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This is my original object. I picked this at random and used it as the basis for this project. The object is a picture hanger. The paper on the back peals off and the hanger sticks to the wall. After I received this object I did a series of exercises. My fellow classmates wrote down the physical/formal and metaphysical/conceptual characteristics of this object. For formal characteristics they describe this as woven, industrials, metal, soft, smooth, denim, adhesive, bonded fabric, miniature, flexible, tactile, and texture. For conceptual they wrote uneasy, threatened, confusion, useless, department store, branding, dangerous, playful, suitcase label, temporary, name tag, wall calendar, and useful. When this exercise was finished and everyone had several words in each category we chose 12 words to use in our morphological charts.
Highlights of Japanese Art Gallery, Tokyo National Museum, Japan. Complete indexed photo collection at WorldHistoryPics.com.
I decided to do a project photography shoot using earrings in the shape of the Caffeine Chemical Compound. I used coffee beans, coffee grind and a mug to display the product in an out of its packaging. The lights I used were 2 umbrella lights from the right side and the front left, and a spot light from the front left side. I am very happy how this shoot turned out.
I made these last night instead of studying for my final today. they are just the size of a contact sheet (just slightly bigger than 6x6cm) I want to make more of these precious little green man photos developed in coffee.
Note object on the right posteromedian head tubercle of the left individual. Looks like an ocellus, but is in the wrong place for one. Debris, damage, or maybe a mite?
File Name: AMC_M1508_A98F3_1927_Fair_CoEd_pg2
Citation: From the Alice Marshall Women's History Collection, Sheet Music, AKM 91/1.12. Archives and Special Collections at the Penn State Harrisburg Library, Pennsylvania State University Libraries.
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Original held by Archives and Special Collections, Penn State Harrisburg
Institution: The Pennsylvania State University
Location: Middletown, PA
Contact us: 717.948.6070
Object @Lab30 festival
Object
Interactive kinetic sound sculpture
Stefano D'Alessio | Martina Menegon
2013
Object is an interactive, kinetic, sound sculpture.
It is a digital/analog hybrid system, able to react to the environment and to changes that take place within it. The sculpture present itself as a aluminum plate, it is implemented thanks to an intelligent mechanical system, capable to capture and create sound through aluminium's vibrations.
The plate generate tension, an action at distance, between itself and any kind of body getting close to it, the metal tends to get distant from anything approaching, bending itself. This bending influences the relations between the various components of the system, generating dynamic and unpredictable sound that increase his volume proportionally to plate's bending, reacting to the proximity of other bodies.
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After taking this picture I thought it was cool with all the colors I never seen my dogs toy that way
Il suo vero nome fu Isidore Ducasse. Nato a Montevideo nel 1846 da genitori francesi. Nel 1860 raggiunse la Francia dove continuò gli studi liceali, prima a Tarbes e poi a Pau. Dal 1867 fu a Paris. Nel 1868 pubblicò anonimo il primo dei Canti di Maldoror, poema in prosa diviso in sei canti, che l'anno successivo (1869) completò con gli altri cinque in una nuova edizione a sue spese e firmate con lo pseudonimo.
Il suo pseudonimo deriva da un romanzo di Sue: l'autore si nascondeva dietro un personaggio inattendibile per definizione. Il titolo stesso della sua opera maggiore è un rebus: Maldoror = mal d'aurore (male d'aurora). Le poesie si presentano come la prefazione di un'opera che sarebbe stata formata, come scrive, dalle più belle pagine di Hugo, Musset, Byron, Baudelaire, «corrette nel senso della speranza»: un'opera che non è mai stata ritrovata