View allAll Photos Tagged Ongoing
As part of the ongoing event and exhibit for raising awareness about the serious illness ME/CFS (myalgic encephalomyelitis), PEACE store launched the "forget ME not" tattoo which comes in 3 intensities for your preference, and will work flawlessly on any head that supports EvoX. 💙
Available as an exclusive gift for the Forget ME Not - Second Life events during May. Hope you will enjoy it 💙
Get it here in-world: Forget ME Not events place and exhibit 💙
To know more about the event and how you can raise awareness and support the cause to research and find cure for ME/CFS, link here: Facebook: forgetMEnotSL 💙Flickr group: forget ME not SL
Ssssttt! Siesta ongoing...
The Eurasian lynx (Lynx lynx) is a medium-sized wild cat widely distributed from Northern, Central and Eastern Europe to Central Asia and Siberia, the Tibetan Plateau and the Himalayas. It inhabits temperate and boreal forests up to an elevation of 5,500 m (18,000 ft). Despite its wide distribution, it is threatened by habitat loss and fragmentation, poaching and depletion of prey. (Wikipedia) Han-sur-Lesse, Belgium.
Continuation of an ongoing series of photographs of flowers grown in our backyard and in the gardens of our neighborhood here in Toronto Canada.
Original photography using a Canon EOS 60D body with a Sigma 17-70mm f2.8 DC Macro OS lens.
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An ongoing series of Black and White photos exploring the shapes and patterns of urban architecture in Toronto Canada.
Entrance to No 277 St. George St.
Original photography using a Canon EOS 60D body with a Sigma 17-70mm f2.8 DC Macro OS lens and Silver EFEX Pro as a Lightroom plugin for the Black and White conversion.
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Continuation of an ongoing series of photographs of flowers grown in our backyard and in the gardens of our neighborhood here in Toronto Canada.
Original photography using a Canon EOS 60D body with a Sigma 17-70mm f2.8 DC Macro OS lens.
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Sponsored:
Floating Artifact: Sanguine Core by Quills & Curiosities. You can still grab it at this round of Chronicles and Legends, and afterwards at Quills & Curiosities Mainstore.
Horns: Ahriman Draped Horns by Vae Victis, available at this round of We Love Roleplay and afterwards at theVae Victis Mainstore.
Neck Tattoo: Jewelled Tattoo by Lilithé, available at the ongoing round of Skin Fair 2023 - Sim A and afterwards at the Lilithé Mainstore. Features multiple neck tattoo versions in 4 opacities!
Arm Tattoo: Jewelled Tattoo by Lilithé, available at the ongoing round of Skin Fair 2023 - Sim A and afterwards at the Lilithé Mainstore. Features multiple arms and legs versions in 4 opacities!
Other deets:
Claw Rings: Pendulum - XIV Armor Rings
Draped Cloth: Ersch - Cupid
Crown: Random Matter - Shunobu Crown
Shards: Random Matter - Shunobu Mantle
As usual, if you're curious about the raw shot, you can find it on my blog. Check it out!
Ongoing construction at the new St Regis Resort on Longboat Key, FL - former home of the Colony Beach and Tennis Resort.
An ongoing series of photos exploring the shapes and patterns of urban architecture in Toronto Canada.
North wall of No 227 Front St E.
Original photography from 2021 using a Canon EOS RP body with a Sigma 24-105mm F4 DG OS HSM Art lens. Reprocessed using Lightroom.
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With the ongoing Utah drought, many areas of the Great Salt Lake that would typically be submerged are dry. from this spot; it's over 1 mile (1.6km) to water.
The Great Salt Lake - GPS is not the exact spot of the shot.
No comments today – just enjoy :-)
Continuation of an ongoing series of photographs of flowers grown in our backyard and in the gardens of our neighborhood here in Toronto Canada.
Original photography using a Canon EOS 60D body with a Sigma 17-70mm f2.8 DC Macro OS lens.
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An ongoing series of black and white photographs of flowers grown in our backyard and in the gardens of our neighborhood here in Toronto Canada.
Original photography using a Canon EOS 60D body with a Canon EF 24-105mm f/4L IS USM lens and Silver EFEX Pro as a Lightroom plugin for the Black and White conversion.
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I have an ongoing fascination with this rose...each day right from the bud, it's color changes ,,,from deep orange through many shades, until it becomes an insipid pink, This is my favorite stage in it's metamorphic journey.
Ongoing War Games among the Stars
A spiky attack on Planet Mars
Not even Space is safe
Reason enough to be afraid
No War is of any Worth
We must protect our Planet Earth !
(Caren)
😄 Happy Macro Monday 😄
Partial macro of a vegetable slicing aid of which the row of the spikes measures 2 ½“ x 2 ½“
taken November 22, 2020 - and uploaded for the group
Macro Mondays #Spiky
ƒ/2.8
4.5 mm
1/4 Sec
ISO 6400
[Dedicated to CRA (ILYWAMHASAM)]
[Text and image copyright Caren (©all rights reserved)]
please respect my ©copyright : Do not use any image or text without my previous written authorization, NOT even in social networks. If you want to use a photograph, please contact me!
Bitte mein ©Copyright beachten! Meine Fotos und Texte sind ©copyright geschützt (alle Rechte vorbehalten) und dürfen ohne meine vorherige und schriftliche Zustimmung NICHT von Dritten verwendet werden, auch nicht in sozialen Netzwerken. Falls Interesse an einem Foto besteht, bitte ich um Kontaktaufnahme!]
From an ongoing series of Black and White photos exploring the architecture of various schools in and around the Toronto Canada area.
The basketball net on the playground of Ecole Elementaire Catholique at 343 Jones Ave.
Original photography from 2013 using a Canon EOS 60D body with a Sigma 17-70mm f2.8 DC Macro OS lens. Reprocessed using Silver EFEX Pro as a Lightroom plugin for the Black and White conversion.
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A studio moment.
A visit to the artist's den, in the midst of creation, with the brush still wet, and the canvas half full. An unfinished work in progress, ongoing, against the interruption. Too soon to share.
Continuation of an ongoing series of photographs of flowers grown in our backyard and in the gardens of our neighborhood here in Toronto Canada.
Original photography using a Canon EOS 60D body with a Sigma 17-70mm f2.8 DC Macro OS lens.
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RKO_6041.
Ongoing challenges when trying to capture the action!
Copyright: Robert Kok. All rights reserved!
Please do not use my photos on websites, blogs or in any other media without my explicit permission.
Thanks for visiting, commenting and faving my photos. Its very much appreciated!
A picturesque classic scene of the Nile River unchanged for millennia, focusing on the interplay of natural light, strong composition, and cultural elements.
A traditional Egyptian sailboat 'felucca' is visible in the foreground providing a focal point and a sense of scale and movement, with many others docked along the riverbank. The backdrop features a large, arid hill known as Qubbet el-Hawa 'Dome of the Wind', which contains the tombs of ancient Egyptian nobles
The river represent a strong leading line, drawing the eye from the foreground toward the moored boats and the distant hill. The horizon is placed roughly along the upper third, adhering loosely to the rule of thirds and giving prominence to both the expansive sky and the water.
The contrast between the natural elements (river, desert mountain, trees) and the human elements (boats, ancient ruins) illustrates the historical and ongoing relationship between civilization and the Nile environment. The ruins atop the hill provide a sense of history and depth.
The image tells a story of the serene, timeless beauty of the Nile landscape, highlighting the traditional way of life through the presence of the felucca and other docked boats. The overall mood is peaceful and picturesque, capturing the iconic contrast between the fertile river valley and the vast, arid desert that defines the region.
The scene is highly characteristic of the Aswan region, which is famous for its serene Nile Valley scenery and significant archaeological sites. The contrast between the verdant riverbanks, the placid water, the traditional boats, and the barren desert cliffs offers a timeless Egyptian vista.
Moving this image to the top of my photostream as Russia is ramping up its unprovoked, unjust and ultimately senseless war in Ukraine. We are standing for freedom together!
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In March 2016, I published this image under the title "For Brussels, with Sorrow". Since then, so many people have died in similar attacks all over the world... I would like to make it a tribute to all of them, victims of brutal and senseless terrorism.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
“Religion is a by-product of fear. For much of human history it may have been a necessary evil, but why was it more evil than necessary? Isn't killing people in the name of god a pretty good definition of insanity?”
-- Arthur C. Clarke
. . . . . (from the day the photo was published here) . . . . . . . .
Yesterday, in my ongoing review and cleaning of my old photos in Lightroom, I arrived to photos taken in Brussels. This morning, I heard the terrible news; another terrible news of the same kind: a score of innocent people killed and maimed by a bunch of insane lunatics. I love Brussels, and my heart goes out to the victims’ relatives and friends. I just can’t remain silent. From my small collection, I have chosen this photo of a sculptural composition with the name and author unknown to me. Today, I interpret it as a memorial to the victims who could still live, love, laugh, and work to make their city even more beautiful…
An ongoing series of candid photos exploring the day to day life of the people in and around the Toronto Canada area.
On St Clair Ave W near Deer Park Cres.
Original photography using a Canon EOS 60D body with a Sigma 17-70mm f2.8 DC Macro OS lens and Silver EFEX Pro as a Lightroom plugin for the Black and White conversion.
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8x4
Ongoing Project
This Month I am featuring "Work in Progress", "Work Completed" but still not Premiered, or new ideas that are in their infancy.
There will be 8 groups of 4 pics.
Each day a new pic from a new group will be shown and then it will be repeated throughout the month.
Hope that makes sense!
Continuation of an ongoing series of photographs of flowers grown in our backyard and in the gardens of our neighborhood here in Toronto Canada.
Original photography using a Canon EOS 60D body with a Sigma 17-70mm f2.8 DC Macro OS lens.
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Veröffentlicht mit freundlicher Genehmigung des Eden Projects.
Das Eden Project entstand nach einer Idee des englischen Archäologen und Gartenliebhabers Tim Smit in einer stillgelegten Kaolingrube nahe St Austell. Von der Idee im Jahr 1995 bis zur Eröffnung der Anlage am 17. März 2001 dauerte es sechs Jahre. Charakterisiert wird der Garten durch die zwei riesigen Gewächshäuser, die aus jeweils vier miteinander verschnittenen geodätischen Kuppeln in der Bauweise von Richard Buckminster Fuller bestehen. Hier werden verschiedene Vegetationszonen simuliert. Die Gewächshäuser des Eden Projects sind derzeit die größten der Welt.
Die Entwürfe für die geodätischen Kuppeln stammen vom britischen Architekturbüro Nicholas Grimshaw, die Tragwerksplanung von Anthony Hunt, ihre Ausführung erfolgte durch die Würzburger Firma Mero. Gedeckt sind die mehrfach miteinander verschnittenen Kuppeln mit doppelwandigen Kissen aus ETFE, einem besonders leichten, transparenten Kunststoff. Die Folienkissen wurden in eine Konstruktion aus standardisierten, sechs- und fünfeckigen Stahlrohrrahmenelementen (Raumfachwerk) eingepasst. Die Raumfachwerkkonstruktionen überdecken stützenfrei eine Fläche von insgesamt 23.000 m² (Oberfläche etwa 30.000 m²) und haben eine Höhe von bis zu 50 m bei einem Durchmesser von bis zu 125 m.
Quelle: Wikipedia.de
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The project was conceived by Tim Smit and designed by architect Nicholas Grimshaw and engineering firm Anthony Hunt and Associates (now part of Sinclair Knight Merz). Davis Langdon carried out the project management, Sir Robert McAlpine and Alfred McAlpine[4] did the construction, MERO designed and built the biomes, and Arup was the services engineer, economic consultant, environmental engineer and transportation engineer. Land use consultants led the masterplan and landscape design. The project took 2½ years to construct and opened to the public on 17 March 2001.
The Tropical Biome, covers 1.56 ha (3.9 acres) and measures 55 m (180 ft) high, 100 m (328 ft) wide, and 200 m (656 ft) long. It is used for tropical plants, such as fruiting banana plants, coffee, rubber and giant bamboo, and is kept at a tropical temperature and moisture level.
The Tropical Biome
The Mediterranean Biome covers 0.654 ha (1.6 acres) and measures 35 m (115 ft) high, 65 m (213 ft) wide, and 135 m (443 ft) long. It houses familiar warm temperate and arid plants such as olives and grape vines and various sculptures.
The Outdoor Gardens represent the temperate regions of the world with plants such as tea, lavender, hops, hemp and sunflowers, as well as local plant species.
The covered biomes are constructed from a tubular steel (hex-tri-hex) with mostly hexagonal external cladding panels made from the thermoplastic ETFE. Glass was avoided due to its weight and potential dangers. The cladding panels themselves are created from several layers of thin UV-transparent ETFE film, which are sealed around their perimeter and inflated to create a large cushion. The resulting cushion acts as a thermal blanket to the structure. The ETFE material is resistant to most stains, which simply wash off in the rain. If required, cleaning can be performed by abseilers. Although the ETFE is susceptible to punctures, these can be easily fixed with ETFE tape. The structure is completely self-supporting, with no internal supports, and takes the form of a geodesic structure. The panels vary in size up to 9 m (29.5 ft) across, with the largest at the top of the structure.
The ETFE technology was supplied and installed by the firm Vector Foiltec, which is also responsible for ongoing maintenance of the cladding. The steel spaceframe and cladding package (with Vector Foiltec as ETFE subcontractor) was designed, supplied and installed by MERO (UK) PLC, who also jointly developed the overall scheme geometry with the architect, Nicholas Grimshaw & Partners.
The entire build project was managed by McAlpine Joint Venture.
source: www.//en.wikipedia.org/
Veröffentlicht mit freundlicher Genehmigung des Eden Projects.
In this ongoing sabbatical from railway photography I've been continuing to trawl through the archives to sweat the assets I already have, and here is a shot that hasn't been aired before.
It features DB Cargo 'Shed' 66025 working hard lifting the 11.55am Tunstead - Dowlow Briggs (6H22) through the village of Harpur Hill just south of Buxton, on the kind of weather day that's not so untypical for June in the High Peak.
The train is carrying coarsely-graded limestone quarried at Tunstead for further crushing at Dowlow, from where it will be transported out, either by train or truck, to various destinations around the UK, often for construction work.
The attraction of this shot was the bungalow in the foreground, complete with the roaming geese! In the background can be seen the old embankment used by the Cromford & High Peak Railway on the final leg of its journey to the Peak Forest Canal at Whaley Bridge. The line, which closed in the late 1960s, joined the Buxton to Ashbourne line (upon which this train is travelling) about a half-mile to the left, although there's very little evidence of the old junction now. Back to the frame and a gentleman can be seeing walking his border collie up Hillhead Lane and passing where a bridge would have carried the C&HPR line over the road - this has long gone and presumably removed to allow the frequent trucks that pass this way unencumbered access.
Sadly the view today won't be quite so bucolic - Harpur Hill is now seeing significant residential development to help ease the national housing shortage, and the area between the train and the C&HPR embankment (along with several other greenfield sites locally) is pretty well a building site. The once sleepy village of Harpur Hill is, I suspect, gone for good.
1.06pm, 5th June 2014
Continuation of an ongoing series of black and white photographs of flowers grown in our backyard and in the gardens of our neighborhood here in Toronto Canada.
Digitally enhanced 'Flow' version using Photoshop layers and various filtering techniques.
Original photography using a Canon EOS 60D body with a Sigma 17-70mm f2.8 DC Macro OS lens and Silver EFEX Pro as a Lightroom plugin for the Black and White conversion.
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Continuation of an ongoing series of photographs of random cyclists on the streets of Toronto Canada and surrounding area.
Westbound on Richmond St W near Spadina Ave.
Original photography using a Canon EOS 60D body with a Canon EF 24-105mm f/4L IS USM lens. Digitally enhanced 'Blur' version processed using Photoshop layers and various filtering techniques.
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On our 2nd full day out on the savanna we found the Fast 5 boys again, relaxed and doing some mutual grooming. Apparently they still hadn't made a kill.
Masai Mara
Continuation of an ongoing series of black and white photographs of flowers grown in our backyard and in the gardens of our neighborhood here in Toronto Canada.
Original photography using a Canon EOS 60D body with a Sigma 17-70mm f2.8 DC Macro OS lens and Silver EFEX Pro as a Lightroom plugin for the Black and White conversion.
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Everything went according to plan and the old Consolidated Grain and Barge elevator is now a pile of concrete and twisted metal. Clean up at this huge site is ongoing.
Valdecarros - Work in progress
Valdecarros is part of a series of ongoing housing developments in the southeast end of Madrid that will add 100,000 new homes to the city. Valdecarros alone will have 50,000 homes and about 150,000 residents by the time all phases are completed in 2039.
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Some months ago I started documenting the construction of Valdecarros; besides its social and environmental dimension I want to reflect on an image-saturated society and where certain types of photography stand.
It is not easy finding a street of any major city/town that is not in Google Street View, with notable exceptions like most of Africa and central Asia.
In 2019 Google announced there were 10,000,000 miles captured in Street View; that was achieved in just 12 years, from 2007 to 2019. There are now also available boat trips in Greenland, forest trails in New Zealand or underwater scenery in Australia.
So, I’ll try to beat that mf Google car and shoot the brand new finished streets before it does. Although one could argue that the last layer of completion of a street is to be part of Street View, in which case the car will win no matter what.
One way or another, when the car arrives the project ends.