View allAll Photos Tagged PERSPECTIVE
My notebook during Dave Gray's excellent opening session on drawing.
"All five year olds can draw. You were five once. Therefore, you can draw."
"Egyptian Perspective" simply means that at any given moment while you are drawing, you can choose a different perspective to draw—mixing and matching perspectives to meet your needs. You can look at the top and the side of the table at the same time. The top view of the keyboard and the front view of the monitor. The side view of the coffee cup and the top view of a piece of paper.
It's just one of the many ways we can gain the freedom to think clearly while we draw, instead of worrying about how good we are at it.
Perspective ATANA studio Anthony SÉJOURNÉ
Disponible à la vente / Available for sale
www.jingoo.com/album/postershop/detail_album.php?id_album...
Finally got my hands on a full frame 5D3. I've wanted a full frame camera since 2010...so I took a leap and I got one.
After learning about photography and it's many creative outlets, I have tried to learn about various techniques, styles, tricks, guides, tips, hacks and more to become a full time hobbyist and a semi-professional.
I also love to express myself by capturing life. Life to me is all of creation. Whether it's the gorgeously painted sunsets or frosty, semi-solid icicles, I love that we are given little wonders that can give us perspective or fill us with curiosity. Some times we fail to gain perspective by simply lifting our head or bending down. Tonight I lifted my head to see stars in the sky...I was inspired to capture their light and unintentionally gained perspective into the vast expanse that is our universe.
The window was opened and this spinning blue ball allowed me to capture the light way beyond this world with a perspective that doesn't separate us from the extra-terrestrial but only seems to bring it closer together despite the billions and trillions of miles between.
This world is a fantastic place and I appreciate the beauty that God has allowed me to see.
“The material basis of media technologies – and books are only one example – is changing, for which historical perspectives might give not only comforting back-up (‘nothing is as permanent as change’) but also ideas to push the change forward.” (Jussi Parikka, 2012)
We can certainly talk about change; our present landscape is a space where the digital and physical have become synonymous, which many believe to be signaling the coming of an ontology-less future, through the accelerated disruption of cultural value. In this light old standards show their age and obsolescence in the face of the new, and with each new wave of informational overload we are further alienated by the system, that revolves around an economy of monetary circulation. All these factors come together to push a re-evaluation of identity and the human value. This brings to mind the genealogy of currency, articulated by Joseph Beuys during the discussion entitled What is money? : “Of course ‘Geld’ [‘money’] comes from ‘Gold’, same etymology. But it comes equally from ‘Geltung’ [‘validity’], meaning the value people fix based on their perception of a natural right. The word ‘Geltung’ is rooted in representations of a natural right, while the word ‘Gold’ is rooted in the economy of barter!” (Joseph Beuys, 2012).
In this light, Geltung [validity]: perception of a natural right brings together four artistic investigations that re-evaluate established methods of financial exchange bestowing new material values and identities to their subjects. In a landscape where monetary currency is pinnacle, the artists interrogate notions of personal and individual history, locality and its impact in identity and the framework that contains our cultural objects.
Diogo da Cruz’s work, WORDCOIN (2016 – Current), proposes the implementation of a new currency, that will give a literal value to each one’s speech. By creating The Bank for Argumentation, the costumer-museum-goer will have the opportunity to trust his or hers arguments to an institution that can save and trade them, giving the deserved and objective exposure to their ideas. Max Dovey presents Breath (BRH) (2017), a digital currency that is mined through human respiration. The installation combines breathing and micro-computers to mine, store and trade human breath as a virtual currency on the crypto-market(s). The market value of BRH is determined by the inflation created by respiratory miners who participate in the physical installation. Felicity Hammond’s artworks draws upon images from her own archive, using documents of the landscape and found images online; those of both existing and imagined future spaces. Hammond utilises particular motifs and structures that respond specifically to the digital representations found online of Dundee’s vast regeneration programme. For I keep forgetting I’ve been to Tokyo: GAIDEN (2017), Petra Szemán follows the virtual self through parallel and intersecting realities, along the departure-initiation-return structure of a hero’s journey. Drawing upon personal and/or constructed experiences, the work explores the idea of a non-localised identity that’s an archive of accumulated personal mythologies acquired from a multitude of realities.
An offline/online exhibition curated by Alejandro Ball and Inês Costa
Opening night: 27 October 2017, 7pm – 9pm
Performance part of NEoN Festival: 9 November 2017, 7pm – 8pm
Supported by Creative Scotland, University of Dundee and Leisure and Culture Dundee
Was at a car show in Scappoose and as I walked the line of cars I noticed the reflections in the shiny hubcaps: 26/52.
So much of life is the direct result of the decisions of our youth. The journey starts and ends with a piece of paper, announcing either an arrival or departure. Ours is to embrace the journey between the pages and hopefully have some wonderful chapters filled with laughter and fond memories of friendships and relationships made along the way.
I am blessed in this part of my journey to have met so many special flickr friends who have definately added some positive pages to the journal. The variety of pictures and diverse personalities that I get to expereince most every morning here on flickr is something I look forward to. I hope what little part I share in your journey can be as fulfilling.
Enjoy...
My grandson and I are exploring one of the walkways through the Iberostar Tucan resort in Playa Del Carmen, Mexico... are you taking notes miss blah, blah?
Atmospheric Perspective
Nick Perla
7/31/08
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DFS Galeria ( Facades Studies) - Kowloon, Waikiki & Singapore
HDA : Facades Designer
Client : DFS
Date : 2014
See more at : www.hda-paris.com/