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Between the silkscreen and papermaking studios, Art-in-Ed resident Vanessa Adams creates a new signpost for her series "How to Regain Sight."

Tayo Heuser builds with light and air...and plenty of pulp. In the studio, she experiments with paper, stencils, wooden armatures.

Tayo Heuser builds with light and air...and plenty of pulp. In the studio, she experiments with paper, stencils, wooden armatures.

Tayo Heuser builds with light and air...and plenty of pulp. In the studio, she experiments with paper, stencils, wooden armatures.

Tayo Heuser builds with light and air...and plenty of pulp. In the studio, she experiments with paper, stencils, wooden armatures.

Tayo Heuser builds with light and air...and plenty of pulp. In the studio, she experiments with paper, stencils, wooden armatures.

Between the silkscreen and papermaking studios, Art-in-Ed resident Vanessa Adams creates a new signpost for her series "How to Regain Sight."

Between the silkscreen and papermaking studios, Art-in-Ed resident Vanessa Adams creates a new signpost for her series "How to Regain Sight."

Tayo Heuser builds with light and air...and plenty of pulp. In the studio, she experiments with paper, stencils, wooden armatures.

Between the silkscreen and papermaking studios, Art-in-Ed resident Vanessa Adams creates a new signpost for her series "How to Regain Sight."

Tayo Heuser builds with light and air...and plenty of pulp. In the studio, she experiments with paper, stencils, wooden armatures.

Tayo Heuser builds with light and air...and plenty of pulp. In the studio, she experiments with paper, stencils, wooden armatures.

Between the silkscreen and papermaking studios, Art-in-Ed resident Vanessa Adams creates a new signpost for her series "How to Regain Sight."

Between the silkscreen and papermaking studios, Art-in-Ed resident Vanessa Adams creates a new signpost for her series "How to Regain Sight."

Between the silkscreen and papermaking studios, Art-in-Ed resident Vanessa Adams creates a new signpost for her series "How to Regain Sight."

Between the silkscreen and papermaking studios, Art-in-Ed resident Vanessa Adams creates a new signpost for her series "How to Regain Sight."

Between the silkscreen and papermaking studios, Art-in-Ed resident Vanessa Adams creates a new signpost for her series "How to Regain Sight."

Tayo Heuser builds with light and air...and plenty of pulp. In the studio, she experiments with paper, stencils, wooden armatures.

Between the silkscreen and papermaking studios, Art-in-Ed resident Vanessa Adams creates a new signpost for her series "How to Regain Sight."

Between the silkscreen and papermaking studios, Art-in-Ed resident Vanessa Adams creates a new signpost for her series "How to Regain Sight."

Between the silkscreen and papermaking studios, Art-in-Ed resident Vanessa Adams creates a new signpost for her series "How to Regain Sight."

Between the silkscreen and papermaking studios, Art-in-Ed resident Vanessa Adams creates a new signpost for her series "How to Regain Sight."

Between the silkscreen and papermaking studios, Art-in-Ed resident Vanessa Adams creates a new signpost for her series "How to Regain Sight."

Between the silkscreen and papermaking studios, Art-in-Ed resident Vanessa Adams creates a new signpost for her series "How to Regain Sight."

Between the silkscreen and papermaking studios, Art-in-Ed resident Vanessa Adams creates a new signpost for her series "How to Regain Sight."

Tayo Heuser builds with light and air...and plenty of pulp. In the studio, she experiments with paper, stencils, wooden armatures.

Between the silkscreen and papermaking studios, Art-in-Ed resident Vanessa Adams creates a new signpost for her series "How to Regain Sight."

Between the silkscreen and papermaking studios, Art-in-Ed resident Vanessa Adams creates a new signpost for her series "How to Regain Sight."

Between the silkscreen and papermaking studios, Art-in-Ed resident Vanessa Adams creates a new signpost for her series "How to Regain Sight."

More of me playing with new macro lens...

Sometimes the lovers of ebooks disdain 'printing on dead trees' as antiquated. But in this light, the texture makes the text come alive, knowing that ink was applied with precision before the whole was bound into a sturdy volume. When the ebooks are misplaced, the file is corrupted, or the batteries are dead, the "dead trees" edition will still be in service.

 

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