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An afternoon in Angkringan Tugu, Yogyakarta.
Angkringan is a food and drink stall, usually located on a street side, with everything in very cheap price!
You can find angkringan everywhere in Yogya, since this kind of cafe is also the way of life or culture of Yogyakarta people.
This one, is located at the north of Tugu Railway Station and regarded as the most famous angkringan in Yogyakarta. I love the hot sweet tea here so much! Hmm..
You can read an interesting story about Angkringan Tugu here..
www.yogyes.com/en/yogyakarta-tourism-object/places-of-int...
This is a combined shot. Two photos merged into a panoramic view using Photoshop. My 1st time experience in combining photos from one scene like this..
Comments and suggestions are welcome.. :)
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Five questions with Anil Rathi of Idea Crossing
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NEW YORK, NY - APRIL 29: Judging Panel (L-R): Yossi Vardi, David Pakman, Marissa Mayer, and Ime Archibong speak onstage at the TechCrunch Disrupt NY 2013 at The Manhattan Center on April 29, 2013 in New York City. (Photo by Brian Ach/Getty Images for TechCrunch)
Designer: Thomas Heatherwick Studio. Structural Engineers:Pakman Lucas.
These slides are a result of my attempt to visit this bridge, which unfortunately was not there. However, the brilliant station building, its proximity to the canal and the basin, a major road in the heart of London were bound to explode in a massive regeneration site and that is happening right now. One of the largest London Hospitals sitting in the middle also adds a strange confusion to a site which could have done without it but then how could you witness the recent British history of industrial revolution and urban growth in a small museum like site like this?
..piccola Pakman in Cassiopea 100X240 secondi 800 iso ,21 dark 10 bias e 10 flat...Eos 40D su FS60 CB e TKA20582B 0,72X reducer,autoguida PHD Guiding 2.6.1 con Soligor 200 mm. su Orion Starshoot,AZ EQ6 GT Mount,sito di ripresa Lucrezia (PU) processing Pixinsight 1.8 elaborazione Photoshop CC14 Topaz Labs (Denoise 6) Prodigital StarSpikes 4 pro
The illuminations present a flourishing oak tree as an allegory of the wisdom and strength of the Shabbat Bride, the Shekhinah, and the home-maker who embodies her as we sit down at the dinner table to begin our Shabbat feast. My grandmother, Bessie Pakman Swift, was the oak from which all life in my family sprang. The very model of the rebbetzin, rabbi’s wife, committed not only to her husband, children and home, but also to her London community through war-time and rebuilding, regal leader of countless Jewish and non-Jewish women’s organizations throughout mid-twentieth century England and South Africa—all paths in our extended family led back to her. That same strength and wisdom has characterized Jewish homemakers throughout the ages, and inspires these illuminations.
Aishet Hayil, the ode to the Shekhinah that Jews have sung in praise of the woman of the house for the centuries since it was drawn from Proverbs 31:10-31, focuses primarily on her material accomplishments while, curiously, it includes only a few lines explicitly describing her moral, spiritual or emotional qualities. Skill at material matters, however, embodies wisdom in many biblical contexts. For instance, God praises Bezalel, as he tells Moses to employ him to build the Tabernacle: “I have endowed him with a divine spirit of wisdom, ability, and knowledge in every kind of work.” (Ex. 31:3) Wisdom, specially flowing into the material world on Shabbat, resides not only in the intangible spiritual realm, but in the concrete mundane matters of the world.
Trees – oak trees in particular – vividly evoke the idea of the Powerful Woman, the allegorical embodiment of the Shekhinah on Earth. The Zohar compares her to the Tree of Life. The double focus on the tree’s roots and branches suggests the balance of strengths in the wise person. Pirkei Avot, Ethics of the Fathers, an anthology of ethical statements attributed to the rabbis of the Mishnah, the first major codification of Jewish law accomplished by the end of the second century BCE, compares the wise person to the tree that doesn’t have so dense a canopy that it might be blown over by the wind, but whose strong roots, in contrast, can hold it firm in the face of harsh winds, can nourish it in times of drought. Isaiah prophesied that Israel would be reborn after conquest, “like the terebinth and the oak, of which stumps are left even when they are felled: its stump shall be a holy seed.” The canopy of tree presented here allows the light from the heavens to flicker through its leaves, yet shelters the doves and squirrels nested within it. Its strong roots protect the grasses and lilies growing among them – and the gazelle nosing those lilies – as well as the acorns that will give rise to its next generation. Rising from its roots toward the canopy, roses and grapes twine around this oak’s strong trunk.
Debra Band
Original painting from "Kabbalat Shabbat: the Grand Unification" (Honeybee in the Garden, 2016)
contact dband@dbandart.com for information.
copyright Debra Band 2015. All rights reserved.
gatsucked? WTO pakman pram Stencil Schiller Oper Hamburg Schanzenviertel Kinderwagen Vogel Strauß Luftbaloon Gun kanone
Anyone an Idea what that's supposed to be? Was bedeutet das?
The illuminations present a flourishing oak tree as an allegory of the wisdom and strength of the Shabbat Bride, the Shekhinah, and the home-maker who embodies her as we sit down at the dinner table to begin our Shabbat feast. My grandmother, Bessie Pakman Swift, was the oak from which all life in my family sprang. The very model of the rebbetzin, rabbi’s wife, committed not only to her husband, children and home, but also to her London community through war-time and rebuilding, regal leader of countless Jewish and non-Jewish women’s organizations throughout mid-twentieth century England and South Africa—all paths in our extended family led back to her. That same strength and wisdom has characterized Jewish homemakers throughout the ages, and inspires these illuminations.
Aishet Hayil, the ode to the Shekhinah that Jews have sung in praise of the woman of the house for the centuries since it was drawn from Proverbs 31:10-31, focuses primarily on her material accomplishments while, curiously, it includes only a few lines explicitly describing her moral, spiritual or emotional qualities. Skill at material matters, however, embodies wisdom in many biblical contexts. For instance, God praises Bezalel, as he tells Moses to employ him to build the Tabernacle: “I have endowed him with a divine spirit of wisdom, ability, and knowledge in every kind of work.” (Ex. 31:3) Wisdom, specially flowing into the material world on Shabbat, resides not only in the intangible spiritual realm, but in the concrete mundane matters of the world.
Trees – oak trees in particular – vividly evoke the idea of the Powerful Woman, the allegorical embodiment of the Shekhinah on Earth. The Zohar compares her to the Tree of Life. The double focus on the tree’s roots and branches suggests the balance of strengths in the wise person. Pirkei Avot, Ethics of the Fathers, an anthology of ethical statements attributed to the rabbis of the Mishnah, the first major codification of Jewish law accomplished by the end of the second century BCE, compares the wise person to the tree that doesn’t have so dense a canopy that it might be blown over by the wind, but whose strong roots, in contrast, can hold it firm in the face of harsh winds, can nourish it in times of drought. Isaiah prophesied that Israel would be reborn after conquest, “like the terebinth and the oak, of which stumps are left even when they are felled: its stump shall be a holy seed.” The canopy of tree presented here allows the light from the heavens to flicker through its leaves, yet shelters the doves and squirrels nested within it. Its strong roots protect the grasses and lilies growing among them – and the gazelle nosing those lilies – as well as the acorns that will give rise to its next generation. Rising from its roots toward the canopy, roses and grapes twine around this oak’s strong trunk.
Debra Band
Original painting from "Kabbalat Shabbat: the Grand Unification" (Honeybee in the Garden, 2016)
contact dband@dbandart.com for information.
copyright Debra Band 2015. All rights reserved.