience. Flying on AirSmart’s private charter flights, passengers enjoy luxurious amenities, flexible scheduling, and an on-time arrival.

 

A round of golf in Tahoe or a quick trip to Aspen? They have you covered! Need to be in Salt Lake City or have business in Burbank? Fly with them! Looking for a private plane to Vegas? Their Las Vegas based fleet of PC-12s and PC-24s are ready for you! They will get you there on time, every time.

 

With private aircraft charter flights, there are no security lines, no TSA, and zero waiting! You can drive right up to your aircraft, have your bags loaded, and go anywhere, anytime without delays or headaches.

   

Sainte-Chapelle, the radiant Gothic chapel in the middle of Paris, has been a "bucket list" photo destination of mine for years. It's hidden within the Palais de Justice and underneath the shadow of its more famous, larger cousin: Notre Dame.

 

Gothic cathedrals are famous for their heavy stone structures and foreboding decorations. The purpose of all that masonry is to provide support for enormous windows. Nowhere is this more evident than Sainte-Chapelle: it seems the entire structure is made of garishly-saturated stained glass.

 

Now, I find many of the most interesting Sainte-Chapelle photographs were taken when just light enough outside to illuminate the windows, but dark enough to necessitate the interior chandeliers to be lit. Given you are not allowed to bring a tripod into the chapel, that means that most of the work I've seen of the chapel either lacks dynamic range, detail, or is butchered by overly-aggressive post-processing.

 

Years ago, during my last visit to Paris, I had missed the opportunity to tour the chapel. Knowing I had a few free hours in Paris upcoming, I immediately prioritized bringing a camera to the chapel and I decided to rent a new Sony A7r III for two purposes: to compare it to my standby D800, and to see if the in-body image stabilization (IBIS) that the camera boasts was truly able to offer multiple stops of stabilization.

 

I received a Sony A7r III (I'm sure I was the first person to use this particular camera) and a Novoflex Nikon G to Sony FE adapter on a Thursday and by Saturday I had shoved it along with a tripod and my D800 and associated lenses into a duffel and was on my way to the airport.

 

The first visit I made was during the daytime hours on a Sunday, the place was relatively empty and the sunlight was both intense and direct. It shone through the glass and cast shades of purple and blue throughout the chapel. Though the photographs (and more importantly, the experience of visiting) were beautiful - I had a different image in my mind.

 

Under these well-lit conditions, there was little difference between the Nikon and the Sony - chalk that up to the ability to stop down and still achieve a low ISO with either camera. The Nikon was far more pleasant to use (perhaps a function of familiarity), however, and therefore I ended up taking more images and ended with a better set.

 

When the skies opened up a day later and stormy weather began to roll over Paris, I had a short window of time available before meetings and I decided to try again. I trudged through the rain to wait in line once more. This time, I was rewarded with near perfect lighting conditions - the thunderstorm had created precisely the atmosphere I was seeking.

 

Inside the chapel, I worked to capture most angles with both cameras - I wasn't interested in a scientific comparison, but in a real-world test of image quality in the field. This is about comparing the in-the-moment experiences and qualitative impressions of both systems captured while using both heavily under time pressure and in difficult lighting.

 

Another long flight back and I sat in front of the computer to compare results. A couple of conclusions:

 

1) On overall image quality, and particularly dynamic range, the Nikon D800, for being many years old, can still hold its own against the latest and greatest offerings.

 

2) For those of us accustomed to DSLRs - the OVF and ergnomics are superior to the more compact, mirrorless options. This is purely subjective and, as advantages go, short-lived. Photographers who buy into mirrorless will feel the opposite way once their muscle memory is accustomed to their cameras. Kudos to Sony for making something I could rent and learn and use effectively in a weekend - but it's tiny and cramped and all a bit, well... unsubstantial.

 

3) Nikon owners don't have automatic adapters yet (or at least I didn't) and therefore are still reliant on manual focusing and manual aperture control - if you're thinking of switching you can use your Nikkor lenses, but don't expect to enjoy it.

 

4) 42MP is a truly marginal improvement over 36MP - if you're a D800 user lusting after more resolution, you're either eyeing the D850 or (more accurately) a 100MP back or future camera to see another step-change the likes of which you experienced moving to the D800

 

5) The Sony A7r III produces truly amazing images - on par or better with the best DSLRs. This bit is obvious and has been shown over and over again in qualitative and quantitative tests.

 

6) The Sony's IBIS gave me at least 1-2 stops improvement over the Nikon - producing sharp images at ~1/8 of a second and below. When you consider that IBIS systems in general degrade image quality (the sensor is moving, after all) and that 42 megapixels is a brutal judge of sharpness - that I could reliably shoot below 1/10th of a second and produce sharp images is truly remarkable. The top image is 6 frames shot handheld and stitched - all of them were taken in quick succession and have no issues with blur or hand shake. Amazing.

 

7) The Sony's dynamic range and therefore the ability to draw out shadows and pull back highlights in post was at least as good as the D800 - an awesome parlor trick for those of us who grew up on film and early digital no matter how old.

 

8) I have no idea if the A7r III has a focusing advantage or even how it operates with an autofocus lens.

 

9) It's not that much smaller. If you're trekking through the back-country then the size matters, but the much-touted smaller form factor comes with as many costs as benefits. I have a Leica Q, so maybe that disqualifies me from commenting on size (as I already have a camera that solves for the size/quality maximum) - but if you're a DSLR user, I wouldn't buy this for the size advantage. After all, a good lens (and you'll need one to benefit from that sensor) isn't going to clock in any smaller on the Sony than the Nikon

 

10) There are a mix of Nikon and Sony images on this page - you can't tell them apart unless you look at the EXIF - and both are years ahead of mobile image quality. As good as it is, the iPhone photo below (shot in RAW and processed with Adobe Lightroom Mobile) is clearly inferior to the "big camera" images. Mobile cameras were, at one point, "catching up" with DSLR image quality, but we've now entered into a time where that gap is opening again.

 

11) None of these images were possible anywhere near this quality 10 years ago. This is the bit that's exciting - despite diminishing returns - digital tech is still opening up new frontiers in what you can capture. That goes double for the "low quality" iPhone image - if I'd brought film with me, the iPhone would blow it out of the water.

 

Was the image quality noticeably better under tougher conditions with the Sony? Yes. Would I switch to Sony mirrorless? Not yet. Would I rent again for a situation like this? Yes - I may even leave the DSLR home next time and save a little carry-on room for a warmer jacket.

 

This technology is real - Nikon and Canon (who may have fallen permanently behind) need to continue to over-deliver on their DSLRs - the D850 probably keeps me in the Nikon fold if I need to replace my 800 in the coming years.

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