View allAll Photos Tagged PostBop,
Greg Abate at 1000 Trades Birmingham with the Elliott Sansom Trio on November 17th. 2017. Seen here with guest saxophonist Richard Hamer.
Damn, damn, damn.
Personally, I was blessed to have heard trumpeter Wallace Roney perform on several occasions in the late 1980s/early 1990s, when I worked at the One Step Down in Washington, D.C. He died on 31 March 2020 of complications from COVID-19, at age 59. This hits me hard.
▶ "Our collective spirits are taking some serious blows these days. Saying goodbye to one my beloved big brothers is especially hard. May the great Wallace Roney RIP."
31 March 2020.
*************
▶ "Wallace Roney, Jazz Trumpet Virtuoso, Is Dead at 59
Initially dismissed by many as a clone of Miles Davis, Mr. Roney, who has died of coronavirus complications, emerged as a major musician in his own right."
31 March 2020.
*************
▶ "Wallace Roney, a trumpeter and composer who embodied the pugnacious, harmonically restive side of post-bop throughout an illustrious four-decade career, died this morning [31 March 2020] at St. Joseph's University Medical Center in Paterson, New Jersey. He was 59.
The cause was complications from COVID-19, according to his fiancée, Dawn Felice Jones. She said Roney had been admitted to the hospital last Wednesday.
Roney first rose to prominence as a sharp young steward of the modern jazz tradition, winning national awards in his early 20s and joining several high-profile bands. But it was a public benediction by his idol and mentor, Miles Davis [at the 1991 Montreux Jazz Festival], that catapulted him into a rare stratum of jazz celebrity."
— NPR.
**************
▶ "A forward-thinking, post-bop trumpeter, Wallace Roney first emerged in the late-'80s as a gifted soloist with Art Blakey's Jazz Messengers and Tony Williams. Blessed with a warm, often plaintive tone and lithe improvisational style, Roney is often regarded as the heir to the modal legacy of Miles Davis, though his playing also evinces the influence of trumpeters like Clifford Brown and Woody Shaw. While many of his albums, like 1989's "The Standard Bearer" and 1997's "The Village", display his talent for swinging and harmonically advanced acoustic jazz [I'd call it post-bop], others, like 2000's "No Room for Argument" and 2016's "In an Ambient Way" with the all-star group Powerhouse, reveal his love of genre-bending, electrified funk, and soul."
— AllMusic.
**************
▶ Uploaded by Yours For Good Fermentables.com.
▶ For a larger image, type 'L' (without the quotation marks).
— Follow on web: YoursForGoodFermentables.com.
— Follow on Twitter: @Cizauskas.
— Follow on Facebook: YoursForGoodFermentables.
— Follow on Instagram: @tcizauskas.
▶ All rights reserved.
full album with Reggie Washington (first part) :
www.facebook.com/yann.cabello.7/media_set?set=a.673505736...
Newport In New York '72
The Complete Six Record Set, Vols 1-6
> The Jam Sessions, Vol. 1:
- "Jumpin' At The Woodside"
- "Lo-Slo Bluze"
> The Jam Sessions, Vol. 2:
- " Bags' Groove"
- "Night In Tunisia"
> The Jam Sessions, Vol. 3:
- "Perdido"
- "Misty"
- "Now's The Time"
>The Jam Sessions, Vol. 4:
- "Blue 'N' Boogie"
- " So What"
> The Jam Sessions, Vol. 5:
- "Blue 'N' Boogie"
- "Medley"
> The Jam Sessions, Vol. 6:
- "I Apologize"
- "Jelly Jelly"
- "Stone Junkie"
- "Pusherman"
- "I Need You Baby"
- "Hold On I'm Comin'"
- "The Price You Got To Pay To Be Free"
- "Ain't No Mountain High Enough"
- "Somewhere"
Recorded at Radio City Music Hall, Yankee Stadium, Philharmonic Hall, New York, Newport Jazz Festival
Producer [Festival], Presenter, Liner Notes – George Wein
Album Design: Steve Malinchoc
Label: Buddha Records / 1972
ex Vinyl-Collection MTP
Born there in Maryfield Hospital in 1945, Dundee, my home town, has a south facing aspect. I believe this makes it knock Edinburgh into a ****ed hat, the Capital, sited as it is, on a dreary northern downslope.
35mm slide taken by the Mrs - summer 1969.
Great musicians from Dundee include:
JIMMY DEUCHAR (greatest UK jazz trumpeter?)
Probably the most technically gifted artist here, but jazz, though being "nice", has to be regarded as a minority genre, the majority of music lovers will have never heard of him.
Strangely, we teenagers in the early 60s, whilst rocking to the Beatles, Stones, Del Shannon, The Crystals, etc. also went to see Acker Bilk and Kenny Ball in concert. These guys were regarded as cool, then. Indeed, their singles competed in the charts with the best that the US and British pop dudes could come up with. Acker Bilk was No1 with "Stranger on the Shore" for many moons. Not really jazz (it came from a children's TV serial we watched), but never mind, a really phenomenal occurrence when a tsunami of creative, hot singles was flooding the airwaves at the time.
Current top, award-winning UK jazz trumpeter Colin Steele (a Scot) was amazed when I told him how teenagers freaked out (well, slightly) to the likes of Kenny Ball at the Caird Hall, Dundee. However, a few years earlier, at the same venue, such was the frenzy Rock 'n' Roll created, our "best" Brit rocker - Tommy Steele had his clothes torn to bits when a mob of overexcited fans descended on him from the rows of seats behind him. He vowed never to visit the City again. No great loss, I say, though credit to him for becoming a star for many for years to come. Ah, back to Jimmy Deuchar, and the legendary Tubby Hayes introduced on BBC2's Jazz 625 by the urbane and un-Dundeelike Etonian gent, Humphrey Littleton. Affy nice, indeed:
www.youtube.com/watch?v=JzXslx1loo0
THE AVERAGE WHITE BAND - huge in the US, more so than here, because they were so authentically funky - more funky than many Americans, even - as have been several British artists. I happened to catch their first live radio concert on BBC Radio 1 around 1970, liked the stuff, then could not believe they had been formed in Dundee. The first album "Show Your Hand", I bought, but the big success - and a tragedy, attended by Cher - came later.
www.youtube.com/watch?v=FnH_zwVmiuE
DANNY WILSON (GARY CLARK) "Mary's Prayer"
Regardless of who wrote and performed this hit, and where they came from, I believe it to be one of the most beautifully crafted British songs of the 1980s.
www.youtube.com/watch?feature=player_detailpage&v=7hq...
DEACON BLUE - Ricky Ross went to Dundee High School. Heck, they even named the group after one of my most favourite Steely Dan numbers.
Flippin, Dougie Vipond (drummer), how many talents does one guy deserve to have?
www.youtube.com/watch?v=z2ZcfCpO6QE
The tragic, unique BILLY MACKENZIE in "THE ASSOCIATES". An absolute one-off. An acquired taste, he flashed like a comet across the music scene and was gone. I loved some of the unique, surreal soundscapes. I think at the time of his death, he was living at Auchterhouse, near the Sidlaws, one of my favourite places around the City. I believe he missed his mum so much he couldn't handle life after she died. Who knows.
www.youtube.com/watch?v=fZSMDaewz2A
SNOW PATROL Getting into modern times - I don't know too much about these guys from now on, but I hugely respect what they appear to have done. This is beautiful, regardless of what music framework you are at home with.
www.youtube.com/watch?v=GemKqzILV4w
RODDY WOOMBLE (Idlewild)
His parents were at the same school as myself in the late 50s early 60s.
Roddy is the grandson of my late mother's best (and longest lived) friend. They were at school together (Stobswell ) in the 1930s. See photo of them here 80 years ago:
www.flickr.com/photos/sneachda/10119424694/in/set-7215762...
A guy who is not afraid to change direction in music. We of a certain age will probably prefer the outcome of his later drift over to reflective, folk-orientated, particularly Scottish, acoustic work. The earlier thrashy, punk (I don't know much about its classification, really!) was hugely enjoyed internationally by the young.
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
John Scofield, senza dubbio uno dei chitarristi più interessanti della scena jazz internazionale, è un artista che può suonare più di uno stile musicale con raro virtuosismo. Il suo repertorio spazia infatti dal blues al jazz al funky, passando per le pietre miliari di Miles Davis.
Scofield da sempre si è confrontato senza pregiudizi con codici e musicisti differenti, in una spinta a contaminare stilemi ed esperienze, linguaggi e prospettive. Avventurandosi in territori altrui, ha convertito ogni nuovo incontro in una tessera del proprio mosaico espressivo.
John Scofield chitarra
Steve Swallow basso
Bill Stewart batteria
From his emergence in the mid-’90s as a protege of Dizzy Gillespie, David Sanchez has asserted himself as a tenor saxophonist with a big, individual voice; neither beholden to hard bop and postbop styles or the folkloric Afro-Caribbean sounds of his native Puerto Rico and the Hispanic world beyond, but a skilled negotiator of influences. Using his jazz pulpit to address social and religious themes, he reflected on the plight of African immigrants harvesting sugar cane in Puerto Rico on his acclaimed 2000 album, Melaza. His 2008 effort, Cultural Survival, was as much a statement about jazz as ethnic pride.
Sanchez’s most recent album, Ninety Miles, was recorded in Cuba, where two other leading young players, vibraphonist Stefon Harris and trumpeter Christian Scott, hooked up with two of Havana’s top quartets. Tonight, Sanchez will lead his own excellent quartet, including the brilliant pianist Edward Simon and drummer Henry Cole. Stefon Harris, a classically schooled original recognized as the top vibist of his generation, will join in as a special guest, and is likely to be featured on one or two songs from Ninety Miles.
SUNDAY, SEPTEMBER 4
Petrillo Music Shell
David Sanchez with special guest Stefon Harris
7:10 – 8:10 pm
From his emergence in the mid-’90s as a protege of Dizzy Gillespie, David Sanchez has asserted himself as a tenor saxophonist with a big, individual voice; neither beholden to hard bop and postbop styles or the folkloric Afro-Caribbean sounds of his native Puerto Rico and the Hispanic world beyond, but a skilled negotiator of influences. Using his jazz pulpit to address social and religious themes, he reflected on the plight of African immigrants harvesting sugar cane in Puerto Rico on his acclaimed 2000 album, Melaza. His 2008 effort, Cultural Survival, was as much a statement about jazz as ethnic pride.
Sanchez’s most recent album, Ninety Miles, was recorded in Cuba, where two other leading young players, vibraphonist Stefon Harris and trumpeter Christian Scott, hooked up with two of Havana’s top quartets. Tonight, Sanchez will lead his own excellent quartet, including the brilliant pianist Edward Simon and drummer Henry Cole. Stefon Harris, a classically schooled original recognized as the top vibist of his generation, will join in as a special guest, and is likely to be featured on one or two songs from Ninety Miles.
SUNDAY, SEPTEMBER 4
Petrillo Music Shell
David Sanchez with special guest Stefon Harris
7:10 – 8:10 pm
From his emergence in the mid-’90s as a protege of Dizzy Gillespie, David Sanchez has asserted himself as a tenor saxophonist with a big, individual voice; neither beholden to hard bop and postbop styles or the folkloric Afro-Caribbean sounds of his native Puerto Rico and the Hispanic world beyond, but a skilled negotiator of influences. Using his jazz pulpit to address social and religious themes, he reflected on the plight of African immigrants harvesting sugar cane in Puerto Rico on his acclaimed 2000 album, Melaza. His 2008 effort, Cultural Survival, was as much a statement about jazz as ethnic pride.
Sanchez’s most recent album, Ninety Miles, was recorded in Cuba, where two other leading young players, vibraphonist Stefon Harris and trumpeter Christian Scott, hooked up with two of Havana’s top quartets. Tonight, Sanchez will lead his own excellent quartet, including the brilliant pianist Edward Simon and drummer Henry Cole. Stefon Harris, a classically schooled original recognized as the top vibist of his generation, will join in as a special guest, and is likely to be featured on one or two songs from Ninety Miles.
SUNDAY, SEPTEMBER 4
Petrillo Music Shell
David Sanchez with special guest Stefon Harris
7:10 – 8:10 pm
From his emergence in the mid-’90s as a protege of Dizzy Gillespie, David Sanchez has asserted himself as a tenor saxophonist with a big, individual voice; neither beholden to hard bop and postbop styles or the folkloric Afro-Caribbean sounds of his native Puerto Rico and the Hispanic world beyond, but a skilled negotiator of influences. Using his jazz pulpit to address social and religious themes, he reflected on the plight of African immigrants harvesting sugar cane in Puerto Rico on his acclaimed 2000 album, Melaza. His 2008 effort, Cultural Survival, was as much a statement about jazz as ethnic pride.
Sanchez’s most recent album, Ninety Miles, was recorded in Cuba, where two other leading young players, vibraphonist Stefon Harris and trumpeter Christian Scott, hooked up with two of Havana’s top quartets. Tonight, Sanchez will lead his own excellent quartet, including the brilliant pianist Edward Simon and drummer Henry Cole. Stefon Harris, a classically schooled original recognized as the top vibist of his generation, will join in as a special guest, and is likely to be featured on one or two songs from Ninety Miles.
SUNDAY, SEPTEMBER 4
Petrillo Music Shell
David Sanchez with special guest Stefon Harris
7:10 – 8:10 pm
From his emergence in the mid-’90s as a protege of Dizzy Gillespie, David Sanchez has asserted himself as a tenor saxophonist with a big, individual voice; neither beholden to hard bop and postbop styles or the folkloric Afro-Caribbean sounds of his native Puerto Rico and the Hispanic world beyond, but a skilled negotiator of influences. Using his jazz pulpit to address social and religious themes, he reflected on the plight of African immigrants harvesting sugar cane in Puerto Rico on his acclaimed 2000 album, Melaza. His 2008 effort, Cultural Survival, was as much a statement about jazz as ethnic pride.
Sanchez’s most recent album, Ninety Miles, was recorded in Cuba, where two other leading young players, vibraphonist Stefon Harris and trumpeter Christian Scott, hooked up with two of Havana’s top quartets. Tonight, Sanchez will lead his own excellent quartet, including the brilliant pianist Edward Simon and drummer Henry Cole. Stefon Harris, a classically schooled original recognized as the top vibist of his generation, will join in as a special guest, and is likely to be featured on one or two songs from Ninety Miles.
SUNDAY, SEPTEMBER 4
Petrillo Music Shell
David Sanchez with special guest Stefon Harris
7:10 – 8:10 pm
From his emergence in the mid-’90s as a protege of Dizzy Gillespie, David Sanchez has asserted himself as a tenor saxophonist with a big, individual voice; neither beholden to hard bop and postbop styles or the folkloric Afro-Caribbean sounds of his native Puerto Rico and the Hispanic world beyond, but a skilled negotiator of influences. Using his jazz pulpit to address social and religious themes, he reflected on the plight of African immigrants harvesting sugar cane in Puerto Rico on his acclaimed 2000 album, Melaza. His 2008 effort, Cultural Survival, was as much a statement about jazz as ethnic pride.
Sanchez’s most recent album, Ninety Miles, was recorded in Cuba, where two other leading young players, vibraphonist Stefon Harris and trumpeter Christian Scott, hooked up with two of Havana’s top quartets. Tonight, Sanchez will lead his own excellent quartet, including the brilliant pianist Edward Simon and drummer Henry Cole. Stefon Harris, a classically schooled original recognized as the top vibist of his generation, will join in as a special guest, and is likely to be featured on one or two songs from Ninety Miles.
SUNDAY, SEPTEMBER 4
Petrillo Music Shell
David Sanchez with special guest Stefon Harris
7:10 – 8:10 pm
From his emergence in the mid-’90s as a protege of Dizzy Gillespie, David Sanchez has asserted himself as a tenor saxophonist with a big, individual voice; neither beholden to hard bop and postbop styles or the folkloric Afro-Caribbean sounds of his native Puerto Rico and the Hispanic world beyond, but a skilled negotiator of influences. Using his jazz pulpit to address social and religious themes, he reflected on the plight of African immigrants harvesting sugar cane in Puerto Rico on his acclaimed 2000 album, Melaza. His 2008 effort, Cultural Survival, was as much a statement about jazz as ethnic pride.
Sanchez’s most recent album, Ninety Miles, was recorded in Cuba, where two other leading young players, vibraphonist Stefon Harris and trumpeter Christian Scott, hooked up with two of Havana’s top quartets. Tonight, Sanchez will lead his own excellent quartet, including the brilliant pianist Edward Simon and drummer Henry Cole. Stefon Harris, a classically schooled original recognized as the top vibist of his generation, will join in as a special guest, and is likely to be featured on one or two songs from Ninety Miles.
SUNDAY, SEPTEMBER 4
Petrillo Music Shell
David Sanchez with special guest Stefon Harris
7:10 – 8:10 pm
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Per tre decenni, Mike Stern ha lasciato a bocca aperta il pubblico mondiale del jazz (e non solo) nella sua incessante sfida di portare il suo strumento, la chitarra elettrica, oltre i confini tecnici e stilistici. Ora più che mai Stern è impegnato in una varietà di progetti che alimentano la sua insaziabile curiosità e creatività.
Mike Stern: chitarra
Didier Lockwood: violino
Tom Kennedy: basso el.
Dave Weckl: batteria
From his emergence in the mid-’90s as a protege of Dizzy Gillespie, David Sanchez has asserted himself as a tenor saxophonist with a big, individual voice; neither beholden to hard bop and postbop styles or the folkloric Afro-Caribbean sounds of his native Puerto Rico and the Hispanic world beyond, but a skilled negotiator of influences. Using his jazz pulpit to address social and religious themes, he reflected on the plight of African immigrants harvesting sugar cane in Puerto Rico on his acclaimed 2000 album, Melaza. His 2008 effort, Cultural Survival, was as much a statement about jazz as ethnic pride.
Sanchez’s most recent album, Ninety Miles, was recorded in Cuba, where two other leading young players, vibraphonist Stefon Harris and trumpeter Christian Scott, hooked up with two of Havana’s top quartets. Tonight, Sanchez will lead his own excellent quartet, including the brilliant pianist Edward Simon and drummer Henry Cole. Stefon Harris, a classically schooled original recognized as the top vibist of his generation, will join in as a special guest, and is likely to be featured on one or two songs from Ninety Miles.
SUNDAY, SEPTEMBER 4
Petrillo Music Shell
David Sanchez with special guest Stefon Harris
7:10 – 8:10 pm
From his emergence in the mid-’90s as a protege of Dizzy Gillespie, David Sanchez has asserted himself as a tenor saxophonist with a big, individual voice; neither beholden to hard bop and postbop styles or the folkloric Afro-Caribbean sounds of his native Puerto Rico and the Hispanic world beyond, but a skilled negotiator of influences. Using his jazz pulpit to address social and religious themes, he reflected on the plight of African immigrants harvesting sugar cane in Puerto Rico on his acclaimed 2000 album, Melaza. His 2008 effort, Cultural Survival, was as much a statement about jazz as ethnic pride.
Sanchez’s most recent album, Ninety Miles, was recorded in Cuba, where two other leading young players, vibraphonist Stefon Harris and trumpeter Christian Scott, hooked up with two of Havana’s top quartets. Tonight, Sanchez will lead his own excellent quartet, including the brilliant pianist Edward Simon and drummer Henry Cole. Stefon Harris, a classically schooled original recognized as the top vibist of his generation, will join in as a special guest, and is likely to be featured on one or two songs from Ninety Miles.
SUNDAY, SEPTEMBER 4
Petrillo Music Shell
David Sanchez with special guest Stefon Harris
7:10 – 8:10 pm
From his emergence in the mid-’90s as a protege of Dizzy Gillespie, David Sanchez has asserted himself as a tenor saxophonist with a big, individual voice; neither beholden to hard bop and postbop styles or the folkloric Afro-Caribbean sounds of his native Puerto Rico and the Hispanic world beyond, but a skilled negotiator of influences. Using his jazz pulpit to address social and religious themes, he reflected on the plight of African immigrants harvesting sugar cane in Puerto Rico on his acclaimed 2000 album, Melaza. His 2008 effort, Cultural Survival, was as much a statement about jazz as ethnic pride.
Sanchez’s most recent album, Ninety Miles, was recorded in Cuba, where two other leading young players, vibraphonist Stefon Harris and trumpeter Christian Scott, hooked up with two of Havana’s top quartets. Tonight, Sanchez will lead his own excellent quartet, including the brilliant pianist Edward Simon and drummer Henry Cole. Stefon Harris, a classically schooled original recognized as the top vibist of his generation, will join in as a special guest, and is likely to be featured on one or two songs from Ninety Miles.
SUNDAY, SEPTEMBER 4
Petrillo Music Shell
David Sanchez with special guest Stefon Harris
7:10 – 8:10 pm
From his emergence in the mid-’90s as a protege of Dizzy Gillespie, David Sanchez has asserted himself as a tenor saxophonist with a big, individual voice; neither beholden to hard bop and postbop styles or the folkloric Afro-Caribbean sounds of his native Puerto Rico and the Hispanic world beyond, but a skilled negotiator of influences. Using his jazz pulpit to address social and religious themes, he reflected on the plight of African immigrants harvesting sugar cane in Puerto Rico on his acclaimed 2000 album, Melaza. His 2008 effort, Cultural Survival, was as much a statement about jazz as ethnic pride.
Sanchez’s most recent album, Ninety Miles, was recorded in Cuba, where two other leading young players, vibraphonist Stefon Harris and trumpeter Christian Scott, hooked up with two of Havana’s top quartets. Tonight, Sanchez will lead his own excellent quartet, including the brilliant pianist Edward Simon and drummer Henry Cole. Stefon Harris, a classically schooled original recognized as the top vibist of his generation, will join in as a special guest, and is likely to be featured on one or two songs from Ninety Miles.
SUNDAY, SEPTEMBER 4
Petrillo Music Shell
David Sanchez with special guest Stefon Harris
7:10 – 8:10 pm
From his emergence in the mid-’90s as a protege of Dizzy Gillespie, David Sanchez has asserted himself as a tenor saxophonist with a big, individual voice; neither beholden to hard bop and postbop styles or the folkloric Afro-Caribbean sounds of his native Puerto Rico and the Hispanic world beyond, but a skilled negotiator of influences. Using his jazz pulpit to address social and religious themes, he reflected on the plight of African immigrants harvesting sugar cane in Puerto Rico on his acclaimed 2000 album, Melaza. His 2008 effort, Cultural Survival, was as much a statement about jazz as ethnic pride.
Sanchez’s most recent album, Ninety Miles, was recorded in Cuba, where two other leading young players, vibraphonist Stefon Harris and trumpeter Christian Scott, hooked up with two of Havana’s top quartets. Tonight, Sanchez will lead his own excellent quartet, including the brilliant pianist Edward Simon and drummer Henry Cole. Stefon Harris, a classically schooled original recognized as the top vibist of his generation, will join in as a special guest, and is likely to be featured on one or two songs from Ninety Miles.
SUNDAY, SEPTEMBER 4
Petrillo Music Shell
David Sanchez with special guest Stefon Harris
7:10 – 8:10 pm
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Per tre decenni, Mike Stern ha lasciato a bocca aperta il pubblico mondiale del jazz (e non solo) nella sua incessante sfida di portare il suo strumento, la chitarra elettrica, oltre i confini tecnici e stilistici. Ora più che mai Stern è impegnato in una varietà di progetti che alimentano la sua insaziabile curiosità e creatività.
Mike Stern: chitarra
Didier Lockwood: violino
Tom Kennedy: basso el.
Dave Weckl: batteria
Labelled as PostBop by AMG, i believe that it means that the music on this 1967 record is still rooted in the early sixties Blue Note tradition and not as far out as its solarized cover would suggest.
French pressing.
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Anthony "Chick" Corea è un pianista e tastierista statunitense, noto soprattutto per le sue produzioni jazz e jazz fusion negli anni ’70 e sideman di Miles Davis in dischi importanti quali In a Silent Way e Bitches Brew.
Nel 2012 Chick Corea è arrivato alla strabiliante cifra di diciannove Grammy vinti in tutta la sua carriera. Dall’avanguardia al bebop, dalle canzoni per bambini allo straight ahead, dalla fusion più vigorosa ad esaltanti incursioni nella musica classica, durante la sua illustre carriera Chick ha toccato un numero incredibile di generi musicali, mantenendo uno standard di eccellenza davvero sorprendente.
Chick Corea piano
Tim Garland sax
Hadrien Feraud basso
Marcus Gilmore batteria
Charles Altura chitarra
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Per tre decenni, Mike Stern ha lasciato a bocca aperta il pubblico mondiale del jazz (e non solo) nella sua incessante sfida di portare il suo strumento, la chitarra elettrica, oltre i confini tecnici e stilistici. Ora più che mai Stern è impegnato in una varietà di progetti che alimentano la sua insaziabile curiosità e creatività.
Mike Stern: chitarra
Didier Lockwood: violino
Tom Kennedy: basso el.
Dave Weckl: batteria
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Anthony "Chick" Corea è un pianista e tastierista statunitense, noto soprattutto per le sue produzioni jazz e jazz fusion negli anni ’70 e sideman di Miles Davis in dischi importanti quali In a Silent Way e Bitches Brew.
Nel 2012 Chick Corea è arrivato alla strabiliante cifra di diciannove Grammy vinti in tutta la sua carriera. Dall’avanguardia al bebop, dalle canzoni per bambini allo straight ahead, dalla fusion più vigorosa ad esaltanti incursioni nella musica classica, durante la sua illustre carriera Chick ha toccato un numero incredibile di generi musicali, mantenendo uno standard di eccellenza davvero sorprendente.
Chick Corea piano
Tim Garland sax
Hadrien Feraud basso
Marcus Gilmore batteria
Charles Altura chitarra
Early 80's Dutch Jazz LP by a bunch of musicians i never heard about before i found this album.
Discogs described it as Post-Bop, so let's say Post-Bop with sometimes a Free-Jazz influence (mostly in the way Paul Kemenade plays his Alto Saxophone). Something like David Murray meets The Lounge Lizards, but no Arto Lindsay in this imaginary session.
Original Dutch pressing on the Traction Avant label.
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Per tre decenni, Mike Stern ha lasciato a bocca aperta il pubblico mondiale del jazz (e non solo) nella sua incessante sfida di portare il suo strumento, la chitarra elettrica, oltre i confini tecnici e stilistici. Ora più che mai Stern è impegnato in una varietà di progetti che alimentano la sua insaziabile curiosità e creatività.
Mike Stern: chitarra
Didier Lockwood: violino
Tom Kennedy: basso el.
Dave Weckl: batteria
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Anthony "Chick" Corea è un pianista e tastierista statunitense, noto soprattutto per le sue produzioni jazz e jazz fusion negli anni ’70 e sideman di Miles Davis in dischi importanti quali In a Silent Way e Bitches Brew.
Nel 2012 Chick Corea è arrivato alla strabiliante cifra di diciannove Grammy vinti in tutta la sua carriera. Dall’avanguardia al bebop, dalle canzoni per bambini allo straight ahead, dalla fusion più vigorosa ad esaltanti incursioni nella musica classica, durante la sua illustre carriera Chick ha toccato un numero incredibile di generi musicali, mantenendo uno standard di eccellenza davvero sorprendente.
Chick Corea piano
Tim Garland sax
Hadrien Feraud basso
Marcus Gilmore batteria
Charles Altura chitarra
Excellent album with Jimmy Gourley, Georges Arvanitas and Sonny Grey. "Jambo!" , "Jamboree" and "Côte à côte" are the highlights.
1969 French second pressing (Orange labels) on RCA-Victor label.