View allAll Photos Tagged Pixelshift
Linhof Technikardan S45
Schneider-Kreuznach Apo-Symmar L 5.6/210
21mm front rise
f36
4 seconds
Kodak Ektar 100
Gitzo GT3532LS
Arca-Swiss Z1
Lab development
Digitised using 16-shot pixel-shift capture
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(Best viewed fullscreen in the lightbox)
Picklesimer Rock House Falls, Nantahala National Forest
Pentax K-1
Pixel-shift super-resolution mode
SMC Pentax 1:3.5 35mm
Iridient Developer
Another Pentax Pixel Shift photo, this time taken outside at Gloucester Cathedral, these wonderful stone carvings are above the main entrance.
Manfrotto Tripod, Pentax Remote, Lens = Sigma 35mm f/1.4 DG HSM ART, stretched and cropped (15% approx) in Snapseed on iPad Pro and 'Photos' on iMac.
For an in depth description of Pixel Shift :-
www.pentaxforums.com/articles/photo-articles/how-pentax-k...
For a review of the Pentax K3 II and Pixel Shift etc. :-
www.imaging-resource.com/PRODS/pentax-k3-ii/pentax-k3-ii-...
Not much was expected of this Contax III. Slipping sprocket gear, overlapping frames, shutter doesn't open on certain speeds. Still takes pictures though, after more than 80 years; an interesting piece of history. The Contax rangefinder was the first camera to combine a viewfinder and rangefinder in one window. They also had the fastest lenses of their time, a serious competitor to the now more successful Leicas. The lenses and cameras were copied after the war under the Kiev and Jupiter names.
The view these people have must be incredible! The sun rises right behind them every day and they have a clear view of it. Yesterday morning, the sky was pink and purple. I hope they were awake to see it. :)
This image is the result of blending three pixel shift resolution exposures in Photomatix HDR software. The pixel shift shots have an already amazing dynamic range, so HDR methods really shouldn't be necessary. However, I thought I'd give it a try. I found that blending the three PS exposures in Photomatix resulted in less noise than processing one image to look like this in Lightroom. The difference was minimal, but worth the trouble.
You can check out the full resolution image if you like. :)
I hope you all have a wonderful Sunday and Happy Father's Day to all the Dads out there! :)
Please check out my Facebook page . I upload many more photos there than Flickr.
Yellow-rumpted Warbler (Myrtle) in for a brief visit.
Common migrant though rare visitor to my suburban woodlot.
Print size 4' x 11'.
Stacked and stitched using pixel shift on the Panasonic G9.
There was another moth but it walked off, pretty hit and miss with live subjects but sometimes it works out.
Hasselblad 501CM
Carl Zeiss Distagon 4/50 T* CFi
f13
1/2 second
Ilford FP4+ (EI 80)
B+W Orange filter
Gitzo GT3532LS
Arca-Swiss Z1
Developed in Pyrocat-HD 95:5:1:1 water:IPA:A:B at 22 C for 14 mins with minimal agitation
Digitised using 16-shot pixel-shift capture
Toned
(best viewed fullscreen in the lightbox)