View allAll Photos Tagged PORTFOLIO
Project: Portrait of Jaco, the early years box set, featuring previously unheard recordings of Jaco Pastorius.
Role: I designed and produced the packaging for this project.
Scan of a print I did for my darkroom photography class
James represents stereotypes we associate with the random black males we see. The hoodie, dangerous look, labeling on the sweatshirt, grafiti art, etc. What happens when all of this is stripped away? What are we left with?
Updated my photography portfolio after (yet another) very long break – previous update was from 2011.
Personally I like how this is now much more opinionated, focusing on just couple of styles instead of trying to have a bit of everything. Also interestingly this version sees the return of couple of photos from much earlier selections, one of them (the David Lynch portrait) was now re-edited with skills & software quite a bit improved compared to 7 years ago.
Photos from 2006 – 2013, film & digital, stills & video.
View the whole thing here on Flickr:
www.flickr.com/photos/miemo/sets/72157594220209338/
…or at my own site: portfolio.miemo.net/123415/1230021/gallery/photography-po...
1i thought this photo has alot of texture and lines of the trees in the background and the fall leaves that are reveiled in the early spring. the texture of the woods ground adds to the contrast because its a hunting photo and brings it together
2. this is my family friend and his turkey that he shot this spring and thought it would be and interesting photo to shoot.
3. natural light was used but it was a cloudy day so i that would add more of the soft light to the back side of him through the trees
4.the hardest part of this photo was trying to get him not to blink im not much for taking photos of people and getting the not to be so blurry
5.the happy moment of finaly filling your tags ang bagging your limit is a great feeling and i think that his smile about says eveything about the hunt
Portfolio Points exhibition in the Museum of Applied Arts / Budapest featuring Nikon One, Blik, Rask, Drez, E357 and Flying Fortress.
The Red Portfolio
Oil on Panel
18 ½ x 14 ½ in.
Undated
In The Red Portfolio, vibert again pokes fun at his favorite victim. The main point of this painting is the immense pride of an unidentified but elegant cardinal standing self-consciously in the council chamber of Louis VX at Fontainebleau. Vibert gives and explanation for this attitude in his La Comedie en peinture, where this work is reproduced. According to his anecdote, the man is a protégé of Voltaire, who through a clever stratagem managed to have the old cardinal-minster removed. “You may judge,” wrote Vibert, “how proud the new minister is of his new position from the desire that you divine in him.” His air of self-importance, as he strikes a pose before an elegant fireplace, swelling his chest to better display his royal decorations, implies that he fancies himself successor to the great cardinal-ministers of France, Richelieu, Mazarin, and Fleury. The extremity of his hubris is mocked by the nearby helmeted Minerva (on the painted panel to the right) and Atlas (surmounting the clock).
Cleary the cardinal’s mind is more occupied with this world than the next. His attire is fashioned of the most expensive materials , ermine, silk, gold, and lace – a match for the elegant Rococo interior. Yet the shadow if a beard – it is already four, according to the clock – implies human fallibility behind the impeccable façade. Even his perfect grooming is slightly flawed by a wig that does not quite cover his dark sideburns. With his own touch of pride Vibert includes the initial “V” on the urn decoration of the andiron in the fireplace.