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A page from an ongoing (never ending) art book series. Made with lots of found materials!
Prints for sale here: www.etsy.com/shop/findingmachine
Lumen print on Fomatone MG warm tone variable gradation matte 532-II paper, ~3 hour exposure, not fixed.
This image is protected by copyright and may not be used in any way, for any purpose, without my written permission. Please contact me if you would like to use any of my photos.
[lumen print 270a & b]
I try to save them when I find them dead, but they are so fragile. I had to draw on the antennae.
precious little creatures.
lumen print.
This is a scan of the Salt Print of the wet plate collodion negative I made 2 days ago as a test for this process.
This print is on Bergger COT 320 paper, and gold toned.
Feeling the Atmosphere in the History of the Film Festival
Interesting to see bronze hand prints of most of the celebrities on the Allee des Stars.It was somewhat like the Hollywood Walk of Fame in the US.
A selection of palm prints near the popular Palais des Festivals for the cinephiles & music lovers.
Cinephilia and Filmmaking ... Cannes April 2017
Salt Print. Hasselblad 501CM with 180mm CF T* and Kodak T-Max 100 (ASA 50) developed in Rodinal 1:50. Digital negative made with Pictorico Premium OHP Transparency Film. Printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox for four minutes. Borders masked with Scotch removable Magic Tape.
Lake Lucerne
near Weggis LU
Schweiz
Hasselblad 503 CW, Makro Planar 4/120 mm, Ilford FP4+
Lithprint onto unknown Baryta paper
Cropped to portrait format to fit my A4 scanner
I'm still discovering old prints in my basement.
i tagged the winners of the print giveaway. so if you won please flickrmail me and tell me which picture you wanna have and your adress...and then i can sent them away in the next week :]
Snow scenes.
I'm really excited about these pictures. I saw these markings out in the field all by themselves, with no tracks around them. Weird! What could that have been? My best guess was that a large bird (maybe a Hawk) dropped down out of the sky and got a mouse.
After I got home I searched on images of bird wing prints in the snow and this is what they look like.
Neat!
Looks like in this one, it took several shots for the bird to get the mouse.
February 20, 2021
MKT Trail, Columbia, Missouri
Toyo 45G View Camera Fujinion A 240/9. Ilford FP4+ 125 rated at ASA 64. 1/125 sec F16.
Speedlight in softbox with inner baffle removed - full power, camera right. White V-flat on left.
Developed in Ilfosol-3 for 5:30 (N+1.)
Contact printed on Ilford MG Fiber paper with Ilford MG developer. 16 sec exposure with dodging of the orchid petals and burning of the upper right corner (to remove the softbox flap that was in the frame...)
Toned in selenium 1:40 dilution for seven minutes.
The initial versions were very flat and appeared underexposed. After several iterations, I achieved denser negatives by rating the film a full-stop slower, and extending the developing time to lift the whites. I also pulled back on the selenium toning.
After accounting for the bellows factor, I was at F16, which was a more open aperture than I wanted - I was maxed-out on my lighting. I tried to compensate for the shallow DOF by utilizing swing in the front standard to bring the three orchid flowers into focus - I think I achieved partial success...
Overall, I think that I could have used another stop of light. I am still finding it somewhat difficult to account for the print "dry down."
This is all new to me, and I am having a lot of fun. The next step may be to try the silver chloride paper that I recently bought - this will entail a lot of testing, since the paper is much slower than the typical "enlarger" paper that I have been using.
Contact Print - 4x5 Film Negative - Sanders LPL enlarger - Dektol 1+2 - Ilford Galerie Paper
I recently was juried into a winter residency at the Penland School of Craft, I spent two weeks in their amazing darkroom printing nonstop.
Autumn is here...
.
Fomapan 100 in Rodinal 1:100
Voigtlander R3A, Voigtlander Norton 40/1,4
.
Print on Rollei Vintage with Moersch SE6.
A technician refilling printer cartridges, in Didcot, Oxfordshire
Shot with a Nikon D7000 and a Nikkor AFS DX 35mm F/1.8 lens, processed in GIMP and tweaked in Photoscape.
Lumen print using 11x14" Ilford MGFB warmtone photo paper.
"I see your face in every flower
Your eyes in stars above
It's just the thought of you
The very thought of you
My love" - Ray Noble from the song The Very Thought of You
Macro Mondays and "Printed Word"
I was looking around the house for an old newspaper as I hadn't bought one for quite a while and I came across an edition of "Photography News" which is a free newspaper which can be picked up at certain outlets including Jessops which is still open in the nearby town of Horsham.
Once I had found it I started flicking through the pages to find a word/composition I liked. After locating a section with some words and a photo I noticed a paragraph containing photographic abbreviations and decided to make it a depth of field shot as these abbreviations all seemed to line up together.
For more on this one, you could have a look at my blog: davewhatt.wordpress.com/2021/12/30/those-three-birds/
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Mono-printed resist and discharge dyed silk - 63cm x 63cm
This is one of several pieces that have been created through a series of processes designed to help me 'get out of my own way' with work aligned more to feelings and moods which arise as marks are made. Spontaneous responses backed up with confident experimentation.
I didn't care too much for this piece in it's earlier stages as the mono-printed ink was heavy and lacked the dynamic textures that had been created on the other pieces, but later, as the work developed, the darkness became a core feature in itself.
As with all abstract work, interpretations are personal to the viewer.
Who is the creator?