View allAll Photos Tagged PRIMITIVE
18/52 - Teleidoscope theme: "Contact"
O conceito dessa imagem Ă© sobre o Homem evoluĂdo e o primitivo, o externo e interno, sobre oque guardamos em nosso interior.
Na viagem que fiz pra São Paulo a um tempo atrás para uma chácara, fiz algumas fotos e enquanto passeava pelo lugar e surgiu a ideia de criar esse conceito. com a ajuda de meu amigo Nico (e a camisa emprestada) cheguei a esse resultado.
Fiz uma segunda foto que vocĂŞ pode ver nos coments.
Meu computador deu problema novamente, isso significa que vou ficar mais sumido do que o de costume por uns dias, mas eu pretendo fazer um novo post amanhã (porque pra mim ainda é sábado xp).
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"All art is at once surface and symbol. Those who go beneath the surface do so at their peril."
— Oscar Wilde
County Line Primitive Baptist Church, Floyd County, Virginia. Voigtlander Vito III with Ultron lens (circa 1950-54), Ilford Delta 400 film developed in Adox FX-39 for 8 minutes at 20C in a JOBO.
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It feels a bit strangled in a cycle of light and shadow. The untold stories accumulate, and appear sudden, just as they fade away the same way they came.
- Copenhagen, Denmark (September 2017)
Set-up for shooting through the viewfinder of the Brownie Reflex. The exposures were long so both cameras were set up on tripods. For the actual exposures I used a dark cloth to cut down stray light reflections. I really need to make a cool, dedicated TTV jig like @original_ann's.
Found at Finca Las Piedras, near town of Monterrey in Madre de Dios region in southeastern Peru.
Single exposure, moderately cropped, handheld, in situ. Canon MT-24EX flash unit, Ian McConnachie diffuser.
In Valencia, May 2016
Original shot taken with a Revere Eyematic EE127, Wollensack Raptor 58mm F2.8 lens, 40x40 format on 80 asa B/W Agfa 127 rollfilmexpired in 1953 (exposed at 10 asa)
After a successful weekend of excursions, the Milwaukee Road 261 returns home, crossing over the Mississippi River bridge and pulled by the MILW 32A. There was no indication as to when the train would make its ferry move home, but that didn't stop myself and half a dozen others from waiting on different banks of the river, waiting for the train to return home. A good hour and a half of waiting paid off as a single, almost strangled, call over the scanner bearing "Milwaukee 32A-" announced the incoming train. Though the golden light of sunset was fading greatly as the last of the sun fell beneath the horizon, there was still light enough to capture a classic scene.
Every time I see the 261, I stop at this place for a shot. Sure, it's been done a billion times by a million people, but that doesn't stop me from catching it at this bridge every time. Maybe I'm just too simple, or maybe I just like bridges. Who knows?
The four shapes on the left are gap primitives in the pentagonal mandalas. The ones on the right are not. A pentagonal gap is not primitive if pentagons can be placed in the gap to form other smaller primitives. For example the ten pentagon circle on top right can accept three more pentagons to make three primitives.
My latest creation is a primitive garden vignette: a pair of bunnies in a cabbage leaf garden along with two carrots and two turnips (a Kentucky Primitives design). Each part of the garden is made of muslin stuffed with natural fibers that has been painted, stained, sanded, and grungied with cinnamon many times over. The primitive bunnies have stick legs, vintage cotton batting tails, and sewn eyes and noses. View the Large version to see more detail.
Ponderosa pine and Milky Way, Plumas County, California, USA.
For more about this photo, see the Beyond City Limits series in my online gallery. Thanks for your interest!