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Salt Print toned with Selenium 1:50. Hasselblad 501CM with 120mm Makro Planar and T-Max 100 developed in Rodinal 1:50. Digital negative made with Pictorico Premium OHP Transparency Film. Printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox.

www.kirtecarterfineartphotography.com

(darkened and contrast-enhanced)

Feeling the Atmosphere in the History of the Film Festival

 

Interesting to see bronze hand prints of most of the celebrities on the Allee des Stars.It was somewhat like the Hollywood Walk of Fame in the US.

 

A selection of palm prints near the popular Palais des Festivals for the cinephiles & music lovers.

 

Cinephilia and Filmmaking ... Cannes April 2017

i tagged the winners of the print giveaway. so if you won please flickrmail me and tell me which picture you wanna have and your adress...and then i can sent them away in the next week :]

Snow scenes.

 

I'm really excited about these pictures. I saw these markings out in the field all by themselves, with no tracks around them. Weird! What could that have been? My best guess was that a large bird (maybe a Hawk) dropped down out of the sky and got a mouse.

 

After I got home I searched on images of bird wing prints in the snow and this is what they look like.

 

Neat!

 

Looks like in this one, it took several shots for the bird to get the mouse.

 

February 20, 2021

MKT Trail, Columbia, Missouri

Toyo 45G View Camera Fujinion A 240/9. Ilford FP4+ 125 rated at ASA 64. 1/125 sec F16.

Speedlight in softbox with inner baffle removed - full power, camera right. White V-flat on left.

Developed in Ilfosol-3 for 5:30 (N+1.)

Contact printed on Ilford MG Fiber paper with Ilford MG developer. 16 sec exposure with dodging of the orchid petals and burning of the upper right corner (to remove the softbox flap that was in the frame...)

Toned in selenium 1:40 dilution for seven minutes.

 

The initial versions were very flat and appeared underexposed. After several iterations, I achieved denser negatives by rating the film a full-stop slower, and extending the developing time to lift the whites. I also pulled back on the selenium toning.

 

After accounting for the bellows factor, I was at F16, which was a more open aperture than I wanted - I was maxed-out on my lighting. I tried to compensate for the shallow DOF by utilizing swing in the front standard to bring the three orchid flowers into focus - I think I achieved partial success...

 

Overall, I think that I could have used another stop of light. I am still finding it somewhat difficult to account for the print "dry down."

 

This is all new to me, and I am having a lot of fun. The next step may be to try the silver chloride paper that I recently bought - this will entail a lot of testing, since the paper is much slower than the typical "enlarger" paper that I have been using.

   

This is a Christmas print for a friend who lost her dog this year,

www.alonsodr.com

 

None of my photos are HDR or blended images, they are taken from just one shot

 

Sony A900 + Carl Zeiss16-35mm + ND8 filter + reverse GND8 filter

 

Algeciras (Cádiz - Andalucía)

 

On Black

 

More seascapes in Algeciras

 

Don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved

Taken at the abandoned South Carolina State Mental Hospital

A fragment of a birthday card for Macro Mondays group. HMM!

now equipped with a 5d mkii

 

brace yourselves, good things are to come

Natalie Kucken and I shared some film, I shot the roll first and then wound it up and she shot it next

 

Her photos span over a few months, from summer bike rides to snow

 

this was such a beautiful experience and I have a roll from Jill that I will be doing the same with

 

the rest of the shots are here:

exposedfaraway.tumblr.com/

 

my photo is the young girl on the bottom and hers is the snow

Autumn is here...

.

Fomapan 100 in Rodinal 1:100

Voigtlander R3A, Voigtlander Norton 40/1,4

.

Print on Rollei Vintage with Moersch SE6.

 

lumen print with varycon fotokemekia

 

the birthday bouquet, deconstructed

Explore #170

 

I printed pictures today then I decided to fix my study table. Haha.

 

formspring.me/merphi

View On Black

 

unsure about this, I am going to continue to rotate it until I am happy with it

Playing with the computer on how to make triptych out of the lumen prints I have made.

 

“I wandered lonely as a cloud

That floats on high o'er vales and hills

When all at once I saw a crowd

A host of golden daffodils

Beside the lake beneath the trees

Fluttering and dancing in the breeze.”

― William Wordsworth, I Wander'd Lonely as a Cloud

I wasn’t first to the beach the paw prints got there before me!

It is a great pleasure of mine to share with you that I am the featured photographer of Flickr Blog Chinese version. Sorry there is no translation of the report content.

今天很榮幸,被Flickr官方中文部落格專訪,如果您有興趣看全文,請按連結:

blog.flickr.net/zh/2014/10/14/photographer-spotlight-shar...

謝謝大家的長期支持!

 

Image source: Print screen/螢幕截圖

Explore more of my photography

I share a curated selection of my work on

Instagram (@perspectivemoods)

 

Fine‑Art Prints & Wall Art

My photographs are available as museum‑quality prints, large wall art and premium finishes:

EU Webstore – Fine‑Art & Large Format Prints

US Webstore – Gallery & Museum‑Grade Prints

Worldwide shipping options available

 

Portfolio & Projects

For curated collections, stories and new releases:

photowalldecoration.com

 

Features & Recognition

A selection of interviews, publications and international photography awards can be found here:

In the Media & Awards

 

Community Note

With respect: no award threads, comment‑for‑comment groups or self‑promotion signatures.

silver gelatin prints for the tethered series (work in progress)

Mono-printed resist and discharge dyed silk - 63cm x 63cm

 

This is one of several pieces that have been created through a series of processes designed to help me 'get out of my own way' with work aligned more to feelings and moods which arise as marks are made. Spontaneous responses backed up with confident experimentation.

 

I didn't care too much for this piece in it's earlier stages as the mono-printed ink was heavy and lacked the dynamic textures that had been created on the other pieces, but later, as the work developed, the darkness became a core feature in itself.

 

As with all abstract work, interpretations are personal to the viewer.

Who is the creator?

 

I'm not sure if anyone will be interested, but I've decided to do a print giveaway.

Prints will most likely be printed a4 size.

 

But if you are interested leave a comment and put the link of which photo in my stream you would like.

 

And here are some outtakes/photos I haven't uploaded to flickr, so if you want one of those instead comment with the number.

 

I'll pick 6 people at random on Thursday 22nd. Probably about 8pm UK time

Shot for Macro Monday's Theme ....Heart.

Natasket beach -- low tide during the eclipse

working on my oath series

 

www.alexismire.com

 

crewdson inspired, I want to tell stories

Scan of 17.8x24cm Ilford MG FB print. Leica IIIf, Summaron 3.5cm 1:3.5, Ilford Delta 100 @ 80, PMK 1:2:100 10' 24ºC. Leitz Focomat 1c, Schneider Componon-S 2.8/50, Ilford Multigrade developer.

Rural Cape Girardeau County

 

Vinales, Cuba 2011

4x6 Print 2011

 

Beseler 23C II

AGFA Premium Gloss

Dektol 1+3, 1 minute

Epson V600

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