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Lumen print on Fomatone MG warm tone variable gradation matte 532-II paper, ~3 hour exposure, not fixed.
This image is protected by copyright and may not be used in any way, for any purpose, without my written permission. Please contact me if you would like to use any of my photos.
[lumen print 270a & b]
“Printed Word”
corner of an old nursery rhymes book,
within 2 3/4 inches, yes size matters! ;-P
Jiggety-jog!
HMM everyone!
they were red when the bouquet was delivered, now they are a beautiful black.
I've forgotten what they are.
lumen print on kodak kodabromide paper. expired 6/80.
left outside for about 20 minutes.
**we had a 5.2 earthquake this afternoon. it feels doom-ish out there.
People may hear your Words,
but they feel your Attitude.
( John C. Maxwell )
😄 HAPPY MACRO MONDAY TO EVERYONE 😄
Quote (by Meher Baba) typed into a text field in “WORD”
(< 2” x 2” incl. neg. space) printed with an inkjet printer on paper and
taken a macro of on August 8th, 2019, uploaded for #MacroMondays #PrintedWord
ƒ/2.8
4.5 mm
1/5 Sec
ISO 400
Dedicated to CRA (ILYWAMHASAM)
Plant put on expired photo paper and left in the sun. Agfa multicontrast premium MCP 310 B/W RC-paper, glossy, >9 yrs
The orchid is backlit by a softbox acting as a scrim - a snoot is providing additional light on the center of the main orchid.
Toyo 45G View Camera Fujinon A 240mm f/9. Ilford FP4+ @125. 1/60 sec f/16 ASA 125.
Standard development in Ilfosol-3 @1:9 dilution.
Printed on Ilford MG Fiber Classic - Glossy. Ilford MG Developer @1+9. Six seconds exposure with dodging of the central petals and 3 seconds burning of the leaves and stem.
Despite taking all of the expected measures, my developing time for this contact print was uncomfortably fast. I have ordered some silver chloride photo paper, which is much slower, and I may experiment with one of the old school developers...
Feeling the Atmosphere in the History of the Film Festival
Interesting to see bronze hand prints of most of the celebrities on the Allee des Stars.It was somewhat like the Hollywood Walk of Fame in the US.
A selection of palm prints near the popular Palais des Festivals for the cinephiles & music lovers.
Cinephilia and Filmmaking ... Cannes April 2017
Salt Print. Hasselblad 501CM with 180mm CF T* and Kodak T-Max 100 (ASA 50) developed in Rodinal 1:50. Digital negative made with Pictorico Premium OHP Transparency Film. Printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox for 8 minutes. Borders masked with Scotch removable Magic Tape.
Salt Print toned with Selenium 1:50.Intrepid Mk2 8x10 with Fujinon f/5.6 300 CM-W and Ilford HP5+ developed in PMK Pyro. Digital negative made with Pictorico Premium OHP Transparency Film. Printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox.
Salt Print. Hasselblad 501CM with 180mm CF T* and Kodak T-Max 100 (ASA 50) developed in Rodinal 1:50. Digital negative made with Pictorico Premium OHP Transparency Film. Printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox for four minutes. Borders masked with Scotch removable Magic Tape.
Lake Lucerne
near Weggis LU
Schweiz
Hasselblad 503 CW, Makro Planar 4/120 mm, Ilford FP4+
Lithprint onto unknown Baryta paper
Cropped to portrait format to fit my A4 scanner
I'm still discovering old prints in my basement.
Vandyke brownprint from digitized film negative printed on vellum paper. Contact printed for 3 minutes in direct sunlight.
Photo taken with Brownie box camera: Six-16 Brownie
Film: Verichrome Pan 616 (2.5" x 4.25" negatives), expired in 1975
Developing: Caffenol-C
OK, what is this? While sitting across from this "mix of stuff" I realized it was an interesting juxtaposition of the old, the new, and some of the tools used. In the foreground an old print of an old friend sits. She happens to be painting her mailbox at the time, and the time was mid 1970's. A b/w 8x10 print I shot on a Minolta SRT102 on Kodak Tri-X film which I had processed and printed in a darkroom I had built in my basement.
Off in the distance, "the new," a new b/w image matted and framed, and awaiting to be wrapped up and given as a gift. That one shot on the Nikon you see on the right.
The tools in the middle, an old Canon 50D, and still very useable, and many of the photos of mine seen here on Flickr were shot with it. Mounted on it is one of Canon's best L lenses, their 24-105, F/4 lens. To the right of that sits our Nikon D850, an absolute joy of a camera, and on it sits our go-to 24-70 F/2.8 Nikon lens.
As I sat and looked at all this I thought it be an interesting time machine of a shot, nothing special maybe, but interesting to me. This shot was done on an iPhone.
lumen prints with paper hanni sent me.
blowsy rose and blowsy doll
**the the doll is by Sandy Mastroni
Classic lumen print on warmtone silver gelatine paper.
Bought this old Fotokemika paper on a Swedish net auction site. Emaks K 888 UB 24x30 cm, claimed to be unopened. It probably wasn't, as it was heavily fogged, even for lith printing. But Ag + UV light never goes wrong.
There's almost no scenario when silver gelatine papers are not usable. The last resort is lumen printing, which worked out well also in this case (warmtone papers being more "photogenic" than cold tone papers).
Photogram using a Fresh Fern + Sunlight + Silver gelatine paper, 30 min in Swedish evening sunlight.
No developer. No stop bath. No fix. No toning. Just Sun and Silver.
PS borders.
Heading out to the Bangkok Comic Con :D Hope I can get some decent shots. Catch you guys in the evening! Later! :)
🐾 - wraith - Humbug Tee - Anthem - Dec 3 - Dec 29th
TAXI: maps.secondlife.com/secondlife/Anthem/123/122/1108
🐾 Bipolar - Tina Jeans -
TAXI: maps.secondlife.com/secondlife/Dark%20Winter/184/179/1022