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This tree is in a neighbor's yard in Santa Rosa, Sonoma County, California. Taken with my iPhone 14 Pro Max set to macro.
Withered and dried rose flower. I found them after the winter on the terrace and could once again shine their former beauty.
Focus stack with 75 frames.
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Smile on Saturday
Muchas gracias a todos por sus visitas, comentarios y favoritas.. Saludos amigos...!!!
DB 232 485, ligne Kempten - Lindau, 14 Août 2008.
C'est avec un important retard suite à une panne de la locomotive, et sous une éclaircie miracle ce jour-là, que se présente cet "Arlberg Umleiter" devant les objectifs des nombreux photographes ayant fait le déplacement. Il est mené par la 232 485.
I've finally moved to Japan and have ended my nearly three month "cameraless photography" experiment, and am reunited with the cameras I had left in Japan this summer. I'm not sure yet how that experiment will affect what I produce going forward. Significantly, near the very end of my hiatus I experienced a medical event that has affected my vision. The doctors said it's a common, age-related condition (posterior vitreous detachment) but it was nonetheless scary, and underscored for me how precious a thing it is to be able to see at all, let alone to be able to take and make pictures. Because of that, and the long break, I seem to be noticing beauty in very ordinary things. On that note, I return to Flickr with a series of objects from my home, cluttered as most Japanese homes are with generations of memorobilia with no apparent organization. It used to irritate me, but now I'm seeing something in it....
I do hope your Christmas is wonderful.... lots of time with family and friends, and maybe just a little too much egg nog....
(If you don't celebrate Christmas, I'd still recommend the nog)
thanks to Gavin Hoey for the snow!
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without my explicit permission.
© All rights reserved
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Hice un difusor casero para flash. Prueba fotográfica con el difusor.
I made a DIY flash diffusor. Photo test with the diffusor.
The Gernheim glassworks
is a location of the LWL industrial museum in Petershagen-Ovenstädt in North Rhine-Westphalia. The museum is located in the historic buildings of the former glassworks, which produced glass as an early industrial factory from 1812 to 1877. With three glass melting furnaces, it was temporarily one of the most important factories in north-west Germany. After the derelict facilities were taken over by the Westphalia-Lippe Regional Council in 1983 and restored, they were opened as a museum on November 7, 1998.
“Facts produce structures, objects are lyrical realities.”
― Lepota L. Cosmo
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Thanks to all for 19,000.000+ views, visits and kind comments..!!
Please don't use this image on websites, blogs or other media without my explicit permission.
© ALL RIGHTS RESERVED
I had heard about a technique quite a while ago and I have been meaning to try it one day, it consists of taking an object, photographing it multiple times all around it and then blending the layers in varying opacity in photoshop.
This is my first attempt - 12 photos taken around this nice little pot of lavender, blended in PS. I've then added some textures to finish the look. The left-hand image is my base image or starting point as a comparison.
The technique can be used on outdoor objects as well like trees, statues, fountains, buildings etc, etc...
© Dominic Scott 2023
Keter-class SCPs are anomalies that are exceedingly difficult to contain consistently or reliably, with containment procedures often being extensive and complex. The Foundation often can't contain these SCPs well due to not having a solid understanding of the anomaly, or lacking the technology to properly contain or counter it. A Keter SCP does not mean the SCP is dangerous, just that it is simply very difficult or costly to contain.. ◊
I think almost everyone knows this: so much adored, yet so unattainable; you can't fly? ...maybe jump?! Have fun!
My second pass at this object. Captured a few more hours of data to add to the first set. I used very short exposures with the rgb camera to avoid the bright star nearby (Gamma Cassiopeiae) from over saturating the surrounding area.
"Cassiopeia's Ghost Nebula is a reflection and emission nebula located in the constellation Cassiopeia. It is often referred to as "Cassiopeia’s Ghost" due to its wispy, ghostly appearance. Here is an overview of its key characteristics:
Location and Distance: Cassiopeia’s Ghost Nebula lies approximately 550 light-years away from Earth. It is located near the bright star Gamma Cassiopeiae, a variable star that plays a critical role in illuminating the nebula.
Appearance and Structure: The nebula appears as a faint, ghostly cloud, with delicate, wispy features that resemble spectral forms. It has a combination of emission and reflection characteristics:
Emission Features: The red hue of the nebula comes from the ionization of hydrogen gas caused by the ultraviolet radiation from Gamma Cassiopeiae.
Reflection Features: The blue tones in the nebula are the result of starlight from Gamma Cassiopeiae being reflected off the surrounding dust particles.
Illuminating Star: Gamma Cassiopeiae, a massive and highly energetic Be-type star, is the primary source of radiation that influences the nebula. The intense radiation from this star causes the hydrogen gas in the nebula to glow and the dust to scatter the light.
Visibility and Observing: Cassiopeia’s Ghost Nebula is relatively faint and best observed through long-exposure astrophotography. It can be challenging to see with small telescopes but becomes more apparent with the use of filters and under dark sky conditions.
Scientific Interest: The nebula is of significant interest to astronomers studying the effects of stellar radiation on interstellar matter. It serves as an example of how nearby massive stars can shape and alter the appearance of nebulae."
Askar ACL200: 200mm f/4, ASI533MM : Ha 36x5m , Sii 34x5m
Askar ACL200: 200mm f/4, ASI533MC : rgb 821@15s
Nikon 70-200mm 200mm f/2.8, ASI533MM : Oiii 56@5m
Guided on ZWO AM5
Captured with N.I.N.A. processed with PixInsight, Ps
This image is included in 9 galleries :- 1) "MIX_02" curated by Willie Sturges, 2) "natura, solo natura!" by fabiofoni, 3) "賞心悅目的博覽館" by ggx2ggx2@kimo.com, 4) "Yellowstone National Park" by Black Diamond Images, 5) "Neue Galerie 2020 0202" by BAKAWI, 6) "Landschaft" by Michael Gschwind, 7) "Landscapes" by Süskind Dostoevsky Poe, 8) "(((O)))" by Waldgeist and 9) "placeres visuales-volumen 2" by byktor -f.d.
It is a hot spring located in the Upper Geyser Basin. Its average temperature is around 69.8 °C (157.6 °F) and is 23 feet (7 m) deep. The pool was named by Mrs E. N. McGowan, wife of Assistant Park Superintendent, Charles McGowan in 1883. She called it "Convolutus", the Latin name for the morning glory flower, which the spring resembles.
The distinct colour of the pool is due to bacteria which inhabit the water. On a few rare occasions the Morning Glory Pool has erupted as a geyser, usually following an earthquake or other nearby seismic activity. Several entryways have been clogged due to objects being thrown in by tourists, reducing the hot water supply, and in turn altering the overall appearance of the pool.
(not explored)
Painting creates silence. You could examine the objects themselves, the actors in a Dutch still life—this knobbed beaker, this pewter salver, this knife—and, lovely as all antique utilitarian objects are, they are not, would not be, poised on the edge these same things inhabit when they are represented.
These things exist—if indeed they are still around at all—in time. It is the act of painting them that makes them perennially poised, an emergent truth about to be articulated, a word waiting to be spoken. Single word that has been forming all these years in the light on the knife’s pearl handle, in the drops of moisture on nearly translucent grapes: At the end of time, will that word be said?”
[Mark Doty, from: Still Life with Oysters and Lemon: On Objects and Intimacy]
Oil on Stonehenge paper, 30 x 22 inches (76.2 x 55.9 cm)
Website: pamelaspeight.com/
Attachment Object One, Two and Three are a group of images based on rusted metal industrial relics found while digging in the garden, rather beautiful in their simplicity of form and function. They are the cast-offs of previous inhabitants, much like artifacts unearthed during an archaeological excavation. These particular objects were large, sharp nails or tools used to join one material to another. The title of this series is also a metaphor for our infatuation with things, our addiction to outcomes, and the detritus we may unwittingly leave behind.
Tistedal - Norway
In Explore April 19, 2020**
Objects outside one of the factory walls..
Haldens bomuldsspinderi & væveri
is considered as Norway's first factory.. established 1813
History
"Mads Wiels Bomuldsfabrique" was started in 1813 at Tistafossen in Tistedal. This is how the industrial revolution came to Norway. Textile machines for spinning and weaving in modern factory buildings, with hydropower as the energy source for industrial machines. The factory kept running for over 150 years, before the textile crisis also caught up with Halden Cotton in 1971.
꧁✿🌸╭⊱ ♥ ⊱╮🌸✿꧂
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