View allAll Photos Tagged PERSPECTIVE

"We turn the cube, and it twists us." - Erno Rubik

Seattle WA 2010

 

Kiev 88

Mir 26 45mm 3.5/f

Tmax 100

Rodinal 1+50, 12 minutes

Epson 4490

It’s just a picture. It’s just an illusion.

 

"Perspectives" is a series of free conversations with DCPA Theatre Company cast and crew on the evening of each show's first preview performance (except A Christmas Carol). On Sept. 30, DCPA Senior Arts Journalist John Moore was joined by 10 members of the Frankenstein team, including Sam Buntrock (director), Kevin Copenhaver (costumes), Jason Sherwood (scenic design), Kevin Tovar (lighting), Curtis Craig (sound), Topher Blair (projections) and actors Max Woertendyke,

Molly Carden and Thaddeus Fitzpatrick. All photos by By McKenzie Kielman

For the DCPA NewsCenter.

It's all in the perspective... I like to think I looked like a tough bastard in the picture, though. This was shot Sept 12, 2001, which was a weird time to be in Toronto visiting friends.

Images from GENBAND's 2013 Perspectives Conference in Orlando, Florida.

Shot in the city of La Roche Bernard (France)

Rhode Island Summer 2015

Kiev 60

Kodak Gold 200

Cinestill C41

DSLR Scanned

Pictures of the dryers at my local Laundromat.

Photos from 'Perspectives' for 'Native Gardens,' Karen Zacarías' celebrated comedy about a young Latino couple that moves into a fixer-upper next to an older couple with a beautifully kept garden. All is going really well until the aristocratic young Chileans discover their property line actually extends about 2 feet over their neighbors' flowerbed. Performances run through May 6, 2018, in the Space Theatre. For more information, call 303-893-4100 or go to denvercenter.org. 'Perspectives' is a series of free public panel discussions held just before the first preview performance of each DCPA Theatre Company offering. Next up: 'The Who's Tommy': 6 p.m. Friday, April 20, 2018, in the Jones Theatre. Photos by John Moore for the DCPA NewsCenter.

Life of perspective!

 

Photo by: Mardy Photography

Team: Cambodia Photo Player

Place of photo: Phnom Penh city, Kingdom of Cambodia.

Website: www.cambodiaphotoplayer.com

 

I, my teammate CPP and my nephew went out street shot on Saturday ,10-08-2013.

 

I am Mr. Mardy SUONG, I am from the one of Cambodian Photographers. I wish to extend my heartfelt welcome to all international visitors and photographers to Cambodia-Kingdom of Wonder.

 

As one of the fastest growing tourism destinations in Southeast Asia, Cambodia’s rich heritage, cultural and natural resources offer a full range of cultural and eco-tourism sites that are both dynamic and sustainable. Highlights include Phnom Penh, the Angkor Wat and the Mekong River Dolphins, just to name a few.

 

The Kingdom’s capital is a dynamic city where visitors are in the mood for shopping, dining, sightseeing and more. As Cambodia’s hub for commerce, politics and tourism, Phnom Penh is also home to many important institutions and monuments such as Wat Phnom, the Royal Palace and the National Museum. The magnificent Angkor Wat and Preah Vihear, Heritage of Humanity and World Wonder, is probably the most exotic tourist destination in the world and the renowned yet very rare Mekong River dolphins can also be found in Cambodia. During your staying here, do visit and relax on Cambodia’s pristine beaches, explore the coral reefs around many of our beautiful islands and trek through lush mangrove forests. The bay of Cambodia has been inducted to the Most Beautiful Bay of the World Club.

 

Regards and thanks!

Perspective and atmospheric perspective study. Bad Picture with poor contrast and line quality.

365 Project Day 287: October 14, 2011

 

Out with the Friday Night Drinking and Shooting Club in the Mission. I came late, but luckily some of the crew was still out wandering. I managed to track everyone down in time for a carbomb and a walk around the block for a few shots. I didn't take too many tonight, but liked the pattern of this bike rack.

© sage creek galleries

  

If the attention of Rosalba Carriera and Pietro Longhi was drawn to the life and customs of their own day, Canaletto left for posterity a panorama of the colorfully spectacular public life of Venice, all registered in his precisely drawn and prospectively accurate scenes. He soon turned his back on the confident virtuoso displays of scenery painting and designing which he had been given a start in by his father Bernardo. And after a period in Rome where he was struck more by the objective reporting of reality by Viviano Coduzzi and painters from the Netherlands like Berkheyde than the decorative vivacity of Pannini and Van Wittel, Canaletto applied himself to setting onto canvas scenes from Venice as later he was to paint views of London and the English countryside. In these paintings he conceded nothing to the episodic and the picturesque and concentrated his clear-sighted vision instead on creating a space-light synthesis of extraordinary truthfulness.

 

The Perspective - donated by Canaletto to the Accademia in 1765 for his admission in the capacity of a painter of perspective in September, 1763 - is a fine example of his extraordinary recreation of real data in prodigiously stylized form. Even though here the subject is drawn from the imagination, each architectural detail is a fascinating concentration of images.

  

Uncorrected perspective for a change: this is the dramatic view up into the height of the nave from just inside the west door.

Baltimmore. The Shot Tower was a lead shot manufacturing facility in operation from 1828 to 1892. Molten lead was dropped from a platform at the top of the tower through a sieve-like device and into a vat of cold water. When hardened, dried and polished, the shot was sorted into 25-pound bags, producing a total of 1,000,000 bags of shot a year--a number that could be doubled if necessary.

Known originally as the Phoenix Shot, then the Merchants' Shot Tower and now the old Baltimore Shot Tower, the red brick tower was erected in 1828. Charles Carroll of Carrollton, a signer of the Declaration of Independence, laid its cornerstone. Over 234 feet high, the Shot Tower was the tallest structure in the United States until the Washington Monument in Washington, DC was completed after the Civil War. This type of building was rare even during the 19th century and today only eleven shot towers remain in existence. Of these four, the Shot Tower is the most outstanding example.

Maya Roy, Chief Executive Officer, YWCA Canada, Switzerland; Young Global Leader speaking during the Session: Perspective Labs at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2019. Copyright by World Economic Forum / Benedikt von Loebell

This is my hippo on the senior balcony. If I could change it i would shot a better angle.

Images from GENBAND's 2013 Perspectives Conference in Orlando, Florida.

Embankment at night in Brooklyn

On the right: the back of Basilica di San Nicola.

found photo

vancouver bc

I really really like this shot of a camper at Pleasant Vineyard summer camp.

Emerson Stage Presents

The Late Wedding

By Christopher Chen

Directed by Javier Hurtado

Presented September 23–26, 2021

Jackie Liebergott Black Box Theater

Scenic Design By Maria Laird

Costume Design By Munroe Shearer

Lighting Design By Jordan Barnett

Sound Design By Kai Bohlman

Props Lead is Sarabeth Spector

Stage Manager is Carter White

Dramaturg is Elena Freck

 

Photos by: Craig Bailey/Perspective Photos

 

Cast is Lucas Babcock, Ethan Denk, Gabriella Gonzalez, Shannon Horsey, AJ Hughson, Hawa Kamara, Jack Miller, Betsy Ogrinc, Amarís Rios, Oliver Rizzo, Kwezi Shongwe.

 

For more info please visit: www.emersonstage.org/the-late-wedding

  

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