View allAll Photos Tagged Objects
Interpreting a found object (shoe) through the focus of surface texture and structure.
Independent study.
Size: 42x60cm
Media: Oil Pastel, Ink, Emulsion, Charcoal
Thursday Aug. 20, 2009
Along South Congress St, antiques, oddities, ciurious goods, cafes, and just plain hip located in Austin at the heart of SoCo shopping district.
Uncommon Objects
1512 South Congress
Austin, Texas 78704
Olympus C5060. Photoshop CS3 and collage.
All Rights Reserved ©2009 JB Studio / Jeff Burger / Lone Star Stock - Austin, Texas
Originally I took these photos to use in digital art! That was some time ago. You may use them in yours if you wish.
While my wife was making a hospital visit, I took a few minutes at the community park.
There she was, on the stage of the amphitheater. It must've been a brutal concert! There was Barbie, torn asunder on the stage. Apologies for the grusome sight!
M 78 nebula
Intense star forming region, emission nebulae, reflection Nebulae , Herbig haro objects… dark nebula.
3 hour data set total exposure.
0.5 m newtonian telescope Chile, telescope live.
ASA 500N, a 50-cm F3.8 corrected Newtonian telescope.
FLI 16803 CCD.
Pro data set 1/21 and advanced request 10/21.
LRGB
Viewing the forms of objects as they change over time.
the animated version can be seen here www.vimeo.com/434401
Oil on canvas
20" x 20"
June 2015
None of This Was Real is a series of oil paintings that portrays fictional scenes of objects randomly generated by a computer program. These objects are a product of code written by the artist and rendered using a global illumination ray tracing engine. They are effectively subjects for still life. But there was never any life – any reality – in the subjects. Everything was virtual and simulated.
The software for creating the reference images was written in Processing (processing.org), with the additional help of toxiclibs (toxiclibs.org) for geometry creation and Sunflow (sunflow.sourceforge.net) for the global illumination rendering engine.
To me this image looks as if it has had a filter added to it as the lighting makes it look a little bit pink/purple, but it's completely natural and just the positioning of the sun as I took the photo (made obvious by the sun flares in the image).
Ok thats the story! I went to my surrounding area, because the weather was good to take some pictures. I found this nice place all over Graz which provided a great view with these nice sunbeams spotting down.
So I was searching for an object to put it in front, because I learned "you always need to have an object". :)
Now, there wasn't anything interesting even close.. so I abused my car. Actually it wasn't well prepared, no cleaning since months and even still this ugly box on the roof from my latest holidays.
Anyway I am quite pleased with the result, It gives the impression of being in holidays, even because the ugly box is on top. ;)
Third and fourth objects in a new series of work where I attempt to elevate and honor the ordinary with cloth and stitch.
Found stick and river rock, cloth, batting, thread.
This is part of my experiment to get close-up images of brighter deep sky objects using a lunar and planetary camera.
On this occasion there is no luminance data, only narrowband - Hydrogen Alpha, Oxygen III and Sulphur II data combined in various ways using either H Alpha or OIII to act as the luminance channel. All images are a stack of 20-second exposures in 16bit mode.
At the top is a combination of the data sets on the left and right below. In the middle I've used a Hubble style combination which can't be added to the top image without neutralising the effects. The image on the left uses OIII as the extra luminance data and on the right H Alpha as the luminance channel. H Alpha never picks up the central stars in M57, only OIII or a true luminance or straightforward LRGB set can pick up enough data to show the stars inside the Ring nebula.
I will return to this with the intention of capturing more sustained data on each narrowband another night.
Peter
Ha = 51x20 seconds
OIII = 50*x20 seconds
SII = 23*x20 seconds
*OIII and SII in particular were meant to have more frames but incoming cloud cover brought my experiment to a halt.
Equipment:
ZWO ASI174MM mono CMOS camera (uncooled), LX200 300mm f/10 SCT OTA, EQ8 mount, 60mm f/13.5 guide scope+ ZWO ASI120MM mono guiding camera