View allAll Photos Tagged PENTACLE
Pyrographed altar board made by Sorcha of the Chiltern Kindred for Olga.
The design includes the crow and blackberries.
The Egyptian circle or ancient wheel of fortune is a Sphinx which represents the mystery of life. It also represents the SELF, the real person behind the mask that we wear (PERSONA). That is to introduce an element of change in the querent's life, such change being in station, position or fortune: such as the rich becoming poor, or the poor becoming rich.The wheel is not always shown inscribed with any lettering. Where this is the case, the letters T-A-R-O (clockwise) or T-O-R-A (counter clockwise) can often be found aligned against four of the spokes, which can also be interpreted as R-O-T-A, the Latin word meaning "wheel". In some decks, such as the Waite, the wheel is also inscribed with additional alchemical symbols representing the four elements: Earth, Air, Fire and Water (which are also said to be represented throughout the Tarot by the four "suits" of Pentacles or Discs, Swords, Wands, and Cups respectively.
At the top of the wheel perches the sphinx, who is there to remind us that if we stay stable amidst turmoil and use reasoning then we can retain the power to change our own lives instead of staying at the mercy of chance.This creature is Anubis – the Egyptian God which guided dead souls and was the giver of new life. Anubis help consciousness rise from lower to higher. The axis mundi (also cosmic axis, world axis, world pillar, center of the world, world tree), in certain beliefs and philosophies, is the world center, or the connection between Heaven and Earth. As the celestial pole and geographic pole, it expresses a point of connection between sky and earth where the four compass directions meet. At this point travel and correspondence is made between higher and lower realms. Communication from lower realms may ascend to higher ones and blessings from higher realms may descend to lower ones and be disseminated to all. The spot functions as the omphalos (navel), the world's point of beginning. The image relates to the center of the earth (perhaps like an umbilical providing nourishment)[citation needed]. It may have the form of a natural object (a mountain, a tree, a vine, a stalk, a column of smoke or fire) or a product of human manufacture (a staff, a tower, a ladder, a staircase, a maypole, a cross, a steeple, a rope, a totem pole, a pillar, a spire). Its proximity to heaven may carry implications that are chiefly religious (pagoda, temple mount, minaret, church) or secular (obelisk, lighthouse, rocket, skyscraper). The image appears in religious and secular contexts.[6] The axis mundi symbol may be found in cultures utilizing shamanic practices or animist belief systems, in major world religions, and in technologically advanced "urban centers". In Mircea Eliade's opinion, "Every Microcosm, every inhabited region, has a Centre; that is to say, a place that is sacred above all."The axis mundi is often associated with mandalas.
The first thing you might not know about obelisks is what they are. If you have ever walked across the Place de la Concorde in Paris, or seen any rendering of ancient Egypt in its glory, you are very familiar with obelisks: vertical stone columns that taper as they rise, topped by a pyramid. .An obelisk (UK: /ˈɒbəlɪsk/; US: /ˈɑːbəlɪsk/, from Ancient Greek: ὀβελίσκος obeliskos; diminutive of ὀβελός obelos, "spit, nail, pointed pillar" is a tall, four-sided, narrow tapering monument which ends in a pyramid-like shape or pyramidion at the top. These were originally called tekhenu by their builders, the Ancient Egyptians. Ancient monolithic megalithic structures have now been identified to as far back a 15,000 years. Monolithic Menhirs (en.wikipedia.org/wiki/Menhir) are the great grand father of the obelisk. Thousands of years before the first Egyptian style obelisk, our distant family gathered together and set aside in some cases, 20 years of work of dozens if not hundreds of people to build and raise up a Menhir. We did this on every single continent that has had human development using carved stones up to 250,000 pounds. Thousands of these megalithic structures have been placed all around the world and many still stand. The Greeks who saw them used the Greek term 'obeliskos' to describe them, and this word passed into Latin and ultimately English. Ancient obelisks are monolithic; that is, they consist of a single stone. Most modern obelisks are made of several stones; some, like the Washington Monument, are buildings.Obelisks were prominent in the architecture of the ancient Egyptians, who placed them in pairs at the entrance of temples. The word "obelisk" as used in English today is of Greek rather than Egyptian origin because Herodotus, the Greek traveller, was one of the first classical writers to describe the objects. A number of ancient Egyptian obelisks are known to have survived, plus the "Unfinished Obelisk" found partly hewn from its quarry at Aswan. These obelisks are now dispersed around the world, and fewer than half of them remain in Egypt. The earliest temple obelisk still in its original position is the 68-foot (20.7 m) 120-metric-ton (130-short-ton)[5] red granite Obelisk of Senusret I of the XIIth Dynasty at Al-Matariyyah in modern Heliopolis. The obelisk symbolized the sun god Ra, and during the brief religious reformation of Akhenaten was said to be a petrified ray of the Aten, the sundisk. It was also thought that the god existed within the structure. Benben was the mound that arose from the primordial waters Nu upon which the creator god Atum settled in the creation story of the Heliopolitan creation myth form of Ancient Egyptian religion. The Benben stone (also known as a pyramidion) is the top stone of the Egyptian pyramid. It is also related to the Obelisk. It is hypothesized by New York University Egyptologist Patricia Blackwell Gary and Astronomy senior editor Richard Talcott that the shapes of the ancient Egyptian pyramid and obelisk were derived from natural phenomena associated with the sun (the sun-god Ra being the Egyptians' greatest deity). The pyramid and obelisk might have been inspired by previously overlooked astronomical phenomena connected with sunrise and sunset: the zodiacal light and sun pillars respectively. The Ancient Romans were strongly influenced by the obelisk form, to the extent that there are now more than twice as many obelisks standing in Rome as remain in Egypt. The ancient Egyptians placed pairs of obelisks at the entrances of their temples. According to Gordon, the columns were associated with the Egyptian sun god, and perhaps represented rays of light. They were often topped with gold, or a natural gold-and-silver alloy called electrum, in order to catch the first rays of the morning light. Twenty-eight Egyptian obelisks remain standing, though only six of them are in Egypt. The rest are scattered across the globe, either gifts from the Egyptian government or plunder by foreign invaders. The symbol originates in a natural and universal psychological perception: that the spot one occupies stands at "the center of the world". This space serves as a microcosm of order because it is known and settled. Outside the boundaries of the microcosm lie foreign realms that, because they are unfamiliar or not ordered, represent chaos, death or night.[8] From the center one may still venture in any of the four cardinal directions, make discoveries, and establish new centers as new realms become known and settled. The name of China, meaning "Middle Nation" (中国 pinyin: Zhōngguó), is often interpreted as an expression of an ancient perception that the Chinese polity (or group of polities) occupied the center of the world, with other lands lying in various directions relative to it.Within the central known universe a specific locale-often a mountain or other elevated place, a spot where earth and sky come closest gains status as center of the center, the axis mundi. High mountains are typically regarded as sacred by peoples living near them. Shrines are often erected at the summit or base.[9] Mount Kunlun fills a similar role in China.[10] For the ancient Hebrews Mount Zion expressed the symbol.[citation needed] Sioux beliefs take the Black Hills as the axis mundi.[citation needed] Mount Kailash is holy to Hinduism and several religions in Tibet. The Pitjantjatjara people in central Australia consider Uluru to be central to both their world and culture. In ancient Mesopotamia the cultures of ancient Sumer and Babylon erected artificial mountains, or ziggurats, on the flat river plain. These supported staircases leading to temples at the top. The Hindu temples in India are often situated on high mountains. E.g. Amarnath, Tirupati, Vaishno Devi etc. The pre-Columbian residents of Teotihuacán in Mexico erected huge pyramids featuring staircases leading to heaven. Jacob's Ladder is an axis mundi image, as is the Temple Mount. For Christians the Cross on Mount Calvary expresses the symbol.The Middle Kingdom, China, had a central mountain, Kunlun, known in Taoist literature as "the mountain at the middle of the world." To "go into the mountains" meant to dedicate oneself to a spiritual life.] Monasteries of all faiths tend, like shrines, to be placed at elevated spots. Wise religious teachers are typically depicted in literature and art as bringing their revelations at world centers: mountains, trees, temples.Because the axis mundi is an idea that unites a number of concrete images, no contradiction exists in regarding multiple spots as "the center of the world". The symbol can operate in a number of locales at once.[7] Mount Hermon was regarded as the axis mundi in Caananite tradition, from where the sons of God are introduced descending in 1 Enoch (1En6:6).[13] The ancient Armenians had a number of holy sites, the most important of which was Mount Ararat, which was thought to be the home of the gods as well as the center of the Universe.[14] Likewise, the ancient Greeks regarded several sites as places of earth's omphalos (navel) stone, notably the oracle at Delphi, while still maintaining a belief in a cosmic world tree and in Mount Olympus as the abode of the gods. Judaism has the Temple Mount, Christianity has the Mount of Olives and Calvary, Islam has Ka'aba, said to be the first building on earth, and the Temple Mount (Dome of the Rock). In Hinduism, Mount Kailash is identified with the mythical Mount Meru and regarded as the home of Shiva; in Vajrayana Buddhism, Mount Kailash is recognized as the most sacred place where all the dragon currents converge and is regarded as the gateway to Shambhala. In Shinto, the Ise Shrine is the omphalos.[citation needed] In addition to the Kunlun Mountains, where it is believed the peach tree of immortality is located, the Chinese folk religion recognizes four other specific mountains as pillars of the world.
Sacred places like Concorde (unite people) constitute world centers (omphalos) with the altar or place of prayer as the axis. Altars, incense sticks, candles and torches form the axis by sending a column of smoke, and prayer, toward heaven. The architecture of sacred places often reflects this role. "Every temple or palace--and by extension, every sacred city or royal residence--is a Sacred Mountain, thus becoming a Centre." The stupa of Hinduism, and later Buddhism, reflects Mount Meru. Cathedrals are laid out in the form of a cross, with the vertical bar representing the union of earth and heaven as the horizontal bars represent union of people to one another, with the altar at the intersection. Pagoda structures in Asian temples take the form of a stairway linking earth and heaven. A steeple in a church or a minaret in a mosque also serve as connections of earth and heaven. Structures such as the maypole, derived from the Saxons' Irminsul, and the totem pole among indigenous peoples of the Americas also represent world axes. The calumet, or sacred pipe, represents a column of smoke (the soul) rising form a world center.[16] A mandala creates a world center within the boundaries of its two-dimensional space analogous to that created in three-dimensional space by a shrine
The first thing you might not know about obelisks is what they are. If you have ever visited the Washington Monument, however, or walked across the Place de la Concorde in Paris, or seen any rendering of ancient Egypt in its glory, you are very familiar with obelisks: vertical stone columns that taper as they rise, topped by a pyramid. Washington’s Monument and the Fascinating History of the Obelisk, by John Steele Gordon, is an absorbing account of the obelisk’s place in human civilization. Here are seven things revealed by Gordon that you might not know about obelisks. The ancient Egyptians placed pairs of obelisks at the entrances of their temples. According to Gordon, the columns were associated with the Egyptian sun god, and perhaps represented rays of light. They were often topped with gold, or a natural gold-and-silver alloy called electrum, in order to catch the first rays of the morning light. Twenty-eight Egyptian obelisks remain standing, though only six of them are in Egypt. The rest are scattered across the globe, either gifts from the Egyptian government or plunder by foreign invaders.
Around 250 B.C., a Greek philosopher named Eratosthenes used an obelisk to calculate the circumference of the Earth. He knew that at noon on the Summer Solstice, obelisks in the city of Swenet (modern day Aswan) would cast no shadow because the sun would be directly overhead (or zero degrees up). He also knew that at that very same time in Alexandria, obelisks did cast shadows. Measuring that shadow against the tip of the obelisk, he came to the conclusion that the difference in degrees between Alexandria and Swenet: seven degrees, 14 minutes—one-fiftieth the circumference of a circle. He applied the physical distance between the two cities and concluded that the circumference of the Earth was (in modern units) 40,000 kilometers. This isn’t the correct number, though his methods were perfect: at the time it was impossible to know the precise distance between Alexandria and Swenet. If we apply Eratosthenes's formula today, we get a number astonishingly close to the actual circumference of the Earth. In fact, even his inexact figure was more precise than the one used by Christopher Columbus 1700 years later. Had he used Eratosthenes’s estimation, Columbus would have known immediately that he hadn’t reached India.True obelisks as conceived by the ancient Egyptians are “monolithic,” or made from a single piece of stone. (The literal translation of monolith—a Greek word—is “one stone.” On that note, the word “obelisk” is also Greek, derived from obeliskos, or skewer. An ancient Egyptian would have called an obelisk a tekhen.)
The obelisk at the center of Place de la Concorde, for example, is monolithic. It is 3300 years old and once marked the entrance to the Temple of Thebes in Egypt. So difficult is the feat of building a monolithic obelisk that Pharaoh Hatshepsut had inscribed at the base of one of her obelisks the proud declaration: “without seam, without joining together.”Nobody knows exactly why obelisks were built, or even how. Granite is really hard—a 6.5 on the Mohs scale (diamond being a 10)—and to shape it, you need something even harder. The metals available at the time were either too soft (gold, copper, bronze) or too difficult to use for tools (iron’s melting point is 1,538 °C; the Egyptians wouldn’t have iron smelting until 600 B.C.). The Egyptians likely used balls of dolerite to shape the obelisks, which, Gordon notes, would have required “an infinity of human effort.” Hundreds of workers would have each had to pound granite into shape using dolerite balls that weighed up to 12 pounds. This doesn’t even address the issue of how one might move a 100-foot, 400-ton column from the quarry to its destination.
The ancient Egyptians placed pairs of obelisks at the entrances of their temples. According to Gordon, the columns were associated with the Egyptian sun god, and perhaps represented rays of light. They were often topped with gold, or a natural gold-and-silver alloy called electrum, in order to catch the first rays of the morning light. Twenty-eight Egyptian obelisks remain standing, though only six of them are in Egypt. The rest are scattered across the globe, either gifts from the Egyptian government or plunder by foreign invaders.
A common shamanic concept, and a universally told story, is that of the healer traversing the axis mundi to bring back knowledge from the other world. It may be seen in the stories from Odin and the World Ash Tree to the Garden of Eden and Jacob's Ladder to Jack and the Beanstalk and Rapunzel. It is the essence of the journey described in The Divine Comedy by Dante Alighieri. The epic poem relates its hero's descent and ascent through a series of spiral structures that take him from through the core of the earth, from the depths of Hell to celestial Paradise. It is also a central tenet in the Southeastern Ceremonial Complex. Anyone or anything suspended on the axis between heaven and earth becomes a repository of potential knowledge. A special status accrues to the thing suspended: a serpent, a victim of crucifixion or hanging, a rod, a fruit, mistletoe. Derivations of this idea find form in the Rod of Asclepius, an emblem of the medical profession, and in the caduceus, an emblem of correspondence and commercial professions. The staff in these emblems represents the axis mundi while the serpents act as guardians of, or guides to, knowledge. Snake lying against Wheel. The snake represents Set, the Egyptian god of evil. He also represents death and rebirth. However the other message of the snake is about creating form from energy. The snake is wrapped around the Magicians waist. Through will and cosmic manifestation creation happens on earth. We are co-creators of our life and destiny. The snake also reminds us that we have to shed the old skin (habits etc) in order to grow the new. he number of The Wheel of Fortune is 10. 10 is often seen as a combination of 0 and 1. Nothing and the first manifestation. The Creator represents 10 therefore because the Creator makes something out of nothing. The creators of the Rider Waite Tarot deck were members of the Golden Dawn, a group that had many teachings based on the mystical Kabbalah of the Jewish nation. When I say Kabbalah forget about monotheism, Judaism, God, and religion for a moment. Kabbalists are mystics in a sense. They believe God is neither male nor female and in fact has many aspects. Their systems are all about learning why we are here, the mystery of the universe and what the big plan is. Inside the Rider Waite deck is a multitude of Kabbalistic meanings. I will briefly explain a few of the Kabbalistic meanings within The Emperor card. Believe me when I say you could learn for the rest of your life about Tarot and Kabbalah and still only scratch the surface. I’m keeping it superficial but easy to understand. I am also using on purpose the word Kabbalah rather than Cabala. The Wheel of Fortune is represented by the letter Kaph – כ – which is the first letter in the name of God. The Wheel of Fortune on The Tree of Life sits on the path between Chesed and Netzach. In Kabbalah the number 10 is a number of completion of a cycle and the beginning of another. We have 10 sephiroth on the Tree of Life describing the process of Creation. We have the 10 commandments which describe how to create a world that reflects God. 10 is also two numbers – 0 and 1. 0 is the Fool (nothing) and 1 is the Magician (manifesting out of nothing). Together they explain how God created the universe. The name of this Wheel is ‘Rewarding Intelligence of Those Who Seek’ and means that those who seek for the understanding of the greater picture will be rewarded. In other words, ‘Seek, and ye shall find’. If we go into more detail we can explore the letters on the orange wheel. In Gematria TARO adds up to 671 and the name of God יהוה adds up to 26. Together the total number is 697 which breaks down to 22.,22 is the number of cards in the Major Arcana deck and the number of Hebrew letters in the alphabet.
Around 250 B.C., a Greek philosopher named Eratosthenes used an obelisk to calculate the circumference of the Earth. He knew that at noon on the Summer Solstice, obelisks in the city of Swenet (modern day Aswan) would cast no shadow because the sun would be directly overhead (or zero degrees up). He also knew that at that very same time in Alexandria, obelisks did cast shadows. Measuring that shadow against the tip of the obelisk, he came to the conclusion that the difference in degrees between Alexandria and Swenet: seven degrees, 14 minutes—one-fiftieth the circumference of a circle. He applied the physical distance between the two cities and concluded that the circumference of the Earth was (in modern units) 40,000 kilometers. This isn’t the correct number, though his methods were perfect: at the time it was impossible to know the precise distance between Alexandria and Swenet. If we apply Eratosthenes's formula today, we get a number astonishingly close to the actual circumference of the Earth. In fact, even his inexact figure was more precise than the one used by Christopher Columbus 1700 years later. Had he used Eratosthenes’s estimation, Columbus would have known immediately that he hadn’t reached India. True obelisks as conceived by the ancient Egyptians are “monolithic,” or made from a single piece of stone. (The literal translation of monolith—a Greek word—is “one stone.” On that note, the word “obelisk” is also Greek, derived from obeliskos, or skewer. An ancient Egyptian would have called an obelisk a tekhen.) The obelisk at the center of Place de la Concorde, for example, is monolithic. It is 3300 years old and once marked the entrance to the Temple of Thebes in Egypt. So difficult is the feat of building a monolithic obelisk that Pharaoh Hatshepsut had inscribed at the base of one of her obelisks the proud declaration: “without seam, without joining together.” Nobody knows exactly why obelisks were built, or even how. Granite is really hard—a 6.5 on the Mohs scale (diamond being a 10)—and to shape it, you need something even harder. The metals available at the time were either too soft (gold, copper, bronze) or too difficult to use for tools (iron’s melting point is 1,538 °C; the Egyptians wouldn’t have iron smelting until 600 B.C.). The Egyptians likely used balls of dolerite to shape the obelisks, which, Gordon notes, would have required “an infinity of human effort.” Hundreds of workers would have each had to pound granite into shape using dolerite balls that weighed up to 12 pounds. This doesn’t even address the issue of how one might move a 100-foot, 400-ton column from the quarry to its destination. While there are many hypotheses, nobody knows precisely how they did it. Until the 19th century, hieroglyphics were thought to be untranslatable—mystical symbols with no coherent message beneath. Jean-François Champollion, a French Egyptologist and linguist, thought differently, and made it his life’s purpose to figure them out. His first success came from the Rosetta Stone, from which he divined the name “Ptolemy” from the symbols. In 1819, “Ptolemy” was also discovered written on an obelisk which had just been brought back to England—the Philae obelisk. The “p,” “o,” and “l” on the obelisk also featured elsewhere on it, in the perfect spots to spell the name “Cleopatra.” (Not that Cleopatra; the much earlier Queen Cleopatra IX of Ptolemy.) With those clues, and using this obelisk, Champollion managed to crack the mysterious code of hieroglyphics, translating their words and thus unlocking the secrets of ancient Egypt. (Almost 200 years later, the European Space Agency’s mission to land a spacecraft on a comet commemorated these events; the spacecraft is named Rosetta. The lander is named Philae.)
Model >> Arianna Boccato as Ary Kairi (www.facebook.com/Arya.CosArt)
Photo >> Task PhotoLab
Edit >> Task PhotoLab
This is an altar used by GypsyBeth for her personal wiccan rituals. Ritual tools include the athame, two candles, chalice (goblet), thurible (incense burner), a cauldron, and a statue to represent the goddess. This altar was hand crafted by DragonOak and comes in a variety of styles.
Macro Monday, theme - 'ring'. Here follows a list of several demons and their sigils of summoning....
...garden star
"When the blazing sun is gone,
When he nothing shines upon,
Then you show your little light,
Twinkle, twinkle, all the night.
Then the traveller in the dark,
Thanks you for your tiny spark,
He could not see which way to go,
If you did not twinkle so."
Nine tarot cards completed!
I'm still enjoying the process, not noticing the huge amounts of time going by.
Card four: The Magician - unique, talented and self aware. On the table in front of him lie the contents of The Fool's knapsack: a wand, a cup, a sword and a pentacle. The Magician has deep knowledge of the purpose of each and has learned to blend their energies, elements and qualities to create all kinds of magic. He is a master of illusion and will have you doubting what you see, or convince you that you see something other than you do. When The Magician appears it would be advisable for you to look closer or deeper into your situation as everything may not be as it appears.
Card five: The Queen of Pentacles ( representative of the element of Earth) -The Queen of Pentacles is very much a homebody and so likes to spend a lot of time in or around the house. She considers her home and garden her sanctuary and feels secure there. The Queen of Pentacles enjoys status and social prestige. Therefore she likes her things, her possessions and to luxuriate in all her success has afforded her. This Queen turning up in your reading can represent prosperity.
Of the characters in the novel, "The Chronicles of Amber" she is Fiona.
Card six: The World Card - a woman stands in the centre of a large Laurel Wreath. The woman is naked except for a flowing sash which swirls around her body. She holds two wands loosely in her hands. The woman appears to be in motion, as if in dance. The Laurel Wreath symbolises her success and achievements. Infinity symbols suggest an awareness that there is no beginning or end, and that like The World itself, life is continuously moving and rotating. This leads to her understanding that although this particular journey may be over for her right now, more will come to follow. Life is constantly renewing itself and the Universe will not permit stagnation for that will lead to decay. The apparent movement of The Woman’s body within the Laurel Wreath suggests this very understanding. She may have achieved her goals, found fulfilment and inner-happiness but there are many more goals to achieve and other mountains to climb. If she were to stand still she would die and for her death is not an option. She only believes in rebirth and renewal. Death is but an illusion.
Card seven: The Wheel of Fortune -There is great depth to The Wheel of Fortune for it teaches us some hard lessons. As far as the Sphinx (sitting at top of wheel) is concerned there is no fortune or ‘Lady Luck’ involved in which part of The Wheel you ride on, for be it on the downward or upward turn you are fully responsible for your position. No finger can be pointed at another in blame or that fate or the Gods are shining down on or cursing you. You got here all by yourself and the Sphinx advises that if you are clever and wise you should stop and be observant as to how you got where you are on The Wheel, for it is not by chance. Be it on the upward or downward turn it is the right place for you at this point of time. However, The Wheel is in constant motion so wherever you are on it, remember that this time too will pass, the Wheel will turn once more and what is in the now will soon become the past.
Card eight: The Page of Cups - represents the emotional level of consciousness and are associated with love, feelings, relationships and connections. The Page of Cups is dressed in a blue tunic with floral print all over it. The young man stands alone on the seashore with a single golden cup in his hand. The Page of Cups indicates the surprising and unexpected nature of inspiration that comes to us from the realm of the unconscious and the spirit. Inspiration is seen to be something which comes upon us most unexpectedly and often in a manner which we do not understand.
Of the characters in the novel, The Chronicles of Amber, he is Gerard.
Card nine: King of Swords - stands for the law and the enforcement of it. He presides over the courts, the police force and forensics. He is determined to bring matters to a just and fair conclusion by dealing with the ultimate facts laid bare before him regardless of people’s feelings or dramatic displays of emotions. For him to achieve this it is imperative that he remains impartial to the human elements involved in his decision-making process. The King of Swords appearing in a reading especially if the Justice card accompanies it can represent legal issues surrounding you or decisions being made. Solicitors, lawyers, courtrooms and legal documents may be relevant. When upright his appearance suggests that the outcome will be in your favour or that it will be fair and balanced.
Of the characters in the novel, The Chronicles of Amber, he is Oberon.
(Information is from the Truly Teach Me Tarot site)
Time so far: 46hrs
And so another day has passed. I decided to try and start my own 365 visual diary.
I thought i'd be interesting to watch the progression a year on and see how much we have changed.
Well the idea isnt original and is in fact started by Stephen Poff.
www.flickr.com/photos/stephenpoff/
Well here's day 1.
now available on marketplace:
marketplace.secondlife.com/p/PUNCH-Pentacle-Nose-Ring/785...
.
.
.
PUNCH at Suicide Dollz ♥
While scrabbling around in my jewellery box for inspiration, I came across some of my jewellery I bought while I was interested in paganism (for the curious: my spiritual direction or lack thereof has gradually drifted to a more taoist approach over time). I still find them pretty, but any meaning has long since gone.
My entry for "Anything hippie" in April's Monthly Scavenger Hunt as the stereotype of paganism certainly lies in the hippy direction...
125L$ (( 94L$ With group active )) Inworld --> maps.secondlife.com/secondlife/Savage%20Keep/37/50/3770
or 125L $ marketplace --> marketplace.secondlife.com/stores/37394
Enjoy! Marian
For pentacle swap - I made the mistake of posting these with the holy woman cards and they got lost in the post - it was too late by the time we discovered it to send these copies!
I lost my debit card, assumedly paying for coffee, on Saturday.
Only realised today.
Panic!!!
Called the bank and they confirmed that it has not been used since that coffee purchase. Card cancelled, new one its way in 2 days.
Phew!
Textures by Skeletalmess
Tekið fyrir LÍF 183, grasafræði, sem ég tek í sumar. Ég þarf að finna 100 villtar íslenskar háplöntur og ætla að setja eitthvað af því hingað inn.
Þetta er lyfjagras eða Pinguicula vulgaris áður en það blómstrar. Laufblöðin eru gulgræn og slímkennd og klístruð til að veiða flugur og melta þær. Þótt þetta líti út fyrir að vera saklaust blóm er það samt kjötæta :)
These are the leaves of a butterwort (Pinguicula vulgaris). The flower uses the sticky leaves to trap and digest flies. It's a carnivorous plant.
The fullgrown plant looks like this:
The Druids
It was believed in those days that the World was made of five elements; those elements were; Earth, Air, Fire and Water. The fifth element that bound them all together was Spirit. These elements were usually represented by a Pentacle, a five pointed star. If you take an Apple and place it on its side and instead of cutting it from stem to flower, cut it through the equator. You will see that in the center of an apple is a Pentacle. Inside the Pentacle lie the Apple seeds so the pentacle holds the seeds of life. If anyone would eat the Apple seeds they would detect a somewhat bitter taste. This is because Apple seeds contain cyanide. A very small dose and quite harmless but a large enough quantity could be lethal. So the Apple contains a Pentacle with the seeds of Life and Death.
This was the secret of the Apple. The reason why it was so sacred and holds such an important place in the spiritual life of those of us today who seek the wisdom of our forefathers, lies in its symbolism. A simple fruit that nourishes nurtures and teaches a lesson that reaches out of our past into our lives today.
So comes the harvest. Hands gently pressed each intention into the field of awareness like grains, kernels.
We water with blood and tears.
We nurture with energy like the sunlight through trees that stand quietly like monuments.
They whisper of potential. They also started however many years ago as the spirit of an idea.
We pluck our ideas before they ripen, sometimes. They are clipped, stay small, feeding us in other ways. No matter what, we must not waste them.
Fruition is inevitable, if you make yourself flat, press every point upon the ground, you'll feel it almost becoming.
Our thoughts are also this way, almost and then becoming.
Our lives are fields; our dreams, coins bearing symbols that tickle the blood, every cell, they all whisper until it is so loud it's like a roar.
Open your mouth and let it fly, sing- let it bubble up and out, offer it,
offer and receive.
11.12.21
Triple Crystal Pentacle Candle
-3.25” tall
-lead free cotton wick & vegetable based wax.
-blue, purple, & white drip candle with blue metallic powder, genuine moonstone crystals, & my Divination Oil (sage, lavender, cedar, & rosemary essential oils, along with wormwood, yarrow, willow, & mugwort)
-Adorned with 4 opalescent glass spheres for the 4 cardinal directions, 3 rutilated double pointed quartz points for the Triple Goddess, and a beautiful pentacle talisman. These are affixed with wax and may be easily removed for further spellwork once the candle is finished.