View allAll Photos Tagged PRESS
Lashes: Press Press Press lashes (for lel evo x) by The Lillypad *Possibly coming soon...* www.flickr.com/photos/lillycross/
Lipstick: Summer Collection V1 (for lel evo & evo x) by TREND www.flickr.com/photos/143677592@N05/
Brows: Asymmetrical eyebrows by Core & Gore *This item was part of the So Kawaii Sundays event!* www.flickr.com/photos/147012086@N02/
Eyes: Nymph Collection (Black/BOM applied) by GLOOM www.flickr.com/photos/dahviegloom
Go on, press it and see!
On the boundary. Once again I am drawn to the local cricket club's Saturday afternoon match, just not to extent of shooting any pictures of the action. I should do really, I just need a longer lens and good anticipation of the (occasionally) wayward batting. Oh, and definitely leave the dog at home...
Corringham Recreation Ground, Corringham, Essex UK
Sports fans can enjoy an older shot here ⬇️
www.flickr.com/photos/bigharv/51242273121/in/album-721577...
Novembermond ....
und die Sonne lacht !
(auch wenn sie schon im okober fotografiert, sie blühen immer noch, meine lieblingsherbstaster .... )
2 special operations forces operators press checking their weapon before conducting training.
Note: I just started my fall semester (yeah, it seems school never ends) so it's been a little bit hectic. Here is a quick picture from my collection. Enjoy.
mit Hackschnitzelzug in Berlin-Wuhlheide
wood in small pieces for the paper mill is transported or empty cars return, who knows
© Manuel Orero
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this press squeezed out the whey
why i dont know ........yet
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Soo MP15 1531 picks up a car from Wallace Press the southern most customer on Kingsbury north of Grand Ave.. May 1990.
Raining at the beach. I don't think this little girl was as sad as this picture makes her out to be...
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© Nigel_XF Photography /// VS-Fototeam 2012
An interesting contrast for the hypothesis of 'warm water forms' (see past posts), as here we have remnants of a press of a size that seems adapted for a croft that was known to have been used between the neolithic and the early medieval years: Mas Viel, Aveyron.
The size of the press is big enough to take several litres of fruit at a time (also perhaps berries, acorns and nuts, pigments, roots and so on), and this would seem to be a sensible capacity for a small croft on soils that are varied to thin. Too large a press surface, and much is either lost to the wind, rain or evaporation; the site becomes too attractive for flies, and too difficult to constantly clean. A good rhythm and a modest sized press can convert many items in a relatively short period that is manageable and adapted for rural sites away from ideas of conglomeration or early city.
This is a modest monolith, probably for local use and positioned down a slope - so neither by the river or on the hill top. This specific basin resembles a 'warm water form' in much the same way that today a television can look like a microwave oven. Below the press are two stones. One is probably the impact surface and the other a slideable counterweight. Wood frame and ropes are missing.
Weights for presses are relatively common and when the bedrock is close to the surface it may not have been obliged for all presses to use monolithic basins, with wood and tough basket being viable alternatives. Counter-weight presses would become screw presses in some parts.
AJM 02.07.20
After returning to the site I no longer see the two associated stones as being to do with this basin.
AJM 07.02.20
© Ioan C. Bacivarov
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Ou começo? Ushuaia é uma cidade linda que mal conheci. Ficamos cerca de oito horas ancorados por lá, dia 3 de janeiro. Eu, ainda sem folego por causa dos 4 dias antárticos, visualmente espetaculares, caí nesta maravilha patagônica num dia esplendido onde apenas consegui dar uma navegadinha pelo Beagle ali pertinho e passear um pouco na cidade. Voltarei, Ushuaia é papo pra, no minimo 4 a 5 dias de grandes passeios. Este aí é o famoso "Farol do Fim do Mundo", que inspirou até livro do Julio Verne. Dei sorte com o céu. E agradeço sempre agradecerei a uma santa humilde e gloriosa, a amada 17-40 L, pau pra toda obra, lente irmã, que já segurou junto comigo neves antárticas e calores sertanejos com a mesma coragem e valor... Sei que a 16-35, sua irmã mais nobre, é ainda mais precisa, mas eu mato e morro por essa lentinha maravilhosa que, junto com minha valente e frágilmente preciosa Sigma 70-200 me ajudaram a superar minhas limitações e guardar de um modo mais decente um pouco das emoções fotográficas desta viagem, tantas e tão intensas que ainda vou demorar muito tempo pra digerir, trabalhar e mostrar... Aguardem e tenham paciência. (E olha que ainda vem a Bahia por aí, daqui a uns dias... E o site está começando a ser erguido, em 2011 sai.)
No mais, muitas saudades de todos, acabei de renovar meu Flickr por mais um ano, o que significa que sigo tendo por este espaço e por meus amigos daqui o mais profundo carinho, respeito e saudade... Posso até andar meio sumido mas o coração segue presente. Sempre e para sempre. Isto aqui é um relicário de fotógrafos e pessoas geniais, não dá pra ficar longe muito tempo. Que os deuses da Imagem nos abençoem a todos. Axé.
This is an old Press from my Apprenticeship as an Precision machinist. This was my practical exam, the mark for it was good and I think it still looks good on the picture
GB Railfreight's 73969 is pictured at Glasgow Central basking in the Spring sunshine as it awaits time to depart. The loco was near enough spotless which is no surprise given the train was full of media reps and VIPs - all there for the press launch of the new Mk.5 coaching stock.
Those on board had been invited along for a day trip on the new stock as it was taken East to Edinburgh and over the Forth Bridge to Fife. This gave them a chance to sample some of the features of the coaches and the new Sleeper experience overall. The press launch comes just a few weeks prior to the planned debut on the Lowlander route.
Does this event signify that we are finally about to experience a new era of Sleeper travel, or will there be further delays meaning the general public has to continue using the knackered old stock for months to come?
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While the Scadding Cabin might be the oldest building on the exhibition grounds (dating back to 1794 and relocated to Exhibition Place in 1879), the Press Building (1905) is the oldest building on the grounds built for the exhibition. This two storey structure originally housed the administrative offices of the CNE Association (CNEA), but became the Press Building in 1957 when the CNEA moved its offices to the Queen Elizabeth Building. Nowadays, the building is once again home to the staff of the CNE.
Designed by George Wallace Gouinlock and completed in 1905, the Press Building was designed to emulate the formal public buildings of the time. Like the other 15 structures designed by Gouinlock for Exhibition Place, the Press Building was designed in the Beaux Arts style, with a heavy application of baroque elements including its bold massing and opulent use of ornament and colour. Today, the building is protected as part of the Gouinlock Buildings/ Early Exhibition Buildings National Historic Site of Canada.
Gouinlock was not only the architect of many of the CNE’s buildings, he also played a significant role leading the profession, first as Chair of the Toronto Society of Architects in 1895 and soon after as President of the Ontario Association of Architects in 1909.
To view the CNE Heritage website, including more images of CNE buildings, visit: Press Building
The first in a short series of small builds inspired by things I remember from my dad's garage when I was young. First up is a drill press. I only used his twice: once to widen the holes in the control plate of a Japanese-built Fender Mustang guitar to fit larger potentiometers, and once to drill and tap a replica of a Winchester 1873 rifle to add a tang-mounted peep sight.
The build explains itself, but it took a few versions to get this down to the size I wanted. It's almost exactly the height of a minifig.
This Chanfler and Price press was used to print the first edition of the Western Slope Criterion in Olathe, CO in 1905. Doesn't say if subsequent issues used this or another press. They were called snappers because they snapped shut and people had to be careful to not get their hands caught between the plates.
Pioneer Town Museum, Cedaredge, CO
Presa domenica 10 Novembre 2013 sull'Etna dalle parti dei Monti Sartorius -
Taken on Mt.Etna on sunday 10, 2013, Sicily
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Arrhythmia
Accepting that you live with uncertainty
If you're lonely press play
Die lady die
The aspects that you pass on when travelling
When you're lonely press play
'Cause you're not resolved in your heart
You're waiting for me
To improve
Right here
When I'm lonely I press play
Swimming in blue
After new year into the mirror she flew
When I'm lonely I press play
Can I get any closer
One anecdote cannot not bring to you
This was so labor intensive, having to put every word together, letter by letter, by hand......printing one page at a time......and on top of it all, the letters were backwards.
After driving down from the mountains we ended up at an Olive Oil factory where we where given a personal tour by the owner. A very friendly man that expalined the process in producing some of the finest cold press oil. they also sold a few other products such as Carob beans, yummy. I did lve the award winnng olive oil as well.
Suzuki Optical Co. Press Van • Asahi Kogaku Takumar 1:3.5 F=75mm
Foma Fomapan 100 film developed in Caffenol CL 65min stand @ 20°C
Scanned with Epson Perfection V500 at 2400dpi and Betterscanning MF Film Holder
Luxembourg
Caffenol CL
500 ml Filtered Water
8gr Anhydrous Washing Soda
5gr Vitamin C
20gr Instant coffee ("Cora")
60 sec. slow agitations then let stand for 64 minutes