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La muralla romana de Lugo rodea el casco histórico de la ciudad gallega de Lugo en la provincia del mismo nombre en España. La antigua ciudad romana de Lucus Augusti, fundada por Paulo Fabio Máximo en nombre del emperador Augusto en el año 13 antes de Cristo con la finalidad de anexionar, definitivamente, el nordeste de la península Ibérica al Imperio Romano fue dotada de un muro de defensa que ha perdurado, con escasas reformas, hasta la actualidad.
es.wikipedia.org/wiki/Muralla_romana_de_Lugo
A muralla de Lugo data da época romana, probablemente comezouse no ano 260, ao medrar a importancia de Lucus Augusti como centro de comunicacións e comercial, a súa construción durou ata a época de Constantino. Declarada Monumento Nacional en 1921, o 30 de novembro de 2000 a UNESCO declarouna Patrimonio da Humanidade.
gl.wikipedia.org/wiki/Muralla_de_Lugo
A muralha romana de Lugo rodeia a zona histórica da cidade galega de Lugo na província do mesmo nome. A antiga cidade romana de Lucus Augusti, fundada por Paulo Fabio Máximo em nome do imperador Augusto em 13 a.C. com a finalidade de anexar definitivamente o Nordeste da península Ibérica ao Império Romano, foi dotada de um muro de defesa que perdurou, com escassas reformas, até à atualidade.
Introspection and retrojection on a rainy afternoon in the middle of hot dry season.
–Redesigning my own subjective experience.
Tony Cragg 'Points of View' in Museum Belvédère in Oranjewoud NL.
April - September 2021 in the museum park and in four cabinets of the museum.
In Tony Cragg's sculptures, all the forces of the constantly changing nature seem to converge. When you follow the twists, curves and recesses, the images begin to dance almost before your eyes to the rhythm of shadow and reflecting light. Sometimes the contours of faces and bodies emerge, only to disappear again in the whimsical clustering of shapes. Cragg's images are strongly inspired by natural, organic forms and movements and emphatically invite you to view them from all sides. In 'Points of View' this is possible in the park designed by Michael van Gessel around Museum Belvédère, which is owned by Staatsbosbeheer but is freely accessible. The sculptures can be optimally experienced in the open landscape and against the background of the low, rectangular museum complex.
A collaboration with Tony Cragg was a wish that came true thanks to the enthusiastic cooperation of the artist. Cragg made the selection himself and determined the exact placement of the statues in the museum park. They redefine the landscape and make visitors aware of distances, proportions and sightlines. The west wing of the museum features sculptures made of glass, wood, bronze and plastic, as well as sketches, drawings and watercolors by Tony Cragg.
location: university of the philippines, diliman, quezon city, philippines
on action: owen & bheng (photoshoot)
shot taken last: february 11, 2012
image info:
nikon d90
18-200mm lens @ 18mm focal length
iso : 200
exposure : 1/100s
aperture : f/8.0
w/o filter
camera set in manual
handheld
strobing info:
nikon speedlight SB-600 extended flash w/o diffuser (stand at the back of tree), mode: TTL @ comp. 3.0
built in flash, fired (used as commander)
post process info:
no crop and no hdr.
picasa 3.0 (glow, saturation, tuning and sharpen)
adobe cs2 (adjustment of levels, exposure, brightness/ contrast and watermark)
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thanks for the visit and comments, appreciated...
God Bless and happy Friday to all my flickr friends :)
“If there is any one secret of success, it lies in the ability to get the other person's point of view and see things from that person's angle as well as from your own.”—Henry Ford
Tony Cragg 'Points of View' in Museum Belvédère in Oranjewoud NL.
April - September 2021 in the museum park and in four cabinets of the museum.
In Tony Cragg's sculptures, all the forces of the constantly changing nature seem to converge. When you follow the twists, curves and recesses, the images begin to dance almost before your eyes to the rhythm of shadow and reflecting light. Sometimes the contours of faces and bodies emerge, only to disappear again in the whimsical clustering of shapes. Cragg's images are strongly inspired by natural, organic forms and movements and emphatically invite you to view them from all sides. In 'Points of View' this is possible in the park designed by Michael van Gessel around Museum Belvédère, which is owned by Staatsbosbeheer but is freely accessible. The sculptures can be optimally experienced in the open landscape and against the background of the low, rectangular museum complex.
A collaboration with Tony Cragg was a wish that came true thanks to the enthusiastic cooperation of the artist. Cragg made the selection himself and determined the exact placement of the statues in the museum park. They redefine the landscape and make visitors aware of distances, proportions and sightlines. The west wing of the museum features sculptures made of glass, wood, bronze and plastic, as well as sketches, drawings and watercolors by Tony Cragg.
The museum building is a design of architect Eerde Schippers of Inbo architects, Heerenveen.
...que son las mismas que para ser un alpinista
*
El mundo de atrás quedaba abolido por la escalera misma
[...]
Bébase el cielo que le cae en plena cara, desde su inmenso embudo.
A lo mejor después, cuando gire en redondo y entre en el piso alto de su casa,
en su vida doméstica y diaria, comprenderá
que también allí había que mirar muchas cosas en esa forma...
* * *
"Instructions to open a Parachute"
# # #
Part of the Series "De Escaleras, Elevadores y Paracaídas"
La escultura del británico Tony Cragg “Points of view” es la primera obra de este reconocido autor que se expone de forma permanente en la vía pública. Se encuentra en la confluencia de calle Larios y calle Strachan. Málaga.
...into lines, into surfaces, into shapes, into dreams.
Juggling with a needle and a colored thread...
>>> Part of an Era and a series<<<
View On Blacklarge
il punto di vista dal film l'attimo fuggente
Dobbiamo sempre guardare le cose da angolazioni diverse. E il mondo appare diverso da quassù. Non vi ho convinti? Venite a vedere voi stessi. Coraggio!
E’ proprio quando credete di sapere qualcosa che dovete guardarla da un’altra prospettiva.(dal film l'attimo fuggente)
Tony Cragg 'Points of View' in Museum Belvédère in Oranjewoud NL.
April - September 2021 in the museum park and in four cabinets of the museum.
In Tony Cragg's sculptures, all the forces of the constantly changing nature seem to converge. When you follow the twists, curves and recesses, the images begin to dance almost before your eyes to the rhythm of shadow and reflecting light. Sometimes the contours of faces and bodies emerge, only to disappear again in the whimsical clustering of shapes. Cragg's images are strongly inspired by natural, organic forms and movements and emphatically invite you to view them from all sides. In 'Points of View' this is possible in the park designed by Michael van Gessel around Museum Belvédère, which is owned by Staatsbosbeheer but is freely accessible. The sculptures can be optimally experienced in the open landscape and against the background of the low, rectangular museum complex.
A collaboration with Tony Cragg was a wish that came true thanks to the enthusiastic cooperation of the artist. Cragg made the selection himself and determined the exact placement of the statues in the museum park. They redefine the landscape and make visitors aware of distances, proportions and sightlines. The west wing of the museum features sculptures made of glass, wood, bronze and plastic, as well as sketches, drawings and watercolors by Tony Cragg.
The museum building is a design of architect Eerde Schippers of Inbo architects, Heerenveen.
Tony Cragg 'Points of View' in Museum Belvédère in Oranjewoud NL.
April - September 2021 in the museum park and in four cabinets of the museum.
In Tony Cragg's sculptures, all the forces of the constantly changing nature seem to converge. When you follow the twists, curves and recesses, the images begin to dance almost before your eyes to the rhythm of shadow and reflecting light. Sometimes the contours of faces and bodies emerge, only to disappear again in the whimsical clustering of shapes. Cragg's images are strongly inspired by natural, organic forms and movements and emphatically invite you to view them from all sides. In 'Points of View' this is possible in the park designed by Michael van Gessel around Museum Belvédère, which is owned by Staatsbosbeheer but is freely accessible. The sculptures can be optimally experienced in the open landscape and against the background of the low, rectangular museum complex.
A collaboration with Tony Cragg was a wish that came true thanks to the enthusiastic cooperation of the artist. Cragg made the selection himself and determined the exact placement of the statues in the museum park. They redefine the landscape and make visitors aware of distances, proportions and sightlines. The west wing of the museum features sculptures made of glass, wood, bronze and plastic, as well as sketches, drawings and watercolors by Tony Cragg.
The museum building is a design of architect Eerde Schippers of Inbo architects, Heerenveen.
Tony Cragg 'Points of View' in Museum Belvédère in Oranjewoud NL.
April - September 2021 in the museum park and in four cabinets of the museum.
In Tony Cragg's sculptures, all the forces of the constantly changing nature seem to converge. When you follow the twists, curves and recesses, the images begin to dance almost before your eyes to the rhythm of shadow and reflecting light. Sometimes the contours of faces and bodies emerge, only to disappear again in the whimsical clustering of shapes. Cragg's images are strongly inspired by natural, organic forms and movements and emphatically invite you to view them from all sides. In 'Points of View' this is possible in the park designed by Michael van Gessel around Museum Belvédère, which is owned by Staatsbosbeheer but is freely accessible. The sculptures can be optimally experienced in the open landscape and against the background of the low, rectangular museum complex.
A collaboration with Tony Cragg was a wish that came true thanks to the enthusiastic cooperation of the artist. Cragg made the selection himself and determined the exact placement of the statues in the museum park. They redefine the landscape and make visitors aware of distances, proportions and sightlines. The west wing of the museum features sculptures made of glass, wood, bronze and plastic, as well as sketches, drawings and watercolors by Tony Cragg.
The museum building is a design of architect Eerde Schippers of Inbo architects, Heerenveen.
The leaflet which accompanies the sculpture trail has the tops of these sculptures against a sky, very like the one here, it is a very attractive image. Seen in such a landscape setting these sculptures have room to breath and space to see them from all angles.
Vuelven los puntos de vista.
Combi con aldarain. :D
Sessions by M&A.
Cámara acuática analógica.
Postedición PS sobre imágenes escaneadas.
fotoSonora / picSound Black Hole Sun by Soundgarden
Tony Cragg [Sir Anthony Douglas Cragg] ( b. 1949) - Points of view (2017). Belongs to the city of Malmö public art collection, located at the crossroads Pildammsvägen x S:t Johannesgatan, near the entrance to the Malmö Konsthall.
... yo no soy más grande que él...
Me chiflan nuestros dobles puntos de vista .
Sessions by M&A.
Composición de dos fotos analógicas, escaneadas de foto, Canon Prima, no recuerdo el carrete :(; sin postedición de color ni contraste.
Observad cómo el horizonte le decapita a él y me parte en dos a mí, y cómo mi codo apunta a su cabecita... ¡qué violencia y qué escabechina! (jaja)
Tony Cragg 'Points of View' in Museum Belvédère in Oranjewoud NL.
April - September 2021 in the museum park and in four cabinets of the museum.
In Tony Cragg's sculptures, all the forces of the constantly changing nature seem to converge. When you follow the twists, curves and recesses, the images begin to dance almost before your eyes to the rhythm of shadow and reflecting light. Sometimes the contours of faces and bodies emerge, only to disappear again in the whimsical clustering of shapes. Cragg's images are strongly inspired by natural, organic forms and movements and emphatically invite you to view them from all sides. In 'Points of View' this is possible in the park designed by Michael van Gessel around Museum Belvédère, which is owned by Staatsbosbeheer but is freely accessible. The sculptures can be optimally experienced in the open landscape and against the background of the low, rectangular museum complex.
A collaboration with Tony Cragg was a wish that came true thanks to the enthusiastic cooperation of the artist. Cragg made the selection himself and determined the exact placement of the statues in the museum park. They redefine the landscape and make visitors aware of distances, proportions and sightlines. The west wing of the museum features sculptures made of glass, wood, bronze and plastic, as well as sketches, drawings and watercolors by Tony Cragg.
The museum building is a design of architect Eerde Schippers of Inbo architects, Heerenveen.
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Outlining a Theory of General Creativity . .
. . on a 'Pataphysical projectory
Entropy ≥ Memory ● Creativity ²
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Study of the day:
[...] Quand on voit comment un animal marque son territoire, [...], ce qui intervient dans le marquage d'un territoire, [...], c'est aussi une série de postures, une série de couleurs, de chants, [..], ce sont les trois déterminations de l'art, . . couleurs, lignes, chants, c'est l'art à l'état pur ! Et alors je me dis, quand ils sortent de leur territoire, ou quand ils reviennent dans leur territoire, [...] que le territoire c'est leur avoir, c'est les propriétés de l'animal, et sortir du territoire c'est s'aventurer. Dès lors avec Felix [...] on a construit un concept que j'aime beaucoup. Puisque le territoire ne vaut que par le mouvement par lequel on en sort, on a besoin d'un mot, même s'il est en apparence barbare, pour désigner ce concept. C'est le concept de dé-territorialisation. [...] On a parfois besoin d'inventer un mot, pour rendre compte d'une notion nouvelle. Et cette notion nouvelle c'est qu'il n'y a pas de territoire sans un vecteur de sortie de ce territoire. Il n'y a pas de sortie du territoire, pas de dé-territorialisation, sans un effort pour se re-territorialiser ailleurs. [...] Et ce qui me fascine ici, c'est tout le domaine des signes, réception de signes, émission de signes, que ce territoire met en oeuvre. L'animal, pour moi, c'est un être fondamentalement aux aguets, (Claire Parnet: "Comme l'écrivain ?") . . l'écrivain oui est aux aguets, le philosophe est aux aguets, [...] c'est terrible cette existence aux aguets, [...] il écrit pour des lecteurs, [...] ça veut dire deux choses, ça veut dire "à l'intention de" et "à la place de". [...] Quand on écrit on ne mène pas une petite affaire privée, [...] c'est se lancer dans une affaire universelle, [...] c'est pousser le langage et la syntaxe jusqu'à une certaine limite, la limite qui sépare le langage du silence, de la musique, de quelque chose qui serait . . le piaulement [...] "
( Gilles Deleuze - L'Abécédaire - 1988 1995 - A: Animal )
When we see how an animal marks its territory ... which is involved in the marking of its territory, ... it is a series of postures, a variety of colors, songs, [..], there are the three determinations of art. Colors, lines, songs, it is art in its purest form ! When they come out of their territory, or when they come back into their territory, the territory ... is the properties of the animal, and to leave the territory is to venture into an unknown country. Therefore, with Felix [...] we built a concept that I like very much. Because the territory is defined only by the movement through which it is left, we need a word, even it is seemingly barbaric, to describe this concept. This is the concept of dis-territorialization. [...] It's sometimes necessary to invent a word, in order to reflect a new concept. And this new concept is that there is no territory without a way to leave it. There is no exit, no dis-territorialization without an effort to re-territorialize elsewhere. [...] And what fascinates me here is the whole area of the signs, reception of signs, utterance of signs that this territory implements. The animal, for me, this is a fundamentally a being on the lookout, (Claire Parnet: "As the writer ?") . . The writer is on the lookout yes, the philosopher is on the lookout, it's terrible ... this existence on the lookout ... he writes for readers, "... it means two things, it means "intend to" and "in place of". [...] When we wrote it is not a small private affair ... it is embarking on a universal affair ... it is pushing language and syntax to a certain limit, the limit that separates the language of silence, of music, of something that would be . . the whining [...]"
( Gilles Deleuze - ABC 1988 1995 - A: Animal )
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rectO-persO | E ≥ m.C² | co~errAnce | TiLt