View allAll Photos Tagged Pattern,
Modified from a worn-out cap. Print this image (as you would a photo) on letter-size paper then enlarge or reduce it (with a photocopier or playing with printer settings) to attain the desired size, using the scale bar as your guide. Instructions are Here (and here, if you can't access the patternreview site).
I need to check my notes on where this is from. I know it's from a tomb in Delhi. An old man roped us in to a guided tour of the tomb (actually, he just followed us around and told us about everything). He was insistent we see the patterns of light that appeared at the right time of day.
Scan from film negative
Delhi, India
December 2003
Flowers Pattern graphic available for download at http://dryicons.com/free-graphics/preview/flowers-pattern/ in EPS (vector) format.
View similar vector graphics at DryIcons Graphics.
watercolor, based on an arabic tesselation. I shifted colors to get different areas to emerge or recede.
[ this is hong kong ]
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poverty °1 - °6 | view on black:
summiflickr's photos tagged with root on Flickriver
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More macro shots from the X100s. I love how this turned out, both the pattern and the dual tone colors.
Technical details:
Fuji X100s: Macro mode, 1/60 sec at f/5.6, ISO 200. Shot as JPEG with Astia film simulation. Post processing Lightroom 4, where I increased the clarity, vibrance and saturation. Also did some curves adjustments to make it 'pop' a bit more.
Mungo National Park | NSW | Australia
Sand patterns atop the big dunes behind the Walls of China, Mungo National Park, New South Wales.
Being shot vertically, this photo can end up being an optical illusion, as the brain struggles to see if the darker areas are raised or depressed (they are raised). I can look at it two times, and see it in two different ways (it does my head in)! Which way do you see it?
A long weekend has finally enabled me to catch up on some scanning...
So, back on Harris, at the beach at Seilebost. Fantastic sand patterns here and I made several images with both the Pentax and the digital. I worked out that conditions were best when the tide had just receded as once the sand was dry, the patterns got disbursed more in the wind. I'll upload a few single images but I may do a tripych in the future....mostly because I don't know how to do a triptych in PS and therefore it will be a good learning experience!
Pentax 67, Velvia