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I try to save them when I find them dead, but they are so fragile. I had to draw on the antennae.
precious little creatures.
lumen print.
This is a scan of the Salt Print of the wet plate collodion negative I made 2 days ago as a test for this process.
This print is on Bergger COT 320 paper, and gold toned.
Feeling the Atmosphere in the History of the Film Festival
Interesting to see bronze hand prints of most of the celebrities on the Allee des Stars.It was somewhat like the Hollywood Walk of Fame in the US.
A selection of palm prints near the popular Palais des Festivals for the cinephiles & music lovers.
Cinephilia and Filmmaking ... Cannes April 2017
Salt Print. Hasselblad 501CM with 180mm CF T* and Kodak T-Max 100 (ASA 50) developed in Rodinal 1:50. Digital negative made with Pictorico Premium OHP Transparency Film. Printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox for four minutes. Borders masked with Scotch removable Magic Tape.
Thanks for watching and commenting!
Everything is welcome - especially constructive criticism!
Grashüpfer - Himbeere© ArtundUnart 2022
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Snow scenes.
I'm really excited about these pictures. I saw these markings out in the field all by themselves, with no tracks around them. Weird! What could that have been? My best guess was that a large bird (maybe a Hawk) dropped down out of the sky and got a mouse.
After I got home I searched on images of bird wing prints in the snow and this is what they look like.
Neat!
Looks like in this one, it took several shots for the bird to get the mouse.
February 20, 2021
MKT Trail, Columbia, Missouri
lumen prints with paper hanni sent me.
blowsy rose and blowsy doll
**the the doll is by Sandy Mastroni
My camera finds Hosta leaves more interesting when dead.
I am inclined to agree.
Lith print
Burke and James 5x7
Arista 200 in Perceptol.
Autumn is here...
.
Fomapan 100 in Rodinal 1:100
Voigtlander R3A, Voigtlander Norton 40/1,4
.
Print on Rollei Vintage with Moersch SE6.
Rodenstock imagon lens with TriX in rodinal
Printed on Adox
Developer: Moersch Sepia
Toning: Cobalt 2 min. Iron 2 min. (more or less)
the dry print was a bit darker than when he got out of the bath.
A technician refilling printer cartridges, in Didcot, Oxfordshire
Shot with a Nikon D7000 and a Nikkor AFS DX 35mm F/1.8 lens, processed in GIMP and tweaked in Photoscape.
I had a day full of classes and then brainstormed some ideas on my way home from campus. I have yet to use this canopy since my shoot with emily so I unwrapped it and headed out to the golf course for the first time in a long time. I had my camera under one arm and the canopy under the other and I ventured out to the furthest away point that the sun hits first when golden hour starts to sink in. I watched the shadows of the trees behind me stretch further and further down the hill in front of me as time passed. Sunlight and the way it moves across the landscape is one of the most inspiring things to me.
Also! It was a beautiful day today so many people were out and about, exercising and walking their pups. I am proud of myself because although lots of people passed while I was shooting, I kept going like they weren't even there. The light was too beautiful to risk losing over embarrassment and discomfort. Some people were polite, glancing and then continuing on their way. Some slowed down to stare. And all the while I toted my little canopy around the field, spreading it out, sprawling out on it, dragging it behind me, as if nothing else existed. It was a wonderful feeling.
Unfortunately, this fabric aka mosquito net, is made to trap bugs and trap bugs it did. I carried so many grasshoppers home with me after multiple shaking attempts wouldn't free them. I ended up spreading out the canopy on the sidewalk in front of our apartment and picking the bugs off one by one so they wouldn't be left to die in my closet. They were relocated from their homes but I am sure they won't be too upset.
I had a stressful morning and somehow the day blended into this glorious afternoon and I am so thankful for that.
Playing with the computer on how to make triptych out of the lumen prints I have made.
“I wandered lonely as a cloud
That floats on high o'er vales and hills
When all at once I saw a crowd
A host of golden daffodils
Beside the lake beneath the trees
Fluttering and dancing in the breeze.”
― William Wordsworth, I Wander'd Lonely as a Cloud
Lumen print using 11x14" Ilford MGFB warmtone photo paper.
"I see your face in every flower
Your eyes in stars above
It's just the thought of you
The very thought of you
My love" - Ray Noble from the song The Very Thought of You
Macro Mondays and "Printed Word"
I was looking around the house for an old newspaper as I hadn't bought one for quite a while and I came across an edition of "Photography News" which is a free newspaper which can be picked up at certain outlets including Jessops which is still open in the nearby town of Horsham.
Once I had found it I started flicking through the pages to find a word/composition I liked. After locating a section with some words and a photo I noticed a paragraph containing photographic abbreviations and decided to make it a depth of field shot as these abbreviations all seemed to line up together.
4x5 negative contact printed on 5x7 Ilford MGFB Classic photographic paper. Ilford MG developer at usual concentration of 1:9.
Initial exposure for 7 secs (one second underexposed) with burning of center for one second. Development for 25 secs - 10 second water bath - re-exposure to light for two seconds - then development continued for 95 additional seconds. Stop, Fix, and Wash.
The finished print was photographed with the Nikon D850 and Nikkor 105mm/2.8D Macro lens. The WB was checked with a gray card, and there was no B&W conversion. There are minor adjustments to the Black and White points - otherwise, no global changes to contrast were made, and there was no local dodging and burning.
Solarization, as rediscovered and practiced by Man Ray and Lee Miller, is a technique in which the partially developed positive image is briefly re-exposed to light, leading to interesting effects which include a partial reversal of tonality, particularly in the light tones (which contain less exposed silver halide.) Strong black or white "Mackie" lines may occur at borders between areas of high contrast.
The Sabattier effect, discovered in 1862, is similar but is said to have been produced in photo prints only partially developed, as opposed to the full development practiced by Man Ray. Solarization of negative film is a somewhat different process in which very long exposures lead to complete tone reversal.
This project (and it was a project...) arose from a discussion at the Brooklin, Maine Camera Club. Thanks to Stephen Greenberg and Russell Kaye.
Oil-based ink on Japanese paper, about A4 in size.
For more on this one, you could have a look at my blog: davewhatt.wordpress.com/2021/01/16/come-on-lets-shake-the...
It is a great pleasure of mine to share with you that I am the featured photographer of Flickr Blog Chinese version. Sorry there is no translation of the report content.
今天很榮幸，被Flickr官方中文部落格專訪，如果您有興趣看全文，請按連結：
blog.flickr.net/zh/2014/10/14/photographer-spotlight-shar...
謝謝大家的長期支持！
Image source: Print screen/螢幕截圖
Mono-printed resist and discharge dyed silk - 63cm x 63cm
This is one of several pieces that have been created through a series of processes designed to help me 'get out of my own way' with work aligned more to feelings and moods which arise as marks are made. Spontaneous responses backed up with confident experimentation.
I didn't care too much for this piece in it's earlier stages as the mono-printed ink was heavy and lacked the dynamic textures that had been created on the other pieces, but later, as the work developed, the darkness became a core feature in itself.
As with all abstract work, interpretations are personal to the viewer.
Who is the creator?
For more on this one, you could have a look at my blog: davewhatt.wordpress.com/2021/12/30/those-three-birds/