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Lumen print on Fomatone MG warm tone variable gradation matte 532-II paper, ~3 hour exposure, not fixed.
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[lumen print 270a & b]
This, is the big bang, the end of reality as it is known and the beginning of something beautiful. An explosion of light and sound to create a new universe, a slur of space dust and dead stars and a celestial glow that halos every head.
This is it.
I am afraid and I am liberated and I am alive and I am awake and at 6 o'clock this morning I remembered what it all meant to me, this is my world, my work, what I create and display, it's my perspective, my mindset, what I see when I open my eyes in the morning,
this is everything.
And I am not scared of showing it to you and I am not going to dwindle away like a dead star, only here because my light left millions of years ago, I will exist in full, like a raging nebula threatening but never reaching the peak of its existence.
I will continue to grow and thrive and be.
And I will change, I swear that I will, always for the better.
Thank you for following on my tail as I soared through space like a comet, smacking meteors and planets on my way to this point in history, meeting my end, another space rock, my end and my beginning.
When I sat in the car with Cody on the way out this morning I said I wasn't sure what to write here, and he said I didn't need to write anything except,
"I'm done."
So here we are, I am a new galaxy, a young mess of planets sprawled out across a deep black,
a metamorphosis.
sooc :)
cody smith
you have to View large On Black
www.flickr.com/photos/codysmithphotos/
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p.s. MY PHOTOS FROM THE LAST TWO DAYS MADE THE FRONT PAGE OF EXPLORE OMG
Elk Rock Island
January 16, 2023
Nikon FM, 80~200 Zoom Nikkor
Ilford Delta 400 in DD-X 1:4, 9:30
Darkroom print Fomatone MG 132, Moersch SE4 neutral
Selenium 1:9 ~30 sec, hot tea ~ 20 sec.
I pass this scene often and once in awhile it asks to be photographed.
This is a scan of the Salt Print of the wet plate collodion negative I made 2 days ago as a test for this process.
This print is on Bergger COT 320 paper, and gold toned.
the purity of it in a lumen print
original inverted, upper left
original, middle
PS auto toned on right
Feeling the Atmosphere in the History of the Film Festival
Interesting to see bronze hand prints of most of the celebrities on the Allee des Stars.It was somewhat like the Hollywood Walk of Fame in the US.
A selection of palm prints near the popular Palais des Festivals for the cinephiles & music lovers.
Cinephilia and Filmmaking ... Cannes April 2017
Salt Print. Hasselblad 501CM with 180mm CF T* and Kodak T-Max 100 (ASA 50) developed in Rodinal 1:50. Digital negative made with Pictorico Premium OHP Transparency Film. Printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox for four minutes. Borders masked with Scotch removable Magic Tape.
Lake Lucerne
near Weggis LU
Schweiz
Hasselblad 503 CW, Makro Planar 4/120 mm, Ilford FP4+
Lithprint onto unknown Baryta paper
Cropped to portrait format to fit my A4 scanner
I'm still discovering old prints in my basement.
lumen prints with paper hanni sent me.
blowsy rose and blowsy doll
**the the doll is by Sandy Mastroni
My camera finds Hosta leaves more interesting when dead.
I am inclined to agree.
Lith print
Burke and James 5x7
Arista 200 in Perceptol.
Rodenstock imagon lens with TriX in rodinal
Printed on Adox
Developer: Moersch Sepia
Toning: Cobalt 2 min. Iron 2 min. (more or less)
the dry print was a bit darker than when he got out of the bath.
Autumn is here...
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Fomapan 100 in Rodinal 1:100
Voigtlander R3A, Voigtlander Norton 40/1,4
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Print on Rollei Vintage with Moersch SE6.
I think the local newspaper will be so impressed with my typesetting skills that I'm bound to get the job there as a Printing Press Operator.
Today WAH is visiting the group Hand Created Type as it was on this day in 1468 that German craftsman, inventor, and printer Johannes Gutenberg, whose printing press was considered a history-changing invention, died in Mainz.
4x5 negative contact printed on 5x7 Ilford MGFB Classic photographic paper. Ilford MG developer at usual concentration of 1:9.
Initial exposure for 7 secs (one second underexposed) with burning of center for one second. Development for 25 secs - 10 second water bath - re-exposure to light for two seconds - then development continued for 95 additional seconds. Stop, Fix, and Wash.
The finished print was photographed with the Nikon D850 and Nikkor 105mm/2.8D Macro lens. The WB was checked with a gray card, and there was no B&W conversion. There are minor adjustments to the Black and White points - otherwise, no global changes to contrast were made, and there was no local dodging and burning.
Solarization, as rediscovered and practiced by Man Ray and Lee Miller, is a technique in which the partially developed positive image is briefly re-exposed to light, leading to interesting effects which include a partial reversal of tonality, particularly in the light tones (which contain less exposed silver halide.) Strong black or white "Mackie" lines may occur at borders between areas of high contrast.
The Sabattier effect, discovered in 1862, is similar but is said to have been produced in photo prints only partially developed, as opposed to the full development practiced by Man Ray. Solarization of negative film is a somewhat different process in which very long exposures lead to complete tone reversal.
This project (and it was a project...) arose from a discussion at the Brooklin, Maine Camera Club. Thanks to Stephen Greenberg and Russell Kaye.
Playing with the computer on how to make triptych out of the lumen prints I have made.
“I wandered lonely as a cloud
That floats on high o'er vales and hills
When all at once I saw a crowd
A host of golden daffodils
Beside the lake beneath the trees
Fluttering and dancing in the breeze.”
― William Wordsworth, I Wander'd Lonely as a Cloud
Macro Mondays and "Printed Word"
I was looking around the house for an old newspaper as I hadn't bought one for quite a while and I came across an edition of "Photography News" which is a free newspaper which can be picked up at certain outlets including Jessops which is still open in the nearby town of Horsham.
Once I had found it I started flicking through the pages to find a word/composition I liked. After locating a section with some words and a photo I noticed a paragraph containing photographic abbreviations and decided to make it a depth of field shot as these abbreviations all seemed to line up together.
Scan of 17.8x24cm Ilford MG FB print. Leica IIIf, Summaron 3.5cm 1:3.5, Ilford Delta 100 @ 80, PMK 1:2:100 10' 24ºC. Leitz Focomat 1c, Schneider Componon-S 2.8/50, Ilford Multigrade developer.