Pixelfed photos on Flickr

The January skies were full of clouds this year as I enjoyed our recently rolling back of restrictions. I was now able to wander outdoors any where anytime.

One of several projects, that explore photography as evidence amongst other ideas.

Grantham Road Estate and One West Point by Sea of Concrete

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Find me also on my WhatsApp channel, Bluesky, Tumblr, Glass, Mastodon, Pixelfed and on the web.

Southbank, Melbourne, Victoria, Australia.2016-0-19 15:51:51 by s2art

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Looking down over the bridge as we parted ways.

One of several projects, that explore photography as evidence amongst other ideas.

A slice of St. Paul's by Sea of Concrete

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London, SE1

Find me also on my WhatsApp channel, Bluesky, Tumblr, Glass, Mastodon, Pixelfed and on the web.

Woudagemaal in Lemmer by Erwin van den Bosch

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Camera: Zeiss Ikon Nettar 518/16

Lens: 75mm f/4.5 - 1/60s @ f/4.5

Film: Ilford HP5+ ISO 400

Developed: Ilford ID-11, 11.45 minutes

The ir. D.F. Woudagemaal is a pumping station in the Netherlands, and the largest still operational steam-powered pumping station in the world. On October 7, 1920 Queen Wilhelmina opened the pumping station. It was built to pump excess water out of Friesland, a province in the north of the Netherlands.

In 1967, after running on coal for 47 years, the boilers were converted to run on heavy fuel oil. It has a pumping capacity of 4,000 m³ per minute. The pumping station is currently used to supplement the existing pumping capacity of the J.L. Hooglandgemaal in case of exceptionally high water levels in Friesland; this usually happens a few days per year. Since 1998 the ir. D.F. Woudagemaal has been listed on the UNESCO World Heritage Site list.

Boats waiting for a renter by Erwin van den Bosch

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Camera: Yashica Mat-124g

Lens: Yashinon 80mm f/3.5

Film: Ilford HP5+ @ 1600 ISO

Developed: Ilford DD-X 1+4 13min

SILO. by François Lichtlé

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>>> pixelfed

The Silver Building, E16 by Sea of Concrete

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Find me also on my WhatsApp channel, Bluesky, Tumblr, Glass, Mastodon, Pixelfed and on the web.

Thornbury East, Melbourne, Victoria, Australia. 2024-08-05 by s2art

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Thornbury East?

Well well well.

One of several projects, that explore photography as evidence amongst other ideas.

The Shard and Tower Bridge at sunset by Sea of Concrete

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London, E14

Find me also on my WhatsApp channel, Bluesky, Tumblr, Glass, Mastodon, Pixelfed and on the web.

Old weigh bridge building by Erwin van den Bosch

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Camera: Minolta X-500

Film: Adox Silvermax 100

Farm - Friesland - Netherlands by Erwin van den Bosch

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Camera: Minolta X-500

Film: Ilford Delta 100

Farm - Friesland - Netherlands by Erwin van den Bosch

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Follow me on: Web | Pixelfed | Insta | YouTube

Camera: Minolta X-500

Film: Ilford Delta 100

Southbank, Melbourne, Victoria, Australia. 2023-07-13 14:14:49 by s2art

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The yellow peril on a crisp winter's day.

One of several projects, that explore photography as evidence amongst other ideas.

Sunshine, Melbourne, Victoria, Australia. 2025-03-24 13:44:25 by s2art

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Strange wall formations take hold but seem frozen in time.

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One of many ongoing approaches, where I move through the world as a harvester of images stumbling, strolling, lurching, equal parts accidental, and intentional. My concerns circumnavigate around questions that resist easy answers: time as texture, presence as performance, possibility as glitch. I trace the contours of decay and growth, hope and entropy, searching for the quiet collisions where meaning might emerge. Each image is less a document than a provocation an invitation to reconsider what we 'see', and what we ignore.

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Au bon coin by Pixdar

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Rue du Moutier, Vétheuil (Val-d'Oise).

Octobre 2025.

Tumblr, Instagram, X, Facebook, Pixelfed, Bluesky.

Venn by Tob1PIX

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In the High Fens of the Eifel.

Derrimut, Melbourne, Victoria, Australia. 2022-09-02 08:43:02 by s2art

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Freeways these days are much more decorative.

One of several projects, that explore photography as evidence amongst other ideas.

Coode Island, Melbourne, Victoria, Australia. 2023-04-25 10:47:28 by s2art

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The face of Melbourne is rapidly changing

One of several projects, that explore photography as evidence amongst other ideas.

BT Tower on a moody day by Sea of Concrete

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London

Find me also on my WhatsApp channel, Bluesky, Tumblr, Glass, Mastodon, Pixelfed and on the web.

Mila! by Erwin van den Bosch

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Camera: Mamiya C330f

Film: Fomapan 100

Tracks leading into Waterloo station by Sea of Concrete

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London, SE1

Find me also on my WhatsApp channel, Bluesky, Tumblr, Glass, Mastodon, Pixelfed and on the web.

Ballarat, Victoria, Australia. 2025-08-26 10:51:54 by s2art

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The rear of buildings hold more interest for me than the front, often.

The best still lives are often simply "found".

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______________________________________

One of many ongoing approaches, where I move through the world as a harvester of images stumbling, strolling, lurching, equal parts accidental, and intentional. My concerns circumnavigate around questions that resist easy answers: time as texture, presence as performance, possibility as glitch. I trace the contours of decay and growth, hope and entropy, searching for the quiet collisions where meaning might emerge. Each image is less a document than a provocation an invitation to reconsider what we 'see', and what we ignore.

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Brooklyn, Melbourne, Victoria, Australia. 2025-10-05 15:07:07 by s2art

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Looking east towards the CBD and the Westgate bridge, in 2025. At this point the project is near completion.

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Use your arrow keys on your keyboard to navigate to the next picture.

______________________________________

One of many ongoing approaches, where I move through the world as a harvester of images stumbling, strolling, lurching, equal parts accidental, and intentional. My concerns circumnavigate around questions that resist easy answers: time as texture, presence as performance, possibility as glitch. I trace the contours of decay and growth, hope and entropy, searching for the quiet collisions where meaning might emerge. Each image is less a document than a provocation an invitation to reconsider what we 'see', and what we ignore.

_____________________________________

Grantham Road and Loughborough Estates + Battersea Power Station by Sea of Concrete

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Find me also on my WhatsApp channel, Bluesky, Tumblr, Glass, Mastodon, Pixelfed and on the web.

Kealba, Melbourne, Victoria, Australia. 2021-12-21 09:33:24 by s2art

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I visit this spot on and off. Usually I only shoot film here. This time I also used my iPhone.

One of several projects, that explore photography as evidence amongst other ideas.

Sunset over Islington by Sea of Concrete

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London EC1V

Find me also on my WhatsApp channel, Bluesky, Tumblr, Glass, Mastodon, Pixelfed and on the web.

Footscray, Melbourne, Victoria, Australia. 2012-08-03 13:15:03 by s2art

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iPhones have come a long way in the last 13 years, still this green is to die for and, well, the graffiti is long gone of course.

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One of several projects, where as a harvester of images I stumble & lurch, part collector, part curator. Questioning time, presence, and possibility, amongst other ideas.

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Tottenham, Melbourne, Victoria, Australia. 2021-07-23 15:44:09 by s2art

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Accessible only on foot this site houses some of the infrastructure that is used for the Melbourne Grand Prix.

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St.Albans, Melbourne, Victoria, Australia. 2011-03-06 12:08:45 by s2art

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I worked here for a period of time, it was a surreal place, barely occupied in terms of students. Yet there were 2 canteens.

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Brooklyn, Melbourne, Victoria, Australia. 2016-01-01 16:13:52 by s2art

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Car wrapped in. silver tarpaulin, in an industrial estate on the edge of Sunshine.

One of several projects, that explore photography as evidence amongst other ideas.

Mont Ventoux by Erwin van den Bosch

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Camera: Mamiya 645 Pro TL

Film: Kodak Ektar 100

Whyalla, South Australia 1998 by s2art

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In 1998, I undertook a long and personal journey, from Melbourne to Whyalla. I flew to Adelaide and onto Whyalla, hired a hire car and spent about a week driving around. I made my home for the week in the caravan park at Whyalla. I spent most of each day driving and photographing. I blogged about it on my blog in 2023

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Use your arrow keys on your keyboard to navigate to the next picture.

______________________________________

One of many ongoing approaches, where I move through the world as a harvester of images stumbling, strolling, lurching, equal parts accidental, and intentional. My concerns circumnavigate around questions that resist easy answers: time as texture, presence as performance, possibility as glitch. I trace the contours of decay and growth, hope and entropy, searching for the quiet collisions where meaning might emerge. Each image is less a document than a provocation an invitation to reconsider what we 'see', and what we ignore.

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