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Collage on paper, 30x20cm. A visual representation of Aldous Huxley's account of a mescaline experience as described in his book 'The Doors of Perception'.
Go to Page 381 in the Internet Archive
Title: Handbuch der physiologischen optik
Creator: Karsten, Gustav
Creator: Helmholtz, Hermann von, 1821-1894
Creator: Royal College of Physicians of Edinburgh
Publisher: Leipzig : Leopold Voss
Sponsor: Jisc and Wellcome Library
Contributor: Royal College of Physicians in Edinburgh
Date: 1867
Language: ger
Description: Refr: G-M 1513; Eimas 1887; Norman 1046 Cont: Includes 'Atlas' Titl: Published as Volume IX of - Gustav Karsten, Allgemeine encyklopadie der physik Note: Helmholtz's work gave the first real description of optical physiology, color perception, the mechanism of eye movements, and the measurement of lens curvature. "One of the greatest books on physiological optics" (G-M). "A marvel of style and clarity. He stated the clinical facts separately from the difficult mathematical parts of his investigations that proved his clinical conclusions" (Gorin, History ophthalmology)
This material has been provided by the Royal College of Physicians of Edinburgh. The original may be consulted at the Royal College of Physicians of Edinburgh
Royal College of Physicians of Edinburgh
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
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Backside of the ring uploaded earlier today
Front:
www.flickr.com/photos/46118561@N02/4301419129/in/pool-rad...
I believe this to be a negative learning space as inside the cafeteria, there are many distractions such as the abundance of people who walk in and out, loud noises and also the food. With so many things to do other then learn, I considered this to be a negative learning place.
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Experiments in perception is a thesis project completed in Paul Sahre & Lindsay Ballant's portfolio class. It is a series of objects and situations that attempt to make others re-think the usual. It's over-arching goal was to test boundaries of logic, language, pre-conceived notions and social convention through the filter of design.