View allAll Photos Tagged Persistence
Picture from Beartooth Highway that runs between Montanan and Wyoming. Snow can be found here all year long.
A Persistence of Time is a short film that explores how our everyday world is always moving forward in time, without us being aware of the persistent and constant change taking place before us.
Flickr cuts off the last almost full minute. But please, click here to view A Persistence of Time in it's HD entirety.
I've been absent from Flickr for a while. This film is why.
Another view of a monumental asbestos mine tailings dump in Vermont, USA; a peek toward the peak. Signs of weathering and erosion are evident as gravity and time continue to perpetuate the persistent toxic threat.
The nice couple sitting next to me at the bar finally gave in to my pleading and took a couple of pics of me
Photography by Korey
Only the most wild and stubborn fireworks burst
through pavement cracks.
#myweekofmacro #365project #flowers #wildflowers #persistence
40 Likes on Instagram
1 Comments on Instagram:
suehennessy7: 💛💛💛💛👍
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Outlining a Theory of General Creativity . .
. . on a 'Pataphysical projectory
Entropy ≥ Memory ● Creativity ²
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Study of the day:
"L'éthique c'est l'ethos grec, c'est le "caractère" dans la poétique d'Aristote, c'est le "séjour" pour Heidegger, c'est la place qu'on occupe, l'espace et le temps où l'on se tient. Il est directement rattaché à l’aidôs qui vient de Hades (Aidês), le dieu de l'enfer, de la mort. L’aidôs est défini par Aristote dans l’Éthique à Nicomaque comme la crainte de subir l’ignominie, une forme d’anticipation de la honte qui serait éprouvée en cas de manquement aux valeurs d’honneur, de justice, au regard des autres, et puni de la mort par Zeus lui même, lorsqu'il confia à Hermès le soin de donner aux hommes homométhéens le sens du respect, de la mesure, de la justice, en un mot : de la dignité.
L'éthique est au-delà de la morale. La morale est une collection de règles prévues pour résoudre les problèmes connus d'un lieu et d'un temps donnés. L'éthique est la capacité d'inventer des solutions pour résoudre des problèmes nouveaux, que la morale n'avait pas prévu, mais qui n'exigent pas moins respect, justice, honneur, au regard du bien commun, passé, présent et futur, et qui dépasse l'intérêt individuel de chaque mortel, en tant qu'il sait qu'il est mortel.
La morale est une mémoire, l'éthique est une incessante création."
"The ethics comes from the greek ethos, the "character" in the poetics of Aristotle, the stay for Heidegger, this is the place we are occuping, the space and the time we are staying in. It is intimately attached to the aidos, of Hades (Aidês), the god of hell and death. The aidôs is defined by Aristotle in the Nicomachean Ethics as the fear to suffer the ignominy, as a form of anticipation of shame that would be proven if case of failure in honor, justice, respect. Ignominy punishable by the death by Zeus himself, when giving to Hermes the mission to bring to the homomethean human creatures the sense of respect, of measure, of justice, in one word : of dignity.
Ethics is beyond morality. The moral is a collection of rules for solving known problems in a given place and a given time. Ethics is the ability to invent solutions to solve new problems, that morality not planned, but who need also respect, justice, honor, considering the common goods, passed, present and future, and that goes beyond the individual interest of each mortal creature, knowing it is mortal.
Morality is a memory, ethics is an incessant creation."
( d'une scholie de Bernard Stiegler - L'éthique, parlons-en ! )
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rectO-persO | E ≥ m.C² | co~errAnce | TiLt
Once a thriving mill town from the turn of the century until the 1970s, Henry River Mill Village sat abandoned outside Hickory, NC until recently. It was used in the film adaptation of The Hunger Games as Katniss Everdeen's hometown of District 12.
Now it's owned by Calvin and Melissa Reyes, who are restoring the village, giving tours, and lovingly preserving its wonderful history.
Read all about its history on my blog: bit.ly/AoA-HRMV-Blog
See the photos from this shoot and purchase prints on my website at: bit.ly/AoA-HRMV-Website
Schedule your own visit to this fascinating and beautiful location at henryrivermillvillage.com/
#ArtOfAbandonment #WalterArnoldPhotography #HRMV #HenryRiverMillVillage #TheHungerGames
Tree triving in the difficult enviornment of lava rock and generally chilly weather in Hell's Half Acre, near Idaho Falls, Idaho. 5xp hdr
"In the middle of a difficulty lies opportunity." Albert Einstein
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Outlining a Theory of General Creativity . .
. . on a 'Pataphysical projectory
Entropy ≥ Memory ● Creativity ²
__________________________________________________
Studies of the day:
Qu'importe le temps
Qu'emporte le vent
Mieux vaut ton absence
Que ton indifférence.
Whatever is the time
Whatever prevails the wind
Better your absence
Than your indifference.
( Serge Gainsbourg - Indifférente )
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Toutes les images sont mensonges,
l'absence d'image est aussi mensonge.
All images are lies,
the absence of image is also a lie.
( Bouddha )
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Écouter, c'est écouter l'absence de son.
Regarder, c'est regarder l'absence de forme.
To listen, is to listen at the absence of sound.
To watch, is to look at the lack of form.
( Le Secret de la fleur d'or - sagesse zen )
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rectO-persO | E ≥ m.C² | co~errAnce | TiLt
"Persistence of Memory" is a bronze sculpture by artist Salvador Dali. His use of the melting clocks represent "an unconscious symbol of the relativity of space and time, a Surrealist meditation on the collapse of our notions of a fixed cosmic order".
Dali has said that the inspiration for the soft watches was not by the theory of relativity as some have suggested, but by the surrealist perception of a Camembert cheese melting in the sun.
Dali's sculptures were on display on the South Bank of the River Thames in London until early 2010.
Photographed spring 2008.
:a river cuts through rock not because of it's power, but because of it's persistence: ~jim watkins
i read this quote several weeks ago and i can't shake it. i think about it several times during the day. i often want to choose the easy way, to give up or give in and so often what is required is persistence. to work a bit harder, to dig in.
i'm sharing it now because no matter where we are in our journey of life, we must persist. to live the life we were created to live. things will not always be easy but we must persevere. to be kind, to be loving, to claim what is ours, to give of ourselves, to hope, to dream, to grow.
xoxo
Clinton lake outside of town was created in the 1950s by the Army Corps of Engineers. The name comes from the small town of Clinton which was submerged and lost.
The lake is abnormally low now and during this time the ghostly dead trees which marked country roads rise again above the water.
It goes without saying that I love them!
Different stores, different results after a half-hour talking/waiting but never disrespectful/impatient... Got to use the $10 coupon off $100 purchase too and the other surprise were the sets were not overpriced!
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Outlining a Theory of General Creativity . .
. . on a 'Pataphysical projectory
Entropy ≥ Memory ● Creativity ²
__________________________________________________
Study of the day:
"L'éthique c'est l'ethos grec, c'est le "caractère" dans la poétique d'Aristote, c'est le "séjour" pour Heidegger, c'est la place qu'on occupe, l'espace et le temps où l'on se tient. Il est directement rattaché à l’aidôs qui vient de Hades (Aidês), le dieu de l'enfer, de la mort. L’aidôs est défini par Aristote dans l’Éthique à Nicomaque comme la crainte de subir l’ignominie, une forme d’anticipation de la honte qui serait éprouvée en cas de manquement aux valeurs d’honneur, de justice, au regard des autres, et puni de la mort par Zeus lui même, lorsqu'il confia à Hermès le soin de donner aux hommes homométhéens le sens du respect, de la mesure, de la justice, en un mot : de la dignité.
L'éthique est au-delà de la morale. La morale est une collection de règles prévues pour résoudre les problèmes connus d'un lieu et d'un temps donnés. L'éthique est la capacité d'inventer des solutions pour résoudre des problèmes nouveaux, que la morale n'avait pas prévu, mais qui n'exigent pas moins respect, justice, honneur, au regard du bien commun, passé, présent et futur, et qui dépasse l'intérêt individuel de chaque mortel, en tant qu'il sait qu'il est mortel.
La morale est mémoire, l'éthique est incessamment créativité."
"The ethics comes from the greek ethos, the "character" in the poetics of Aristotle, the stay for Heidegger, this is the place we are occuping, the space and the time we are staying in. It is intimately attached to the aidos, of Hades (Aidês), the god of hell and death. The aidôs is defined by Aristotle in the Nicomachean Ethics as the fear to suffer the ignominy, as a form of anticipation of shame that would be proven if case of failure in honor, justice, respect. Ignominy punishable by the death by Zeus himself, when giving to Hermes the mission to bring to the homomethean human creatures the sense of respect, of measure, of justice, in one word : of dignity.
Ethics is beyond morality. The moral is a collection of rules for solving known problems in a given place and a given time. Ethics is the ability to invent solutions to solve new problems, that morality not planned, but who need also respect, justice, honor, considering the common goods, passed, present and future, and that goes beyond the individual interest of each mortal creature, knowing it is mortal.
Morality is memory, ethics is incessantly creativity."
( d'une scholie de Bernard Stiegler - L'éthique, parlons-en ! )
__________________________________________________
rectO-persO | E ≥ m.C² | co~errAnce | TiLt
I have published a few shots of this tree already. It has been flowering since late may and it hasn´t stopped, so I couldn´t resist to taking a few new shots (...)
read more on my blog: myhealingmoments.blogspot.com.es/2012/10/day-352.html
Annotation: I´m developing a 365 project which includes not only a daily photo, but also a daily post in my blog. This is the number 352. If you want to see all the photos: www.flickr.com/photos/healingmoments/sets/72157627759889118/
FILE PAI
Paulista Avenida Interativa
Paulista Interactive Avenue
ESPAÇO FIESP
Lawrence Malstaf - Shrink 01995 - Bélgica Belgium
Christoph Haag, Martin Rumori, Franziska Windisch & Ludwig Zeller - Open Circuit - Alemanha | Germany
Alessandro Ludovico & Paolo Cirio - Face to Facebook - Reino Unido | United Kingdom
Coletivo COLETORES: Toni William, Flávio Camargo, Daniela Cordeiro & Karina Marques - Máquina/Brinquedo - Brasil | Brazil
Eduardo Omine - Fragments In Curved Air - Brasil | Brazil
Elie Zananiri, Hugues Bruyère & Mathieu Léger - Peptone - Canadá | Canada
Esther Hunziker - DUMP - Suíça | Switzerland
Julian Jaramillo Arango - The Happy Cube - Brasil | Brazil
Lauren McCarthy - Conversacube - Estados Unidos | United States
NaJa & deOstos (Project Team: Ricardo de Ostos, Nannette Jackowski, Manuel Jimenez, Thomas Sicouri) - Ectoplasmatic Housing - Reino Unido | United Kingdom
PirarucuDuo: Fernando Visockis & Thiago Parizi - Acusmograma - Brasil | Brazil
Rafaël Rozendaal - Towards and Beyond.com - Holanda | Netherlands
Ricardo Iglesias García - Surveillance Cameras: they are alive! - Espanha | Spain
Tamás Waliczky - Marionettes - Hungria | Hungary
Yoshi Akai - Heart 'n' Beat (Biorhythm Synthesizer) - Japão | Japan
FNAC
Arnt Jensen - LIMBO - Dinamarca | Denmark
Gaijin Games - BIT TRIP BEAT - Estados Unidos | United States
Mediatronic - Monsters Probably Stole My Princess - Reino Unido | United Kingdom
METRÔ TRIANON-MASP
Rafaël Rozendaal - Carnal Fury.com - Holanda | Netherlands
Rafaël Rozendaal - Hot Doom.com - Holanda | Netherlands
Rafaël Rozendaal - Hybrid Moment.com - Holanda | Netherlands
Rafaël Rozendaal - Jello time.com - Holanda | Netherlands
Rafaël Rozendaal - The Persistence of Sadness.com - Holanda | Netherlands
MASP
Rejane Cantoni & Leonardo Crescenti - Solo - Brasil | Brazil
LIVRARIA CULTURA
Arnt Jensen - Limbo - Dinamarca | Denmark
Daniela Arrais & Luiza Voll - Invente um sorriso - Brasil | Brazil
Ricardo Barreto, Maria Hsu & AMUDI - feelMe - Brasil | Brazil
That Game Company: Jenova Chen - flOw - Estados Unidos | United States
CINE LIVRARIA CULTURA
Matthias Hoegg - August - Inglaterra | England
Andrew Ruhemann & Shaun Tan - The Lost Thing - Austrália / Australia
Animatório - Neomorphus - Brasil | Brazil
Bertrand Bey & Pierre Ducos - La Détente - França | France
Birdo Studio: Luciana Eguti, Paulo Muppet & Amir Admoni - Monkey Joy - Brasil | Brazil
Coala Filmes: Cesar Cabral - Tempestade - Brasil | Brazil
Fábio Yamaji - O Divino, de repente - Brasil | Brazil
Max Loubaresse, Marc Bouyer & Anthony Vivien - Salesman Pete - França | France
INSTITUTO CERVANTES
*Instalações | Installations:
Andreas muk Haider - skia - Áustria | Austria
Tim Coe - A Perfect Face - Áustria | Austria
*Anima+:
8-Bits Team: Valere Amirault, Jean Delaunay, Sarah Laufer & Benjamin Mattern - 8-Bits - França | France
Alan Becker - Animator Vs Animation - Estados Unidos | United States
Alessandro Novelli - The Alphabet - Itália | Italy
Alexander Gellner - 1 Minute Puberty - Alemanha | Germany
Andrew Huang - The Gloaming - Estados Unidos | United States
Ben Thomas & Leo Bridle - Train of Thought - Inglaterra | England
Birdo Studio: Luciana Eguti & Paulo Muppet - Bonequinha do Papai - Brasil | Brazil
Birdo Studio: Luciana Eguti & Paulo Muppet - Caixa - Brasil | Brazil
Birdo Studio: Luciana Eguti, Paulo Muppet & Allan Sieber - Animadores - Brasil | Brazil
Birdo Studio: Luciana Eguti, Paulo Muppet & Jimmy Leroy - Pequeno Cidadão - Brasil | Brazil
Brendan Angelides & Cyriak Harris - Eskmo - Estados Unidos | United States
Christopher Alender - Eye of The Storm - Estados Unidos | United States
Coala Filmes: Cesar Cabral - Dossiê Rê Bordosa - Brasil | Brazil
Dante Zaballa & Matias Vigliano - The Head - Argentina | Argentina
David O’Reilly - Please Say Something - Irlanda e Alemanha | Ireland and Germany
David O’Reilly - The External World - Irlanda e Alemanha | Ireland and Germany
David Wilson - Japanese Popstars “Let Go” - Inglaterra | England
Dominik Käser, Martin-Sebastian Senn, Mario Deuss, Niloy J. Mitra & Mark Pauly - Silhouettes of Jazz - Estados Unidos | United States
Esteban Diácono - Ólafur Arnalds - Ljósið - Argentina | Argentina
Fábio Yamagi & Denis Kamioka ‘Cisma’ - Photocopy Romance - Brasil | Brazil
Fernando Sanches - Xixi no Banho - Brasil | Brazil
Gabrielle Lissot, Pierre Lippens, Laurent Jaffier & Nicolas Deprez - Tous Des Monstres (All Monsters) - França | France
Guilherme Marcondes - Tyger - Brasil | Brazil
Guillermo Madoz - Head Honcho - Argentina | Argentina
Hi-Sim - Jump - Inglaterra | England
Home de Caramel - Alone Together - Espanha | Spain
Jasmin Lai - Brave - Estados Unidos e Tailândia | United States and Thailand
Jason Wishnow - Oedipus - Inglaterra | England
Jean-Paul Frenay - Artificial Paradise, Inc - Bélgica e França | Belgium and France
Joanna Lurie - Tree’s Migration - França | France
Joaquin Baldwin - Sebastian's Voodoo - Estados Unidos | United States
Joaquin Baldwin - The Windmill Farmer - Estados Unidos | United States
Ken Turner - TIM - Canadá | Canada
Lee Tao - Seedling - Canadá / Canada
Lemeh42 - Wool & Water - Itália / Italy
Leszek Plichta - Dreammaker - Polônia e Alemanha | Polland and Germany
Malcolm Sutherland - Bout - Canadá | Canada
Malcolm Sutherland - Umbra - Canadá | Canada
Marc Silver - There Are No Others - Inglaterra | England
Marlies van der wel - Protest Flatness - Holanda | Netherlands
Martin Piana - LUMI - Argentina | Argentina
Martin Woutisseth - Stanley Kubrick, a filmography - França | France
Matatoro Team: Mauro Carraro, Raphaël Calamote & Jérémy Pasquet - Matatoro - França | France
Matthias Hoegg - August - Inglaterra | England
Matthias Hoegg - Thrusday - Inglaterra | England
Max Hattler - SPIN - Inglaterra | England
Meindbender Animation Studio - The Pirate - Suécia | Sweden
Michael Paul Young - The Interpretation - Estados Unidos | United States
Michal Socha - Chick - Polônia | Polland
Michal Socha - Koncert - Polônia | Polland
Mr McFly - Baseball - França | France
MUSCLEBEAVER: Tobias Knipf & Andreas Kronbeck - How your money works - Alemanha | Germany
Napatsawan Chirayukool - What makes your day? - Tailândia e Inglaterra | Thailand and England
Pahnl - Nowhere near here - Inglaterra | England
Peppermelon TV - Advanced Beauty - Inglaterra e Estados Unidos | England and Unites States
Peppermelon TV - First - Inglaterra e Estados Unidos | England and Unites States
Peppermelon TV - Target - Friends with you - Inglaterra e Estados Unidos | England and Unites States
Robert Seidel - Vellum - Alemanha | Germany
Rogier van der Zwaag Nobody Beats The Drum - Grindin - Holanda | Netherlands
Ross Phillips - 5 Second Projects ( Ballons) - Inglaterra | England
Ross Phillips - 5 Second Projects ( Reverse) - Inglaterra | England
Sasha Belyaev - The Rite of Youth - Letônia | Latvia
Scott Pagano - Pororoca - Estados Unidos | United States
Scott Pagano - Trust In The 'M' Machine - Estados Unidos | United States
Serene Teh - Parkour - Cingapura | Singapore
Stephen Irwin - Black Dog's Progress - Inglaterra | England
Stephen Irwin - Horse Glue - Inglaterra | England
Sylvain Marc - Cocotte Minute - França | France
Sylvain Marc - Fertilizer Soup - França | France
Tanya Aydostian - L'autre - França | France
Taylor Price - Hunt - Canadá e Estados Unidos | Canada and United States
Treat Studios - E4 - Inglaterra | England
Veronika Obertová - Viliam - Eslováquia | Slovakia
Wesley Rodrigues - Pinga com Saquê - Brasil | Brazil
Zach Cohen - The Chair Not Taken - Itália | Italy
Andrew Ruhemann & Shaun Tan - The Lost Thing - Austrália / Australia
Animatório - Neomorphus - Brasil | Brazil
Bertrand Bey & Pierre Ducos - La Détente - França | France
Birdo Studio: Luciana Eguti, Paulo Muppet & Amir Admoni - Monkey Joy - Brasil | Brazil
Coala Filmes: Cesar Cabral - Tempestade - Brasil | Brazil
Fábio Yamaji - O Divino, de repente - Brasil | Brazil
Max Loubaresse, Marc Bouyer & Anthony Vivien - Salesman Pete - França | France
*Game:
Colibri Games - The Tiny Bang Story - Rússia | Russia
*Maquinemas | Machinimas:
Tom Jantol - Brief Encounter - Croácia / Croatia
Tom Jantol - Dear Fairy - Croácia | Croatia
Tom Jantol - Duel - Croácia | Croatia
Tom Jantol- The Remake - Croácia | Croatia
Tom Jantol- Wizard of OS: the fish incident - Croácia | Croatia
METRÔ VILA MADALENA
Alex May & Rudolf Kremers - Eufloria - Reino Unido | United Kingdom
Alexander Bruce - Hazard: The Journey of Life - Austrália | Australia
Christoffer Hedborg - Toys - Suécia | Sweden
Paolo Pedercini / Molleindustria - "Every Day The Same Dream" - Estados Unidos e Itália | United States and Italy
Richard E Flanagan / Phosfiend Systems - FRACT - Canadá | Canada
METRÔ CONSOLAÇÃO
Soraya Braz e Fábio Fon - Via Invisível - Brasil | Brazil
METRÔ BRIGADEIRO
Soraya Braz e Fábio Fon - Via Invisível - Brasil | Brazil
CENTRO CULTURAL SÃO PAULO
*Workshop:
Claudia González & Christian Oyarzún - Open Source Generative Electronic Music Devices – Chile | Chile
Cristiano Rosa - DIY Together – Brasil | Brazil
Hye Yeon Nam & Carl DiSalvo - Huggable Nature, Community Workshop – Estados Unidos | United States
Ricardo Palmieri -VideoMapping e Realidade Expandida | VideoMapping and Expanded Reality – Brasil | Brazil
*Symposium:
19.07.2011
André Rangel - Portugal | Portugal
Metacriação e composição algorítmica: Reflexões sobre a distância entre o criador e o público | Meta-creation and algorithmic composition - Reflections on the distance from the creator to the audience
Ali Miharbi - Turquia | Turkey
Top-down X Bottom-up: Obras recentes | Top-down vs. Bottom-up: Recent Works
Eric Siu - Honk Kong e Japão | Hong Kong and Japan
Corpo dirigido pela mídia: Massagem de karaokê | Media Driven Body: Karaoke Massage
Ben Jack - Nova Zelândia | New Zealand
Cérebros, computadores e emergência: Mágica mental em um mundo digital | Brains, computers and emergence: Mental magic in a digital world
Kazushi Mukaiyama - Japão | Japan
IJIROS
Mesa Redonda | Round Table
Daniel Gonzalez Xavier (coordenação e mediação | coordination and mediation) Brasil | Brazil; Fernando Velázquez - Montevidéu-Uruguai; Milton Sogabe - Brasil | Brazil; Miguel de Castro Perez - Brasil | Brazil; Ricardo Palmieri - Brasil | Brazil; Vanessa Fort - Brasil | Brazil
Processos mistos de criação e gestão de práticas artísticas, tecnológicas e culturais: Uma aproximação aos Encontros AVLAB e outros modelos de gestão compartilhada e em constante trânsito físico/online | Mixed processes of creation and management of artistic, technological and cultural practices: An approach to the AVLAB Meetings and other shared and in constant physical/online transit management models
20.07.2011
Andreas muk Haider - Áustria | Austria
Skia
Hye Yeon Nam - Coréia e Estados Unidos | Korea and United States
Por favor, sorria | Please Smile
Julian Jaramillo Arango - Brasil | Brazil
O Cubo Feliz | The Happy Cube
Matt Roberts - Estados Unidos | United States
Quem está no controle? Criando arte com dados em tempo real e interação do usuário | Who is in control? Creating art using real-time data and user interaction
Ricardo Iglesias García - Espanha | Spain
Arte, robôs e câmeras de vigilância | Art, robots and surveillance cameras
Mesa Redonda | Round Table
Ana Carla Fonseca (Garimpo de Soluções) Brasil | Brazil; Expedito Araújo (Vivo EnCena) Brasil | Brazil; Laura Corrêa (ItsNoon) Brasil | Brazil; Piatã Stoklos Kignel (Banco Santander) Brasil | Brazil
Economia Criativa | Creative Economy
21.07.2011
Sergio Roclaw Basbaum - Brasil | Brazil
Percepção e experiência em ambientes digitais: tecnoestese e infocognição | Perception and experience in digital environments: tecnoaesthesis and infocognition
Eduardo Patrício - Brasil | Brazil
Desenvolvimento de Instrumentos Musicais Digitais como atividade composicional | Development of musical instruments as a compositional activity
Giuliano Obici - Brasil | Brazil
Lanhouse e seus devires | LAN houses and their devires
Claudia Paulina González Godoy - Chile | Chile
Arte, Hardware Aberto e Cultura DIY | Art, Open Hardware and DIY Culture
Douglas Easterly - Nova Zelândia e Estados Unidos | New Zealand and United States
Escapando ao solipsismo: Inteligência Artificial, design de jogos | Escaping Solipsism: Artificial Intelligence, Game Design
Victoria Messi - Argentina | Argentina
Anti Utopia: Arte Eletrônica na América Latina | Anti Utopia: Electronic Art in Latin America
Gabriela Previdello - Brasil | Brazil
Fluxo da informação na contemporaneidade: a memória reordenada nas estruturas do FILE Arquivo | Contemporary information flow: the reordered memory on FILE Archive structures
Mesa Redonda | Round Table
Eliane Weizmann (coordenação e mediação | coordination and mediation) Brasil | Brazil; Alessandro Ludovico (neural) Itália | Italy; Alexandre Matias (Editor do caderno de cultura digital do jornal O Estado de S. Paulo) Brasil | Brazil; Régine Debatty (we make money not art) Bélgica | Belgium; Victoria Messi (El Pez Eléctrico) Argentina | Argentina
Jornalismo Cultural | Cultural Journalism
22.07.2011
Fernando Macedo - Brasil | Brazil
"Música para fala e trinta minutos", por PirarucuDuo | "Music for speech and 30 minutes" by Pirarucu Duo
Eduardo Omine - Brasil | Brazil
Fragmentos em ar curvo | Fragments in curved air
Christian Oyarzún Roa - Chile | Chile
G: Representações e reformulações do global de uma perspectiva meridional | G: representations and reformulations of the global from a South view
Karla Schuch Brunet - Brasil | Brazil
Geografias do Mar # Ilhas | Geographies of the Sea # Islands
Rachel Zuanon Dias / Geraldo Lima - Brasil | Brazil
Desenhando biointerfaces usáveis para jogar: o BioBodyGame e o NeuroBodyGame | Geographies of the Sea # Islands
Mesa Redonda | Round Table
Franklin Lee (AA) (coordenação e mediação | coordination and mediation); Anne Save de Beaurecueil (SUBdV) >; Robert Smith Stuart (Kokkugia); Sandro Tubertini (BDSP); Thiago Mundim (AA)
Coreografando Arquitetura Computacional | Choreographing Computational Architecture
There is a wonderful book by photographer David Lubbers that I highly recommend entitled “Persistence of Vision” in which the artist pairs photographs that he made years apart that show that he is seeing in the same way over time. I find this is true of my photographs as well ... on review ... images that are taken years apart appear to have a strong relationship in composition, light, texture, perspective, etc. even though it is not a conscious effort. I suppose this should not be surprising but it always makes me a little more thoughtful about my photography when I make the observation. The photos below were taken earlier, each about a year apart, and in different parts of the world. Although, in this case, they are all fundamentally abstracts, I can find these same photographic qualities, shapes, tones, and textures framed in some of my landscapes as well.
Various applications of spinning forms which utilise the persistence of vision to create recognisable shapes and optical illusions.
Woodcut from The Popular Educator 1868.
A complete illustrated Encyclopaedia for Elementary, Advanced and Technical Education.
Published by Cassell, Petter & Galpin, London. Six volumes in three books, half leather and gilt binding with marbled covers and marbled endplates. Total 2500 pages 26cm x 19.5cm .
Not even a chain-link fence can hinder their growth! Here's to a wonderful and 'fence-filled' Friday, friends!
Photex 80mm f/2.8 S&T Lens on a 1Ds
[ 0.001 sec (1/800) | f/2.8 | FLength 80 mm | ISO 200 | Manual exposure ]
When the conditions are favorable and allow for a pretty solid chance of capturing a great image you’ll find me out shooting the night sky. I always head out with high hopes knowing that I ......
Read the rest on my blog :
photosbysh.wordpress.com/2013/07/11/rewarded-persistence/
To view a larger image please visit my website: smu.gs/10PwhLp
The King of Fruit
The lifestyle of dealers during the fruiting season.
Pasar Besar Kedai Payang, Kuala Terengganu, Terengganu, Malaysia