View allAll Photos Tagged PentaxSuperA

Pentax Super A Pentax 50mm 1.7 Kodak 200

Pentax SuperA, SMC Pentax-A 50mm F1.7, Kodak Portra 400

www.beautifulgrain.com

Pentax SuperA, SMC Pentax-A 50mm F1.7, Kodak Tri-X400

www.beautifulgrain.com

Pentax Super A with smc Pentax A 70-210mm @ 120mm; f16, 1/60 sec. Fuji Pro 160C

Kodak UltraMax 400

Filmrulle 2020:15

Pentax SuperA, SMC Pentax-A 50mm F1.7, Kodak Portra 160

www.beautifulgrain.com

Pentax Super A with smc Pentax A 50mm f1.7; f11, 1/125 sec. Fuji 160 NPC

Pentax Super A with smc Pentax M 35mm + grad blue filter; f16, 1/60 sec. Fuji Pro 160C

pentaxSuperA//kodakportra400//epson scan

Pentax super A 28mm smc A Kodak Ektar 100

Pentax Super A with smc Pentax A 50mm f1.7; f16, 1/60 sec. Fuji NPC 160

Above is the west bound lane of the M4 motorway, so it's a view very few see or know it exists.

 

Pentax Super A with smc Pentax A 50mm f1.7; f11, 1/60 sec. Fuji Pro 160C

Pentax Super A with smc Pentax A 50mm f1.7; f16, 1/60 sec. Fuji Pro 160S

Pentax super A 28mm smc A Kodak Ektar 100

Pentax SuperA, SMC Pentax-A 50mm F1.7, Kodak Portra 400

www.beautifulgrain.com

Pentax super A 28mm smc A Kodak Ektar 100

Kodak UltraMax 400

Filmrulle 2020:15

Schirn Art Gallery, Frankfurt am Main

Pentax SuperA, SMC Pentax-FA 77mm F1.8 Limited, Kodak Portra 160

www.beautifulgrain.com

Cyrille's desk busy with linocut

 

Pentax Super A and SMC Pentax 50mm f/1.7, Ilford HP5 exposed as ISO 800 developed in Rodinal 1+50 for 17 min @ 20°C, digitalized using kit zoom with macro rings.

 

Thank you everyone for your visits, faves and comments, they are always appreciated :)

Near Papantla, Veracruz, Mexico there is a huge archeological zone from the Tajin culture and some people live practically along archeological treasures.

Picture taken with film camera Pentax and kodachrome. Scanned with. Nikon scanner.

Above is the east bound lane of the M4 motorway, so as with its preceding partner shot, it's a view very few see or know it exists.

 

Pentax Super A with smc Pentax A 50mm f1.7; f11, 1/125 sec. Fuji Pro 160C

Pentax SuperA, SMC Pentax-A 50mm F1.7, Kodak Tri-X400

www.beautifulgrain.com

The ancient city of Teohtiuacan, in the central Mexican State of Mexico is a huge archeological site and place of an old prehispanic civilization that came to being before the Aztecs reign in the country.

The pyramid of the Sun seen from the top of the pyramid of the Moon.

Pyramids from the ancient cultures of México, the prehispanic era, differ from the Egyptian pyramids in several aspects, the most important is its function. Where Egyptian pyramids were used as burial signals or monuments, the Mexican ones were mostly used as ceremonial sacred places and many times as temples often tagged to a certain deity, in the case of Teohtihuacán its complicated because of the enourmous quantity of temples, ceremonial places, plazas and of course pyramids where each one is assigned to a different deity in a polyteist society, As you can see they have stair systems to climb to the very top. It is supposed by archeoligists that the pyramid of the sun was assigned to the God of rain "Tlaloc" and the pyramid of the moon to the Goddess of rain "Chalchiutlicue"

Another difference is the building methods and materials. While most of the Egyptian pyramids are made of huge stone blocks from queries not far from the river Nile, put in place through an intricate system of rollers, hand made cranes, ramps and lifts, it is believed they covered it with layers of moulded material so in the end it shoul've have an even and smooth surface. This finish in principle is the same as the Mexican pyramids where they also painted this smooth surface with colorful designs. And their building methods differ where they often used a method of prefabrication and an intricate method of reinforcement made of raw concrete to make the construction to withstand earthqùakes and pouring everlasting rain from the tropics and jungle.

The Mexican pyramids were part of a city layout and were part of a "total design" which according to the famous architect Frank Lloyd Wright was amazing because the urban design and main image was preserved throughout many generations.

Pentax Super-A.

Rokina Auto Zoom Super Coated 1:4.5 80-200mm.

Fuji Superia 200.

June 2015.

Pentax Super A with smc Pentax M 85mm; f11, 1/60 sec, Fuji NPC 160

Pentax SuperA, SMC Pentax-A50mm F1.7, Fujifilm Superia 200 www.beautifulgrain.com

Delphine

-

Super A+Carl Zeiss Planar 1,4/85+Kodak TX 400 (at 800 ISO)

Pentax Super A with smc Pentax M 35mm f2.8; f11, 1/60 sec. Fuji Pro 160C

The Schwanthaler, the scourge of the schoolyard, at least according to what every Textorschule Alumnus will readily tell you. The textorschule has moved to a new site (my kid was in the last propmotion that did its whole time at its historical site) and the Schwanthaler has closed altogether.

 

Pentax Super A and SMC Pentax 50mm f/1.7, Agfa APX 100 in Rodinal 1+50 for 13min @ 20°C, digitalized using kit zoom with macro rings. The Super A is my latest acquisition - It's one I've been quite curious about for a while, and a guy at the flea market made me an offer I couldn't refuse. Its viewfinder is unfortunately not as big as that of the MX and ME, but it has that way of feeling just right Pentax has the secret for.

 

Thank you everyone for your visits, faves and comments, they are always appreciated :)

Pentax Super A with smc Pentax M 50mm f1.7; f11, 1/125 sec. Fuji Pro 160S (mono conversion in Lightroom).

Pentax Super A with smc Pentax M 85mm f2; f8, 1/60 sec. Fuji Pro 160C

1 2 4 6 7 ••• 79 80