View allAll Photos Tagged PowerLook
sᴛʀᴜᴄᴛᴜʀᴇᴅ ᴇʟᴇɢᴀɴᴄᴇ ʙᴇᴛᴡᴇᴇɴ ʀᴇɴᴀɪssᴀɴᴄᴇ ᴀɴᴅ sᴛʀᴇᴇᴛ sᴛʏʟᴇ
ᴀɴ ᴇʟᴇɢᴀɴᴄᴇ ᴛʜᴀᴛ ʙʟᴇɴᴅs ʀᴇɴᴀɪssᴀɴᴄᴇ ɪɴsᴘɪʀᴀᴛɪᴏɴ ᴡɪᴛʜ ᴍᴏᴅᴇʀɴ ᴍɪɴɪᴍᴀʟɪsᴍ — ᴛʜᴀᴛ’s ᴛʜᴇ ғɪʀsᴛ ɪᴍᴘʀᴇssɪᴏɴ ᴛʜɪs sʜᴏᴛ ᴅᴇʟɪᴠᴇʀs.
ᴛʜᴇ ᴡʜɪᴛᴇ ᴛᴏᴘ, ᴡɪᴛʜ ɪᴛs ғɪᴛᴛᴇᴅ ʟᴏɴɢ sʟᴇᴇᴠᴇs ᴀɴᴅ ʙᴏʟᴅ ɴᴇᴄᴋʟɪɴᴇ, ʟᴏᴏᴋs ᴀs ᴛʜᴏᴜɢʜ ɪᴛ sᴛᴇᴘᴘᴇᴅ ᴏᴜᴛ ᴏғ ᴀ ʀᴇɴᴀɪssᴀɴᴄᴇ ᴘᴀɪɴᴛɪɴɢ, ʏᴇᴛ ɪᴛ ғɪɴᴅs ɴᴇᴡ ʟɪғᴇ ɪɴ ᴀ ᴄᴏɴᴛᴇᴍᴘᴏʀᴀʀʏ ᴄᴏɴᴛᴇxᴛ. ᴛʜᴇ ɢʟᴏssʏ ғᴀʙʀɪᴄ ᴀɴᴅ sᴄᴜʟᴘᴛᴇᴅ sʜᴀᴘᴇs ᴀᴅᴅ ᴍᴏᴠᴇᴍᴇɴᴛ ᴀɴᴅ ᴄʜᴀʀᴀᴄᴛᴇʀ, ᴛʀᴀɴsғᴏʀᴍɪɴɢ ᴀ ʙᴀsɪᴄ ɢᴀʀᴍᴇɴᴛ ɪɴᴛᴏ ᴀ ᴛʀᴜᴇ sᴛᴀᴛᴇᴍᴇɴᴛ ᴘɪᴇᴄᴇ.
ᴀᴛ ᴛʜᴇ ᴄᴇɴᴛᴇʀ ᴏғ ᴛʜᴇ ʟᴏᴏᴋ: ᴀ ʙʟᴀᴄᴋ ʟᴇᴀᴛʜᴇʀ ᴄᴏʀsᴇᴛ ᴛʜᴀᴛ ᴄɪɴᴄʜᴇs ᴛʜᴇ ᴡᴀɪsᴛ ʟɪᴋᴇ ᴍᴏᴅᴇʀɴ ᴀʀᴍᴏʀ, ᴄʀᴇᴀᴛɪɴɢ ᴀ sᴛʀɪᴋɪɴɢ ᴄᴏɴᴛʀᴀsᴛ ᴡɪᴛʜ ᴛʜᴇ sᴏғᴛɴᴇss ᴏғ ᴛʜᴇ ᴜᴘᴘᴇʀ sɪʟʜᴏᴜᴇᴛᴛᴇ. ᴀ ʙᴏʟᴅ ᴄʜᴏɪᴄᴇ ᴛʜᴀᴛ ᴇɴʜᴀɴᴄᴇs ᴛʜᴇ ғɪɢᴜʀᴇ ᴀɴᴅ sᴘᴇᴀᴋs ᴛʜᴇ ʟᴀɴɢᴜᴀɢᴇ ᴏғ ᴀ ɴᴇᴡ ғᴇᴍɪɴɪɴɪᴛʏ: sᴛʀᴏɴɢ, ᴅᴇғɪɴᴇᴅ, ᴀɴᴅ sᴇʟғ-ᴀᴡᴀʀᴇ.
ʜɪɢʜ-ᴡᴀɪsᴛᴇᴅ ᴛʀᴏᴜsᴇʀs, sᴏғᴛ ᴀɴᴅ ᴡɪᴅᴇ-ʟᴇɢɢᴇᴅ, ᴀᴅᴅ ʙᴀʟᴀɴᴄᴇ ᴀɴᴅ ᴛᴀᴄᴛɪʟᴇ ᴅᴇᴘᴛʜ. ᴛʜᴇ ᴏᴠᴇʀᴀʟʟ ᴇғғᴇᴄᴛ ɪs ᴘᴏᴡᴇʀғᴜʟ ʏᴇᴛ ʀᴇғɪɴᴇᴅ — ᴀ ᴘᴇʀғᴇᴄᴛ ʜᴀʀᴍᴏɴʏ ᴏғ sᴛʀᴇɴɢᴛʜ ᴀɴᴅ ɢʀᴀᴄᴇ.
ᴅᴇᴛᴀɪʟs ᴍᴀᴋᴇ ᴀʟʟ ᴛʜᴇ ᴅɪғғᴇʀᴇɴᴄᴇ: ᴛʜᴇ sɪʟᴠᴇʀ ɴᴇᴄᴋʟᴀᴄᴇ ᴅʀᴀᴘᴇᴅ ᴀᴄʀᴏss ᴛʜᴇ ᴅᴇ́ᴄᴏʟʟᴇᴛᴇ́ ᴀɴᴅ ᴛʜᴇ ᴍᴀᴛᴄʜɪɴɢ ᴇᴀʀʀɪɴɢs ʙᴜɪʟᴅ ᴀ ᴍᴏᴅᴇʀɴ ᴀɴᴅ sᴏᴘʜɪsᴛɪᴄᴀᴛᴇᴅ ɪᴍᴀɢᴇ.
ᴀ sʏᴍʙᴏʟɪᴄ ᴄᴏɴᴛʀᴀsᴛ ʙᴇᴛᴡᴇᴇɴ ᴘᴀsᴛ ᴀɴᴅ ғᴜᴛᴜʀᴇ, ᴛʀᴀᴅɪᴛɪᴏɴ ᴀɴᴅ ʀᴇʙᴇʟʟɪᴏɴ.
ᴀɴ ɪɴᴠɪᴛᴀᴛɪᴏɴ ᴛᴏ ʀᴇᴡʀɪᴛᴇ ᴛʜᴇ ʀᴜʟᴇs — sᴛᴀʀᴛɪɴɢ ᴡɪᴛʜ ʏᴏᴜʀ ᴏᴡɴ ᴀᴇsᴛʜᴇᴛɪᴄ.
ᴄʀᴇᴅɪᴛs:
• ᴏʀᴘʜɪᴄ - ʀʜᴇᴀ
• sɪɢᴍᴀ - ʟᴏɴɢ ᴄʜᴀɪɴ ɴᴇᴄᴋʟᴀᴄᴇ
• sɪɢᴍᴀ - ᴄʜᴀɪɴ ᴅʀᴏᴘ ᴇᴀʀʀɪɴɢs
♥ ғᴏʀ ᴍᴏʀᴇ ɪɴғᴏ ᴀɴᴅ ʟᴍ ᴠɪsɪᴛ ᴍʏ ʙʟᴏɢ
ᴅᴀʀᴋ ᴘᴏᴡᴇʀ: ᴛʜᴇ sʜᴀʀᴘ ᴀʟʟᴜʀᴇ ᴏғ ɴᴇᴡ ғᴇᴍɪɴɪɴɪᴛʏ
ᴡɪᴛʜɪɴ ᴀ ɢᴀᴢᴇ ᴛʜᴀᴛ ɪs ʙᴏᴛʜ ᴘɪᴇʀᴄɪɴɢ ᴀɴᴅ ᴍᴀɢɴᴇᴛɪᴄ ʟɪᴇs ᴛʜᴇ ᴇssᴇɴᴄᴇ ᴏғ ᴀ ɴᴇᴡ ғᴀsʜɪᴏɴ ɪᴄᴏɴ — ᴍʏsᴛᴇʀɪᴏᴜs, sᴇʟғ-ᴀᴡᴀʀᴇ, ᴀɴᴅ ᴀʙᴏᴠᴇ ᴀʟʟ, ᴜɴᴛᴀᴍᴇᴅ. ᴛʜɪs ɪᴍᴀɢᴇ ɪs ᴍᴏʀᴇ ᴛʜᴀɴ ᴀ ᴘᴏʀᴛʀᴀɪᴛ; ɪᴛ's ᴀ ʙᴏʟᴅ sᴛʏʟᴇ sᴛᴀᴛᴇᴍᴇɴᴛ ᴛʜᴀᴛ ғᴜsᴇs ᴛʜᴇ sᴛʀᴇɴɢᴛʜ ᴏғ ᴅᴀʀᴋ ɢʟᴀᴍᴏᴜʀ ᴡɪᴛʜ ᴛʜᴇ ᴘᴏᴡᴇʀ ᴏғ sᴇʟғ-ᴅᴇᴛᴇʀᴍɪɴᴀᴛɪᴏɴ.
ᴛʜᴇ ᴜʟᴛʀᴀ-ʟᴏɴɢ ᴍᴇᴛᴀʟʟɪᴄ ᴄʟᴀᴡs, ᴄʀᴀғᴛᴇᴅ ʟɪᴋᴇ ɢᴏᴛʜɪᴄ ᴊᴇᴡᴇʟʀʏ, ᴅᴏᴍɪɴᴀᴛᴇ ᴛʜᴇ sᴄᴇɴᴇ ᴡɪᴛʜ sᴜʀɢɪᴄᴀʟ ᴘʀᴇᴄɪsɪᴏɴ. ᴇᴀᴄʜ ɴᴀɪʟ ɪs ᴀ ᴍɪɴɪᴀᴛᴜʀᴇ sᴄᴜʟᴘᴛᴜʀᴇ — ᴀɴ ᴀᴇsᴛʜᴇᴛɪᴄ ᴡᴇᴀᴘᴏɴ ᴛʜᴀᴛ ᴛʀᴀɴsғᴏʀᴍs ᴀ ᴍᴀɴɪᴄᴜʀᴇ ɪɴᴛᴏ ᴀɴ ᴀᴄᴛ ᴏғ ʀᴇʙᴇʟʟɪᴏɴ. ᴛʜᴇ ᴅᴇᴇᴘ ʙʟᴀᴄᴋ ᴛᴏɴᴇs ᴄᴏɴᴛʀᴀsᴛ sʜᴀʀᴘʟʏ ᴀɢᴀɪɴsᴛ ᴛʜᴇ ᴘᴀʟᴇ sᴋɪɴ, ᴡʜɪʟᴇ ᴛʜᴇ ᴇᴍʙᴏssᴇᴅ ᴅᴇᴛᴀɪʟs ᴇᴠᴏᴋᴇ ᴀ sᴇɴsᴇ ᴏғ ᴜɴsᴇᴛᴛʟɪɴɢ ʟᴜxᴜʀʏ.
ᴀʀᴏᴜɴᴅ ᴛʜᴇ ɴᴇᴄᴋ, ᴀ sᴛᴜᴅᴅᴇᴅ ᴄᴏʟʟᴀʀ ᴡɪᴛʜ ᴀ ᴄʀᴏss ᴘᴇɴᴅᴀɴᴛ ᴄᴏᴍᴘʟᴇᴛᴇs ᴛʜᴇ ᴠɪsᴜᴀʟ ɴᴀʀʀᴀᴛɪᴠᴇ: ʜᴇʀᴇ, ᴛʜᴇ ᴀᴄᴄᴇssᴏʀʏ ɪs ɴᴏ ʟᴏɴɢᴇʀ ᴍᴇʀᴇ ᴅᴇᴄᴏʀᴀᴛɪᴏɴ — ɪᴛ ɪs ᴀ sʏᴍʙᴏʟ. ʙᴇᴛᴡᴇᴇɴ sᴀᴄʀᴇᴅ ᴀɴᴅ ᴘʀᴏғᴀɴᴇ, sᴛʀᴇɴɢᴛʜ ᴀɴᴅ sᴛʏʟᴇ ᴍᴇʀɢᴇ ɪɴᴛᴏ ᴀ sɪɴɢᴜʟᴀʀ ʟᴀɴɢᴜᴀɢᴇ.
ᴛʜɪs ɪs ᴍᴏʀᴇ ᴛʜᴀɴ ғᴀsʜɪᴏɴ. Iᴛ ɪs ᴀɴ ᴀᴇsᴛʜᴇᴛɪᴄ ᴛʜᴀᴛ ᴄᴜᴛs, sᴛɪɴɢs, ᴀɴᴅ ᴀssᴇʀᴛs. ᴀ ᴄᴀʟʟ ᴛᴏ ʀᴇᴡʀɪᴛᴇ ᴛʜᴇ ʀᴜʟᴇs ᴏғ ʙᴇᴀᴜᴛʏ — ᴡɪᴛʜ ʙᴏʟᴅɴᴇss, ᴀɴᴅ ᴡɪᴛʜᴏᴜᴛ ᴄᴏᴍᴘʀᴏᴍɪsᴇ.
ᴄʀᴇᴅɪᴛs:
• 187 - ᴄʀᴏss ᴄʜᴏᴋᴇʀ @ ᴀᴍsᴛᴇʀᴅᴀᴍ ᴇᴠᴇɴᴛ
• ᴊɪɢᴏᴋᴜ - ᴀʟᴀʀɪᴄ ɴᴀɪʟs
♥ ғᴏʀ ᴍᴏʀᴇ ɪɴғᴏ ᴀɴᴅ ʟᴍ ᴠɪsɪᴛ ᴍʏ ʙʟᴏɢ
Typical farmhouse of the golden era of the coffee plantation.
Last quarter of the 19th century.
Bananal, São Paulo, Brazil.
Nikomat FT2, Nikkor 50mm.
Kodak Portra 160.
Umax Powerlook lll.
"Itamambuca" beach, Ubatuba, São Paulo.
Nikomat FT2, Nikkor 50mm, Fuji Provia 100. Umax Powerlook III.
SCHMERZ - Feel It, Wear It, Own It! 🔗
GHB’s latest drop is SCHMERZ, an exclusive release for The Fair Event! This isn’t just a necklace... it’s a statement. Sharp, bold, and unapologetic, it’s made for those who embrace the edge.
🚕 Taxi: maps.secondlife.com/secondlife/Applewood%20Falls/88/126/23
Leica III A, Ilford FP4 @ 100 asa. Summiitar 50mm.
MacIntosh G4 Silver with Vue Scan. Umax Powerlook III scanner.
Robot II, Kodak Verichrome Pan developed in D-76 Stock solution, copied in Kodak Kodabromide paper developed with Dassonville. Umax powerlook III scanned from the positive.
Cape of Santo Agostinho, State of Pernambuco, NE of Brazil. Taken in 1963 with a Robot II, Kodak Verichrome Pan developed in D-76 Stock solution, copied in Kodak Kodabromide paper developed with Dassonville. Umax powerlook III scanned from the positive.
From the digitized film library on CD.
Taughannock Falls State Park , New York . Higher vertical drop than Niagra Falls . View from top trail
Bronica ETRSi w/75mm Bronica lens w/ 25A red filter .Konica 120 Infared Film and Slik Tripod .
Flatbed Scan from 645 B&W neg on Powerlook 2000
Circa 1964, Pernambuco State, Brazil.
Robot II, Kodak Verichrome Pan. Kodak D76 stock solution. Kodabromide paper in Dassonville. Umax PowerLook III and Power mac G4 and old Photoshop. Scanned from the positive.
Polaroid is stopping the production of an instant film.
Polaroid - An Icon Of A Company by Michael Blanchard @ youtube.com
Shaking a Polaroid is a mythic legend @ youtube.com
[ http://www.pavelhorak.com/ ]
São Paulo Botanic Garden.
Leica IIIA, Summitar, Ilford FP4 @ 100 iso, D23 1:4, 12' @ 23ºC, Uniroller, Umax Powerlook III scanner.
Salvador, Bahia State.
Taken in 1963 with a Robot II, Kodak Verichrome Pan developed in D-76 Stock solution, copied in Kodak Kodabromide paper developed with Dassonville. Umax powerlook III scanned from the positive.
Lady in red, owning the Darsena di Fiumicino! 🔥👠 When your outfit matches the backdrop, you know it’s a power move 💃✨ Bold colors, blue skies, and all the boss vibes—because why blend in when you were born to stand out? 💋 #RedHot #DarsenaDiFiumicino #PowerLook #BoldAndBeautiful #StreetStyle #FashionMoment #ConfidenceIsKey
State of Pernambuco, NE of Brazil. Taken in 1963 with a Robot II, Kodak Verichrome Pan developed in D-76 Stock solution, copied in Kodak Kodabromide paper developed with Dassonville. Umax powerlook III scanned from the positive.
Parana River, Mato Grosso do Sul State, circa 1973.
Robot II, Kodak Verichrome pan, D76 stock, Kodabromide, Dassonville, Umax Powerlook III from the positive.
São Paulo Botanic Garden.
Leica IIIA, Summitar, Ilford FP4 @ 100 iso, D23 1:4, 12' @ 23ºC, Uniroller, Umax Powerlook III scanner.
Taquarussú river, Mato Grosso do Sul State, circa 1973.
Robot II, Kodak Verichrome pan, D76 stock, Kodabromide, Dassonville, Umax Powerlook III from the positive.
Lady in red, owning the Darsena di Fiumicino! 🔥👠 When your outfit matches the backdrop, you know it’s a power move 💃✨ Bold colors, blue skies, and all the boss vibes—because why blend in when you were born to stand out? 💋 #RedHot #DarsenaDiFiumicino #PowerLook #BoldAndBeautiful #StreetStyle #FashionMoment #ConfidenceIsKey
Website: www.johanniels.com
Instagram: www.instagram.com/johannielscom/
Facebook: nl-nl.facebook.com/johannielscom
LinkedIn: www.linkedin.com/in/johannielscom
0031612059220
Shot last week, with the Graflex Speed Graphic and Kodak Aero-Ektar 2.5/178mm lens. Tilted the lens to get a more shallow DOF. This was shot at f5.6 and 1/1000th on Fomapan 200. Developed in D76. Scanned with the Umax Powerlook 1000 scanner, which can do 2400dpi optical on a 4x5 inch negative.
Obviously I got some work to do: clean the scanners internals to get rid of the stripes!
The lower, curved 'stripes' actually are powerlines so those are supposed to be there...
file:20151018-45Fomapan200-1.jpg
Sant'ana de Parnaíba , São Paulo.
Graflex Speed Graphic and 6x9 back. Rollei retro 80S @ 100 iso, Parodinal 1:50, 10' 30" @ 20ºC. Umax Powerlook III. High Key.
Vojanovy sady, Praha.
Vojan Park, Prague, Czech Republic.
One of the oldest unharmed garden in Prague.
The garden was established in 1248.
camera: Lomo Ljubitel 2 (unadjusted - unused for almost 20 years)
film: ORWO Chrom UT20 ASA80
expired: 08/1988
development: pensioner, an enigmatic process (minilab was unable to develop this film)
scan: Umax PowerLook II
ps3: huge effort to rescue the photo; the whole blue channel was missing in fact
Object: Great Galaxy in Andromeda
Exposures: (90m + 120m + 110m + 120m) @ f/6.7
Telescope: Astro-Physics 130 EDF
Mount: Astro-Physics 600E QMD
Guiding: SBIG ST-4 @ 700 mm
Camera: Pentax 67
Film: Kodak PPF 400 (unhypered)
Locations: Loudon, NH; Groton, NH; Pearce, AZ
Dates: 27-Jul-01 01:35 EDT, 15-Sep, 14-Oct, 15-Oct
Conditions: transparency 6/10, seeing 6/10, LVM 6.5+, temp 50F, RH 75%
Processing: UMAX Powerlook 3000, Adobe Photoshop 6.0.1, Auriga Imaging RegiStar 1.0.3
Some trekking with a large format camera? Why not... especially if is just for one day... ;-) Great color, I guess... but the old Umax Powerlook III scanner seem not to hve any intention to produce a good scan of the sheet... so there is a strange moire effect in the final result... if any of you have suggestion (except the obviuos "change the scanner!")...
Original shot taken with a Graflex speedgraphic II, 135mm f4,7 Raptax lens on 4x5' Fujuichrome Provia 100f. No post processing, just scanned.
A special thank to Xippa for the insuperable support in that day!
Santana do Parnaíba - São Paulo.
Hand held Graflex Pacemaker Speedgraphic, Kodak Ektar 127mm, Efke PL 100, Parodinal 1:100, 13' @ 20 C with Uniroller. Umax Powerlook III.
California Florida Québec, when someone ask me where she is from and what her name is, there in for a long story :)
Photo by Andree I thought I took it, not the first time I do this, she will get a laugh out of this one , I edited her photo in Picasa only
My Caniche Royal.......... Barbie Q
Object: Rosette Nebula in Monoceros
Exposure: 100 minutes @ f/6.7
Telescope: Astro-Physics 130 EDF
Mount: Astro-Physics 600E QMD
Guiding: SBIG ST-4 @ 700 mm
Camera: Pentax 67
Film: Kodak PPF 400
Location: Pearce, AZ
Date: 14-Oct-01 02:45 PDT
Conditions: seeing 6/10, transparency 8/10, LVM 7.0, 40 F, RH 53%
Processing: UMAX PowerLook 3000, Adobe Photoshop 6.0.1
Mamyia RZ 67 pro, Sekor 110 mm, Fuji Acros @ 80 isso, available light, D76H, divided developer (David Vestal), 6 min solution A, 5 minutes solution B @ 18 C, Uniroller, Umax Powerlook III.
Santana do Parnaíba - São Paulo.
Hand held Graflex Pacemaker Speedgraphic, Kodak Ektar 127mm, Efke PL 100, Parodinal 1:100, 13' @ 20 C with Uniroller. Umax Powerlook III.
Object: Orion's Sword
Exposure: 90 minutes + 10 minutes + 1 minute @ f/6.7
Telescope: Astro-Physics 130 EDF
Mount: Astro-Physics 600E QMD
Guiding: SBIG ST-4 @ 700 mm
Camera: Pentax 67
Film: Fuji Provia 400F
Location: Rumney, NH
Date: 07-Dec-01 22:23 EST
Conditions: seeing 5/10, transparency 4/10, LVM 6.0, 23 F, RH 75%
Processing: UMAX PowerLook 3000, Adobe Photoshop 6.0.1, RegiStar 1.0.5, bgsmooth 2 80
Clube hípico em São Bernardo do Campo, São Paulo. Leica IIIa, Summar, Ilford FP4+, Kodak D-76 1:8, Uniroller, Umax Powerlook III.
Exposure: 8 hours @ f/5.6
Camera: Olympus OM-4T
Lens: Sigma 16mm f/2.8
Film: Fuji Velvia 50
Location: Pearce, AZ
Date: 12-Oct-01 19:20 PDT
Conditions: transparency 8, seeing 4, LVM 7.0, temp 42F, humidity 40%
Processing: UMAX PowerLook 3000, Adobe Photoshop 6.0.1
Thinking about life.
Canonet QL 17. Ilford FP4+. D23 1:8 @ 21 C, 13' 30'' continuous rotation, Umax Powerlook III.
São Paulo north coast, circa 1974. Pentax SPF, SMC Takumar 50mm, Kodak Ektachrome, Umax Powerlook III.
Intense light streams from Rigel (bright star at right) across 40 light years of space to illuminate the Witch Head Nebula, then reflects another 775 light years to reach us. This nebula is very dim and is just barely above sky glow at a clear dark site. South is up in this image.
Rigel is B8 supergiant star with an absolute visual magnitude 40,000 times that of our Sun. Its surface temperature is 11,000 K.
Object: Witch Head Nebula (IC 2118) in Eridanus/Orion
Exposures: 2 @ 45 minutes
Telescope: Astro-Physics 105mm f6
Mount: Losmandy GM-8 @ 0.5x
Guiding: SBIG ST-4 @ 600 mm (A2)
Camera: Pentax 67
Film: hypered Kodak PPF 400
Location: Tierra del Sol, CA
Date: 27-Dec-00 21:02 PST
Conditions: seeing 6/10, transparency 5/10, LVM 5.5, 45 F
Processing: UMAX Powerlook 3000, Auriga Imaging RegiStar 1.0.2, Adobe Photoshop 6.0.1, bgsmooth 1.5 100
Objects: North America and Pelican Nebulae in Cygnus
Exposure: 90 minutes @ f/6.7
Telescope: Astro-Physics 130 EDF
Mount: Astro-Physics 600 QMD
Guiding: SBIG ST-4 @ 700mm (A1)
Camera: Pentax 67
Film: hypered Kodak PPF 400
Location: Pearce, AZ
Date: 26-May-01 00:51 MST
Conditions: transparency 7/10, seeing 7/10, LVM 7.0, 60 F
Processing: UMAX Powerlook 3000, Adobe Photoshop 6.0.1, bgsmooth 1.5 50