Print
View allAll Photos Tagged Printed
āPrinted Wordā
corner of an old nursery rhymes book,
within 2 3/4 inches, yes size matters! ;-P
Jiggety-jog!
HMM everyone!
they were red when the bouquet was delivered, now they are a beautiful black.
I've forgotten what they are.
lumen print on kodak kodabromide paper. expired 6/80.
left outside for about 20 minutes.
**we had a 5.2 earthquake this afternoon. it feels doom-ish out there.
People may hear your Words,
but they feel your Attitude.
( John C. Maxwell )
š HAPPY MACRO MONDAY TO EVERYONE š
Quote (by Meher Baba) typed into a text field in āWORDā
(< 2ā x 2ā incl. neg. space) printed with an inkjet printer on paper and
taken a macro of on August 8th, 2019, uploaded for #MacroMondays #PrintedWord
Ę/2.8
4.5 mm
1/5 Sec
ISO 400
Dedicated to CRA (ILYWAMHASAM)
Salt Print toned with Selenium 1:50. Hasselblad 501CM with 120mm Makro Planar and T-Max 100 developed in Rodinal 1:50. Digital negative made with Pictorico Premium OHP Transparency Film. Printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox.
The orchid is backlit by a softbox acting as a scrim - a snoot is providing additional light on the center of the main orchid.
Toyo 45G View Camera Fujinon A 240mm f/9. Ilford FP4+ @125. 1/60 sec f/16 ASA 125.
Standard development in Ilfosol-3 @1:9 dilution.
Printed on Ilford MG Fiber Classic - Glossy. Ilford MG Developer @1+9. Six seconds exposure with dodging of the central petals and 3 seconds burning of the leaves and stem.
Despite taking all of the expected measures, my developing time for this contact print was uncomfortably fast. I have ordered some silver chloride photo paper, which is much slower, and I may experiment with one of the old school developers...
This is a scan of the Salt Print of the wet plate collodion negative I made 2 days ago as a test for this process.
This print is on Bergger COT 320 paper, and gold toned.
Salt Print toned with Selenium 1:50.Intrepid Mk2 8x10 with Fujinon f/5.6 300 CM-W and Ilford HP5+ developed in PMK Pyro. Digital negative made with Pictorico Premium OHP Transparency Film. Printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox.
Feeling the Atmosphere in the History of the Film Festival
Interesting to see bronze hand prints of most of the celebrities on the Allee des Stars.It was somewhat like the Hollywood Walk of Fame in the US.
A selection of palm prints near the popular Palais des Festivals for the cinephiles & music lovers.
Cinephilia and Filmmaking ... Cannes April 2017
Vandyke brownprint from digitized film negative printed on vellum paper. Contact printed for 3 minutes in direct sunlight.
Photo taken with Brownie box camera: Six-16 Brownie
Film: Verichrome Pan 616 (2.5" x 4.25" negatives), expired in 1975
Developing: Caffenol-C
Lake Lucerne
near Weggis LU
Schweiz
Hasselblad 503 CW, Makro Planar 4/120 mm, Ilford FP4+
Lithprint onto unknown Baryta paper
Cropped to portrait format to fit my A4 scanner
I'm still discovering old prints in my basement.
OK, what is this? While sitting across from this "mix of stuff" I realized it was an interesting juxtaposition of the old, the new, and some of the tools used. In the foreground an old print of an old friend sits. She happens to be painting her mailbox at the time, and the time was mid 1970's. A b/w 8x10 print I shot on a Minolta SRT102 on Kodak Tri-X film which I had processed and printed in a darkroom I had built in my basement.
Off in the distance, "the new," a new b/w image matted and framed, and awaiting to be wrapped up and given as a gift. That one shot on the Nikon you see on the right.
The tools in the middle, an old Canon 50D, and still very useable, and many of the photos of mine seen here on Flickr were shot with it. Mounted on it is one of Canon's best L lenses, their 24-105, F/4 lens. To the right of that sits our Nikon D850, an absolute joy of a camera, and on it sits our go-to 24-70 F/2.8 Nikon lens.
As I sat and looked at all this I thought it be an interesting time machine of a shot, nothing special maybe, but interesting to me. This shot was done on an iPhone.
lumen prints with paper hanni sent me.
blowsy rose and blowsy doll
**the the doll is by Sandy Mastroni
Rodenstock imagon lens with TriX in rodinal
Printed on Adox
Developer: Moersch Sepia
Toning: Cobalt 2 min. Iron 2 min. (more or less)
the dry print was a bit darker than when he got out of the bath.
4x5 negative contact printed on 5x7 Ilford MGFB Classic photographic paper. Ilford MG developer at usual concentration of 1:9.
Initial exposure for 7 secs (one second underexposed) with burning of center for one second. Development for 25 secs - 10 second water bath - re-exposure to light for two seconds - then development continued for 95 additional seconds. Stop, Fix, and Wash.
The finished print was photographed with the Nikon D850 and Nikkor 105mm/2.8D Macro lens. The WB was checked with a gray card, and there was no B&W conversion. There are minor adjustments to the Black and White points - otherwise, no global changes to contrast were made, and there was no local dodging and burning.
Solarization, as rediscovered and practiced by Man Ray and Lee Miller, is a technique in which the partially developed positive image is briefly re-exposed to light, leading to interesting effects which include a partial reversal of tonality, particularly in the light tones (which contain less exposed silver halide.) Strong black or white "Mackie" lines may occur at borders between areas of high contrast.
The Sabattier effect, discovered in 1862, is similar but is said to have been produced in photo prints only partially developed, as opposed to the full development practiced by Man Ray. Solarization of negative film is a somewhat different process in which very long exposures lead to complete tone reversal.
This project (and it was a project...) arose from a discussion at the Brooklin, Maine Camera Club. Thanks to Stephen Greenberg and Russell Kaye.
Lith print, Moersch EasyLith and Jessops VC Glossy paper.
Taken with Intrepid 8x10 Fujinon 250mm f6.3 W and Fomapan 200.
š¾ - wraith - Humbug Tee - Anthem - Dec 3 - Dec 29th
TAXI: maps.secondlife.com/secondlife/Anthem/123/122/1108
š¾ Bipolar - Tina Jeans -
TAXI: maps.secondlife.com/secondlife/Dark%20Winter/184/179/1022
For more on this one, you could have a look at my blog: davewhatt.wordpress.com/2020/11/13/that-lino-print-2/
At the present time it is not so easy to inspire the little ones to read. Luckily, it succeeds again and again. Nice is that our daily newspaper has a special part extra for the kids.
Mono-printed resist and discharge dyed silk - 63cm x 63cm
This is one of several pieces that have been created through a series of processes designed to help me 'get out of my own way' with work aligned more to feelings and moods which arise as marks are made. Spontaneous responses backed up with confident experimentation.
I didn't care too much for this piece in it's earlier stages as the mono-printed ink was heavy and lacked the dynamic textures that had been created on the other pieces, but later, as the work developed, the darkness became a core feature in itself.
As with all abstract work, interpretations are personal to the viewer.
Who is the creator?