Obsidian Dawn
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Crystal I'm tossing around
Magnetic Crystal Tower Toss
Ritual Event/Masquerade Productions Socials
FLICKR said no no for links, sorry <3
gιgι
💕Headpiece - Eden Set by LaGyo @Kustom9
💕Earrings - Eden Set by LaGyo @Kustom9
💛Bra - Evelin Set by Seniha @Kinky
💘Jacket - Vogue by AtaMe @Fetish Fair
💘Pants - Vogue by AtaMe @Fetish Fair
❤Clutch - Clutch Bag by Moncada Paris @Mainstore (new location)
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✿ WASABI HAIR
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✿ E.MARIE
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Welcome! Come on in. Sit down. Ignore that pile of bones in the corner. So lovely to have you for dinner ...
This may be the most savage of my various forms. Photo taken at Pandemonium.
"[...]
light, headless light
golden-throated light
sings in the thicket green
[...]"
Octavio Paz
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image blender + stackables
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Música:
"Sacred Channel" by Tabla Beat Science, in 'Live in San Francisco at Stern Grove' (2002)
open.spotify.com/track/2V8YmBXbJtWU5V2TC6DQpi?si=d35c229c...
One of the surest axioms of science is that energy can never die, ever. Energy is known with scientific certainty to be deathless; it can neither be created nor destroyed. It merely changes form. Because absolutely everything has an energy-identity, nothing is exempt from this immortality.
"Friends—just a heads-up that my focus right now is on activism for Gaza and a Free Palestine. What’s happening is real, it’s ongoing, and silence isn’t neutral. I’ll still share photography when I can, but right now the priority is speaking out, sharing truth, and standing with people who are being erased in real time. If that makes anyone uncomfortable, so be it.
• Hair - Wasabi - Mira Kpop Hair - Absolute Pack @ Anthem
• Top - Rebel Gal - Obsidian Lace Top - FATPACK.
• Skirt - Rebel Gal - Obsidian Ring Skirt - FATPACK.
• Drink - ChicChica - Black Cherry Cocktail @ Collabor88
"The path to success is built one brick at a time; even the smallest step forward is progress." - Victoria Quinn, Black Obsidian
enLight PRU EVOX skin @ Uber
maps.secondlife.com/secondlife/Uber/195/177/22
[TNK] ATOMIKKU JACKET & BODYSUIT
[TANAKA x TREVOR] - STAR SABER
TREVOR - LINKTREE: linktr.ee/trevorios
TANAKA - LINKTREE: linktr.ee/TANAKASL
Bathed in the glow of the evening sun, the chemical tanker Obsidian lies moored at Terminal Remota in Progreso, Mexico.
This image of mine was selected for the Leica Gallery today.
This weeks colour image Anthurium aka the Flamingo Flower.
Flower shoot 01-09-25 with the Q3 43
Q1002624 19-9 crop
Obsidian is volcanic glass, lava that cooled quickly. Little drops of lava can form pebbles like these. Native Americans used larger pieces of the material to make sharp-edged tools, like arrowheads and knives. An obsidian knife is sharper than a steel one. (For more detail on obsidian, check out the article on it in Wikipedia.) Obsidian can be found in many places in New Mexico, like Kasha Katuwe Tent Rocks, between Albuquerque and Santa Fe.
Alzare lo sguardo cambiando prospettiva.
(senza post-produzione)
A bigger, badder version of my last build. Had to offset the scope so you could actually aim it.
"Overkill? I'm sure I have no idea what you're talking about".
I last photographed 30 St Mary Axe -- designed by Norman Foster and Arup Group, and better known as the Gherkin -- a little over two years ago. At the time it would never have occurred to me that the scene might be suitable for a monochrome finish, although I was immediately drawn to the contrasting curved and diagonal lines, the mixture of squares, circles and triangles, and the odd composition that initially made it difficult to gauge how the three elements in the frame fit together. After recently revisiting and reshooting the vantage point -- beneath a lamp along Bury Street, and looking up towards the Gherkin alongside its reflection against the office windows of 6 Bevis Marks -- I knew exactly how I wanted the final image to look.
The end result is a mixture of two-, three-, four-, six- and seven-minute exposures, each of which eventually contributed different elements. The first and shortest exposure was the darkest, and this was used to darken the filament inside the street lamp. As I extended the shutter speed and widened the aperture, the sun began to go down behind the Gherkin, which created a subtle gradation in the sky and a soft light between the buildings, as well as a lovely mixture of tones along the edges of the buildings. To incorporate and emphasise these details, I used the Pen Tool in Photoshop to isolate the Gherkin, the adjacent building's office windows and panels, and the pole supporting the street lamp. Once this was done, I blended in the exposures using a combination of blend modes (predominantly Soft Light, Screen and Multiply), and gradually adjusted the light across the scene using linear, radial and reflective gradient masks. After this, I converted the image to black and white, leaving just the faint warm glow of the lamp, and adjusting the luminance of the blue tones across the image to darken the sky and to brighten the glass in the buildings.
When editing the image in Nik Silver Efex Pro, I needed to make selective adjustments to each component within the image: the contrast, structure and highlights inside the Gherkin were increased, for example, and the reflection of the Gherkin inside the neighbouring office windows needed to be isolated and edited with identical adjustments, but the frame around the square windows and the panels along the edge of 6 Bevis Marks' offices needed different amounts of Soft Contrast and midtone exposure, so these needed to be edited separately. Finally, in Colour Efex Pro, I applied Pro Contrast to the overall image, as well as a sparing amount of the Glamour Glow filter, which helped to soften the light along the edge of the Gherkin and to play up the futuristic and slightly ethereal atmosphere I was aiming for.
I've always been an enormous admirer of fine-art photographers such as Julia Anna Gospodarou and Joel Tjintjelaar, and although I'd never consider my work to be fine art, there seemed to be similarities between how I approached the planning, shooting and editing of this image and the thought process and workflow for fine-art images. Besides the emphasis on geometric patterns and dramatic light at the post-processing stage, the fundamental goal I set myself with most of my projects seems to be shared by fine-art photographers, which is to focus on the drama, the emotion and the elegance behind the architecture they capture, and to try to make the scene their own.
You can also connect with me on Instagram, Facebook, 500px and Google+.
I know it's said over and over again, and it's cliche as hell, but the Salton Sea produces the most spectacular sunsets and sunrises I've ever seen. This is straight out of the camera.
The following Obsidian Fatpack contains Obsidian horns, in 4 different colors, as well as the Obsidian tattoo in black and white.
This is a new release that you can find at this rounds
Want more?
Visit us here
I scouted out this potential milky way panorama the morning before this shoot and really wanted Manly Peak under the arching Milky Way. After climbing up a few of the badlands I found this nice balanced composition and made the quick hike out to this spot during the blur hour.
This is a blue hour panorama for the ground and a separate exposure panorama for the sky.
Death Valley National Park, California
March 2021
Pico del Teide, Tenerife, Islas Canarias
Wenn man Zeit auf Teneriffa verbringt, ist der 3715 m hohe Pico del Teide quasi allgegenwärtig. Das beeindruckende Vulkangebäude hat viele Gesichter, und hat meine fotografische Aufmerksamkeit immer wieder auf sich gezogen.
Obsidian ist ein vulkanisches Gesteinsglas, das durch die schnelle Abkühlung von Lava mit hohem Kieselsäuregehalt, aber geringem Gehalt an Wasser entsteht.
When you spend time on Tenerife, the 3715 m high Pico del Teide is virtually omnipresent. The impressive volcanic edifice has many faces, and has always attracted my photographic attention.
Obsidian is a volcanic rock glass formed by the rapid cooling of lava with a high silica content but low water content.