View allAll Photos Tagged PackagingDesign
A fine collection of old leaf teas seen recently in a basement store and showing some marvellous contemporary packaging design. Silver Label was a counterpart to Lyons well known Red Label blend of tea. This packet is likely to date to the 1970s or 1980s.
cardboard packaging + cardboard, confectionery packaging + confectionery, folding box, cosmetics, software packaging + software, cosmetics packaging, labels for beverages + beverages + labels, food packaging + food, packaging printing, cardboard cases, baking moulds, cardboard, print enhancement + finishing, hot foil stamping, packaging design, development, product development, luxury packaging , brc, iso, dpg, certificates, FSC Sorten, FSC Labels, FSC Pure, FSC Mix, FSC Mix Recycling, FSC Recycling
Luxury coffee bean packaging box design designed by design.mecasso.com/. Premium creative coffee packaging pouch and also a coffee bag, coffee box design.
cardboard packaging + cardboard, confectionery packaging + confectionery, folding box, cosmetics, software packaging + software, cosmetics packaging, labels for beverages + beverages + labels, food packaging + food, packaging printing, cardboard cases, baking moulds, cardboard, print enhancement + finishing, hot foil stamping, packaging design, development, product development, luxury packaging , brc, iso, dpg, certificates, FSC Sorten, FSC Labels, FSC Pure, FSC Mix, FSC Mix Recycling, FSC Recycling
An English language catalogue for the products of Fazer entitled “May we present Fazer?” and issued by the famous Finnish confectionery and food company of Karl Fazer. Consisting of loose leaf sheets, clip-bound in a folder, the catalogue is not dated but the product range and design feels late-1950s to early 1960s.
Karl Fazer opened his first café in Helsinki, Finland, in 1891 and rapidly branched out into manufacturing a range of chocolates and confectionery. The ranges were often carefully packaged and branded such as Fazer Sininen-Fazer Blue milk chocolate introduced in 1922. The company is still independent and its brands are to be found widely across the Scandinavian countries where they also produce a large range of bakery goods and biscuits.
I do not recall them as ever having much visibility in the UK market – a crowded field with its own manufacturers – but the Christmas arrival of Orange and Lemon Slices did occasionally, I recall, include Fazer’s blue packaging.
The catalogue shows a wide range of products and it is fascinating to see packaging in colour. The Jim, Popsi and Siesta chocolate bars were variously banana flavoured, golden-grain filling and a nougat bar.
Client: Unilever
Brand: Organics
Description: A limited edition spring range.
Agency: ADDC (2003 - 2009)
cardboard packaging + cardboard, confectionery packaging + confectionery, folding box, cosmetics, software packaging + software, cosmetics packaging, labels for beverages + beverages + labels, food packaging + food, packaging printing, cardboard cases, baking moulds, cardboard, print enhancement + finishing, hot foil stamping, packaging design, development, product development, luxury packaging , brc, iso, dpg, certificates, FSC Sorten, FSC Labels, FSC Pure, FSC Mix, FSC Mix Recycling, FSC Recycling
What luscious design work for Sarotti Orange Pralines packaging by Julius Gipkens. Gipkens (1883 - 1968) was a largely self-taught designer inspired by the works of Lucien Bernhart; in later years his own work became influential in the German style of 'Plakatstil'. He fled Germany in 1933 and emigrated to the United States. It is one of a series of chocolate labels he designed for Sarotti and that appear in this issue of Das Plaket.
Sarotti have their origins in Berlin in 1868 and in later years were bought out by Nestlé. They in turn sold the brand on to Stollwerck in 1998. The label was printed by Emil Gerasch of Leipzig.
Packaging of primary and secondary containers for beverages. From the Packaging Design Class of the Communication Design Program at The Milwaukee Institute of Art and Design.
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I created a number of cat illustrations based on the (for me) usual set of limitations such ass restricted amount of colours, consistent line thickness and a fixed 15º rotation increment on any angle throughout the illustrations. Within these limitations I carefully looked at the balance between the character and quirkiness of the cats without making them overly cutsie.
In a second fase I applied these illustrations to a set of fictional packaging designs and promotional items to give an idea of the potential scope of the artwork. The selected typeface and the minimal designgrid used for these items was carefully selected and based on the design principals of the illustrations themselves. This ensures a cohesive and robust system that can easily be extended to a large number of different products such as canned or dry cat food, kitty litter toys, … Next to that the hole concept can be adapted to fit different species such as dogs, birds, rabbits, … as well.
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