View allAll Photos Tagged PrecolonialPhilippines
Pre-colonial Mountain House - by JBulaong 2020 #Precolonialmountainhouse #PrecolonialPhilippines #Maharlika #Philippinearchitecture #JBulaong #oiloncanvas #painting #Islandsofgold #Ophir #utopia #ancientPhilippinegold #Filipinohouse #indigenousarchitecture #lanzones
Pre-colonial Lakeside House - by JBulaong 2020 #Precoloniallakesidehouse #PrecolonialPhilippines #Maharlika #Philippinearchitecture #tboligirl #tnalak #LakeSebu #Mindanao #JBulaong #oiloncanvas #painting #Islandsofgold #Ophir #utopia #ancientPhilippinegold #Filipinohouse #indigenousarchitecture
Pre-colonial Upland House - by JBulaong 2020 #Precolonialuplandhouse #PrecolonialPhilippines #Maharlika #Philippinearchitecture #JBulaong #oiloncanvas #painting #Islandsofgold #Ophir #utopia #ancientPhilippinegold #Filipinohouse #indigenousarchitecture
Pre-Colonial Seaport - JBulaong 2021
#PrecolonialPhilippines #Philippinemaritimearchitecture #PrecolonialPhilippineseaport #Karakoa #Prahu #Balangay #Maharlika #JBulaong #oiloncanvas #painting #Islandsofgold #Ophir #utopia
Pre-colonial Lowland House - by JBulaong 2020 #Maharlika #JBulaong #oiloncanvas #painting #PrecolonialPhilippines #Islandsofgold #Ophir #utopia #ancientPhilippinegold #Filipinohouse #indigenousarchitecture #Philippinearchitecture
Pre-colonial Maranao Royal House with Princess' Chamber - JBulaong 2020
#lamin #torogan #Maranaoroyalhouse #Mindanao #Precolonialhouse #PrecolonialPhilippines #Maharlika #Philippinearchitecture #JBulaong #oiloncanvas #painting #Islandsofgold #Ophir #utopia #ancientPhilippinegold #Filipinohouse #indigenousarchitecture
Voyage of the Queen of Sheba - by JBulaong 2020
#QueenofSheba #Sheba #Ophir #PrecolonialPhilippines #Maharlika #islandsofgold #balangayship #caracoawarship #peacock #macaquemonkey #3yearroundtripjourney #Solomonsgold #Sebat #Cebu #JBulaong #oiloncanvas #painting #queenofthesouth
Maharlikan Family - by JBulaong oil on canvas 24" x 32" 2017
#Maharlika #islandsofgold #precolonialPhilippines #Ophir #oiloncanvas #painting #JBulaong
Maharlikan House - by JBulaong 2019 oil on canvas painting 24" X 32"
#Maharlika #precolonialPhilippines #precolonialPhilippinenipahouse #utopia #Ophir #islandsofgold #Chryse #indigenousarchitecture #JBulaong #oiloncanvas #PhilippineArchitecture #FilipinoHouse #painting #tropicalhouse #tropicalarchitecture #indigenousarchitecture #woodenhouse
Pre-Colonial Goldsmithing Village by JBulaong 2019 oil on canvas
#PreColonialPhilippines #Maharlika #JBulaong #islandsofgold #Ophir #oiloncanvas #painting #Philippinearchitecture #indigenousarchitecture #goldsmithingvillage #baybayin #utopia
Datu House - by JBulaong 2019 oil on canvas 24" x 32"
#Datuhouse #Maharlika #JBulaong #oiloncanvas #painting #PrecolonialPhilippines #Islandsofgold #Ophir #utopia #ancientPhilippinegold #Filipinohouse #indigenousarchitecture #Philippinearchitecture
Pre-colonial Rural Lass - by JBulaong 2019 oil on canvas 24" x 32"
#Maharlika #JBulaong #oiloncanvas #painting #PrecolonialPhilippines #filipina #filipinogirl #Islandsofgold #Ophir #utopia #ancientPhilippinegold
Maharlikan Maiden by JBulaong 2019 oil on canvas 24" x 32"
#Maharlika #JBulaong #oiloncanvas #painting #PrecolonialPhilippines #filipina #filipinogirl #Islandsofgold #Ophir
Several centuries before the advent of the Spaniards, Pila was already one of the most important centers of trade, as well as of culture during the early part of the second millennium (Tenazas n.d., see also Tenazas 1973). Also recovered archaeologically were a considerable quantity of exquisite Chinese porcelains (many of them completely unknown in the western collections) including vibrant figurines and scholar’s tools like miniature pouring vessels, brush washers and writing implements used in the art of calligraphy. The ancient Pileños tempered their mercantile spirit with aesthetic and spiritual values. Without neglecting the production and improvement of local earthenware, they accumulated works of art, which date back to the Dynaties of the Northern Sung (960-1127 A.D.), the Southern Sung (1127-1280 A.D.) and the Yuan (1280-1368 A.D.). And they regaled their loved ones with these masterpieces as pabaon (provisions) in their journey to a better world (Tenazas n.d., 12, 15-20). (4)
Several centuries before the advent of the Spaniards, Pila was already one of the most important centers of trade, as well as of culture during the early part of the second millennium (Tenazas n.d., see also Tenazas 1973). Also recovered archaeologically were a considerable quantity of exquisite Chinese porcelains (many of them completely unknown in the western collections) including vibrant figurines and scholar’s tools like miniature pouring vessels, brush washers and writing implements used in the art of calligraphy. The ancient Pileños tempered their mercantile spirit with aesthetic and spiritual values. Without neglecting the production and improvement of local earthenware, they accumulated works of art, which date back to the Dynaties of the Northern Sung (960-1127 A.D.), the Southern Sung (1127-1280 A.D.) and the Yuan (1280-1368 A.D.). And they regaled their loved ones with these masterpieces as pabaon (provisions) in their journey to a better world (Tenazas n.d., 12, 15-20). (4
Several centuries before the advent of the Spaniards, Pila was already one of the most important centers of trade, as well as of culture during the early part of the second millennium (Tenazas n.d., see also Tenazas 1973). Also recovered archaeologically were a considerable quantity of exquisite Chinese porcelains (many of them completely unknown in the western collections) including vibrant figurines and scholar’s tools like miniature pouring vessels, brush washers and writing implements used in the art of calligraphy. The ancient Pileños tempered their mercantile spirit with aesthetic and spiritual values. Without neglecting the production and improvement of local earthenware, they accumulated works of art, which date back to the Dynaties of the Northern Sung (960-1127 A.D.), the Southern Sung (1127-1280 A.D.) and the Yuan (1280-1368 A.D.). And they regaled their loved ones with these masterpieces as pabaon (provisions) in their journey to a better world (Tenazas n.d., 12, 15-20). (4)
Several centuries before the advent of the Spaniards, Pila was already one of the most important centers of trade, as well as of culture during the early part of the second millennium (Tenazas n.d., see also Tenazas 1973). Also recovered archaeologically were a considerable quantity of exquisite Chinese porcelains (many of them completely unknown in the western collections) including vibrant figurines and scholar’s tools like miniature pouring vessels, brush washers and writing implements used in the art of calligraphy. The ancient Pileños tempered their mercantile spirit with aesthetic and spiritual values. Without neglecting the production and improvement of local earthenware, they accumulated works of art, which date back to the Dynaties of the Northern Sung (960-1127 A.D.), the Southern Sung (1127-1280 A.D.) and the Yuan (1280-1368 A.D.). And they regaled their loved ones with these masterpieces as pabaon (provisions) in their journey to a better world (Tenazas n.d., 12, 15-20). (4)
Several centuries before the advent of the Spaniards, Pila was already one of the most important centers of trade, as well as of culture during the early part of the second millennium (Tenazas n.d., see also Tenazas 1973). Also recovered archaeologically were a considerable quantity of exquisite Chinese porcelains (many of them completely unknown in the western collections) including vibrant figurines and scholar’s tools like miniature pouring vessels, brush washers and writing implements used in the art of calligraphy. The ancient Pileños tempered their mercantile spirit with aesthetic and spiritual values. Without neglecting the production and improvement of local earthenware, they accumulated works of art, which date back to the Dynaties of the Northern Sung (960-1127 A.D.), the Southern Sung (1127-1280 A.D.) and the Yuan (1280-1368 A.D.). And they regaled their loved ones with these masterpieces as pabaon (provisions) in their journey to a better world (Tenazas n.d., 12, 15-20). (4)
Several centuries before the advent of the Spaniards, Pila was already one of the most important centers of trade, as well as of culture during the early part of the second millennium (Tenazas n.d., see also Tenazas 1973). Also recovered archaeologically were a considerable quantity of exquisite Chinese porcelains (many of them completely unknown in the western collections) including vibrant figurines and scholar’s tools like miniature pouring vessels, brush washers and writing implements used in the art of calligraphy. The ancient Pileños tempered their mercantile spirit with aesthetic and spiritual values. Without neglecting the production and improvement of local earthenware, they accumulated works of art, which date back to the Dynaties of the Northern Sung (960-1127 A.D.), the Southern Sung (1127-1280 A.D.) and the Yuan (1280-1368 A.D.). And they regaled their loved ones with these masterpieces as pabaon (provisions) in their journey to a better world (Tenazas n.d., 12, 15-20). (4)
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