View allAll Photos Tagged PentaxSuperA
GWR 4-6-0 Hall class locomotive No. 6960, 'Raveningham Hall' rounds the curve into Blue Anchor station, final destination Minehead on 24th March 2013. Last of a series of photographs taken with a Pentax Super A using Kodak Professional B&W 400ASA film and an SMC Pentax-M 75-150mm f4 lens.
An ex-LMS class 5MT 4-6-0 in BR livery No. 45379 hauls a freight set tender first through Toddington late afternoon on 26th May 2014. Part of the Cotswold Festival of Steam, 2014.
Pentax ME Super
SMC Pentax-M 40-80mm f2.8
Fuji C200 colour film
PENTAX super A / smc PENTAX-A 1:2 / 50mm
Film: Kodak BW 400CN
Black and white scan from small format negative.
I think this is the first time I've actually used my SMC Pentax-A 50mm f1.2 lens on a film camera (a pentax Super A to be precise)... shocking I know! For most of these shots the lens was set at or near f1.2... I like the combination of beautiful leaves, insane amounts of bokeh and Kodak Portra colours :-)
All shot at Edinburgh Royal Botanical Gardens.
Half-moon over the Danube. Budapest, October 1989, Pentax Super A, Pentax 35 mm, f4 1/60, Agfachrome 100, Nikon Coolscan V ED.
GWR 6959 class Modfied Hall No. 6990 "Witherslack Hall" leaving Quorn & Woodhouse station on 3rd October 2015.
Pentax Super A
SMC Pentax-M 80-200mm f4.5
Fujicolor C200 film.
Southern Railway King Arthur class 4-6-0 steam locomotive No.777, 'Sir Lamiel' steams under the water tower at Minehead station on a wet Friday afternoon, 22nd March 2013. Second of a series of black & white photographs taken with a Pentax Super A using a Takumar 135mm f2.5 lens and Kodak 400ASA B&W film.
I think this is the first time I've actually used my SMC Pentax-A 50mm f1.2 lens on a film camera (a pentax Super A to be precise)... shocking I know! For most of these shots the lens was set at or near f1.2... I like the combination of beautiful leaves, insane amounts of bokeh and Kodak Portra colours :-)
All shot at Edinburgh Royal Botanical Gardens.
I think this is the first time I've actually used my SMC Pentax-A 50mm f1.2 lens on a film camera (a pentax Super A to be precise)... shocking I know! For most of these shots the lens was set at or near f1.2... I like the combination of beautiful leaves, insane amounts of bokeh and Kodak Portra colours :-)
All shot at Edinburgh Royal Botanical Gardens.
I think this is the first time I've actually used my SMC Pentax-A 50mm f1.2 lens on a film camera (a pentax Super A to be precise)... shocking I know! For most of these shots the lens was set at or near f1.2... I like the combination of beautiful leaves, insane amounts of bokeh and Kodak Portra colours :-)
All shot at Edinburgh Royal Botanical Gardens.
First roll with a new old Pentax Super A 35mm SLR camera. Getting out a little bit of my toy-cam comfort zone :)
Just outside a church in Blean, whilst walking to Whitstable.
Taken on colour film from The Pound Shop and developed in black & white chemicals. Cheap!
Pentax Super A - SMC Pentax A 20 mm f/2.8 - SMC Pentax A 28 mm f/2.8 - Cosinon S 50mm f/2 - SMC Pentax A 85 mm f/1.4 - SMC Pentax A 300 mm f/4 - Kenko Macro Teleplus
Un caro amico che non vedevo da tempo, in preda ad un raptus digitale e di sgombero casa mi ha regalato il corredo qui sopra.
Con un certo imbarazzo (ma non tanto da non avere gli okkietti luccicanti) ho accettato, impegnandomi però a restituire il tutto in caso di un suo ravvedimento...
Tutti le ottiche, tra cui spiccano il favoloso 85mm 1.4 da ritratto, il 20mm 2.8 e il compattissimo 300mm f4 (che con il duplicatore kenko diventa un 600!!), sono dotate di filtro polarizzatore; inoltre è presente un set di filtri creativi cokin.
La Pentax Super A, uscita nella prima metà degli anni '80, sul collaudato corpo della ME, con innesto a bainetta KA, è una delle più complete reflex 35mm di quegli anni, ma è comunque compattissima. Funziona in automatismo, priorità di tempi, diaframmi e manuale. La messa a fuoco è manule. L'otturatore elettronico Seiko MFC-E3 permette tempi di scatto da 15" a 1/2000" + posa B e sincro a 1/125.
Essendo elettronico scatta solo con la pila.
Non ho resistito e ho già sparato 36 pose in bn. E' un vero gioiellino!
PS: dimenticavo, il tutto è tenuto con cura maniacale e praticamente pari al nuovo.
PS2: :-)))))))))))))))))))))))))))))))))))))
A close up with the Pentax Super A and a series of extension tubes. A watch and bracelet as subject in low light. Is there ever a watch maker named Tossit? Ha!ha!....No plugs but it is obvious!!
PENTAX Super A, Fujinon 50mm F1.4, Panagor Extension rings 18mm +11mm, Kodak T-Max 100, Self-Development, Ilfotec LC29, 14min @1/29, Wide Open
Mutenia, finnish Lapland, July 1988, Pentax Super A (Super Program), Tamron 80 - 210 at 210 mm f19, 1/500, Agfa RS 1000, Pacific Prime Film XA.
PENTAX super A / smc PENTAX-A 1:2 / 50mm
Film: Kodak BW 400CN
Black and white scan from small format negative.
The "Flame of the Forest " seed in backlighting and bokeh. The low evening light striking a glow to the light seed. Locally it is known as Angsana Seed.
|PENTAX Super A| Helios 44-M-5 58mm F2| M42| Fujifilm Provia 100F| X-Pro| Wide Open |
Southern Railway light Pacific No. 34028 'Eddystone' leaving Corfe Castle for Norden on 13th July 2014. Taken with a Pentax Super A using an SMC Pentax-A 50mm f1.7 lens and Fuji Reala 100ASA film.
On the roof terasse of a dormitory in Vienna.
Taken with a Pentax Super-A and DM Paradies Slidefilm, which is Elitechrome 100.
I'm here to learn, so feel free writing honest/hard critiques.
King Arthur class 4-6-0 'Sir Lamiel' heading for Blue Anchor station on 24th March 2013. One of a series of photographs taken with a Pentax Super A using an SMC Pentax-M 75-150mm f4 lens and Ilford XP2 B&W film.
