View allAll Photos Tagged PaperNegatives
'Roid week, day 2, # 2
OneStep 2 with 600 film, main photo.
the image on the right was with a slightly iffy Polaroid Colorpack II and a paper negative. I want to see what I can do. I get textures.
...these two, resembling our washington d.c. "leaders".
duhhhhh!
the last of the big camera images for a while.
....to those who celebrate it.
to those who don't....take time to count your blessings and give thanks for them.
from Julia, a wonderful gift for the season. thank you.
other versions below
Paper negative
Self-made film holder still lets in light.
But the effect of it makes the picture almost picturesque.
The thin strip of light only hits the elevations in the paper.
Linhof color 5x7 (by adapter from 4x5), Computar Symmetrigon 150mm. one second exposure in the wind.
Fomaspeed 311 with yellow filter and exposed at ISO3.
Shot on very old and fogged Agfa Brovira Speed paper: The lighter frame around is fogged so badly, that the paper does not work anymore. Nice framing though
I tested a method developed by Joe Van Cleave and Ethan Moses. Using a combination of citric acid and hydrogen peroxide to make a positive development from a negative.
I made several tests, this is my best result so far. The ball in front left is actually dark blue and yellow. Paper used is Fomaspeed 311.
I need to make several more tests to understand it better and get consistent results.
Calotype, Wehman Field 8x10, Metrogon lens
Recently restored remains of Blue Sulphur Springs spa in West Virginia
I'm learning a little more about the Intrepid 8x10, this time with the Rodenstock Apo Ronar 360mm.
Paper negative which is contact printed in the darkroom. Fomaspeed 311.
Candy tin pinhole camera
Exposure: 10 min.
Ilford RC multigrade pearl paper
Old Ilford paper developer
Scanner: Epson V370
She does tintype portraits and other good things.
Pelegry calotype, inverted. Roughly 20 second exposure, f4.8. Tachihara Fiel Stan 4x5 field camera. Kodak Ektar 127mm f4.8,
The first time I took a photo of this fine birch at Oseberghaugen in Norway (where they found an old viking ship), I used a film holder which let in a lot of light and produced exciting effects. Apart from that, it was a nice scene, so I decided to try again, this time with Intrepid 8x10, Fujinon 250mm f6.3W and paper negative.
Fomaspeed 311, ISO 8 and yellow filter. Developed in 45 sec with strong paper developer (no extra dilution)
The Georgia Pacific plant in Big Island, Virginia. Calotype on Canson Marker. It was blowing hard during this exposure, so it looks liks a double exposure from the camera movement. The white haze in the center of the photo is from the steam this plant produces.
Beer can pinhole camera.
Exposure: 4 min.
Ilford RC grade 5 glossy paper + old ilford paper developer.
Epson V370 Scanner.
5x7 paper negative with yellow filter.
Fomaspeed 311, Linhof color with adapter, Computar Symmetrigon 150mm, this time at F10.
a retake.
I schlepped out the camera.
Large Format 4x5 crown graphic special camera
Paper negative: Ilford MG FB
ISO 3
Shot at f/4.7 for 10 seconds
Home developed in eco pro for 1 min 30
ISO 3
Khene (Khaen), a traditional instrument used in Laos, Isaan (Thailand) and Cambodia since the bronce age.
Paper negative, 5x7 Fomaspeed 311, Rodenstock Apo ronar 360mm, Linhof color with adapter.
A museum in Tønsberg Norway, taken with Linhof Color 4x5, Computar Symmetrigon 150mm f6.3. Harman Direct Positive Paper.
On the last run of the year for the Shenandoah Valley Limited. Ex-WP dome car from the California Zephyr. Goshen, Virginia, Victoria Station.
4x5 calotype on Canson Marker. I'm finding waxing the back with microcrystalline wax and wetting the front prior to development make a great difference in how clean the results are,
Sunday afternoon photo experiments with a paper negative. Not sure this particular photo is something worth pursuing or finessing any further but it is usually fun to try.
Paper negative, overexposed and underdeveloped. The uneven development makes a really nice effect. Linhof Color 4x5, Computar Symmetrigon 150mm f6.3.
I originally said it was a Direct positive, but I was mislead by a wrong prefix in the name of the file from 2018. (Silverfast repeats the prefix from previous session unless you change it)
The picture was finished long time ago and when I put it out here, I was misled by the prefix.
I am sorry about it, but now I have corrected it. I found the result a bit difficult to explain and had to check the original. But at that time I treated both paper negatives and positives the same way, with highly diluted paper developer.
I like the way the creek water is diverted through a channel at the edge of the underpass, sharing the underpass with a little road.
4x5 calotype, Townshend's method as described by Wlodek Witek.