View allAll Photos Tagged PASSIVITY

C.M. Russell Museum, Great Falls Montana

 

Museum signage:

Keeoma

1898, oil on canvas

Between 1896 and 1899, Russell painted five images of reclining Indian maidens referred to collectively as the Keeoma series. In each, Russell pairs the exoticism of Native women with Orientalist motifs that emphasized lounging women, bright colors, and rich interiors popular with artists in the nineteenth and early twentieth centuries. Like Keeoma here, Oriental women became ideal proxies for male fantasy because they existed outside Victorian-era sexual constraints and gendered roles, which demanded passivity, modesty, and motherhood of women.

  

[...] Being aware [...] at all times and of all things, but not being judgmental. passive perhaps is not the way or the only and main manner with which to approach life. There is a fine line bw passivity and contemplation/ acceptance. it is hard. . . bc we need to, as we've said before, to accept who we are. and we , to a certain extend , do accept it!, but when we are reminded by external sources of features that so well describe us, we still react confrontationally, especially if these reminders fail to feed the ego. this type of reaction only serves to neutralize all of what has been said before, and done so far.

wind water fire earth. which one is the supreme victor. or is it a compromise? you see the brutality and the passion, the destructive force of fire. it boils the water, which just sits there with a perverted smile. at the end, if present in copious amounts, it will extinguishing the fire. The wind gives them both power, feeds the fire and waltzes the water. Without him they both cease to be. The earth, is the mother of them all. Were it not to exist, the elements would be a parody of sorts, perhaps even irrelevant.

They / We, all depend on the platform of the earth as actors on the scene. It is an intricate pattern, just as our path towards liberation. We want to walk away from it all, but if we do, then whose scene will we be playing on?, and will we be satisfied with our soliloquy?

"Peace has to be created, in order to be maintained. It will never be achieved by passivity and quietism." :: Dorothy Thompson

from the Passivity of the Experience to the Activity of the Game

Leaving aside any political overtones which the word may have, the conservative is someone who seeks to conserve. In order to say whether he is right or wrong, it should be enough to consider what it is he wishes to conserve. If the social forms he stands for—for it is always a case of social forms—are in conformity with man’s highest goal and correspond to man’s deepest needs, why shouldn’t they be as good as, or better than, anything novel that the passage of time may bring forth? To think in this way would be normal.

 

But the man of today no longer thinks normally. Even when he does not automatically despise the past and look to technical progress for humanity’s every good, he usually has a prejudice against any conservative attitude, because, consciously or unconsciously, he is influenced by the materialistic thesis that all “conserving” is inimical to constantly changing life and so leads to stagnation.

 

The state of need in which, today, every community that has not kept up with “progress” finds itself, seems to confirm this thesis; but it is overlooked that this is not so much an explanation as a stimulus for even further development. That all must change is a modern dogma that seeks to make man subject to itself; and it is eagerly proclaimed, even by people who consider themselves to be believing Christians, that man himself is in the grip of change; that not only such feeling and thinking as may be influenced by our surroundings are subject to change, but also man’s very being.

 

Man is said to be in the course of developing mentally and spiritually into a superman, and consequently, 20th century man is looked on as being a different creature from the man of earlier times. In all of this, one overlooks the truth, proclaimed by every religion, that man is man, and not merely an animal, because he has within him a spiritual center which is not subject to the flux of things.

 

Without this center, which is the source of man’s capacity to make judgements—and so may be called the spiritual organ that vehicles the sense of truth—we could not even recognize change in the surrounding world, for, as Aristotle said, those who declare everything, including truth, to be in a state of flux, contradict themselves: for, if everything is in flux, on what basis can they formulate a valid statement?

 

Is it necessary to say that the spiritual center of man is more than the psyche, subject as this is to instincts and impressions, and also more than rational thought? There is something in man that links him to the Eternal, and this is to be found precisely at the point where “the Light which lighteth every man that cometh into the world” (John 1:9) touches the level of the psycho-physical faculties. If this immutable kernel in man cannot be directly grasped —anymore than can the dimensionless center of a circle— the approaches to it can nevertheless be known: they are like the radii which run towards the center of a circle. These approaches constitute the permanent element in every spiritual tradition and, as guidelines both for action and for those social forms that are directed towards the center, they constitute the real basis of every truly conservative attitude. For the wish to conserve certain social forms only has meaning—and the forms themselves can only last— if they depend on the timeless center of the human condition.

 

In a culture which, from its very foundations (thanks to its sacred origin), is directed towards the spiritual center and thereby towards the eternal, the question of the value, or otherwise of the conservative attitude, does not arise; the very word for it is lacking. In a Christian society, one is Christian, more or less consciously and deliberately, in an Islamic society one is Muslim, in a Buddhist society Buddhist, and so on; otherwise, one does not belong to the respective community and is not a part of it, but stands outside it or is secretly inimical to it.

 

Such a culture lives from a spiritual strength that puts its stamp on all forms from the highest downwards, and in doing this, it is truly creative; at the same time it has need of conservational forces, without which the forms would soon disappear. It suffices that such a society be more or less integral and homogeneous, for faith, loyalty to tradition, and a conserving or conservative attitude mirror one another like concentric circles.

 

The conservative attitude only becomes problematical when the order of society, as in the modern West, is no longer determined by the eternal; the question then arises, in any given case, which fragments or echoes of the erstwhile all-inclusive order are worth preserving.

 

In each condition of society (one condition now following the other in ever more rapid succession) the original prototypes are reflected in some way or other. Even if the earlier structure is destroyed, individual elements of it are still effective; a new equilibrium —however dislocated and uncertain— is established after every break with the past. Certain central values are irretrievably lost; others, more peripheral to the original plan, come to the fore. In order that these may not also be lost, it may be better to preserve the existing equilibrium than to risk all in an uncertain attempt to renew the whole.

 

As soon as this choice presents itself, the word “conservative” makes its appearance (in Europe, it first received currency at the time of the Napoleonic wars) and the term remains saddled with the dilemma inherent in the choice itself. Every conservative is immediately suspected of seeking only to preserve his social privileges, however small these may be. And in this process, the question as to whether the object to be preserved is worth preserving goes by default.

 

But why shouldn’t the personal advantage of this or that group coincide with what is right? And why shouldn’t particular social structures and duties be conducive to a certain intelligence?

 

That man seldom develops intelligence when the corresponding outward stimuli are lacking, is proved by the thinking of the average man of today: only very few—generally only those who in their youth experienced a fragment of the “old order”, or who chanced to visit a still traditional Oriental culture—can imagine how much happiness and inward peace a social order that is stratified according to natural vocations and spiritual functions can bring, not only to the ruling, but also to the laboring classes.

 

In no human society, however just it may be as a whole, are things perfect for every individual; but there is a sure proof as to whether an existing order does or does not offer happiness to the majority: this proof inheres in all those things which are made, not for some physical purpose, but with joy and devotion. A culture in which the arts are the exclusive preserve of a specially educated class (so that there is no longer any popular art or any universally understood artistic language) fails completely in this respect.

 

The outward reward of a profession is the profit which its practice may secure; but its inner reward is that it should remind man of what, by nature and from God, he is, and in this respect it is not always the most successful occupations that are the happiest. To till the earth, to pray for rain, to create something meaningful from raw material, to compensate the lack of some with the surplus of others, to rule, while being ready to sacrifice one’s life for the ruled, to teach for the sake of truth—these, amongst others, are the inwardly privileged occupations. It may be asked whether, as a result of “progress”, they have been increased or diminished.

 

Many today will say that man has been brought to his proper measure, when, as a worker, he stands in front of a machine. But the true measure of man is that he should pray and bless, struggle and rule, build and create, sow and reap, serve and obey—all these things pertain to man.

 

When certain urban elements today demand that the priest should divest himself of the signs of his office and live as far as possible like other men, this merely proves that these groups no longer know what man fundamentally is; to perceive man in the priest means to recognize that priestly dignity corresponds infinitely more to original human nature than does the role of the “ordinary” man.

 

Every theocentric culture knows a more or less explicit hierarchy of social classes or “castes”. This does not mean that it regards man as a mere part which finds its fulfillment only in the people as a whole; on the contrary, it means that human nature as such is far too rich for everyone at every moment to be able to realize all its various aspects. The perfect man is not the sum total, but the kernel or essence of all the various functions.

 

If hierarchically structured societies were able to maintain themselves for millennia, this was not because of the passivity of men or the might of the rulers, but because such a social order corresponded to human nature.

 

There is a widespread error to the effect that the naturally conservative class is the bourgeoisie, which originally was identified with the culture of the cities, in which all the revolutions of the last five hundred years originated. Admittedly the bourgeoisie, especially in the aftermath of the French revolution, has played a conservative role, and has occasionally assumed some aristocratic ideals — not, however, without exploiting them and gradually falsifying them. There have always been, amongst the bourgeoisie, conservatives on the basis of intelligence, but from the start they have been in the minority.

 

The peasant is generally conservative; he is so, as it were, from experience, for he knows —but how many still know it?— that the life of nature depends on the constant self-renewal of an equilibrium of innumerable mutually interconnected forces, and that one cannot alter any element of this equilibrium without dragging the whole along with it. Alter the course of a stream, and the flora of a whole area will be changed; eliminate an animal species, and another will be given immediate and overwhelming increase. The peasant does not believe that it will ever be possible to produce rain or shine at will.

 

It would be wrong to conclude from this that the conservative viewpoint is above all linked with sedentarism and man’s attachment to the soil, since it has been demonstrated that no human collectivity is more conservative than the nomads. In all his constant wandering, the nomad is intent on preserving his heritage of language and custom; he consciously resists the erosion of time, for to be conservative means not to be passive.

 

This is a fundamentally aristocratic characteristic; in this the nomad resembles the noble, or, more exactly, the nobility of warrior- caste origin necessarily has much in common with the nomad. At the same time, however, the experience of a nobility that has not been spoiled by court and city life, but is still close to the land, resembles that of the peasant, with the difference that it comprises much wider territorial and human relationships.

 

When the nobility, by heredity and education, is aware of the essential oneness of the powers of nature and the powers of the soul, it possesses a superiority that can hardly be acquired in any other way; and whoever is aware of a genuine superiority has the right to insist upon it, just as the master of any art has the right to prefer his own judgement to that of the unskilled.

 

It must be understood that the ascendancy of the aristocracy depends on both a natural and an ethical condition: the natural condition is that, within the same tribe or family, one can, in general terms, depend on the transmission by inheritance of certain qualities and capabilities; the ethical condition is expressed in the saying noblesse oblige: the higher the social rank —and its corresponding privilege— the greater the responsibility and the burden of duties; the lower the rank, the smaller the power and the fewer the duties, right down to the ethically unconcerned existence of passive people.

 

If things are not always perfect, this is not principally because of the natural condition of heredity, for this is sufficient to guarantee indefinitely the homogeneous nature of a “caste”; what is much more uncertain is the accomplishment of the ethical law that demands a just combination of freedom and duty. There is no social system that excludes the misuse of power; and if there were, it would not be human, since man can only be man if he simultaneously fulfills a natural and a spiritual law. The misuse of hereditary power therefore proves nothing against the law of nobility. On the contrary, the example alone of those few people, who, when deprived of hereditary privilege, did not therefore renounce their inherited responsibility, proves the ethical calling of the aristocracy.

 

When, in many countries, the aristocracy fell because of its own autocracy, this was not so much because it was autocratic towards the lower orders, but rather because it was autocratic towards the higher law of religion, which alone provided the aristocracy with its ethical basis, and moderated by mercy the right of the strong.

 

Since the fall, not merely of the hierarchic nature of society, but of almost all traditional forms, the consciously conservative man stands as it were in a vacuum. He stands alone in a world which, in its all opaque enslavement, boasts of being free, and, in all its crushing uniformity, boasts of being rich. It is screamed in his ears that humanity is continually developing upwards, that human nature, after developing for so and so many millions of years, has now undergone a decisive mutation, which will lead to its final victory over matter. The consciously conservative man stands alone amongst manifest drunks, is alone awake amongst sleep-walkers who take their dreams for reality.

 

From understanding and experience he knows that man, with all his passion for novelty, has remained fundamentally the same, for good or ill; the fundamental questions in human life have always remained the same; the answers to them have always been known, and, to the extent that they can be expressed in words, have been handed down from one generation to the next. The consciously conservative man is concerned with this inheritance.

 

Since nearly all traditional forms in life are now destroyed, it is seldom vouchsafed to him to engage in a wholly useful and meaningful activity. But every loss spells gain: the disappearance of forms calls for a trial and a discernment; and the confusion in the surrounding world is a summons to turn, by-passing all accidents, to the essential.

 

----

 

Titus Burckhardt: What is Conservatism?

 

www.youtube.com/watch?v=RP2to9hP4Fc

 

"The first historical act is. . . the production of material life itself. This is indeed a historical act, a fundamental condition of all of history"

 

"Legal relations as well as form of state are to be grasped neither from themselves nor from the so-called general development of the human mind, but rather have their roots in the material conditions of life, the sum total of which Hegel . . . combines under the name of 'civil society.' . . . The anatomy of civil society is to be sought in political economy"

 

"The political, legal, philosophical, literary, and artistic development rests on the economic. But they all react upon one another and upon the economic base. It is not the case that the economic situation is the sole active cause and that everything else is merely a passive effect. There is, rather, a reciprocity within a field of economic necessity which in the last instance always asserts itself"

 

"In the social production which men carry on as they enter into definite relations that are indispensable and independent of their will; these relations of production correspond to a definite stage of development of their material powers of production. The totality of these relations of production constitutes the economic structure of society--the real foundation, on which legal and political superstructures arise and to which definite forms of social consciousness correspond. The mode of production of material life determines the general character of the social, political and spiritual processes of life. It is not the consciousness of men that determines their being, but, on the contrary, their social being determines their consciousness"

 

"According to the materialist conception of history, the ultimately determinant element in history is the production and reproduction of real life. . . . Hence if somebody twists this into saying that the economic element is the only determining one, he transforms that proposition into a meaningless, abstract and senseless phrase. The economic situation is the basis, but the various elements of the superstructure. . . also exercise their influence upon the course of the historical struggle and in many cases preponderate in determining their form"

 

"The ideas of the ruling class are, in every age, the ruling ideas: i.e., the class which is the dominant material force in society is at the same time its dominant intellectual force. The class which has the means of production at its disposal, has control at the same time over the means of mental production"

 

[We go astray] "if . . . we detach the ideas of the ruling class from the ruling class itself and attribute to them an independent existence, if we confine ourselves to saying that in a particular age these or those ideas were dominant, without paying attention to the conditions of production and the producers of these ideas, and if we thus ignore the individuals and the world conditions which are the source of these ideas"

 

"The economic structure of capitalist society has grown out of the economic structure of feudal society. The dissolution of the latter sets free the elements of the former"

 

"No social order ever disappears before all the productive forces for which there is room in it have been developed; and new higher relations of production never appear before the material conditions of their existence have matured in the womb of the old society"

 

"The history of all hitherto existing society is the history of class struggles"

 

"The separate individuals form a class only in so far as they have to carry on a common battle against another class; otherwise they are on hostile terms with each other as competitors"

 

[The major modern classes are] "the owners merely of labor-power, owners of capital, and landowners, whose respective sources of income are wages, profit and ground rent"

 

"The State is the form in which the individuals of a ruling class assert their common interests"

 

"Objectification is the practice of alienation. Just as man, so long as he is engrossed in religion, can only objectify his essence by an alien and fantastic being; so under the sway of egoistic need, he can only affirm himself and produce objects in practice by subordinating his products and his own activity to the domination of an alien entity, and by attributing to them the significance of an alien entity, namely money"

 

"The commodity form and the value relation between the products of labor which stamps them as commodities, have absolutely no connection with their physical properties and with the material relations arising there from. It is simply a definite relationship between men, that assumes in their eyes the fantastic form of a relations between things. To find an analogy, we must have recourse to the nebulous regions of the religious world. In that world the productions of the human brain appear as independent beings endowed with life, and entering into relation both with one another and with the human race. So it is in the world of commodities, with the products of men's hands. This I call the fetishism which attaches itself tot he products of labor, as soon as they are produced as commodities"

 

"Religious distress is at the same time the expression of real distress and the protest against real distress. Religion is the sigh of the oppressed creature, the heart of a heartless world, just as it is the spirit of an unspiritual situation. It is the opium of the people"

 

" The bourgeoisie, wherever it has got the upper hand, has put an end to all feudal, patriarchal, idyllic relations. It has pitilessly torn asunder the motley feudal ties that bound man to his "natural superiors", and has left no other nexus between people than naked self-interest, than callous "cash payment". It has drowned out the most heavenly ecstasies of religious fervor, of chivalrous enthusiasm, of philistine sentimentalism, in the icy water of egotistical calculation. It has resolved personal worth into exchange value, and in place of the numberless indefeasible chartered freedoms, has set up that single, unconscionable freedom -- Free Trade. In one word, for exploitation, veiled by religious and political illusions, it has substituted naked, shameless, direct, brutal exploitation

 

"The bourgeoisie has stripped of its halo every occupation hitherto honored and looked up to with reverent awe. It has converted the physician, the lawyer, the priest, the poet, the man of science, into its paid wage laborers

"Money is the alienated essence of man's work and existence; the essence dominates him and he worships it"

 

"The state is the intermediary between men and human liberty. Just as Christ is the intermediary to whom man attributes all his own divinity and all his religious bonds, so the state is the intermediary to which man confides all his non divinity and human freedom"

 

"Religious alienation as such occurs only in the sphere of consciousness, in the inner life of man, but economic alienation is that of real life. . . . It therefore affects both aspects"

 

"The object produced by labor, its product, now stands opposed to it as an alien being, as a power independent of the producer. . . . The more the worker expends himself in work the more powerful becomes the world of objects which he creates in face of himself, the poorer he becomes in his inner life, and the less he belongs to himself"

 

"However, alienation appears not merely in the result but also in the process of production, within productive activity itself. . . . If the product of labor is alienation, production itself must be active alienation. . . . The alienation of the object of labor merely summarizes the alienation in the work activity itself"

 

"Work is external to the worker. . . . It is not part of his nature; consequently he does not fulfill himself in his work but denies himself. . . . The worker therefore feels himself at home only during his leisure time, whereas at work he feels homeless"

 

"This is the relationship of the worker to his own activity as something alien, not belonging to him, activity as suffering (passivity), strength as powerlessness, creation as emasculation, the personal physical and mental energy of the worker, his personal life. . . . as an activity which is directed against himself, independent of him and not belonging to him"

 

"What is true of man's relationship to his work, to the product of his work and to himself, is also true of his relationship to other men. . . . Each man is alienated from others . . .each of the others is likewise alienated from human life"

 

"The bourgeoisie has torn away from the family its sentimental veil, and

has reduced the family relation into a mere money relation"

This installation is part of my work for Beaufort04 (

Villa Le Chalutier, Bortierlaan 25.

De Panne, Belgium from 31/03 until 30/09/2012)

 

ISAAC CORDAL

Waiting for the Climate Change

 

The Spanish artist Isaac Cordal has been living and working for several years as a street artist in Brussels. By working on a small scale the artist creates an enormous freedom of movement for himself. He sometimes sets off with up to twenty sculptures in his rucksack, to spread them about in the area. For this he rarely uses sculptures that are more than 25 cm high. The underlying idea is that the town degenerates into decor for these little sculptures, and that they find protection behind, under and between the street furniture. Cordal is interested in the fact that the involvement is by nature temporary and that each passer-by can become an involuntary viewer. In his installations he often expresses a concern about our problematic relationship with nature in town and about the passivity and distressing lack of interest towards the hopeless state of the environment. This concern is also present in the installation Waiting for the Climate Change on the beach of De Panne. The small sculptures - as yet high and dry and with a buoy tied around their waist - are located on a pole, waiting for the consequences of global warming. They seem to be passively waiting for the sea to drag them away. Cordals installation in Villa Le Chalutier is a further elaboration on this theme.

 

More info: www.beaufort04.be

Available works: nonewenemies.bigcartel.com/

copyright: © 2010 Ariff Budiman | Simply Photography |

 

I do not believe that a good photograph can be made without recognising that the landscape will always be more important than either you or the photograph you plan to make of it. Of course it has to be helped and supported by all the techniques of photography, but, when taking a photograph I know to be good, the sensation I always have is a modest one. It is an inner "ah", the knowledge that something is right. When this understanding is there, something strange happens to me. The heartbeat slows down, the whole metabolism seems to come down to the rate of the landscape itself, and the mind, almost as if coated with an emulsion itself, starts to soak up the meaning of the place. There is nothing casual about it. It is not a snatch.

Understanding grows as you allow the landscape to come into you. Passivity, not acquisition, is the key to this. A good photograph is a received photograph, an exchange between you and the landscape, in which - however unlikely this may seem - there is a dialogue between the two of you. It is simply courtesy to allow the landscape to speak. - Charlie Waite -

For Studio 26, Low graphic style

 

An overcast day in Greeley Colorado ... and a treasure trove of old and weathered grain elevators there!

- Naturally muted and grey colors with grey skies and weathered buildings. I left a hint of bland color in some of the photos

- Balanced and symmetrical allowing for the shape of each structure

- Cropped 8 x 10 instead of square because so many of the structures were tall and lent themselves to a vertical rectangular crop.

- Feeling of passivity; it being Sunday morning there was not activity and they are grain elevators

- Horizontal and vertical lines - some repetition in each photo

- 35 mm to 70 mm focal lengths depending on how far away I was standing

   

Die Häutung ist für Spinnen, wie für alle anderen Arthropoden auch, eine äußerst sensible und Kraft raubende Phase im Leben. Sie sind während der Häutung bis zur anschließenden Aushärtung des neuen Exoskeletts schutzlos Fressfeinden ausgeliefert.

Bei großen Vogelspinnen kann der Häutungsvorgang bis zu 10 Stunden dauern und die anschließende Aushärtung 1 – 2 Wochen in Anspruch nehmen.

Die Häutung kündigt sich in der Regel durch eine zunehmende Passivität und Nahrungsverweigerung an. Beutetiere werden nicht mehr gefressen, sondern vertrieben. In dieser Zeit wird unter der alten Haut eine neue Cuticula angelegt, die noch stark gefaltet ist.

Vogelspinnen legen sich dann, wenn es an der Zeit ist, zum Häuten auf den Rücken. Die meisten Arten spinnen vorher Häutungsteppiche auf denen der Vorgang statt findet. Diese Art kleidet die Ränder des Teppichs noch zusätzlich mit Brennhaaren aus, die sie vom Hinterleib abstreift. Das bietet einen zusätzlichen Schutz.

Durch die Erhöhung des Hämolymphdruckes im Vorderkörper (die Hämolymphe ist das Spinnenblut) reißt er an Sollbruchstellen auf und trennt den „Vorderkörperdeckel“ (Carapax) vom Unterteil. Der Riss zieht sich seitlich weiter bis zu den Spinnwarzen des Hinterleibes. Der weichhäutige Hinterleib erscheint nun faltig.

Durch alternierende Bewegungen schieben sich nun langsam alle Extremitäten von den Kiefernklauen, über die Taster bis zu den Beinen aus der alten Haut heraus

Nach der Beendigung der Häutung bleibt die Spinne noch eine Weile auf den Rücken liegen und macht Gymnastik. Dadurch bleiben die Gelenkhäute geschmeidig und härten nicht aus.

Die adulten Männchen dieser Art sind ausgesprochen bunt gefärbt und haben eine Körperlänge von 4 – 5 cm. Die Weibchen sind deutlich größer, bis zu 9 cm Körperlänge (ohne Cheliceren) und einheitlich hell- bis dunkelbraun befärbt.

Weibliche Vogelspinnen können je nach Art und Gattung bis zu 25 Jahre und älter werden. Die Kerle haben nur eine geringe Halbwertszeit. Nach der Geschlechtsreife leben sie noch (je nach Art) ein halbes bis zu einem Jahr, selten länger.

 

English:

 

For spiders, as for all other arthropods, moulting is an extremely sensitive and powerful phase in life. During the moulting process until the new exoskeleton hardens, they are at the mercy of defenceless predators.

For large tarantulas, the moulting process can take up to 10 hours and the subsequent hardening takes 1-2 weeks.

The moulting is usually announced by increasing passivity and refusal to eat. Prey animals are no longer eaten, but driven out. During this time, a new cuticle is applied under the old skin, which is still strongly folded.

Tarantulas lie down on their backs when the time comes to skin them. Most species spin skin rugs on which the process takes place. This species additionally coats the edges of the carpet with burning hairs, which she wipes off from the abdomen. This provides additional protection.

By increasing the haemolymph pressure in the front part of the body (the haemolymph is the spider blood), it tears open at predetermined breaking points and separates the "front part of the body" (Carapax) from the lower part. The tear continues sideways to the spinal warts of the abdomen. The soft-skinned abdomen now appears wrinkled.

Through alternating movements, all extremities are now slowly sliding from the jaw claws to the palpebars and beyond the legs out of the old skin.

After the skinning has ended, the spider stays on its back for a while and does gymnastics. As a result, the joint membranes remain supple and do not harden.

The adult males of this species are markedly coloured and have a body length of 4 - 5 cm. The females are clearly larger, up to 9 cm body length (without chelicerene) and uniformly light to dark brown colored.

Depending on the species and genus, female tarantulas can grow up to 25 years and older. These guys only have a low half-life. After sexual maturity, they still live (depending on the species) half to one year, rarely longer.

  

The interesting thing about the pillar is its not rusted for so many year .

 

The Delhi iron pillar is testimony to the high level of skill achieved by ancient Indian iron smiths in the extraction and processing of iron. The iron pillar at Delhi has attracted the attention of archaeologists and corrosion technologists as it has withstood corrosion for the last 1600 years. The several theories which have been proposed to explain its superior corrosion resistance can be broadly classified into two categories: the environmental and the material theories. Proponents of the environmental theories state that the mild climate of Delhi is responsible for the corrosion resistance of the Delhi iron pillar. It is known that the relative humidity at Delhi does not exceed 70% for significant periods of time in the year, which therefore results in very mild corrosion of the pillar.

 

On the other hand, several investigators have stressed the importance of the material of construction as the primary cause for the pillar's corrosion resistance. The ideas proposed in this regard are the relatively pure composition of the iron used, presence of Phosphorus (P) and absence of Sulphur/Magnesium in the iron, its slag-enveloped metal grain structure, and passivity enhancement in the presence of slag particles.

 

Other theories to explain the corrosion resistance are also to be found in the literature like the mass metal effect, initial exposure to an alkaline and ammoniacal environment, residual stresses resulting from the surface finishing operation, freedom from sulphur contamination both in the metal and in the air, and surface coatings provided to the pillar after manufacture (barffing and slag coating) and during use (coating with clarified butter).

 

That the material of construction may be the important factor in determining the corrosion resistance of ancient Indian iron is attested by the presence of ancient massive iron objects located in areas where the relative humidity is high for significant periods in the year (for example, the iron beams in the Surya temple at Konarak in coastal Orissa and the iron pillar at Mookambika temple at Kollur situated in the Kodachadri Hills on the western coast). It is, therefore, obvious that the ancient Indians, especially from the time of the Guptas (300-500 AD), produced iron that was capable of withstanding corrosion. This is primarily due to the high P content of the iron produced during these times. The addition of P was intentional as iron produced during earlier times does not show the presence of P.

 

To understand the precise reason for the corrosion resistance of the Delhi iron pillar, we analysed the composition of the rust on a Gupta period corrosion resistant iron clamp and also the rust on the Delhi iron pillar. Archaeometallurgical studies form a small component of our research activities. It is clear that referring to the Delhi iron pillar as rust-less is misleading as the iron pillar derives its corrosion resistance from the passive surface film (i.e. rust) that forms on the surface. We undertook a detailed rust analysis using modern sophisticated characterization techniques like Mössbauer spectroscopy and Fourier transform infrared spectroscopy (FTIR). We summarize below some of the exciting results of our study. The present study also provides valuable insight into the corrosion resistance of steels.

 

More details www.iitk.ac.in/infocell/Archive/dirnov1/iron_pillar.html

Alfama / Lisboa

...

"The Art of Dreaming is difficult because it is an art of passivity, in which we focus our efforts on not to strive".

Fernando Pessoa...`The Book of Unrest´

 

Home of:

Bob Woodward (Journalist, Author)

Located: 3027 Q Street NW

 

Robert Upshur "Bob" Woodward (born March 26, 1943) is one of the best-known journalists in the United States, thanks largely to his work in helping uncover the Watergate scandal that led to President Richard Nixon's resignation, in a historical partnership with Carl Bernstein, while working as a reporter for The Washington Post. He has written twelve best-selling nonfiction books and has twice contributed reporting to efforts that collectively earned the Post and its National Reporting staff a Pulitzer Prize.

 

Woodward was discharged from the Navy in August 1970. He had applied to several law schools, but had also applied for a job as a reporter for the Washington Post. Harry Rosenfeld, the paper's metropolitan editor, hired him on a two-week trial basis, a tryout that failed because of his complete lack of experience as a journalist. Still interested in becoming a reporter, he got a job with the Montgomery Sentinel. A year after his on-the-job training at the Sentinel, he left that paper and joined The Washington Post in August 1971.

 

Bob Woodward and Carl Bernstein / Watergate

He and Carl Bernstein were assigned to investigate the June 17, 1972 burglary of the headquarters of the Democratic National Committee in a Washington, D.C. office building called Watergate. Their work, under editor Ben Bradlee, led to the uncovering of a large number of political "dirty tricks" used by the Nixon re-election committee during his campaign for reelection. Their book about the scandal, All the President's Men, became a #1 best-seller and was later turned into a movie. The 1976 film, starring Robert Redford as Woodward and Dustin Hoffman as Bernstein, transformed the reporters into celebrities and inspired a wave of interest in investigative journalism. The book and movie also led to one of Washington D.C.'s most famous mysteries: the identity of Woodward's secret Watergate informant known as Deep Throat, a reference to the title of a popular pornographic movie at the time. Woodward said he would protect Deep Throat's identity until the man died or allowed his name to be revealed. For over 30 years, only Woodward, Bernstein, and a handful of others knew the informant's identity until he revealed himself to Vanity Fair magazine as former FBI Associate Director W. Mark Felt in May 2005. Woodward has confirmed his identity and published a book, titled The Secret Man, which detailed his relationship with Felt.

 

George W. Bush Administration

Woodward has spent the most time of any journalist with President George W. Bush, interviewing him four times for more than seven hours total. Woodward's most recent two books, Bush at War (2002) and Plan of Attack (2004), are detailed accounts of the Bush presidency, including the response to the September 11 terrorist attacks and the wars in Afghanistan and Iraq. Woodward is at work on another book about Bush's second administration.

 

In a series of articles published in January 2002, he and Dan Balz described the events at Camp David in the aftermath of September 11. In these articles, they mention the Worldwide Attack Matrix.

 

Woodward has been accused by some critics of being too close to the Bush administration, and some say his relationship with the current administration is in stark contrast to his investigative role in Watergate. Others disagree, however. In 2004 both the Bush campaign and the Kerry-Edwards campaign recommended his book Plan of Attack, and The New York Times said the book contained “convincing accounts of White House failures... presented alongside genial encounters with the president.”

 

Involvement in the Plame scandal

On November 14, 2005 Woodward gave a two-hour deposition to Special Counsel Patrick Fitzgerald. He testified that a senior administration official told him in June 2003 that Iraq war critic, Joe Wilson’s wife (later identified as Valerie Plame), worked for the CIA. Woodward therefore appears to have been the first reporter to learn about her employment from a government source. The deposition was reported in The Washington Post on November 16, 2005, and was the first time Woodward revealed publicly that he had any special knowledge about the case. Woodward testified the information was given to him in a “casual” and “offhand” manner, and said that he does not believe it was part of any coordinated effort to “out” Plame as a CIA employee.

 

Woodward said the revelation came at the end of a long, confidential background interview for his 2004 book Plan of Attack. He did not reveal the official’s disclosure at the time because it did not strike him as important. Later, he kept it to himself because it came as part of a confidential conversation with a source. He said he did not want to be subpoenaed by Fitzgerald, who by then was threatening journalists who did not reveal confidential sources with civil contempt.

 

Woodward said he testified after his source contacted Fitzgerald and requested Woodward to cooperate. However, the source did not agree to modify the confidentiality agreement to allow Woodward to identify the source publicly.

 

In his deposition, Woodward also said that he had conversations with Scooter Libby after the June 2003 conversation with his confidential administration source, and testified that it is possible that he might have asked Libby further questions about Joe Wilson’s wife before her employment at the CIA and her identity were publicly known.

 

Woodward’s revelation was controversial because he had not told his editor at the Post about the conversation for more than two years, and also because he had publicly criticized the investigation. He had referred to Fitzgerald as a “junkyard dog prosecutor” on Larry King’s television show, and said he believed that when “all of the facts come out in this case, it's going to be laughable because the consequences are not that great.". On another occasion, he said of the investigation that he thought there was “nothing to it,” and that Fitzgerald’s behavior had been “disgraceful.” In later interviews after his deposition, Woodward said he had meant by his “junkyard dog” comment to suggest colorfully that Fitzgerald was a tenacious prosecutor, and that the “disgraceful” comment concerned the tactic of putting journalists in prison to coerce them to reveal their confidential sources.

 

Woodward apologized to Leonard Downie, the editor of The Washington Post for not informing him earlier of the June 2003 conversation. News of his deposition sparked the latest round of debate about his status at the Post. One reporter described Woodward on an internal Post message board as the “800-pound elephant among us,” adding: “I admire the hell out of Bob, but this looks awful.”

 

Other professional activities

Woodward has continued to write books and report stories for The Washington Post, and serves as an assistant managing editor at the paper. He focuses on the presidency, intelligence, and Washington institutions such as the U.S. Supreme Court, The Pentagon, and the Federal Reserve. He has also written Wired, about the Hollywood drug culture and the death of comic John Belushi.

 

Awards and recognitions

Woodward has twice contributed to collective journalistic efforts that were awarded the Pulitzer Prize. In 1973, The Washington Post won the Pulitzer Prize for Public Service. Though the Prize was awarded to the entire Post staff, the citation specifically named his and Bernstein's reporting on Watergate as exemplary work. In addition, Woodward was the lead reporter for the Post's articles on the aftermath of the September 11 terrorist attacks that won the National Reporting Pulitzer in 2002. He also was awarded the Gerald R. Ford Prize for Distinguished Reporting on the Presidency in 2003.

 

Woodward is widely regarded as one of the top reporters of the last half-century, and has earned trust and accolades from government officials and journalists of all political persuasions. In 2003, Al Hunt of The Wall Street Journal called Woodward "the most celebrated journalist of our age." The Weekly Standard called him "the best pure reporter of his generation, perhaps ever." In 2004, Bob Schieffer of CBS News said "Woodward has established himself as the best reporter of our time. He may be the best reporter of all time."

 

Style and commentary

In writing his books, Woodward collects detailed records, including interviews, documents, transcripts, and recordings. He then uses them to describe events as a story with an omniscient narrator, present tense and dialogue. His books read somewhat like fiction, and are often very visually descriptive.

 

While this style may have earned Woodward commercial success, many literary critics consider his prose awkward and his approach inappropriate for his subject matter. Nicholas von Hoffman complained that "the arrestingly irrelevant detail is [often] used" while Michael Massing thinks the books are "filled with long, at times tedious passages with no evident direction." Joan Didion said Woodward finds "[nothing] too insignificant for inclusion," including such details as shirts worn and food eaten in unimportant situations.

 

The narrative, reporting-driven style of Woodward's books also draws criticism for rarely making conclusions or passing judgment on the characters and actions that he recounts in such detail. Didion concluded that Woodward writes "books in which measurable cerebral activity is virtually absent," and finds the books marked by "a scrupulous passivity, an agreement to cover the story not as it is occurring but as it is presented, which is to say as it is manufactured."

 

Some of Woodward's critics accuse him of abandoning critical inquiry to maintain his access to high-profile political actors. Anthony Lewis called the style "a trade in which the great grant access in return for glory." and Christopher Hitchens has accused both Woodward and George F. Will of acting as "stenographer[s] to the rich and powerful."

 

Woodward has said that his books "really are self portraits, because I go to people and I say — I check them and I double check them but — but who are you? What are you doing? Where do you fit in? What did you say? What did you feel?" Critics complain that this style allows the biases and beliefs of his sources to steer the narrative and that those who talk to Woodward are painted more favorably than those who don't. The Brethren, for example, painted a picture of the Supreme Court based on the comments of its clerks; some believe that, as a result, the book suggests that the Supreme Court Justices do little of the actual work. Brad DeLong says that accounts of the evolution of Clinton's economic policy in Woodward's books The Agenda (presented from Clinton's point of view) and Maestro (presented from Alan Greenspan's) are so inconsistent that the reader will "collapse to the floor in helpless laughter".

 

Woodward's dual role as journalist and author has opened him up to occasional criticism for sitting on information for publication in a book, rather than presenting it sooner when it might affect the events at hand. In The Commanders (1991), for instance, he indicated that Colin Powell had opposed Operation Desert Storm, yet Woodward did not publish this information before Congress voted on a war resolution, when it may have made a difference. And in Veil, he indicates that former CIA Director William Casey personally knew of arms sales to the Contras, but he did not reveal this until after the Congressional investigation.

 

Woodward has also been accused of exaggeration and fabrication by other journalists, most notably regarding "Deep Throat", his famous Watergate informant. Before he was revealed to be W. Mark Felt, some contended that Deep Throat was a composite character based on more than one Watergate source. Martin Dardis, the chief investigator for the Dade County State Attorney, who in 1972 discovered that the money found on the Watergate burglars came from the Committee to Re-elect the President, has complained that All the President's Men misrepresented him. Woodward was also accused of fabricating his deathbed interview with Casey, as described in Veil; critics say the interview simply could not have taken place as written in the book. Finally, an investigation by the New York Review of Books found that Woodward fabricated a sensational story about Justice William J. Brennan in The Brethren, among other issues.

 

Despite these criticisms and challenges, Woodward has been praised as an authoritative and balanced journalist. The New York Times Book Review said in 2004 that "No reporter has more talent for getting Washington’s inside story and telling it cogently." The publication of a Woodward book, perhaps more than any other contemporary author's, is treated as a major political event that dominates national news for days.

 

Personal

Woodward was born in Geneva, Illinois to Alfred Woodward, a judge. He was brought up in nearby Wheaton. He now lives in the Georgetown section of Washington. He is married to Elsa Walsh, a writer for The New Yorker, and has two daughters, one with Elsa and one with his first wife.

 

Books

Woodward has co-authored or authored ten #1 national best-selling non-fiction books, more than any other contemporary American writer. They are:

 

All the President's Men (1974) about the Watergate scandal;

The Final Days (1976) about Nixon's resignation;

The Brethren (1979) about the Supreme Court in the Warren Burger years;

Wired (1984) on the death of John Belushi and the Hollywood drug culture;

Veil (1987) about the CIA's "secret wars" during the reign of William J. Casey;

The Commanders (1991) on The Pentagon, the first Bush administration and the Gulf War;

The Agenda (1994) about Bill Clinton's first term

Shadow (1999) on the legacy of Watergate and the scandals that faced later Presidential administrations;

Bush at War (2002) about the path to war with Afghanistan following September 11;

Plan of Attack (2004) about how and why President George W. Bush decided to go to war with Iraq.

Other books, which have also been best-sellers but not #1, are:

 

The Choice (1996) about Clinton's re-election bid

Maestro (2000) about Federal Reserve chairman Alan Greenspan

The Secret Man (2005) about Mark Felt's disclosure, after more than thirty years, that he was Deep Throat. The book was written before Felt admitted his title, as he was sickly and Bob expected that someway or another, it would come out. Since he still had some finishing to do, the book was done 10 days after.

Newsweek has excerpted five of Woodward's books in cover stories; 60 Minutes has done segments on five; and three have been made into movies.

 

Pop Culture References

On The Simpsons episode Whacking Day in the fourth season, Bart reads a book called "The Truth About Whacking Day", written by Bob Woodward.

 

In the movie The Skulls, starring Joshua Jackson as Lucas McNamera, Lucas' best friend Will Beckford (played by Hill Harper) tries to compare himself to the great Bob Woodward while reading the publication of his column in the school newspaper. Will was subsequently killed for pursuing his journalistic curiosities.

 

In the movie Dick, which is about Watergate, Woodward is played by actor/comedian Will Ferrell. In the film Woodward and Carl Bernstein, are depicted as two petty, bickering, childish near-incompetents who are small-mindedly competitive with each other.

 

Quotes

"I called my father and said I'm not going to law school, but have this job at a newspaper he had never heard of. And my father said probably the severest thing he has ever said to me. He said, 'You're crazy.' So he didn't think it was a good idea."

"You won't achieve understanding of a person or an issue in a day. Take your time, dig, go back."

 

Sarah and I just finished watching a Disney Vacation Club webcast (no, we aren't adding on, we just wanted the free lithograph they mail you if you watch it), and I have to say that while I love the experience of being DVC Owners, I think the marketing is becoming more and more disingenuous (possibly a byproduct of the poor economy--Disney can no longer retain its passivity compared to other pushy Timeshare sales practices? I don't know).

 

The things that I really found obnoxious were the supposed testimonies by current owners at the end. One, from a purported accountant, stated that after crunching the numbers, he determined DVC ownership was a financially savvy investment (not his exact words). Unless you are terrible at making investments, this is not the case. It's especially not the case if you purchase directly from Disney. The second testimonial was from a family claiming that, besides their house, their DVC ownership was their only asset that had appreciated in value. Unless they're living in some bizarro world, Timeshares do not appreciate in value; they are a diminishing asset. I know these comments are supposedly made by customers, but Disney is holding them out as true by including them in the webcast, and to me, they cross the line from mere puffery to a misrepresentation. I could easily see customers who fail to do their homework relying on statements such as those to make their purchase.

 

Obviously I understand that Disney wants to sell these units, and it has chosen to adopt a more aggressive strategy than in days past, but I still don't think it's necessary to be deceiving in the process. I certainly don't fault Disney for saying it's a "great incentive" to give me a 7-night cruise for four if I add on 200 points at $112/point, when I know I can head to the resale market and find a 200 point contract for $65/point, a difference of $9,400, which is far more than the cost of a 7-night cruise for 4... ;-P

Bible Study ToolsBible VersionsNIVJohnJohn 6John 6:1-14

John 6:1-14

 

1 Some time after this, Jesus crossed to the far shore of the Sea of Galilee (that is, the Sea of Tiberias), 2 and a great crowd of people followed him because they saw the miraculous signs he had performed on the sick. 3 Then Jesus went up on a mountainside and sat down with his disciples. 4 The Jewish Passover Feast was near. 5 When Jesus looked up and saw a great crowd coming toward him, he said to Philip, "Where shall we buy bread for these people to eat?" 6 He asked this only to test him, for he already had in mind what he was going to do. 7 Philip answered him, "Eight months' wages would not buy enough bread for each one to have a bite!" 8 Another of his disciples, Andrew, Simon Peter's brother, spoke up, 9 "Here is a boy with five small barley loaves and two small fish, but how far will they go among so many?" 10 Jesus said, "Have the people sit down." There was plenty of grass in that place, and the men sat down, about five thousand of them. 11 Jesus then took the loaves, gave thanks, and distributed to those who were seated as much as they wanted. He did the same with the fish. 12 When they had all had enough to eat, he said to his disciples, "Gather the pieces that are left over. Let nothing be wasted." 13 So they gathered them and filled twelve baskets with the pieces of the five barley loaves left over by those who had eaten. 14 After the people saw the miraculous sign that Jesus did, they began to say, "Surely this is the Prophet who is to come into the world."

 

feedingamerica.org/hunger-in-america/hunger-f acts/hunger-...

Hunger & Poverty Statistics

 

Although related, food insecurity and poverty are not the same. Unemployment rather than poverty is a stronger predictor of food insecurity.

 

Poverty [1]

 

In 2009, 43.6 million people (14.3 percent) were in poverty.

In 2009, 8.8 million (11.1% percent) families were in poverty.

In 2009, 24.7 million (12.9 percent) of people ages 18-64 were in poverty.

In 2009, 15.5 million (20.7 percent) children under the age of 18 were in poverty.

In 2009, 3.4 million (8.9 percent) seniors 65 and older were in poverty.

 

Food Insecurity and Very Low Food Security[2]

 

In 2010, 48.8 million Americans lived in food insecure households, 32.6 million adults and 16.2 million children.

In 2010, 14.5 percent of households (17.2 million households) were food insecure.

In 2010, 5.4 percent of households (6.4 million households) experienced very low food security.

In 2010, households with children reported food insecurity at a significantly higher rate than those without children, 20.2 percent compared to 11.7 percent.

In 2010, households that had higher rates of food insecurity than the national average included households with children (20.2 percent), especially households with children headed by single women (35.1 percent) or single men (25.4 percent), Black non-Hispanic households (25.1 percent) and Hispanic households (26.2 percent).

In 2009, 8.0 percent of seniors living alone (925,000 households) were food insecure.

Food insecurity exists in every county in America, ranging from a low of 5 percent in Steele County, ND to a high of 38 percent in Wilcox County, AL.[3]

 

Nine states exhibited statistically significant higher household food insecurity rates than the U.S. national average 2008-2010:1

 

United States 14.6%

 

Mississippi 19.4%

 

Texas 18.8%

 

Arkansas 18.6%

 

Alabama 17.3%

 

Georgia 16.9%

 

Ohio 16.4%

 

Florida 16.1%

 

California 15.9%

 

North Carolina 15.7%

 

Use of Emergency Food Assistance and Federal Food Assistance Programs

 

In 2010, 4.8 percent of all U.S. households (5.6 million households) accessed emergency food from a food pantry one or more times.2

In 2010, 59.2 percent of food-insecure households participated in at least one of the three major Federal food assistance programs –Supplemental Nutrition Assistance Program (formerly Food Stamp Program), The National School Lunch Program, and the Special Supplemental Nutrition Program for Women, Infants, and Children.2

Feeding America provides emergency food assistance to an estimated 37 million low-income people annually, a 46 percent increase from 25 million since Hunger in America 2010.[4]

Among members of Feeding America, 74 percent of pantries, 65 percent of kitchens, and 54 percent of shelters reported that there had been an increase since 2006 in the number of clients who come to their emergency food program sites

 

conagrafoodsfoundation.org/child-hunger/child -hunger-stat...

Child Hunger is a Major Issue in America

 

More than 16 million, or almost one in five, American children are at risk of hunger. Each child facing hunger potentially goes to bed hungry at some point in the year due to a lack of household resources to secure an adequate food supply.

 

In 40 states and Washington, D.C., 20 percent or more of the child population is living in food insecure households.

 

The District of Columbia (32.3%) and Oregon (29.2%) had the highest rates of children in households without consistent acces to food.

 

The top five states or districts with the highest rate of food insecure children are Arizona, Arkansas, Oregon, Texas and Washington, D.C.

 

For more information about where hunger in America lives, visit Feeding America’s Hunger Map

 

Food insecurity exists in 14.5 percent of all U.S. households:

 

35.1 percent of all single-mom households.

 

40.2 percent of all households at or below the poverty line.

 

When children are in school, they have access to breakfast and lunch through federal programs like the National School Lunch Program and the School Breakfast Program, but there is a significant gap in participation for programs that feed children when they are not in school.

 

During the 2009-2010 school year, 20 million children received free or reduced-price lunches through the National School Lunch Program, but only 2.3 million children received meals during the summer months of 2009 through the Summer Food Service Program.

 

Only 14 percent of households with children served by Feeding America participate in the Summer Feeding Program.

 

Nearly 230,000 children participated in the BackPack™ Program in 2009, which fills the need over weekends and short breaks.

 

23,618 children participated in the Kids Cafes program in 2009, which feeds children afterschool.

 

Hunger Means Children Rely on Support from Food Banks

 

Hunger disproportionately affects children—nearly 40 percent of the people who turn to charities for hunger relief are children, although they represent only 25 percent of the U.S. population.

 

Households with children experience food insecurity at almost double the rate of households without children.

 

Nearly 1 in 5 children in this country is served by Feeding America, the nation’s largest network of food banks.

 

Nearly 14 million children are estimated to be served by Feeding America.

 

More than 3 million of those children are ages five and under – representing nearly 13 percent of all children under age five in the United States.

 

Feeding America clients with children in their households were often faced with the tough decision of providing food for their family and paying for other necessities. For example:

 

More than 35 percent had to choose between food and medical care.

 

Nearly 55 percent made trade-offs between food and utilities.

 

More than 46 percent had to choose between food and paying rent or the mortgage.

 

Children Also Rely on Federal Programs to Ensure Access to Nutritious Food

 

59.2 percent of food-insecure households participated in at least one of the three major Federal food assistance programs –Supplemental Nutrition Assistance Program (formerly Food Stamp Program), The National School Lunch Program, and the Special Supplemental Nutrition Program for Women, Infants, and Children, in 2010.

 

31.2 million children participated in the National School Lunch Program each day during the school year through more than 101,000 schools and residential child care institutions; and 11 million students in more than 88,000 schools and residential childcare institutions received a free or reduced-price breakfast.

 

The Summer Food Service Program provided meals to 2.2 million children in summer 2009.

 

Consequences of Child Hunger

 

Preschool and school-age children who experience severe hunger have higher levels of chronic illness, anxiety and depression, and behavior problems than children with no hunger.

 

Moderate nutritional vulnerability, the kind often seen among children facing hunger in the United States, can hinder cognitive development and impair young children’s abilities over a lifetime.

 

Children who struggle with hunger face additional problems, such as:

 

Slower growth and inhibited brain development

 

More illnesses, including stomachaches, headaches, colds, ear infections and fatigue

 

Greater susceptibility to obesity and its harmful health consequences

 

Lower concentration and alertness in school

 

Lower academic achievement

 

Increased likelihood of developing psychosocial and behavioral issues, such as:

 

More aggressive behavior

 

Higher levels of hyperactivity, anxiety, and/or passivity

 

Greater need for mental health services

 

Less energy for social interactions

 

Unable to adapt as effectively to environmental stresses

 

Individuals who face hunger as a child struggle even after their childhood years:

 

They are not as well prepared physically, mentally, emotionally or socially to perform effectively in the contemporary workforce.

 

Collectively, they have lower levels of educational and technical skills which reduce the overall competitiveness of the workforce.

 

Chronic undernutrition can also lead to greater health care costs for not only families of children experiencing hunger, but for future employers of those individuals who faced hunger as a child.

 

Who have you help feed today? which programs do you want to see the feds cut to balance our budget this election season?

Die Häutung ist für Spinnen, wie für alle anderen Arthropoden auch, eine äußerst sensible und Kraft raubende Phase im Leben. Sie sind während der Häutung bis zur anschließenden Aushärtung des neuen Exoskeletts schutzlos Fressfeinden ausgeliefert.

Bei großen Vogelspinnen kann der Häutungsvorgang bis zu 10 Stunden dauern und die anschließende Aushärtung 1 – 2 Wochen in Anspruch nehmen.

Die Häutung kündigt sich in der Regel durch eine zunehmende Passivität und Nahrungsverweigerung an. Beutetiere werden nicht mehr gefressen, sondern vertrieben. In dieser Zeit wird unter der alten Haut eine neue Cuticula angelegt, die noch stark gefaltet ist.

Vogelspinnen legen sich dann, wenn es an der Zeit ist, zum Häuten auf den Rücken. Die meisten Arten spinnen vorher Häutungsteppiche auf denen der Vorgang statt findet. Diese Art kleidet die Ränder des Teppichs noch zusätzlich mit Brennhaaren aus, die sie vom Hinterleib abstreift. Das bietet einen zusätzlichen Schutz.

Durch die Erhöhung des Hämolymphdruckes im Vorderkörper (die Hämolymphe ist das Spinnenblut) reißt er an Sollbruchstellen auf und trennt den „Vorderkörperdeckel“ (Carapax) vom Unterteil. Der Riss zieht sich seitlich weiter bis zu den Spinnwarzen des Hinterleibes. Der weichhäutige Hinterleib erscheint nun faltig.

Durch alternierende Bewegungen schieben sich nun langsam alle Extremitäten von den Kiefernklauen, über die Taster bis zu den Beinen aus der alten Haut heraus

Nach der Beendigung der Häutung bleibt die Spinne noch eine Weile auf den Rücken liegen und macht Gymnastik. Dadurch bleiben die Gelenkhäute geschmeidig und härten nicht aus.

Die adulten Männchen dieser Art sind ausgesprochen bunt gefärbt und haben eine Körperlänge von 4 – 5 cm. Die Weibchen sind deutlich größer, bis zu 9 cm Körperlänge (ohne Cheliceren) und einheitlich hell- bis dunkelbraun befärbt.

Weibliche Vogelspinnen können je nach Art und Gattung bis zu 25 Jahre und älter werden. Die Kerle haben nur eine geringe Halbwertszeit. Nach der Geschlechtsreife leben sie noch (je nach Art) ein halbes bis zu einem Jahr, selten länger.

 

English:

 

For spiders, as for all other arthropods, moulting is an extremely sensitive and powerful phase in life. During the moulting process until the new exoskeleton hardens, they are at the mercy of defenceless predators.

For large tarantulas, the moulting process can take up to 10 hours and the subsequent hardening takes 1-2 weeks.

The moulting is usually announced by increasing passivity and refusal to eat. Prey animals are no longer eaten, but driven out. During this time, a new cuticle is applied under the old skin, which is still strongly folded.

Tarantulas lie down on their backs when the time comes to skin them. Most species spin skin rugs on which the process takes place. This species additionally coats the edges of the carpet with burning hairs, which she wipes off from the abdomen. This provides additional protection.

By increasing the haemolymph pressure in the front part of the body (the haemolymph is the spider blood), it tears open at predetermined breaking points and separates the "front part of the body" (Carapax) from the lower part. The tear continues sideways to the spinal warts of the abdomen. The soft-skinned abdomen now appears wrinkled.

Through alternating movements, all extremities are now slowly sliding from the jaw claws to the palpebars and beyond the legs out of the old skin.

After the skinning has ended, the spider stays on its back for a while and does gymnastics. As a result, the joint membranes remain supple and do not harden.

The adult males of this species are markedly coloured and have a body length of 4 - 5 cm. The females are clearly larger, up to 9 cm body length (without chelicerene) and uniformly light to dark brown colored.

Depending on the species and genus, female tarantulas can grow up to 25 years and older. These guys only have a low half-life. After sexual maturity, they still live (depending on the species) half to one year, rarely longer.

  

Of course a person’s “will” is dependent upon what has already influenced him or her, and “good” is relative. Is it really our “will” to run up huge debt while trying to obtain the elusive happiness we are fed by the mass mediaThe changes in brain chemistry, when the right and left brain functions mix in the pituitary gland, they produce by dynamic association a sinusoidal and closed loop on itself, of this set which functions as a machine without fatigue and looks like an engine without limits of efficiency, it is our second level of reflection - the etheric plane floods with light and releases the karmic as if we open our senses.We are conditioned at an early stage that we are often only accepted if we behave as others expect. Especially in our childhood we often heard that we are especially loved when we behave in an adapted way. Fortunately, this is all long gone and we are grown-up people who are allowed to behave in an unadapted wayNewsflash: You shine most beautifully when you radiate your innermost light outwards. Shine like a Diamond! Therefore, make it clear to you today: You are in the world to be a unique edition of yourself - not a second-rate of someone elseIf the only way to be popular is to disguise yourself and modify or even deny your own identity, then make a point here. Your true friends will love you because of who you are, not what you want to be. Time to make new acquaintancesEvery human being’s Pineal Gland or The third eye can be activated to spiritual world frequencies and enables you to have the sense of all knowing, godlike euphoria and oneness all around you. A pineal gland once tuned into to proper frequencies with help of meditation, yoga or various esoteric, occult methods, enables a person to travel into other dimensions, popularly known as astral travel or astral projection or remote viewing.

With more advance practice and ancient methods it is also possible to control the thoughts and actions of people in the physical world. Yes, it is bizarre, but the United States, former Soviet Union governments and various shadow organization have been doing this type of research for ages and have succeed far beyond our imagination.Pineal Gland is represented in Catholicism in Rome; they depict the pineal as a pine cone in art. The ancient societies like the Egyptians and the Romans knew the benefits and exemplified this in their vast symbologies with a symbol of an eyeIt’s mind-blowing the moment WE live in. Not only are all the world’s indigenous and modern cultures connecting into a global society for the first time in our known history, but WE’re doing it in a reality that is so mysterious that our minds are intertwined at the fundamental level. As duality would have it though; there is madness to this magic. The way the masses view the world is a farce. Every single mainstream perspective is either purposely deceptive, or completely misses the point. Even the people in places of influence who we’re meant to trust have either sold out, or are just plain ignorant to the facts. There’s no need to have a heavy heart though; the matrix of control is crashing because the truth-seekers are dealing heavy blows to the false narratives that have for too long shaped the collective mindset of humanity. Inner light is a world where the people of planet Earth act as the single being that they are, with vision, intent and conscious creativity while simultaneously honoring and nurturing the divine individuality of each member from birth through wholesome education and a holistically-oriented social and economic structure.For some, these descriptions are metaphors, but for less these are real and accurate descriptions of the steps to becoming a man of knowledge and the path with heart. Seeing your auric egg was part and parcel of spiritual awakening and my expanded perceptions of reality helped to understand who we are and how we interact with the immensity of the infinite realityIncidentally, this should not be taken to mean that the withdrawal and passivity required for the birth necessarily has to involve ‘rapture’ or ‘ecstasy’. As Bernard McGinn (2001, p. 59) says ‘the dark way to God is given absolute priority’. It is of the very nature of the Divine Word to be hidden in its revelation and revealed in its hiddeness.

I really don't understand this.

 

Apart from the woeful Uma Thurman version, I adore the lovely, lethal Emma Peel. Intelligent, sexy, and dripping with irony. Easily able to cope with life's little difficulties. Mad scientists, carnivorous plants, killer automata... A girl whose response to an overenthusiastic male is to chuck him through the nearest window.

 

I like that kind of woman. Vulnerability doesn't turn me on.

 

And yet, and yet.

 

I look at this picture, and that's exactly what I see. Vulnerability, passivity, even a little fear. A pose which says Please help me. And somehow it chimes with a part of me I never knew existed. I learn new things every day.

 

If I get any softer, I'll melt.

This installation is part of my work for Beaufort04 (

Villa Le Chalutier, Bortierlaan 25.

De Panne, Belgium from 31/03 until 30/09/2012)

 

ISAAC CORDAL

Waiting for the Climate Change

 

The Spanish artist Isaac Cordal has been living and working for several years as a street artist in Brussels. By working on a small scale the artist creates an enormous freedom of movement for himself. He sometimes sets off with up to twenty sculptures in his rucksack, to spread them about in the area. For this he rarely uses sculptures that are more than 25 cm high. The underlying idea is that the town degenerates into decor for these little sculptures, and that they find protection behind, under and between the street furniture. Cordal is interested in the fact that the involvement is by nature temporary and that each passer-by can become an involuntary viewer. In his installations he often expresses a concern about our problematic relationship with nature in town and about the passivity and distressing lack of interest towards the hopeless state of the environment. This concern is also present in the installation Waiting for the Climate Change on the beach of De Panne. The small sculptures - as yet high and dry and with a buoy tied around their waist - are located on a pole, waiting for the consequences of global warming. They seem to be passively waiting for the sea to drag them away. Cordals installation in Villa Le Chalutier is a further elaboration on this theme.

 

More info: www.beaufort04.be

Available works: no new enemies

Photographing in one of the villages nearby the historical site we had been shooting. The light was good, so it's hard not to lift the camera, but when you're photographing over a cultural barrier, and in the case of an elderly woman in a remote impoverished peasant farming village, across a gulf in economics too, you have to be careful in how you represent people you photograph. Such a photo should crafted to give the subject dignity, but with this woman it was hard to find what I was looking for. She was ok with being photographed, but very passive to it all. Aside from a couple of compositional flaws (the distracting wheel beside her head), that sense of passivity and even pity, rather than dignity, is what would prevent me from using this image in any future edit. Your thoughts ?

 

Yangyuan County, Zhangjiakou, Hebei, Fuji GA645zi

  

Living in Transit: The Thinkers of a World in Turmoil

 

War looms over Europe, uncertainty seeps into everyday life, and the weight of history presses upon the present. The world is burning, and yet—there are those who seek understanding, those who bury themselves in the quiet refuge of books, the dim glow of libraries, the solitude of knowledge.

 

This series captures the introspective minds of young academic women—readers, thinkers, seekers. They wander through old university halls, their fingers tracing the spines of forgotten books, pulling out volumes of poetry, philosophy, and psychology. They drink coffee, they drink tea, they stay up late with ink-stained fingers, trying to decipher the world through words.

 

They turn to Simone Weil for moral clarity, Hannah Arendt for political insight, Rilke for existential wisdom. They read Baudrillard to untangle the illusions of modernity, Byung-Chul Han to understand society’s exhaustion, Camus to grasp the absurdity of it all. They devour Celan’s poetry, searching for beauty in catastrophe.

 

But they do not just read—they reflect, they question, they write. Their world is one of quiet resistance, an intellectual sanctuary amidst the chaos. In their solitude, they are not alone. Across time, across history, across the pages they turn, they are in conversation with those who, too, have sought meaning in troubled times.

 

This is a series about thought in transit—about seeking, reading, questioning, about the relentless pursuit of knowledge when the world feels on the brink.

 

Where the Thinkers Go

 

They gather where the dust has settled,

where books whisper in the hush of halls.

Pages thin as breath, torn at the edges,

cradling centuries of questions.

 

They drink coffee like it’s ink,

trace words like constellations,

follow Rilke into the dusk,

where solitude hums softly in the dark.

 

Outside, the world is fraying—

war threading through the seams of cities,

the weight of history pressing forward.

Inside, they turn pages, searching

for answers, for solace, for fire.

 

And somewhere between the lines,

between time-stained margins and fading ink,

they find the ghosts of others who

once sought, once wondered, once read—

and they do not feel alone.

 

Three Haikus

 

Night falls on paper,

books stacked like silent towers,

thoughts burn in the dark.

 

Tea cools in the cup,

a poem lingers on lips,

war rumbles beyond.

 

Footsteps in silence,

the scent of old ink and dust,

pages turn like ghosts.

 

ooOOOoo

 

Reading as Resistance

 

These young women do not read passively. They underline, they take notes, they write in the margins. They challenge the texts and themselves. They read because the world demands it of them—because, in a time of conflict and uncertainty, thought itself is an act of resistance.

 

Their books are worn, their pages stained with coffee, their minds alive with the urgency of understanding.

 

1. Political Thought, Society & Liberation

Essays, theory and critique on democracy, power and resistance.

 

Chantal Mouffe – For a Left Populism (rethinking democracy through radical left-wing populism)

Nancy Fraser – Cannibal Capitalism (an urgent critique of capitalism’s role in the destruction of democracy, the planet, and social justice)

Étienne Balibar – Citizenship (rethinking the idea of citizenship in an era of migration and inequality)

Silvia Federici – Caliban and the Witch (a feminist Marxist analysis of capitalism and gender oppression)

Didier Eribon – Returning to Reims (a deeply personal sociological reflection on class and identity in contemporary Europe)

Antonio Negri & Michael Hardt – Empire (rethinking global capitalism and resistance from a leftist perspective)

Thomas Piketty – Capital and Ideology (a profound analysis of wealth distribution, inequality, and the future of economic justice)

Mark Fisher – Capitalist Realism (on why it’s easier to imagine the end of the world than the end of capitalism)

2. Feminist & Queer Theory, Gender & Body Politics

Texts that redefine identity, gender, and liberation in the 21st century.

 

Paul B. Preciado – Testo Junkie (an autobiographical, philosophical essay on gender, hormones, and biopolitics)

Judith Butler – The Force of Nonviolence (rethinking ethics and resistance beyond violence)

Virginie Despentes – King Kong Theory (a raw and radical take on sex, power, and feminism)

Amia Srinivasan – The Right to Sex (rethinking sex, power, and feminism for a new generation)

Laurent de Sutter – Narcocapitalism (on how capitalism exploits our bodies, desires, and emotions)

Sara Ahmed – Living a Feminist Life (a deeply personal and political exploration of what it means to be feminist today)

3. Literature & Poetry of Resistance, Liberation & Exile

European novels, poetry and literature that embrace freedom, revolution, and identity.

 

Annie Ernaux – The Years (a groundbreaking memoir that blends personal and collective history, feminism, and social change)

Olga Tokarczuk – The Books of Jacob (an epic novel about alternative histories, belief systems, and European identity)

Édouard Louis – Who Killed My Father (a deeply political and personal exploration of class struggle and masculinity)

Bernardine Evaristo – Girl, Woman, Other (a polyphonic novel on race, gender, and identity in contemporary Europe)

Maggie Nelson (though American, widely read in European academia) – On Freedom: Four Songs of Care and Constraint (a poetic, intellectual meditation on freedom and constraint)

Benjamín Labatut – When We Cease to Understand the World (a deeply philosophical novel on science, war, and moral responsibility)

Michel Houellebecq – Submission (controversial but widely read as a dystopian critique of political passivity in Europe)

4. Ecology, Anti-Capitalism & Posthumanism

Texts that explore the intersections of nature, economics, and radical change.

 

Bruno Latour – Down to Earth: Politics in the New Climatic Regime (rethinking ecology and politics in a world of climate crisis)

Andreas Malm – How to Blow Up a Pipeline (on the ethics of radical environmental resistance)

Emanuele Coccia – The Life of Plants: A Metaphysics of Mixture (rethinking human and non-human coexistence)

Isabelle Stengers – Another Science is Possible (rethinking knowledge and resistance in an era of corporate science)

Kate Raworth – Doughnut Economics (rethinking economic models for social and ecological justice)

Donna Haraway – Staying with the Trouble (rethinking coexistence and posthumanist futures)

 

The Future of Thought

These are not just books; they are weapons, tools, compasses. These women read not for escapism, but for resistance. In a time of political upheaval, climate catastrophe, and rising authoritarianism, they seek alternative visions, radical possibilities, and new ways of imagining the world.

 

Their books are annotated, their margins filled with questions, their reading lists always expanding. Knowledge is not just power—it is revolution.

Most people see the things through coloured glasses…

What does this picture represent for you?

Idleness or sloth?

Calmness or inner peace?

Other people may see it even different…

 

HKD

 

Thema 22 – Abneigung

 

Warum spüre ich bestimmten Menschen gegenüber Abneigung?

Stichworte zu diesem Aufsatz:

 

Psychologie, Motivationskräfte, Sympathie, Antipathie, B2 – Trägheit – A1 Aktivität -Erkenne dich selbst

 

Je nachdem von welcher Motivationskraft ich gerade „beseelt“ bin, spüre ich anderen Menschen und Schwingungen gegenüber Zu- oder Abneigung.

Stehe ich auf einem Kampfplatz, halte ich meine eigene Schwäche zurück und mache mir Mut. Auf einem Meditationsseminar dagegen, bei dem es um stilles Sitzen geht, unterdrücke ich mein aggressives Potenzial.

Die Energieform der Trägheit, die ich zur Motivationskraft B2 zähle, wehrt aktivere Energieformen ab. Um allerdings von Hektik in Ruhe kommen zu können ist B2 unbedingt erforderlich.

Unternehmenslustige Menschen mögen passive Menschen als langweilig bezeichnen und der phlegmatische wird sich in der für ihn hektischen Atmosphäre der Aktivisten nicht wohl fühlen.

Mein familiäres Umfeld bestand und besteht aus Unternehmern, Politikern und auf anderen Gebieten sehr aktiven Menschen. Ich selbst neige zum Phlegma, fühle mich allerdings wohl in meiner Zurückgezogenheit und finde auf diese Weise Zeit und Muse, mich mit Selbsterkenntnis und meinen inneren Prozessen zu befassen.

 

In jungen Jahren folgte ich den Vorbildern meiner Eltern, wurde Unternehmer mit entsprechend aktiver Energie. Da sie jedoch nicht vorhielt und sich das passive Element in mir verstärkte, erschienen mir ihre und meine früheren Aktivitäten als fragwürdig und ich fühlte mich zunehmend unwohl in meinem damaligen Freundes- und Bekanntenkreis.

 

Meine inneren Motivationskräfte wechselten von aktiv auf passiv und daher wechselten meine Sympathien und Antipathien. Ich interessierte mich mehr für Menschen, die philosophisches oder psychologisches Wissen vermittelten und die ich auch als introvertiert bezeichnen würde.

 

Während die Motivationskraft B2 sich in mir weiter verstärkte und schließlich in mir vorherrschte, wurde mir äußerer Aktivismus zu einem Gräuel.

Doch die Kräfteverhältnisse änderten sich wieder und meine Abneigung gegen Wettkämpfe, ob sportlich oder politisch wurde neutralisiert. Ich empfinde keine Abneigung mehr gegenüber Menschen, die den unternehmerischen Teil des Kräftespektrums (A1) mit allen Begleiterscheinungen vertreten. A1 motiviert Menschen und Staaten zu expansivem Verhalten – und Eroberungen gehören dazu.

 

Eine Frau wird ebenso erobert wie Marktanteile oder die Macht im Parlament. Das Leben eines von A1 beflügelten Menschen besteht aus Kampf und Wettstreit. Und seine Gedanken, Pläne und Gesprächsthemen kreisen um diese Dinge. Faktoren wie liebevolle Gefühle haben hier keinen Platz, werden als schwächlich angesehen und bestenfalls als sentimental belächelt.

 

Alle Formen der Beta- Energien wurden während der nationalsozialistischen Zeit in Deutschland, die extrem von A1 geprägt war, als „Wehrkraft zersetzend“ bezeichnet.

Ich wähle diese krasse Schilderung bewusst, denn jedes Extrem bekämpft die gegensätzlichen Prinzipien ganz handfest. Meine Eltern waren über meine „Schwächen“ entsetzt und mein Vater bekämpfte sie indem er von mir eiserne Disziplin und harten körperlichen Einsatz forderte.

Aus seiner Sicht war meine Sensibilität (und Trägheit) viel zu groß und er hielt mich für nicht lebenstauglich (in seiner Welt). Das färbte auf mein Verhalten ab und ich wollte ihm beweisen, dass mein Weg „des geringsten Widerstandes“ mir dennoch ein selbständiges Leben ermöglichen würde.

 

In Wirklichkeit wollte ich mir selbst beweisen, dass es ein Überleben ohne aggressives Verhalten geben kann. Gewaltverzicht muss nicht Untergang bedeuten, denn Bewusstheit und geschicktes Verhalten vermag den Einsatz von „gegnerischer“ Macht zu kompensieren.

Zu einem geschickten Verhalten kann es auch zählen, sich einem „Schutzherren“ zu unterstellen.

Doch die meisten Pazifisten fühlen sich in der Gesellschaft von Falken nicht sehr wohl. Kämpfer unter sich dagegen haben auf allen Kampfplätzen Spaß am Messen ihrer Kräfte, an Sieg, Eroberung und triumphaler Selbstdarstellung. Sie lieben es, andere Menschen einzuschüchtern, neidisch zu machen und ihnen die Arbeit einzuteilen.

Tun sie letzteres einigermaßen sinnvoll und gut, wird auch die Gemeinschaft, ob Familie oder Staat von ihrem Führungstalent profitieren. Dennoch habe ich manchmal Schwierigkeiten, mich in der relativ herzlosen Gesellschaft von A1ern wohl zu fühlen. Werde ich selbst aber gerade stark von A1 beeinflusst, habe ich keine Probleme, weder mit Machos noch mit Prahlern. In derartigen Situationen kann ich nämlich gut gegenhalten. Doch bin ich, was A1 bei mir angeht, besonders aufmerksam, denn keine Motivationskraft verdunkelt den Geist durch ihre Einstellung auf „Gegnerschaft“ so sehr, wie A1.

Wo B1, B2, B3 usw. „Brüder“ sehen, erblicken A1, A2 usw. „Konkurrenten“. B3 fühlt sich in der Gegenwart von A1, A2 oder A3 nicht sehr wohl, auch wenn sich Gegensätze anziehen. Wohl fühlt man sich unter Gleichgesinnten. Um herauszufinden, wer diese sind, ist es hilfreich zu wissen, wer man selber ist.

 

HKD

  

Digital Art – own resources

 

HKD

 

en.easternlightning.org/testimonies/light-is-warm.html?pa...

 

A Warm Light After a Dark Tunnel

 

I later read this passage from the words of God: “My entire management plan, the six-thousand-year management plan, consists of three stages, or three ages: the Age of Law of the beginning; the Age of Grace (which is also the Age of Redemption); and the Age of Kingdom of the last days. My work in these three ages differs in content according to the nature of each age, but at each stage this work befits the needs of man—or, to be more precise, is done according to the tricks that Satan employs in the war that I wage against it. The purpose of My work is to defeat Satan, to make manifest My wisdom and omnipotence, to expose all of Satan’s tricks, and thereby to save the entire human race, which lives under Satan’s domain. It is to show My wisdom and omnipotence, and to reveal the unbearable hideousness of Satan; even more than that, it is to allow created beings to discriminate between good and evil, to know that I am the Ruler of all things, to see clearly that Satan is the enemy of humanity, a degenerate, the evil one, and to allow them to tell, with absolute certainty, the difference between good and evil, truth and falsehood, holiness and filth, and what is great and what is ignoble. Thus will ignorant humanity become able to bear witness to Me that it is not I who corrupt humanity, and only I—the Creator—can save humanity, can bestow upon people the things that they can enjoy; and they will come to know that I am the Ruler of all things and Satan is merely one of the beings that I created and that later turned against Me” (“The True Story Behind the Work of the Age of Redemption” in The Word Appears in the Flesh). These words of God gave me a better understanding of God’s will. I could see that everything that God does is salvation and love for mankind. As I thought back over trial after trial that I had gone through, although I had endured some hardships, I had gained so much. It was through these experiences that I saw how Satan was always using the people and things around me to harass me, but all along God was by my side, using His words to enlighten me and guide me, so that I could gain more discernment. He was giving me a path to follow, giving me faith and strength, so that I could be firm in times of passivity and weakness. Every step of the way I was able to break away from Satan’s dark influence and witness God’s wondrous deeds. I matured and grew tougher in my life through these experiences. Going through all of this left me with the feeling that I need not fear these disturbances and afflictions from Satan any longer, because I have God at my side. So long as we depend on God and do not depart from His words, so long as we have faith in God, He will guide us to victory over Satan’s temptations and attacks, and we will live protected under God’s watchful eye. Now I am even more firmly convinced that Almighty God is the returned Lord Jesus. He is my Lord, my God! I also recognize that we are created beings, and regardless of whether we enjoy blessings or suffer hardships, we should always obey and worship God. I have made this ironclad resolution: My heart is set on following Almighty God to the end of the road!

  

Recommended for you:

 

How to Be Free From Sin - Here Is the Most Effective Way - Spiritual Warfare Testimonies

 

Image Source: The Church of Almighty God

 

Terms of Use: en.easternlightning.org/disclaimer.html

  

Call the pass of the time of evolution process is a deception that will serve some. In truth we never left the caves and the only evolution is the sophisticated way we found to attack each other. We maintain the same survival instinct and added a unruly sense of ownership. We can’t plan together and in a long term and from the color of skin, religion or natural resources, everything seems to be an excuse for misunderstanding. We are ruled by mobsters or unable which rely on our passivity to keep this cycle of things. It remains for us the hope that one day we can be succeed be united around a true evolutionary ideal.

 

Thanks for viewing one more image from the project THE CRISIS

 

Stay safe

 

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500px

Flickr

website

  

Sérgio Moreira

Understanding grows as you allow the landscape to come into you. Passivity, not acquisition, is the key to this. A good photograph is a received photograph, an exchange between you and the landscape, in which - however unlikely this may seem - there is a dialogue between the two of you. It is simply courtesy to allow the landscape to speak. - Charlie Waite, The Making of Landscape Photographs by Charlie Waite:

Another 365 days to let the dust settle. To revel in complacency and apathetic affectations. A year to accomplish nothing, to waylay achievement and allow proactivity to deteriorate. Twelve months to stymie action and productivity... a vacation from propagation where the wheels fail to roll. To set upon garbage heaps and declare ourselves kings of passivity, vacationeers of privilege, pioneers of indifference. Another calendar's cycle to hide from accomplishment and disregard our individual hemispheres. Blankets of deception and false comfort.

 

But maybe for some others a time to grasp our lives and make them into something purer and better thought. Good intentions acted upon and selflessly carried out. Adopting causes, compassion, activity, and empathy. Aspiring to be more than what we are, and better than we know ourselves to be. A coming year to strive for achievment... to embrace fellowship and better our relationships. A time during which we can spend reflecting on our spirits, and compelling ourselves to be a model. To stand out, to impress without self-flattery or expect reward. To inpsire and fulfill not just goals but spiritual challenges and curb distress.

 

It's easy to get caught up in the former rather than work to live up to the latter.

 

Terrified

 

"A painful awakening hurting like never before

How to process the pressure and stress?

How to give everyone more than they can take?

We are terrified to live... We are terrified to die"

Living in Transit: The Thinkers of a World in Turmoil

 

War looms over Europe, uncertainty seeps into everyday life, and the weight of history presses upon the present. The world is burning, and yet—there are those who seek understanding, those who bury themselves in the quiet refuge of books, the dim glow of libraries, the solitude of knowledge.

 

This series captures the introspective minds of young academic women—readers, thinkers, seekers. They wander through old university halls, their fingers tracing the spines of forgotten books, pulling out volumes of poetry, philosophy, and psychology. They drink coffee, they drink tea, they stay up late with ink-stained fingers, trying to decipher the world through words.

 

They turn to Simone Weil for moral clarity, Hannah Arendt for political insight, Rilke for existential wisdom. They read Baudrillard to untangle the illusions of modernity, Byung-Chul Han to understand society’s exhaustion, Camus to grasp the absurdity of it all. They devour Celan’s poetry, searching for beauty in catastrophe.

 

But they do not just read—they reflect, they question, they write. Their world is one of quiet resistance, an intellectual sanctuary amidst the chaos. In their solitude, they are not alone. Across time, across history, across the pages they turn, they are in conversation with those who, too, have sought meaning in troubled times.

 

This is a series about thought in transit—about seeking, reading, questioning, about the relentless pursuit of knowledge when the world feels on the brink.

 

Where the Thinkers Go

 

They gather where the dust has settled,

where books whisper in the hush of halls.

Pages thin as breath, torn at the edges,

cradling centuries of questions.

 

They drink coffee like it’s ink,

trace words like constellations,

follow Rilke into the dusk,

where solitude hums softly in the dark.

 

Outside, the world is fraying—

war threading through the seams of cities,

the weight of history pressing forward.

Inside, they turn pages, searching

for answers, for solace, for fire.

 

And somewhere between the lines,

between time-stained margins and fading ink,

they find the ghosts of others who

once sought, once wondered, once read—

and they do not feel alone.

 

Three Haikus

 

Night falls on paper,

books stacked like silent towers,

thoughts burn in the dark.

 

Tea cools in the cup,

a poem lingers on lips,

war rumbles beyond.

 

Footsteps in silence,

the scent of old ink and dust,

pages turn like ghosts.

 

ooOOOoo

 

Reading as Resistance

 

These young women do not read passively. They underline, they take notes, they write in the margins. They challenge the texts and themselves. They read because the world demands it of them—because, in a time of conflict and uncertainty, thought itself is an act of resistance.

 

Their books are worn, their pages stained with coffee, their minds alive with the urgency of understanding.

 

1. Political Thought, Society & Liberation

Essays, theory and critique on democracy, power and resistance.

 

Chantal Mouffe – For a Left Populism (rethinking democracy through radical left-wing populism)

Nancy Fraser – Cannibal Capitalism (an urgent critique of capitalism’s role in the destruction of democracy, the planet, and social justice)

Étienne Balibar – Citizenship (rethinking the idea of citizenship in an era of migration and inequality)

Silvia Federici – Caliban and the Witch (a feminist Marxist analysis of capitalism and gender oppression)

Didier Eribon – Returning to Reims (a deeply personal sociological reflection on class and identity in contemporary Europe)

Antonio Negri & Michael Hardt – Empire (rethinking global capitalism and resistance from a leftist perspective)

Thomas Piketty – Capital and Ideology (a profound analysis of wealth distribution, inequality, and the future of economic justice)

Mark Fisher – Capitalist Realism (on why it’s easier to imagine the end of the world than the end of capitalism)

2. Feminist & Queer Theory, Gender & Body Politics

Texts that redefine identity, gender, and liberation in the 21st century.

 

Paul B. Preciado – Testo Junkie (an autobiographical, philosophical essay on gender, hormones, and biopolitics)

Judith Butler – The Force of Nonviolence (rethinking ethics and resistance beyond violence)

Virginie Despentes – King Kong Theory (a raw and radical take on sex, power, and feminism)

Amia Srinivasan – The Right to Sex (rethinking sex, power, and feminism for a new generation)

Laurent de Sutter – Narcocapitalism (on how capitalism exploits our bodies, desires, and emotions)

Sara Ahmed – Living a Feminist Life (a deeply personal and political exploration of what it means to be feminist today)

3. Literature & Poetry of Resistance, Liberation & Exile

European novels, poetry and literature that embrace freedom, revolution, and identity.

 

Annie Ernaux – The Years (a groundbreaking memoir that blends personal and collective history, feminism, and social change)

Olga Tokarczuk – The Books of Jacob (an epic novel about alternative histories, belief systems, and European identity)

Édouard Louis – Who Killed My Father (a deeply political and personal exploration of class struggle and masculinity)

Bernardine Evaristo – Girl, Woman, Other (a polyphonic novel on race, gender, and identity in contemporary Europe)

Maggie Nelson (though American, widely read in European academia) – On Freedom: Four Songs of Care and Constraint (a poetic, intellectual meditation on freedom and constraint)

Benjamín Labatut – When We Cease to Understand the World (a deeply philosophical novel on science, war, and moral responsibility)

Michel Houellebecq – Submission (controversial but widely read as a dystopian critique of political passivity in Europe)

4. Ecology, Anti-Capitalism & Posthumanism

Texts that explore the intersections of nature, economics, and radical change.

 

Bruno Latour – Down to Earth: Politics in the New Climatic Regime (rethinking ecology and politics in a world of climate crisis)

Andreas Malm – How to Blow Up a Pipeline (on the ethics of radical environmental resistance)

Emanuele Coccia – The Life of Plants: A Metaphysics of Mixture (rethinking human and non-human coexistence)

Isabelle Stengers – Another Science is Possible (rethinking knowledge and resistance in an era of corporate science)

Kate Raworth – Doughnut Economics (rethinking economic models for social and ecological justice)

Donna Haraway – Staying with the Trouble (rethinking coexistence and posthumanist futures)

 

The Future of Thought

These are not just books; they are weapons, tools, compasses. These women read not for escapism, but for resistance. In a time of political upheaval, climate catastrophe, and rising authoritarianism, they seek alternative visions, radical possibilities, and new ways of imagining the world.

 

Their books are annotated, their margins filled with questions, their reading lists always expanding. Knowledge is not just power—it is revolution.

#36 -- Still Water -- 118 Pictures in 2018

 

And for Studio 26, assignment on low graphic style

Elements of low graphic style:

--50 mm. lens

--Square frame & centered horizon line

--Static balance & sense of symmetry -- only slightly broken by distant mountains, variations on shoreline, & line of floating vegetation

--Feeling of passivity, horizontal lines

--Muted color, provided by smoky skies

--Repetition of lines

The calmness & passivity -- hallmarks of the style seemed appropriate for this category. We've had a lot of wind this summer & Pastorius has rarely looked still, so I took advantage of an unusually calm evening.

Apparently when the bull has its flaccid penis dangling out that is a good sign, indicating passivity. Less likely to charge, according to our guide.

Angus Backhold Wrestling Championship 2014

 

This is an classic example of a buttock technique.

 

Scottish Wrestling Bond

 

Rules for Competition

  

1.Every fall shall be decided by two Judges and a Referee, or by special permission applied for and granted by the General Secretary, by a Referee only.

2.The Referee shall be appealed to if the Judges disagree and his decision shall be final, and further he shall be empowered to decide any point not provided in these rules.

3.On taking hold the wrestlers stand up chest to chest, each placing his chin on his opponent's right shoulder and grasping him round the body, each placing his left arm above the right arm of his opponent.

4.Thirty seconds shall be allowed in which to take hold.

5.After the first fall the referee is empowered to stop the bout at any point if in his opinion a wrestler or both wrestlers are not serious in their attempt to take hold.

6.The time clock shall be started when the wrestlers shake hands.

7.In the event of the hold not being obtained, the Referee shall compel the contestants to take hold across a back. The wrestler refusing to take hold shall be disqualified.

8.When both men have got hold and are fairly on their guard the referee shall call "hold" and the wrestling will commence, with the exception of kicking, the wrestlers are allowed to use every legitimate means to throw each other. To strike with the side of the foot shall not be deemed kicking.

9.If either party breaks his hold, that is, loose his grip, though not on the ground, and the other still retains his hold, the one leaving loose shall be declared the loser.

10.Deliberately striking at an opponents hands in looseholds to open them is not permitted and if successful is not considered a fall.

11.If either man touches the ground with one knee only or other part of his body, though he may still retain his hold, he shall not be allowed to recover himself but shall be deemed the loser.

12.If both fall to the ground, the man who is first down or falls under the other shall be the loser, but if they fall side by side or otherwise so that the Officials cannot decide which was first on the ground, it shall be termed a "dog fall" and shall be wrestled over again.

13.The wrestlers shall compete in their stockinged feet or by permission of the referee on barefeet.

14.Wearing of sweaters is forbidden.

15.Only one upper garment is permitted which should be sleeveless.

16.A fall is defined as touching the ground with any part of the person, the feet excepted.

17.The referee shall disqualify any wrestler using unfair means who has been twice previously cautioned.

 

Mat Competitions

 

18.The competition area when indoors shall be a mat of 12m diameter or 12m x 12m square, the outer two metres shall be the protection area, a further one metre warning area shall be marked in red

19.The warning area is provided for the purpose of revealing the passive wrestler, of doing away with systematic wrestling on the edge of the mat, as well as thoughtless departures from the wrestling area.

20.If wrestlers stop their action in the warning area and stay there without any action, the referee will interrupt the bout and return the wrestlers to the centre of the mat, without prejudice to the application of the rules on passivity.

21.In all cases when there is one foot outside the wrestling area the referee will stop the bout.

  

Passivity Rules to be Applied:

 

22.When a wrestler refuses to attempt to wrestle.

23.When a wrestler deliberately pushes his opponent off the mat

24.When a wrestler backs off the mat.

25.When a wrestler deliberately backs towards the edge of the mat and continues to wrestle with his back towards the edge of the mat.

  

Fleeing the Mat and Fleeing the Hold

 

26.A wrestler who flees the mat to evade a hold will have a fall awarded against him and receive a warning.

27.Wrestlers will be disqualified for passivity after receiving three warnings.

28.Disqualifications and warnings must be by a majority vote of the three officials.

29.In all such cases the officer in charge must consult the other officials and if necessary call a vote.

 

Competition Systems

 

30.Competitions may be decided by the "Round Robin" system where there are five or fewer wrestlers in a weight category.

31.Where two wrestlers in a Round Robin have won the same number of bouts, the higher placing will be given to the wrestler who won the bout involving both wrestlers.

32.When three or more wrestlers in a Round Robin have won the same number of bouts they must then wrestle again for one fall only (sudden death) to decide placings.

33.Competitions may be decided by the pool system when there are six or more wrestlers in a weight category.

34.There must be a cross over repechage system i.e., the winner of pool A wrestles the second of pool B and the winner of pool B wrestles the second of pool A, these are the semi finals.

35.All bouts shall be best of five falls

36.In certain circumstances it may not be practical to wrestle every bout best of five. In these circumstances the match officials are empowered to change to the best of three with the following exceptions.

37.All finals and semi-finals must be best of five.

   

I say and mean: religiosity. I do not say and do not mean: religion. Religiosity is man’s sense of wonder and adoration, an ever anew becoming, an ever anew articulation and formulation of his feeling that, transcending his conditioned being yet bursting from its very core, there is something that is unconditioned. Religiosity is his longing to establish a living communion with the unconditioned, his will to realize the unconditioned through his action, transposing it into the world of man. Religion is the sum total of the customs and teachings articulated and formulated by the religiosity of a certain epoch in a people’s life; its prescriptions and dogmas are rigidly determined and handed down as unalterably binding to all future generations, without regard for their newly developed religiosity, which seeks new forms. Religion is true so long as it is creative; but it is creative only so long as religiosity, accepting the yoke of the laws and doctrines, is able (often without even noticing it) to imbue them with new and incandescent meaning, so that they will seem to have been revealed to every generation anew, revealed today, thus answering men’s very own needs, needs alien to their fathers. But once religious rites and dogmas have become so rigid that religiosity cannot move them or no longer wants to comply with them, religion becomes uncreative and therefore untrue. Thus religiosity is the creative, religion the organizing, principle. Religiosity starts anew with every young person, shaken to his very core by the mystery; religion wants to force him into a system stabilized for all time. Religiosity means activity—the elemental entering-into-relation with the absolute; religion means passivity—an acceptance of the handed-down command.

-Martin Buber, On Judaism

Self portrait with her teacher Bernardino Campi [1558-59]

Paintress: Sofonisba Anguissola [1532-1625]

Location: Siena; Pinacoteca Nazionale

high resolution photo

 

The composition of this painting is rather sophisticated: The paintress Sofonisba Anguissola paints her teacher Bernardino Campi, whilst he is portraying her. What we see is the painter Bernardino Campi in action, whereas Sofonisba Anguissola is looking from the canvas on the easel to the spectator.

 

In the late 1550s, Sofonisba painted an intriguing self-portrait of her teacher Bernardino Campi painting her. The image calls to mind the subject-object relationship evident in Renaissance art as most famously illustrated by Albrecht Dürer's illustration of a draftsman drawing a nude. This work, that has been much discussed in recent criticism, identifies the male artist as the active subject and the female model as the passive object. As defined in Barbara Freedman's discussion of the image, "we [the observer of the image] usually identify with the male as the appropriate bearer of the look, the female as the proper object of that look; we identify with reason against sexuality, activity over passivity, and seeing instead of showing." Sofonisba complicates this relationship by having Campi look out of the painting at us. In this context we become Sofonisba herself, the active maker of this painting. Sofonisba thus plays both the role of the subject and object, the viewer and the viewed, in this painting. The heads and hands of Campi and Sofonisba stand out starkly against the dark background and clothing of the two figures. This calls attention to the conception of painting as being the interconnection between the intellectual and manual. The hand of Campi actively painting is set directly above the relaxed, inactive hand of Sofonisba. Just as Campi constructs Sofonisba's image in the painting, Campi also trained Sofonisba's artistic hand. Considering that Sofonisba employed a mirror in creating her image, the prominent hand in the painting would be her right hand. Mary Garrard in her discussion of the painting [reprinted in Reclaiming Female Agency, p.28] calls attention to a 1554 letter from Francesco Salviati to Bernardino Campi where he characterizes Sofonisba as "the beautiful Cremonese painter, your creation" and that her work is a product of Bernardino's "beautiful intellect." Sofonisba painted this work after she had left Bernardino Campi's workshop. It thus can be seen as an homage by Sofonisba to her old teacher in the role he played in fashioning her as an artist.

One of 25 "Please touch, smell, hear, feel . . . me!" artworks from the exhibition BEYOND SEEING, ART CONNECTS BLIND AND SIGHTED PEOPLE, Admont 2012 - curated by: Michael Braunsteiner

 

. . . One unique feature of our growing collection in this area is the array of BEYOND SEEING works, created specifically for partially sighted and blind visitors that can also be enjoyed by the sighted on more than one sensory level . . .

 

www.stiftadmont.at/english/museum/museum/exhibitions.php

 

Karl Karner, 302 cm x 300 cm x 200 cm from the velvet box, MADE FOR ADMONT 2012

 

‘A sequence of digits from the velvet box series’ is Karner’s modest title

for his work that refers to a world in which dimensions represent a

verifiable reality. The image, based on the manipulative

misrepresentation of the stated specifications, can be interpreted in at

least two different ways. We can either choose to accept that the

dimensions are accurate and hence acknowledge that the physical limits

of the installation are thus extended or we need to assume that the rest of

the room is an integral element of it. The table, that seems to be

undergoing some form of dissolution, bears a comedic dark and

interconnected complex of biomorphic objects that together form a

deserted, ossified universe in which the laws of gravity and of

equilibrium appear to be engaged in a paradox game. Only by

incorporating the errors that occur during the complex casting process is

it possible to create a multifaceted whole in which the interactions can

develop to become harmony.

If, however, we replace the sense of sight with that of touch, a second

parallel world can be discovered that differs significantly from the first

and in which quite different rules apply. In this world, the recipient

endorses and contributes to the formation of a sphere of activity that

opens up a world of sound able to narrate its own stories.

‘302 cm x 300 cm x 200 cm aus Samtkasten’ is part of project series

designed to explore the systematic interconnections between space and

passivity and grapple with the concept of the ability to act. These include

the performances ‘alan greenspangrünspan’ and ‘Grünmakaken im

Staub’, developed in collaboration with Linda Samaraweerová, and the

sculpture series ‘Alan Greenspan’ and ‘aus dem Samtkasten’.

No pretendo hacer una apología sobre los funestos sucesos ocurridos hace cuatro décadas.

Pero aún surgen múltiples interrogantes en mi cabeza...

¿cuántas conmociones más son necesarias para que demos un paso adelante evitando estos crímenes?

¿tienen razón los que declaran "el fin de la historia"?

¿la actual sociedad posmoderna está ineludiblemente atada a la apatía generalizada?

La composición social actual, ¿permite seguir confiando en la utopía de que "otro mundo es posible"?

El mundo está en ruta de convertirse en una "aldea global".

Pero si aún no logramos generar sistemas idóneos de convivencia social en los estados nacionales actuales, ¿cómo lidiaremos con el colosal dominio de un eventual poder trans-continental?

Estas son algunas preguntas cuyas respuestas espero comprender en algún tiempo.

 

Cada año guardamos luto por los estudiantes muertos en

1968 (y por los muertos en las dos guerras mundiales, y por los muertos en los atentados terroristas en todo el mundo, etc.) pero este año yo no guardo luto solamente por los fallecidos aquél dantesco día.

Más bien, guardo un luto enorme por nuestra incapacidad colectiva para evitar que otras barbaries similares todavía sucedan en nuestra "aldea global"

 

video español

  

Every year we keep mourning for the students died in 1968 (and for the dead persons in two world wars, and for the dead persons in the terrorist attacks in the whole world, etc.) but this year I do not keep mourning only for the deceased that one dantesque day. Rather, I keep an enormous mourning for our collective incapability to prevent other similar barbarisms still from happening in our "global village"

  

forty years after the murder of hundreds of young students who were demonstrating pacifically, the Mexican government has not punished any aggressor, nobody is in the jail for these crimes, most of the photos and videos realized the evening of October 2, they remain secret to the public opinion. 4 decades later, our country still keeps on being a democratic farce.

  

please watch this

video english

more photos

policy-practice.oxfam.org.uk/publications/wealth-having-i...

 

THE EVER WIDENING GAP BETWEEN RICH AND POOR

A new study by Oxfam found that the richest 1% of the world's population will own 50% of the planet’s wealth by the year 2016! It shows the ever widening gap between the rich and the poor in capitalist countries. This contradiction is prevented from exploding through the following means: 1) an abundant technical capacity that is spent in the production and distribution of waste, planned obsolescence, environmental destruction, military products, space junk, cheap gadgets, low-cost technology, and affordable luxury goods that are spread to the broad strata of the Earth’s population, thereby increasing the overall standard of living but at the same time concealing the radical inequality and anarchy at the heart of the capitalist system; 2) the concentration and expansion of the police and military state to protect and preserve the wealthy elites as well as an anarchic and obsolete capitalist system is accomplished through the monopolization and mobilization of economic, political, and technological power, which is combined with a high degree of governmental intervention in the economy and in the private spheres of human life; 3) the passivity and indifference of the masses is further achieved through the scientific manipulation of private and group behavior, both at work and at leisure, including consciousness and the unconscious, for political and economic purposes by a massive propaganda machine that works day and night in support of the capitalist system (i.e., Internet, TV, news media, mass advertising for the latest and fastest gadgets and technology, satellite radio, Hollywood movies, constant political lies and manipulation, the spread of the so-called "terror" threat, atheist diversion from the class struggle, etc, etc,); 4) global neo-imperialism through the expansion of international corporations that are really owned and controlled by the very few, the global banking system that is continuously manipulated, and the so-called "peace and security" of world-wide military alliances between the capitalist superpowers forges the new world-wide class of exploiters.

 

YOU ARE THE 1%!

 

www.forbes.com/sites/garyshapiro/2012/05/30/we-are-the-wo...

 

The capitalist superpowers have become the new exploiting class. Bourgeoisification of the proletariat, or their integration into the capitalist system, occurs through the increase of their commodity consumption. The class struggle is no longer confined to national borders but is now of global proportions. Western neo-imperialism has created vast slave labor forces in the so-called "third world" to provide the "first world" with affordable commodities. The earth's new parasitic ruling class exploits and abuses its immense technostructure for private profit rather than for the satisfaction of human needs on an international scale.

 

www.globalissues.org/article/26/poverty-facts-and-stats

 

"Almost half the world — over three billion people — live on less than $2.50 a day."

"At least 80% of humanity lives on less than $10 a day."

 

21,000 people die every day due to starvation, mainly children!

 

I keep coming back to these themes. Themes of passivity- and almost ignoring the good things around me. To me, this photo is another example of having beautiful things surrounding you, but not even bothering to appreciate them. Its about wallowing in self pity for the sake of feeling bad. Don't get me wrong, I know just getting out of things is not as easy as it seems. But I also think its not as hard as it seems.

 

I know I haven't done a black in white photo in like, forever... mostly because I can't stand to take away the colors, and a lot of the time my coloring is representative of the mood of the photo. And this flower field was just a beautiful yellow. But I just couldn't not do black and white on this one for some reason.

 

TUMBLR /// TO BUY PRINTS // INSTAGRAM

From the museum label:

 

In the late 19th century following the end of the Civil War in the United States, neurologists believed that neurasthenia, or the mental exhaustion of the nerves caused by overwork and industrialization, was affecting the men and women belonging to the upper and middle classes. In the beginning, neurasthenia predominantly was diagnosed in well-educated men who were experiencing an abundance of nervous energy brought on by modernity and new professional challenges. Women, on the other hand, were diagnosed with neurasthenia after socializing too much and spending time outside of the home too often. One treatment for women with this condition was the "rest cure," which required a patient to stay on bed rest, forbidden from pursuing any activities, even sewing, reading, writing, or receiving visitors. This "cure" became a form of social control, rejecting the contemporary notion of an independent, educated "new woman."

 

Painted and photographic representations of women in lassitude became more frequent as shifting perceptions of neurasthenia became one of a condition largely afflicting women. Rizzi's Study in White, seen here, shows common visual cues of the condition and the rest cure. In this personal and private scene, the woman is leaning back onto a sofa, and her eyes are looking down. She appears sickly and unable to hold herself up as the surrounding materials and fabrics absorb her body, emphasizing her perceived weakness and passivity as she lies down and rests.

Donna Nook

 

Far out at sea

hazy blue merges into hazy blue,

only the tanker pinned to the invisible horizon,

waiting for the tide to turn,

indicates where ocean ends and sky begins.

 

There is no wind

and the unseasonable sun is warm.

A strange odour drifts ashore,

musty and musky, oily and slightly fishy,

a scent of blood and birth.

 

The beach belongs to the seals,

protected from the throngs of watchers by the fence,

the winter shadows of posts and people alike

cast long across the sands, striping the sleeping cows,

shading the newborn pups close to the dunes.

 

The beasts doze, apparently smiling in the November sun,

yawn, stretch, roll, and doze again, murmuring in their dreams

of fish shoals in the green depths, stir briefly to lumber,

clumsily, to muddy creek and back, wakening to call

their haunting, complaining moan, checking that their pups are close.

 

A wagtail runs along the creek, snapping at insects, a pipit

stalks the stunted vegetation, a magpie lurks with gulls,

seeking the red-splashed afterbirths.

Redshanks flute from distant pools,

but the beach belongs entirely to the breeding seals.

 

Confrontation arises suddenly:

a youngster has shuffled close to the wrong female,

its mother snarls at the unsuspecting cow,.

showing teeth and gaping pink mouth:

a brief scuffle ensues, more noise than action,

then both retreat as junior scuttles back into safe territory,

the cows resume their benevolent passivity,

settle back into the important business of slumber.

 

The short afternoon draws to a quiet close,

shadows lengthen, buckthorn berries glow

in the early dusk, the visitors trickle homewards,]

and the seals sleep on.

 

Published in Sarasvati June 2011.

 

#64 -- Horizon -- 118 Pictures in 2018

 

And for Studio 26, assignment on low graphic style

Low graphic elements:

--50 mm. lens

--Static balance, square frame, centered horizon line

--"Artless" impression, plainness of view -- which actually takes some searching around here, to find so flat a horizon line & view without dramatic diagonals

--Feeling of passivity, horizontal lines & symmetry broken only slightly by figures on horizon & one bare sloping area

--Muted color, provided by smoky skies

--Repetition of horizontal lines

--Subject matter -- hint at exploited landscape, with oil well in otherwise bucolic treeline

It was a fun RP and I recommend others to stop by and have a chat next week!

=======================================================================

 

Amara exits the elevator after an odd fumble with the buttons and waves to the sister. "Good evening Sister. How are you tonight?"

 

Darkness Odigaunt looked up from her book, "Hey, not too bad, you? Here for the class?"

 

David Valentino steps into the room and smiles at Darkness, approaching the desk and setting a shiny red apple on it, before winking and heading to a desk.

 

Amara nods, "Yes. Even brought something for notes." She'd tap her hip back which SL is not rezzing yet before taking a seat.

 

Myya Loire grins as she sees who the teacher's pet is, sitting all up in the first row, "This the adult education class?" she asks, eyeing the big kid in leather.

 

David Valentino turns and smiles at Myya, then shakes his head.

 

Darkness Odigaunt sat up and looked uneasily at the apple, "Is that going to explode like, halfway through class?" She nodded and stood up, "No notes tonight, really. Not for the first class. This is us, have a seat."

 

David Valentino: "Sorry..this is the Kama Sutra class. Adult education is down in the alley."

 

Myya Loire pops a squat and kicks David's chair "Oh... sorry... not..." she says, totally planning on all sorts of mischief, but then... she wasn't there to play, she was there to learn, "You don't have to be Christian for this class, right?" she asks the teacher.

 

David Valentino smiles at Darkness, "Naw..that's prime grade A apple. A serpent gave it to me, but I thought you could use it more."

 

Darkness Odigaunt shook her head, "Nope. We're going to start with that probably, but not stay just with one religion anyway."

 

Amara rolled her eyes at David. "Kama sutra...like you need to be a class for that. Be mindful not to be struck by lighting David; I will not try to revive you if the good Lord decides to punish you for that." Since the book was not needed, Amara placed it back in the bag and waited.

 

Myya Loire nods and tugs at the cross on her necklace that was so not appropriate, "Alright, cause, like I'm a Brooklyn Russian Jew, Bukharin and Russian... old school." she wanted to make that clear so that there wouldn't be any question as to which side of the debate she'd be falling on who Jesus died for... someone else's sins... not hers.

 

David Valentino laughs, "Naw..god and me got an understanding. he leaves me alone and I do the same for him." He then turns back to watch the good sister with humorous interest.

 

Darkness Odigaunt nodded, "Maybe you can help when we get to Judaism then." She smiled and checked the dial over the door, "We'll start soon, doesn't look like anyone else is coming."

 

David Valentino notices the quotes by T.S. Elliott and Poe on the wall and arches a brow.

 

Myya Loire fiddles with a bit of paper on her desk, tearing off little pieces and turning them into tiny projectiles. She lines them up along the edge and takes careful aim for the back of David's collar.

 

Amara asks, "So we'll be starting with Christianity today I assume, Sister? Or general discussion about religion as it were?"

 

Darkness Odigaunt looks back, "Okay! No, we're sort of just going to start generally. Like, how much people know." She leaned back on her desk, "So... how much do you know?"

 

David Valentino feels some mini paper projectiles bouncing off his collar and hitting his hair and frowns, hoping the good sister breaks out the ruler soon.

 

Teyh Saunders tries to slip into the classroom quietly, keeping to the back of the classroom as he tries to move along the back wall. Half way across, he would stop, folding his arms across his chest, listening closely and smiling at the Sister.

 

David Valentino raises a hand but doesn't wait to be called on, "Religion came about as ways to explain the unexplainable, then to give hope for an afterlife because of the fear of death, and finally, as a control method.”

 

Amara hummed. “My view of religion’s been more about finding guidance for things. The mentality of ‘What would this person do?’ in a certain scenario rather than strictly adhering to certain beliefs.”

 

Teyh Saunders began to put together from the various responses that the question was about religion, raising his hand from his standing spot in the back of the room and waiting quietly to be called upon.

 

David Valentino eyes Amara, "That sounds more like spirituality than religion."

 

Darkness Odigaunt nodded, "Pretty good. That's about the definition of general religion," to David. She pointed to the woman beside him, "That's good too. Still right, but a completely different right." She nodded to Teyh as he walked in, then to allow him to speak.

 

Amara nods. “I suppose it does. I've seen some times in life that make me question Christianity but at the same time accept it if that makes any sense. There are things out there that religion cannot explain, but a deeper belief can…or rather it tries to.” She turned behind her to see who the sister was nodding to.

 

Myya Loire has no idea anyone is behind her, doesn't think raising your hand is required in an adult education class and so just puts in "We're all going up the same mountain, just taking different paths."

 

Teyh Saunders lowers his hand slightly, closing his eyes as he speaks. "Religion is variant, it depends on the religion in question. Christianity is the worship of the 'Lord Jesus Christ' who sacrificed himself on the cross to absolve us for our sins...then you have Daoism, which is a religion as well yet has nothing to do with Jesus Christ and instead focuses on the Tao - the Great Mother - more of a state of being rather than a physical being. So in a sense, a religion is the ethics and morality that is within the minds of most human beings that they follow and relate most closely to. Typically involving worship of some kind, but not always." He himself was a Daoist, having converted long ago...yet he felt respect for other religions as well - thus why he was here.

 

Darkness Odigaunt turned and started writing the replies, hesitating and just writing just the last part of Teyh's, "Right, right. I liked the mountain analogy." She stepped back, the four different answers standing out against the fading chalk from classes past, "So, David, I think you said something about spirituality, right? So, what's the difference between spirituality and religion?"

 

David Valentino smiles, "Spirituality, is more of an inner essence, or set of morals and beliefs, while religion is more teachings, drilled in through repetition, and usually with punishments and rewards thrown in, in order for a few to control the many."

 

Darkness Odigaunt tapped her lip ring with the piece of chalk, "Interesting thought... Anyone have any others?"

 

Myya Loire: "Religion is a set of doctrines handed down along with dogma and traditions based on ancient text that's been re-interpreted with each generation," she chimes in.

 

Darkness Odigaunt nodded, "That's a little more objective."

 

Teyh Saunders thought for a moment, clearing his throat as he did. "Well...the line between spirituality and religion can at times be blurred and marred. If one follows the Christian God, the texts and the ethics set forth by said texts of their own volition...is that religion or spirituality?" He shifted his weight slightly, moving to the desk in front of him and leaning upon it. "Does the actions of the group associated with a religion or spiritual calling really determine which is which? Or is it instead the service that it renders upon those who follow it what determines that?"

 

Amara smiles. “I like how David worded that. I think spirituality warrants a broader sense of awareness where as religion sorta confines you to what is and what isn’t. Certain things cannot change and must not be meddled with in certain religions while in spiritual beliefs this restriction isn’t always there. I'm speaking in terms of most religions, not just Christianity.”

 

David Valentino nods to Amara in agreement, then turns toward Teyh, "Sadly..I think the longer a religion survives, the less it bumps up against spirituality. Though there are always exceptions. But mankind corrupts all eventually."

 

Myya Loire shakes her head, "There are different interpretations in all religions... those who conform and those who readjust the view based on their human experience..."

 

Darkness Odigaunt set the chalk down, then pointed Teyh to a desk, "It's going to be short tonight, but not that short." She leaned against one of the less chalked areas of the board, "This is a great discussion. They're similar, but there are certain things an established religion needs."

 

Teyh Saunders closes his eyes once more, letting off a small 'hmm' sound at David's words. He would shift into the seat, being a bit uncomfortable there. "Sorry...standing problem." He murmurs, looking up at the Sister now.

 

Amara chuckles, “Well what do the established religions have over spirituality movements…besides more followers and texts to be followed?”

 

David Valentino shrugs, "Power and money."

 

Myya Loire: "Tradition!" Myya adds, "And family history."

 

Amara shook her head. “No, it’s more than that. A corporation has money and power but ya don’t see people lining up on a given day to worship them, now do you? And folks can stray from their family traditions without losing faith in their religions. There’s something else that separates them.”

 

David Valentino arches a brow, "I see many people lining up to "worhsip" corporations every day."

 

Myya Loire adds, "You might think you break from your family traditions, but you're fooling yourself... what you grow up with stays with you forever."

 

David Valentino sighs, "Corporations just preach a different sermon than religions."

 

Darkness Odigaunt smiled, "Great guesses." She wrote the two on the board, "To be no longer considered a cult, a group needs a million followers." She hesitated, "Well, last I heard. I doubt it changes much. Laws are just a part of it. You can have a completely oral history and tradition and still be considered a religion." She shook her head at the next guess, "No, while it helps in the real world, in theory you can be a religion with no money or power. Granted, if a person had no money whatsoever." She smiled at the woman in the back, "Tradition is part of it, but it doesn't have to be. You don't have to bea religion to have those."

 

Myya Loire looks a bit confused..."You don't have to be a religion to have tradtions, but you can't be a religion without traditions... then it's just... what?"

 

David Valentino eyes Darkness, "Show me one religion that doesn't end up being about money or power. Even the small ones usually evolve into control..which equals power of a sort."

 

Teyh Saunders lifts his eyes up, shaking his head slightly. Most Daoist monks were poor folk, though they had their traditions and beliefs. "The force that can be forced is not the eternal force. Daoism doesn't focus itself on power or control, but instead in passivity. Searching for the inner peace within one self that allows us to be one with the Great Mother - Tao, which is all and nothing."

 

David Valentino mumbles, "Sounds like a spiritual calling or belief rather than an organized religion then. Eastern philosophy and all that stuff."

 

Myya Loire shakes her head... "Just gotta have folks... I guess."

 

Darkness Odigaunt shook her head, "Sorry, a bit nervous for my first class. Tradition falls in," she drew a circle and labeled it spirituality, inside, she drew smaller circles and labeled them 'religion', then wrote tradition out in spirituality. "It's here, I think." To David, she answered, "I said on paper. Besides, I don't think -any- are all about money and control. None of the ones that last, even something that asks you to pay a ton like scientology."

 

Teyh Saunders nods slightly. "Thus why I said it's marred and blurred between religion and spirituality. We have our holy grounds, our temples. But we do not say there is but one way to be one with the Great Mother..." He trailed off, allowing D to speak, keeping to himself now.

 

David Valentino shrugs, "As far back as the Summarians and Babylonians, the heads of religions used there followers to gain wealth and power. In some cases for political reasons. The rise of the Catholic religion is a prime example. They changed tenants as quickly as they were rewarded to do so in the middle ages and beyond. I don't mean to sound like religions don't do good as well. But they are flawed at their base level, because they are taught and decided upon by man. Spirituality is often a search within one's self..which is sounds like what the fellow in the back there is speaking of."

 

Myya Loire chuckles, "Yup... men... " is all she says.

 

Amara is quiet for some time as the others defend or debunk their views. "It's not always about money. In the end, you are just trying to get as many followers to see what you see. As a religion, a cult, a movement, or whatever, the base hope is that you get people to question themselves and reflect upon what they find."

 

Teyh Saunders leaned his head in his hand, sighing slightly. He wouldn't argue the point any further - that wasn't the point of why people were here today. He wasn't here to preach, but to observe

 

Darkness Odigaunt laughed at Myya and waved a hand, "It sounds like we're all coming from different views, but that's great. Civil debate's the best way to learn sometimes." She turned and wrote "morality", "But there's another concept that's related to these first two. What's your take on this one?"

 

Myya Loire couldn't help but quip, "Morality, it's what's for dinner."

 

Amara let out a sigh at the word written down. “This is what likely made me branch away from Christianity. I’m a scientist after all and I know first hand that those morals and the rules of morality can sometimes stand in the way of progressing things and bettering lives. At the same time, there are things I believe science is not meant to touch, even if theoretically it can. Morality in my opinion is how religion manage to keep their followers in line.”

 

David Valentino shrugs, "I think everyone has an iner voice, but I also think morality is taught from birth, and differently, depending upon your location, economic level and social boundaries."

 

David Valentino: *inner

 

Darkness Odigaunt raised an eye at Amara, "Uh... oh...kay." She nodded at David, "That's a good way of looking at it too."

 

Myya Loire flicks another bit of paper at David... "Rules are made to be broken... morals are made to bend and recover from..."

 

David Valentino expounds, "Morality two hundred years ago is far different than it is now for most of us. Twelve year old brides were not out of the norm. Now you would be a social and legal pariah…"

 

Darkness Odigaunt checked the time, "Why do you say that?" she asked Myya.

 

Myya Loire adds, "Well, Lot tried to sell his daughters so he could have a good nights sleep... and he was considered righteous by God... when Sarah turned back to witness the destruction of Gamora she got turned to salt... what's that about?"

 

Amara nods. "Back then, people didn't live that long either, David. Marrying young was normal. That view changed as humans started to live longer lives. You didn't need a young wife anymore but a virgin was still standard."

 

Darkness Odigaunt brushed the chalk off her butt, "Well, the Bible wasn't faxed down by God. She's," she headnodded at Amara, "Is right. A lot has changed since then. We don't know that God approved of Lot offering his virgin daughters to be raped was right, we know that Lot wanting to protect strangers in his home was."

 

David Valentino disagrees, "it was when a girl had her period and could breed. it was natural. But morals have changed over time to encompass the mental readiness of a bride as well. Morals change. We once looked upon black folks as animals, because it was taught to us to believe, morally, that we were superior. But times change as does or morality."

 

David Valentino smiles at Darkness, "The Old Testament is savage and brutal compared to the new…yet Christianity encompasses both."

 

Myya Loire quips..."Well, that's all biological... had to spread the seed... to make sure the kid was yours not someone elses you wanted a virgin and shit... " Myya backs up David a bit... and then adds..."um, from what little I've read of the new testament... the whole concept of questioning God or his minions is really really frowned upon... which is brutal in its own way."

 

Darkness Odigaunt shook her head, "You're thinking of the Old Testament. We can get into that next week though when we start on Christianity."

 

Myya Loire sneezed three times in a row, head tossed back, exhausted like she'd just had an orgasm... "Oh... anyone gots a tissue?"

 

Amara nods. "Yes, now we look at hybrids as animals, lower beings, or equals depending on our beliefs. I don't think the old Testament was brutal, Sister. Perhaps more honest..." She pulled a few sheets from her hip bag and offered them to the woman. "Bless you."

 

David Valentino hopes he doesn't have snot as well as spitwads on the back of his long coat.

 

David Valentino looks up at the good sister, "We do we search so desperately for answers? Why do we feel the need for religion? Won't all questions be answered when we die?"

 

Myya Loire dabs her nose with the tissue and wonders just how much longer the class was going to be as she had to leave soon.

 

Darkness Odigaunt erased a b it of the board, "Who's to say it's more honest?" She shrugged and walked back to her desk, "It's human nature. We wonder, we want answers now."

 

David Valentino nods, "And we fear. It's intriguing. And I apologize if I come across overly sarcastic. I envy true believers at times."

 

Amara leans forward. "Maybe it's because we are impatient, David. The dead stay silent about it ,and what happens after we pass away is something most of us want to know before we get there too."

 

Myya Loire tilts her head, "I envy idiots, life is so much simpler when you're ignorant..."

 

Darkness Odigaunt sat down, "Classtime is over. We can continue this disussion downstairs if you'd like, or next week."

 

Myya Loire: "Is there homework?"

 

David Valentino smiles to Amara, "I guess I'm more concerned about how I feel about myself here on earth than what waits beyind. I'll take the answers when i can see them and feel them, or go into sweet oblivion."

 

David Valentino nods to Darkness, "Thank you for giving us your time. I'll be more quiet next time..promise!"

 

David Valentino he stands and looks back at Myya and gives her a "bad girl" frown.

 

Amara starts to stand. "I don't believe we ever introduced ourselves to each other. i know David loosely, but that's it."

 

Darkness Odigaunt shook her head, "Bring a friend? I just want you to think about your religion, if you have one, your spirituality, and your morality. No problem, David, talking was always my favorite part of religion class in school

 

Darkness Odigaunt: ."

 

David Valentino snickers, "She said loosely"

 

Myya Loire waves, "Name's Myya, I run the bookshop up in Apoc... and I'm taking a couple of online college classes. I was hoping I could get you to sign a form or two so I can get credit for the class."

 

David Valentino nods to the good suister, "I'll try and round some folks up. Perhaps I can put a schedule up on at the bar. Lord knows most folks that come drinking could use some education."

 

Amara rolled her eyes. "Not in that fashion, you pervert. One of your lost children was an acquaintance of mine. Regardless, I’m Dr. Amara Dubois, CEO for the Ashagi Labs branch. Nice to meet you, Myya. I enjoyed this session and I will be sure to try and bring my wife along to the next class.”

 

Darkness Odigaunt nodded, "I can, if it'll do you any good, Myya." She nodded to David, "Adult's classes fridays at this time, kid's Wednesdays."

 

David Valentino nods, "I'll send Sally and Tunny your way then for the Wednesday classes."

 

Myya Loire pulls out the form and hands it over to the good sister, smiling sheepishly as she's getting college credit for not much... still, she would be getting her degree, first in her family, in a couple of years. "Thanks sister."

 

Darkness Odigaunt signs the form, "I'll keep them safe for a little while for you."

 

Amara weaves through the desks to call the elevator. "Until next Friday, Sister. Have a nice evening."

 

David Valentino moves toward the door, "The apple really is just an apple Sister. " He smiles at her letting the double meaning come in, then looks to Amara, "I loved your viewpoints. An intelligent and beautiful woman is enough to make me believe there truly is good. Well…almost."

 

Darkness Odigaunt pokes the apple again, "Cookies and milk for ya in the fridge downstairs. Thanks for coming."

 

8D8 is one of those figures kids got when there was nothing else available on the pegs. It's certainly difficult to imagine a kid clamouring for a figure of a droid depicted torturing another in the Star Wars equivalent of Abu Ghraib.

 

The droids in Star Wars had it tough. "We seem to be made to suffer. It's our lot in life," one of them observed. They may have been manufactured goods but they displayed courage and concern for each other, and felt fear, anger and even despair. Yet they were exploited like chattel, had restraining bolts placed on them, had their memories wiped and if they got uppity about any of this, they had a date with 8D8.

 

Still, it's nice to imagine a future in which droids are at humanity's beck and call to take on tedious, repetitive and dangerous tasks, and improve our overall quality of life.

 

The other scenario, in which humanity takes a backseat to technology, is less appealing. It's the scenario that sees corporations that prioritise profits and stock prices over human dignity reducing employees to the level of droids. People would be monitored for efficiency, constantly surveilled to ensure compliance and fired by algorithm for suboptimal performance. There's no reason to believe they would be happy with their lot.

 

Tech companies in pursuit of ever greater profits might collaborate with authoritarians using social cohesion as a pretext for shutting down protest and dissent. A repressive regime primarily concerned with maintaining the passivity of its populace might well have great need of 8D8's services.

www.messersmith.name/wordpress/2011/06/16/a-sentimental-j...

I think that somewhere between Buffalo, New York and Phoenix, Arizona I must have hit the bottom. The thing about the bottom is that only in retrospect can one tell if one has been there or not. It might not be recognized upon arrival. Asking one's self, "Is this the bottom?" is of no use. One never knows if it might be possible to slip lower still.

 

Indeed, I did not understand that I had hit the bottom and was on the way back up until I looked through the motley collage of images stored on my camera. I had forgotten about this one. If you have a few minutes, I'll tell you the story.

 

When I left Canada, I had no rational excuses for complaining. I had worked some things out. My immediate future was assured, insofar as one's future can ever be guaranteed. I had settled family obligations as well as a life-long black sheep absentee can ever do. I had visited, conversed with, made the right noises, put on the appropriate clothes and been effusively grateful for all of the kindnesses which seemed to spring from some bottomless well of good will. In short, I was ready for What Comes Next.

 

The problem was that I could not find reason for expectations. Hope is sometimes a cruel mistress. One becomes timid of the lashes meted out by life. To hope is to expose the stripped back once again to the vagaries of the universe. Where there is hope there is also the risk of pain and disappointment. It is feels safer to be seduced by feigned indifference and passivity, to allow oneself to be dragged along with the flow of happenstance. It is easier to sit there in a nameless airport lounge eating plastic food from a plastic bag and say that I don't really care any more. If I just keep telling myself that, it will be true. To sit and wait, not knowing for what.

 

At some convenience store on the way to the airport, Hans and I stopped for a last chance for cheap sustenance. Frugality prevents me from purchasing anything non-essential at an airport. In line with my mood I decided to discover how inexpensively I could fill my growling belly with sufficient bulk to tide me over until the next watering hole. As I perused the offerings my eye was caught by a familiar label from my impoverished youth:

 

Yes, for $1.86 I could tank up on calories and pump enough sugar into my blood to keep me from getting dizzy. My plan was to eat it in the departure lounge. What I failed to consider was the Spanish Inquisition of our day, the universally dreaded TSA.

 

Nobody interfered with my right to consume degrading food in a public place until I came to the station where one's most intimate body parts are displayed as if they were party favors on a giant x-ray screen. I dutifully removed my shoes, my $8.00 suit coat, my black fedora and unpacked my innocent Toshiba computer from its hidey-hole and placed them all in the plastic trays for their trip through the place of exposure. My ravioli caught the attention of the protectors of our security.

 

You know the drill. The TSA man stepped in front of me and asked, rather too sternly, I think, "Is this your back pack?" I freely admitted so. He proceeded to tell me that my can of Chef Boyardee Ravioli was contraband and could not be allowed to accompany me to the departure lounge. I told him that I was planning to eat it before I boarded the plane, where it might be considered genuinely dangerous to something other than my digestive system. As he walked away with the potential weapon I dedcided to live very dangerously and spoke the hazardous words, "It's sad when you're forced to take away an old man's breakfast." He seemed to stumble a little. When he returned a minute or so later, he said, "You can keep it."

 

At that point one of those crazy metaphors entered my head unannounced. I pictured a harmless forest animal cowering against a tree as a hunter pointed a gun at its head. When the trigger is pulled all that is heard is "CLICK". Picture a cartoon of it. That's what I saw in my head. Maybe that was the bottom. I don't know. I said, "That's very kind of you. Thank you."

 

And then there was Sedona. Have you seen the beautiful performance of Peter Sellers playing out his best roll in the movie, Being There?  This kind of surreal unexpected turn is what I'm talking about. Things start getting replaced by other things willy-nilly. Fear gives way to confidence, puzzlement to certainty. Laughter pushes sadness aside and depression is savaged by a soaring spirit. Doom and gloom begone! In the movie simple-mindedness was suddenly seen as profound. But Chance could not be transformed until he was released from the prison of pity in which he lived. His transformation was one of appearances and interpretation. Mine is real.

 

I heard about this old trunk and Grace's hope for its future when we first pulled into her garage where it has lived for some years in the quiet company of garden tools and old school records:

 

 

Grace's plan for the old trunk was to give it a purpose in life. She pictured it in a place where it could shine and be useful as an humble table for cool drinks in the toasty Arizona afternoons. I saw its beauty and its message under layers of rust and dust. As Grace insisted, paint was not the answer. It would only hide the story of the trunk. I began to formulate a title for my first Sedona art. It would be called Just Returned from a Sentimental Journey.  At this point is is only half finished. My plan is to find two pairs of boots, one pair of men's boots and one pair for a lady. I will fill them full of concrete and place bolts in the tops. I will then bolt the boots underneath the trunk, the woman's boots facing to the right on the right end of the trunk and the man's boots following on the left side walking in the same direction. This will make an amusing table for the patio. Sedona is a place where artistic inclinations can be allowed to run rampant. Nothing is too outrageous.

 

All around me is beauty. An otherwise mundane trip to the grocery store is made magical by God's Own Art:

 

Even ant hills pretend to be something they are not:

 

Lowly desert grasses speak of hidden resources of strength in the hard red soil that gives them life:

 

And I have not yet scratched the surface of the wealth of hard-living flora which speckle the deceptively barren landscape:

 

 

I have but a while to appreciate the austere beauty of this desert nearly a mile high in the thin atmosphere. No wonder I feel breathless most of the time.

 

Three years ago I was here visiting Grace with Eunie. I remember the holiday very well. We were consolidating our lives and planning for a sweet future of growing old together. We saw the Grand Canyon. I got my final tattoo, one I had been planning for a year. Many things have changed in my life since then. The loss of Eunie devastated me. I am still surprised that I survived it. It was a very close call. Along the worrisome way my new tattoo faded, the victim of my impatience to get it done quickly. I lost much ink when my arm swelled from the trauma of a too-quick job. I had in mind to return to the same shop to get it repaired:

 

 

The delightfully decorated young lady is a skin artist at Avatar Tat2 in Cottonwood, Arizona. Mery Bear is very skilled and has a deft touch. I would recommend her to anyone wishing to improve on God's handiwork. Mery did an excellent job of renewing the colours on my arm. It is now bright and cheery.

 

I am, in total, being renewed. In the process I am happy to find that the best of the past is coming along with me. Eunie is as fresh in my mind as if I had had breakfast with her this morning.

 

Is this real or am I going to wake up? Time will tell.

"Traffic in Women Collage" digital montage 1998

 

from my freshman year final paper that accompanies it:

 

montage brings out the recurring themes of the feminist poetry and prose that we read near the end of the quarter. At the very top is a quote from Andrea Dworkin which states that “sexism is the foundation on which all tyranny is built. Every social from of hierarchy and abuse is modeled on male-over-female domination.” I found this quotation particularly relevant to the piece because an outcry against sexism is what these texts are built upon. Rubin’s essay addressed the idea of penis envy in a fresh and memorable way. On page 195, she says,

 

The girl never gets the phallus. It passes through her, and in its passage is transformed into a child. When she “recognizes her castration,” she acceded to the place of a woman in a phallic exchange network. She can “get” the phallusin intercourse, or as a childbut only as a gift from a man. She never gets to give it away.

 

With this in mind, I decided that it was a very important part of the essay, one definitely worth of visual interpretation. But how? As I read over the essay for the second time, I realized that the phallus as she describes it is a “symbolic token,” (Rubin, 194) “the set of meanings conferred upon the penis.” (190) I learned from studying the ideas of Freud and others of the psychoanalytic school that phallic symbols are ubiquitous in our society, whether in the form of skyscrapers, telephone poles, or even cigars. The image I finally selected for this is that of a golden baton being passed on from one male relay racer to another, the baton being the phallus. And superimposed upon them is the outstretched hand of an infant, reaching for the phallus yet not obtaining it. This symbolizes the Freudian Oedipal struggle of infancy. Beneath this I placed a picture of a female superhero who, although objectified in her skimpy costume, has obtained the phallus in the form of a sword.

 

Objectification is a recurring theme in the feminist poetry and prose, particularly in “The Venus Hottentot” and also in “The True Bride,” where the speaker describes his “ideal pornography”an army of hobbling invalid women “hunting for husbands.” (601) Objectification, the portrayal of women as sex objects, strips women of their humanity. Sadly, I found far too many visual examples of this. In the objectification portion of my collage, I use images that come from four different media: music, the internet, fashion, and the movie industry. Also included in this section is a poem that I wrote about being perceived as an object.

 

Marriage is almost always portrayed in these texts in a negative light, so I selected the image of bride and groom dolls bound together with twine. Also included, though not as greatly emphasized, are sex roe expectations and stereotypes. The stiff, unsmiling girl who seems displeased with her look-alike doll is an image of passivity while the pugnacious little boy in boxing gloves is an image of aggression.

 

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