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A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
View of Eastnor Castle from the other side of the lake.
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
Tall trees in the grounds of Eastnor Castle.
Including Sequoias (Giant Redwood) Grove. If you wanted to, you could go on a tree hunters trek! At the Eastnor Arboretum.
Trees in this view slightly hide the view of Eastnor Castle.
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
Around the grounds at Eastnor Castle.
Reed Bed
View of Eastnor Castle from this side. Eastnor Lake is between the castle and the reed bed from here.
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
From the path amongst the trees - the lake walk.
Was trying to focus on the turrets not the trees! (2nd attempt - deleted the first attempt).
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
Behind the castle tea room. Small car park. Disabled access to tea room.
The castle is to the left of here.
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
The entertainer on stilts with a bike was to the left in the courtyard area.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
The various views of the castle as seen from Eastnor Lake.
If you want to, you can share your castle photos to www.facebook.com/EastnorCastle (or share it to the castle with their Twitter or Instagram accounts or use the #EastnorCastle hashtag).
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
The castle have set up a frame here for visitors to take their photos!
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
Portcullis Lodge and Retaining Walls to Forecourt
There is public toilets inside of this building!
Grade II listed building
Portcullis Lodge and Retaining Walls to Forecourt of Eastnor Castle
Listing Text
EASTNOR CP EASTNOR
SO 73 NW
4/30 Portcullis Lodge and
Retaining Walls to
Forecourt of Eastnor
Castle
-
GV II
Lodge and retaining walls to forecourt. 1815-16 by Robert Smirke. Lodge
of coursed squared rubble and freestone dressings; roof concealed behind
embattled parapet. Single storey on battered basement. Central pointed
archway. 2 stage round corner towers, on battered plinths. On the
entrance front tower, narrow slit windows face inwards and round-head
windows in deep freestone embrasures face outwards. Chamfered string
course and panel of arms in the centre. 2 plank doors in pointed free-
stone surrounds on inner side of archway. Flanking the lodge are tall
retaining walls which return towards the castle and enclose the forecourt:
coursed rubble with freestone coping and embattled parapet; approximately
6 - 8 m high on the outside and buttressed at north corner.
Listing NGR: SO7345336939
This text is from the original listing, and may not necessarily reflect the current setting of the building.
The castle is behind the lodge.
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
The various views of the castle as seen from Eastnor Lake.
If you want to, you can share your castle photos to www.facebook.com/EastnorCastle (or share it to the castle with their Twitter or Instagram accounts or use the #EastnorCastle hashtag).
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
The various views of the castle as seen from Eastnor Lake.
If you want to, you can share your castle photos to www.facebook.com/EastnorCastle (or share it to the castle with their Twitter or Instagram accounts or use the #EastnorCastle hashtag).
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
The castle have set up a frame here for visitors to take their photos!
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
The various views of the castle as seen from Eastnor Lake.
If you want to, you can share your castle photos to www.facebook.com/EastnorCastle (or share it to the castle with their Twitter or Instagram accounts or use the #EastnorCastle hashtag).
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
flag
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
From the Upper Terrace.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
The various views of the castle as seen from Eastnor Lake.
If you want to, you can share your castle photos to www.facebook.com/EastnorCastle (or share it to the castle with their Twitter or Instagram accounts or use the #EastnorCastle hashtag).
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
This view of the courtyard was from inside the castle towards the Portcullis Lodge.
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
Grade II listed building
Portcullis Lodge and Retaining Walls to Forecourt of Eastnor Castle
Listing Text
EASTNOR CP EASTNOR
SO 73 NW
4/30 Portcullis Lodge and
Retaining Walls to
Forecourt of Eastnor
Castle
-
GV II
Lodge and retaining walls to forecourt. 1815-16 by Robert Smirke. Lodge
of coursed squared rubble and freestone dressings; roof concealed behind
embattled parapet. Single storey on battered basement. Central pointed
archway. 2 stage round corner towers, on battered plinths. On the
entrance front tower, narrow slit windows face inwards and round-head
windows in deep freestone embrasures face outwards. Chamfered string
course and panel of arms in the centre. 2 plank doors in pointed free-
stone surrounds on inner side of archway. Flanking the lodge are tall
retaining walls which return towards the castle and enclose the forecourt:
coursed rubble with freestone coping and embattled parapet; approximately
6 - 8 m high on the outside and buttressed at north corner.
Listing NGR: SO7345336939
This text is from the original listing, and may not necessarily reflect the current setting of the building.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
The various views of the castle as seen from Eastnor Lake.
If you want to, you can share your castle photos to www.facebook.com/EastnorCastle (or share it to the castle with their Twitter or Instagram accounts or use the #EastnorCastle hashtag).
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
The various views of the castle as seen from Eastnor Lake.
If you want to, you can share your castle photos to www.facebook.com/EastnorCastle (or share it to the castle with their Twitter or Instagram accounts or use the #EastnorCastle hashtag).
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
The various views of the castle as seen from Eastnor Lake.
If you want to, you can share your castle photos to www.facebook.com/EastnorCastle (or share it to the castle with their Twitter or Instagram accounts or use the #EastnorCastle hashtag).
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
The various views of the castle as seen from Eastnor Lake.
If you want to, you can share your castle photos to www.facebook.com/EastnorCastle (or share it to the castle with their Twitter or Instagram accounts or use the #EastnorCastle hashtag).
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
The castle have set up a frame here for visitors to take their photos!
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
The various views of the castle as seen from Eastnor Lake.
If you want to, you can share your castle photos to www.facebook.com/EastnorCastle (or share it to the castle with their Twitter or Instagram accounts or use the #EastnorCastle hashtag).
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
The various views of the castle as seen from Eastnor Lake.
If you want to, you can share your castle photos to www.facebook.com/EastnorCastle (or share it to the castle with their Twitter or Instagram accounts or use the #EastnorCastle hashtag).
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
The Volunteer Coordinator and Tammy Warde of Kokomo the volunteer coordinator assistant are working to keep the project full of volunteers. They are also working on other community projects. 20 homes for the elderly are being worked on by having there lawns mowed and help around the home. There largest outside project is with the Domestic Violence Shelter on 405 E. walnut street, kokomo. They are putting on a new roof which is being donated in the sum of $10,000; new carpet for many rooms and new paint for most of the rooms. They are building three homes through the habitat for humanity to deserving families. Lastly they are helping out a young women who’s mother died two years ago and was put in charge of taking care of her double amputee grandmother. She just moved out of her grandmothers house and she is getting new furniture and a new coat of paint in her apartment.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
From the Upper Terrace.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
Around the grounds at Eastnor Castle.
Reed Bed
View towards the castle.
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
From the path amongst the trees - the lake walk.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
From the Upper Terrace.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
The various views of the castle as seen from Eastnor Lake.
If you want to, you can share your castle photos to www.facebook.com/EastnorCastle (or share it to the castle with their Twitter or Instagram accounts or use the #EastnorCastle hashtag).
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
The castle have set up a frame here for visitors to take their photos!
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
turrets to the right
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
turrets to the left
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
Eastnor Lake seen in the grounds of Eastnor Castle. At certain points around it, saw various fishermen, hoping to make a catch. The lake is also used by ducks and geese.
The walk around the lake takes around 30 to 40 minutes.
Eastnor Castle seen to the right.
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
Hudson Hessel-Heard and his father, Andy Heard, had a great view of the crowds along the street from the Outside Projects truck.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
From the Upper Terrace.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
From the Upper Terrace.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
From the Upper Terrace.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
From the Upper Terrace.
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
A look around the castle building.
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.
From the car park after we first arrived at the castle
A Good Friday 2017 visit to Eastnor Castle in Herefordshire.
Eastnor Lake seen in the grounds of Eastnor Castle. At certain points around it, saw various fishermen, hoping to make a catch. The lake is also used by ducks and geese.
The walk around the lake takes around 30 to 40 minutes.
Panoramic including a view of Eastnor Castle.
Grade I listed building
Listing Text
SO 73 NW
4/31
EASTNOR CP,
EASTNOR,
Eastnor Castle
18.11.52
GV
I
Country house. 1811-1820 by Robert Smirke for 2nd Baron Somers; internal alterations, mostly decorative by Augustus Welby Northmore Pugin, 1849/50 and G. E. Fox 1860s; Sir G. G. Scott also proposed alterations but these were not fully undertaken. Ashlar; lead and slate roof concealed behind embattled parapet; the roof trusses and floor beams are cast iron, an early example of the use of iron in domestic buildings; octagonal ashlar stacks disguised as turrets. A Picturesque, yet still symmetrical castle in a serious neo-Norman and early English style: rectangular with E-plan entrance front and flanking towers joined by short diagonal links. 2 storeys and cellars in a battered plinth; to the north- and south-east the castle is raised on a mound and has tall retaining walls. Entrance front is dominated by a boldly massed centre which raises through 3 stages and is stepped up towards the middle of the building; round corner turrets and arched parapets to the outside; projecting porte-cochere under an embattled parapet and with 3 tall round archways of 3 orders of columns which have cushion capitals. To hither side of the centre are 3:1 bays, the outer ones being advanced and terminated by tall, 3 stage corner towers which are clover leaf on plan and have corbelled parapets and single-light, round-headed, windows set in deep embrasures. The central 3 bay sections have 3-light Early English style windows on the ground floor set back in recesses and divided by flat buttresses, roll-moulded cill band below and corbelled blocking course above, behind which the upper floor is recessed with large pane sash windows in neo-Norman style surrounds which have columns and cushion capitals. The outer single bays have 3-light Gothic style windows but set in neo-Norman surrounds; plain tripartite windows on first floor. Large central double doors and simple round-headed doors at base of outer towers, that to the left leads to an outer parapet walkway at the foot of the side elevation. The north-east (side) elevation rests on a tall, battered retaining wall, and is of 3 bays, the centre being a full height canted bay of 3 windows; the fenestration is a variation of the Entrance Front. Garden elevation of 4:3:4 windows and tall corner towers as Entrance elevation. The central 3 windows are set in a 3 stage tower which is canted to the out- side. 2-light Geometric style windows on ground floor; neo-Norman style surrounds and columns to the centre; 3-light plain, round-headed windows on the first floor, but Geometric style outer windows. To the south-west of the Castle is the attached kitchen wing of 2 storeys forming a T-plan with a court on the south side; four 2-light casement windows under hood-moulds; tall, 2-stage square towers terminate the 2 arms of the wing.
INTERIOR: little of the original Smirke interiors survive. Front Staircase
Hall, redecorated by G E Fox 1860s. Entrance Hall: Smirke, probably re-
modelled by Scott, and redecorated by G E Fox in the 1860s; the carving
is by William and James Forsythe of Worcester; the dimensions are 60 feet
long by 55 feet high; Romanesque style "triforium" gallery and 2-light
"clerestorey" windows with Venetian style tracery; panelled ceiling and
braced trusses; panelled doors in neo-Norman style surrounds; decorative
stencilling in canvas by Fox. Octagon room has a coffered ceiling. Gothic
Drawing Room: the plasterwork is by F Bernasconi and Son but the painted
decoration was designed by Pugin and executed by the Crace firm in 1849-50;
fan vaulted ceiling: large, wrought, 2 tier chandelier by Pugin, 1850
but made by Hardman of Birmingham; highly elaborate fireplace with ogee
head and family heraldry, a painted family tree is above; linenfold
panelling, chairs, table and sideboard all by Pugin. Library: by G E Fox
late 1860s, in an Italian Renaissance style; find inlaid woodwork, Istrian
stone chimneypiece apparently with a representation of Garibaldi; coffered
ceiling with paintings of the Virtues and the Vices. Little Library: also
by Fox, incorporating woodwork from the Accademia degli Intronati at Siena,
1646) Malvern Hills granite fireplace and Gibbons carving from Reigate Priory
flanking the overmantel mirror. Dining Room: by Smirke but altered, painted
and panelled ceiling; panelled dado and built-in Gothic style sideboards;
furniture also by Smirke. Staircase Hall: plain staircase by Smirke, arcaded
balustrade of cast iron and wood. State Bedroom: some of the earliest work
of the Royal School of Needlework, early C20 for Lady Henry Somerset. Many
drawings and work books survive in the muniment room of the house. The
accounts for the 1811-12 period amount to £85,923 13s 11½d.
(N Pevsner, The Buildings of England: Herefordshire, 1963. Country Life, 7.3.68;
14.3.68 and 21.3.68).
Listing NGR: SO7350036876
This text is from the original listing, and may not necessarily reflect the current setting of the building.