View allAll Photos Tagged PERCEPTION
In the perception of a tree we can distinguish the act of experiencing, or perceiving, from the thing experienced, or perceived.
finally, a decent photo with my 450d. It focus' really well, and great dof.
mhm, well, i've been wanting to do a peacock feather photo for a long time, this isn't at all what i had in mind, but i liked it enough.
and the feather was a bit dodgy. :P
colours are better in safari...
I decided to dress up as a biker chick a few Halloweens ago, black wig and all! Original self-portrait taken October, 2002 was underexposed, and yellow looking so I thought it would look good with a cyan cast. This is one of my all time fave selfies, so I'll just call the underexposing a happy accident! If this pic looks familiar to some of you, maybe it is because it used to be the icon for my group, Big Expressive Eyes, Sexy, Succulent Lips! Wanna join? Follow the link and you know what to do! ;D
In this photo, does the railing of the staircase appear perfectly straight, or does it deform into an undulation, like a wave, as soon as you look at it? Is what we perceive, as individuals, objective reality, or just a subjective interpretation of it? Between different people, do we share the same vision of the world around us, or are our perceptions shaped by our unique experiences? In short, aren't there as many realities as there are individuals? Couldn't we say that the world is, in the final analysis, only what we choose to see in it?
Sur cette photo, le garde-corps de l’escalier semble-t-il parfaitement droit, ou se déforme-t-il en une ondulation, comme une vague, dès que votre regard se pose dessus ? Ce que nous percevons, en tant qu'individus, est-il la réalité objective, ou n’est-ce qu’une interprétation subjective de celle-ci ? Entre différentes personnes, partageons-nous la même vision du monde qui nous entoure, ou nos perceptions sont-elles façonnées par nos expériences uniques ? En somme, n’existe-t-il pas autant de réalités qu’il y a d’individus ? Ne pourrait-on pas affirmer que le monde n’est, en définitive, que ce que nous choisissons d’y voir ?
Keys to open the doors of perception...?
Keys, better tools for the year 2025...?
-This is a mural/painting on a street, the remaining part of my previous dog photo.
Happy New Year to you who might see this :)
They were in love deeply devoted each other. In those old time it was difficult to life as "black ship". Older one was artist painter, young teacher.
They both loved riding horses. Great excuse to be together.
explore: Highest position: 157 on Tuesday, February 10, 2009
Realidad Ficticia-Fictitious Reality-17th Exhibition open!
Though Winter has been brutally cold and many with more snow than other areas or snow in places that don't get snow, my perception is Wisconsin had a mild Winter so far.
A different take for me on Durdle Door, which recently won a 'One Thing This Month' competition in Outdoor Photography (and a new backpack from the lovely people there.) I locked down the camera settings and focus, attached a LEE Big Stopper and ran in and out of the water on a cold winter's day. Back home I blended the best five exposures. It's also one of my LPOTY rejects this year; had two that made the shortlist but no further. Thanks for looking.
I often like to think about our place in the universe... and scale... and relativity. For all we know, this big honking Earth of ours... teeming with what we know as lifeforms... is merely a molecule in some other, much larger structure.
Could be. After all, the microscopic view reveals entire worlds and civlizations invisible to our unaided eyes. And even a macro lens gives us a whole different perspective on size and scale.
And since I'm too tired to write today, I'll just repeat some doggerel I created as a kid, which basically says the same kind of thing (and suggests that I have changed very little in the past 30-plus years):
To a flea it's a four-lane highway
To an ant it's a mountain pass
To a cow it's plain delicious
To me it's a piece of grass.
(P.S. This is my first photo taken with my first-ever macro lens, which Husband Mike bestowed upon me for the big Four-Oh.)
Xenophobia comes from the two Greek words “xénos” meaning “foreigner or stranger” and “phobos” meaning “fear or dread.” According to Merriam-Webster dictionary’s (2018) xenophobia is “fear and hatred of strangers or foreigners or of anything that is strange or foreign.” Xenophobia is about “attitudes, prejudices and behavior that reject, exclude and often vilify persons based on the perception that they are outsiders or foreigners to the community, society or national identity[1].” Xenophobia can be trans-national or local. People may carry out attack and discrimination within a community on those labeled or considered “stranger.”
...................https://www.r2hub.org/library/what-is-xenophobia
DSC01615
Camera movement in the bluebell woods. I figured out that I get a much smoother movement if I keep the camera close to my face rather than holding it a little further away.
I took this shot at the Salford Quays watersports centre, these canoes were stacked up and looked interesting, and the name perception intrigued me too.
Holga 120N, neutral density soft surround filter, HP5+
D-76 1+2, 12½ min
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The window is a distant reflection--from far across the room. This is like what it is like to recall a distant memory.
An abstract perception/impression of a local stainless steel sculpture and my shadow while photographing it.
I always try to catch the light and the moment. It`s like dancing Tango Argentino: A passion!
Saturday I danced with the light and this shot is the fusion!
A moment and the light as well:
Assassin's Tango:
This is my by far my favorite style of photography, long twilight exposures.
Im on a run of lackluster sunsets, but today i was determined to go home with a shot. After seeing the result I need to get out more when its rubbish.
wind was blowing a gale, I could literally see the camera wobbling.
Somehow managed a sharp image. to do with the law of averages I assume.
just switched to lightroom 4 and cant find where they hide the photo info menu, anyway.
approx 8 min, lights turned on for last 3min (lucky touch)
3 stop hard Hitech
lee bigstopper
f 4.5
iso 100
minimal PP
- couple of different contrast masks
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"It is our failure to become our perceived ideal that ultimately defines us and makes us unique." Conan O'Brien
A little gem from the book Steal Like an Artist.
I'm working on an idea I got in the shower for a series that I can already tell will be a challenge. But I am very excited for the outcome and can't wait to share with you all!
Punta Marina Terme, Jan.2019
Sony A6000 with Selp1650pz, minimum edit in Adobe Lightroom and Gimp
Album: "Dietro Punta, ricordi di Deserto Rosso". Take a look at www.flickr.com/photos/simonepelatti/sets/72157706418034334
#countryside #industrial #cold #sunset #dark #PuntaMarina #Ravenna #contrast