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If your first thought is that this looks like a normal healthy baby then the photographer did a good job.
Sprinters 7009 and 7013 depart Broadford station, passing by Post 7 with the 18:09 up Seymour to Southern Cross service #8332.
02/02/2019
Alva Noto
Book :
Éloge De La Couleur
Design . Architecture . Graphisme
La Piscine
2017
Ryoichi Shigeta
Japan
1968
CD :
Palatine
Factory
FAC400
Design by Peter Saville
iTunes :
Byetone
Postpostrefabricated
Raster - Noton
RN175
For Mrs GMA
Il Faut Reconstruire L'Usine En Couleurs ...
ok so basically i love all the post secrets so im gonna make my own. but mine arent gonna really be secrets. its just stuff about me thats kinda weird.
Heres the first one ♥
Veal AGNOLOTTI with Parsnip, Espresso & Grana Padano
*** Best of 2012***
Absolutely unreal. PERFECTLY made pasta, exquisite filling and sauce out of this world! Parsnip puree was, indeed, the sauce; it was not liquid, but rather perfectly silky - strained through a tamis and whipped with a lot of effort, no doubt.
I do not know what kind of flour they use for the agnolotti, but Del Posto Chef Mark Ladner once told me they used different types of flour for each of their individual pastas.
The filling was made with ground veal breast, mortadella and pancetta, and a better combination of the pasta, the filling and the sauce I simply can't imagine.
*** Best of 2012***
Colour postcard of "Main Street and Post Office, Deseronto, Ont.", published by Valentine & Co. The card was mailed on 7 January 1908 to Mrs J. G. Dawe, 452 Erie Street, Stratford, Ontario, by one of her children, who had started work in one of Deseronto's schools.
The post office was designed by Thomas Fuller (1823-1898), Chief Architect of the Dominion of Canada. It bears the date 1901 on the south façade.
Part of the Floyd Marlin collection.
UNITED STATE POST OFFICE, 201 E. THIRD STREET. Built in 1931, this large brick post office is a Neo-Classical building with eight large Ionic columns across the recessed entryway, a raised basement level and long, narrow windows. The building has a hipped roof which is clearly visible, though surrounded by a raised parapet. The almost-original interior of the building includes a high-ceilinged lobby and service area with dentil moldings and original interior doors. This building has served as Sweetwater’s official post office since it replaced the original wood frame structure which served the purpose from the 1880s well into the 20th century. It was the original post office which was known as “Sweet Water,” until in 1918 the U.S. Postal Service mandated that it conform to local usage of “Sweetwater.” National Register of Historic Places (1984 – District).
The U.S. Military Academy Class of 2021 chose their first Army assignment during Post Night, Feb. 3, 2021. During Post Night, cadets select their U.S. Army posts they will report to upon commissioning and graduating from basic officer leaders’ course. (U.S. Army photo by Bryan Ilyankoff, USMA West Point Public Affairs)
Post-Sunset Geese. San Joaquin Valley, California. January 11, 2018. © Copyright 2018 G Dan Mitchell - all rights reserved.
Winter geese fly toward San Joaquin Valley wetlands after sunset
These days photographing wild birds in California's Central Valley are frequently long. For me they begin about three hours before dawn, when I awake to a (very) early alarm, grab coffee and a bit of food, load my vehicle, and start out on a two-hour drive in the darkness. As I approach my destination the first color is coming to the sky above the Sierra, that is if tule fog doesn't reduce visibility to 100 feet or so! I pull in about a half hour before sunrise, set up camera equipment, and begin to work. At first I may make some landscape photographs, since it is often still too early to handhold the camera for bird photography, but soon the first birds fly up from the ponds. I usually spend the next three hours of so photographing birds and landscape — though the precise time varies depending on the conditions — and then I take a break in the middle of the day. By mid-afternoon I'm back, looking for evening photographic opportunities, and the pace of the work increases as sunset approaches. During the last few minutes of light a lot happens quickly, and then I photograph until the light is gone.
I made this photograph during that late period, following sunset, when lingering light colored the thin clouds above the western mountains. (My home lies beyond those mountains, a two-hour drive away.) Around sunset there is a period of coming and going by the birds. Geese may rise up from ponds and fly away, or flocks may arrive from distant points and settle in for the night. Often great flocks of cranes arrive just after sunset. The birds in this photograph are geese, most likely Ross's geese, approaching the wetland ponds from that western sunset sky.
G Dan Mitchell is a California photographer and visual opportunist. His book, "California's Fall Color: A Photographer's Guide to Autumn in the Sierra" is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.