uncommon objects

still life made objects

One phone/365 days. Day 59 12/11/07

Phone's taking a break for a couple of days. Back soon.... :)

ID: 003597

This picture is (c) Copyright Frank Titze, all rights reserved.

It may NOT be reproduced, copied, edited, published, transmitted or uploaded in any way without my permission.

See more pictures on frank-titze.art.

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Exposure: Digital

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Processing: Digital

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Exposure: 05/2015

Processing: 05/2015

Published: 10/2015

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Flickr "taken" date set as actual publish date.

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Budapest, Hungary

Kachin State, Burma Myanmar

Amsterdam.

The student places real-world objects (in the red bin) into clear cups with a photograph of a similar object at the bottom. Depending on the level of the student, you may want to use an actual photo of the same object, or a graphical representation of the object (such as a Boardmaker image).

25/365

Object

For the "Objects for Layer" group.

Please feel free to use as you please.

It would be nice if you do use it to link back to me. Thanks :-)

Found Object Sculptures for an Upcoming Show In Hockessin on Feb. 25th

Not in the mood to set up the tripod so you get these two equally crappy mirror shots. ENJOY. Heh.

(I posted about the actual making over here.)

Robot sculpture assembled from found objects by Brian Marshall - Wilmington, DE. Items included in my sculptures vary from vintage household kitchen items to recycled industrial scrap. Some of my favorite items to use are old oil cans, aluminum measuring spoons, electrical meters, retro blenders, anodized cups, and pencil sharpeners.

Phnom Penh, Cambodia

my tongue piercing

Sighetu Marmatiei, Romania

MG - motorisierter Genuss

www.tomhoyle.com

Desaturated

Sahara by Wendy Bernard. I actually finished this a few weeks ago. I think this is my favorite pattern I've ever knitted. Its so well written and finishes beautifully. Yarn is the supercool Katia Diana.

Pattern here: www.stitchdiva.com/ProductInfo.aspx?productid=SDS-031

Installation view of Michael Dopp

Poverty Point dates to 3700-3100 BP.

srolfe.com/?p=846

I was wondering what these things are in the Beacons. They are think steel, and also a few sets of little wheels scattered around. They are about half a mile down the valley from Llyn Cwm LLwch - very odd.

Harpoon Brewery. It strikes me that this is a selective color image, only without all the messy Photoshopping.

Plugs in a socket

this is not...| MaxShuster.com | tumblr

www.arthousecoop.com

History of organ Redoute

General Information

History as a multipurpose facility Reduty Publicly construction begins in 1901, when the city of Bratislava as one of the cultural centers of Austria-Hungarian Empire Teresian bought the former granary, built on the banks of the Danube in 1773 on the orders of Maria Theresa. After the demolition of the city granary built in the years 1913-1919 multifunctional building in neo-baroque style with elements of Rococo and Art Nouveau. The name itself implies Redoute object of linguistic terms for interpretation in French ("Redoute"- Ball, prom or dance hall, etc.) Public multipurpose building. This was originally the seat of several associations, trade as well as cultural organizations and served on a large scale public capital Bratislava on musical events, dance parties and performances and to provide similar services.

The seat of the Slovak Philharmonic has become Redoute up to the beginning of the 50th years for the period of post-war Czechoslovak Republic. The focus of its activities, the provision of general and particular cultural services to the public concentrating varied Concerts. This house featured artists (male) and artists (female) from Slovakia but also many foreign guests from all over the world. At that time (in 1956) was to Slovak Philharmonic concert hall organ built and placed under the window in the facade of the building facing the street Medená. It is about a 85 štvormanuálový registering body Rieger-Kloss. Organ is electro pneumatic traktúry and one sliding game table. The factory was built by the authority located in Krnov in the current Czech Republic. Its current condition is marked by particular problems of quality materials available in the post-war market of Czechoslovak Republic in the mid 50s. Apart from the fact that the architecture (design) of this monumental musical instrument became not only a symbol of the object Reduty but also the Slovak Philharmonic.

After the Velvet Revolution, the object Reduty gradually transformed to fit the multifunctional cultural facility with a rich European musical tradition and at the same time it was decided the reconstruction and completion of the building

Current Status

History of organ Redoute

+ Organ in the Concert Hall of the Slovak Philharmonic was built in 1956 by Ing. Veverku. vyrobený, made ​​by organ Krnov, Czechoslovakia;

+ Characteristics of organ type - Rieger-Kloss Organ Opus 3210; technical design consists of the following parts - 4 manuals and pedal, 84 registers sounding, about 6,000 pipes, electrical traktúra, bowling tube, and moving game table;

+ Appearance organ (ie prospectus, ie its front part is called fancy face organ) adapt its constructor works of art of the concert hall SF)

+ A successful (visual) art solution fits into the interior of the concert hall and accepting some creative themes linked to the overall interior decoration,

+ Adaptation of the technical solutions addressing the visual, the sound of the organ was very inconvenient, many pipes are deaf - and has broken above a disproportionately large - length, which is due to the technical structures and organs due to inadequate acoustics solution;

2 Current status and review of existing organs

· Current state of the organ is difficult for artistic production incapacitated, is permanently faulty and can not be efficiently modified or rebuilt,

· Internal structure has only a minimal amount of material and the addition of a smaller pipework is not applicable construction elsewhere,

· The historically - art website does not constitute the organ of no value,

· Its hilarious appearance - art rendition of the facade of the organ (its face), may be the subject of consideration in the design of new creative solutions to future body;

3 Description of the disposition of the existing organ in the Concert Hall of the Slovak Philharmonic

Switch (Absteller):

1 switch drum

2 The switch 16 ' Man. + 32 ' Ped.

3 Reed switch registers of

I. manual:

4 Principal 16'

5 Burdon 16'

6 Principal 8'

7 Hollow Flute 8'

8 Viola da gamba 8'

9 Octave 4'

10th Recorder Flute 4'

11th Supe roktáva 2'

12th Transverse flute 2'

13th Whistle sparkling 4x 4'

14th Mixture 8 -10X 1 1/3 - 4'

15th Trumpet 16'

16th Trumpet 8'

17th I / II

18th III / II

19th IV / II

II. Manual:

20th Kvintadéna 8'

21, Cover 8'

22, Principal 4'

23 Roh night 4'

24th Glucanase 2 2/ 3'

25th Octave 2'

26th 2 flute flat'

27th Superkvinta 1 1/ 3'

28th Superoktáva 1'

29th Mixture 6 - 8x 1' - 4'

30th Crooked horn 8'

31 String shelf 4'

32 III / I

33 IV / I

34th I tremolo

Switch (absteller):

35th Hand switch registers

36th Switch connectors from the Register

37th Sub switch (couplings)

38th Super switch (couplings)

39th Mixtur switch

40th Pedal switch

III. manual:

41 Pommer indoor 16'

42 Principal 8'

43 Dome Flute 8'

44th Salicional 8'

45th Cover Musick 8'

46th Vox coelestis 1 - 2x 8 + 8'

47th Octave 4'

48th Flute pipe 4'

49th Violina 4'

50th Fifth covered 2 2/3'

51 Kvintadecima 2'

52 2 flute forest'

53 Seskvialtera - 2 2/3' + 1 3/ 5'

54th Mixture 7 - 9x 1 1/3 - 4'

55th Dulcimer - 3 8/9 ' - 1 1/ 3'

56th Field Trumpet 8'

57th Vox humana 8'

58th Klarina 4'

59th Harp 8'

60th IV / III

61st III tremolo

IV. manual:

62 Roh Kamzíková 8'

63 Roh night indoor 8'

64th Fluttering flute 1 - 2 8' + 8'

65th Principal 4'

66th Flute radius 4'

67th Fifth pipe 2 2/3'

68th Octave 2'

69 Tonus Fabri 2 + 1'

70th Terciová Flute 1 3/ 5'

71 Flute Kvintová 1 1/3'

72 Swiss fife 1'

73 Mixture Nono's 8/9' - 2 2/5'

74th AKUTOL 4x 1/2' - 4'

75th Cimbál terciový 3x 1 /4 - 2'

76th Rankettregál 16'

77th Dulcian 8'

78th Shawm 4'

79th Bells big G - works

Pedal

80th Plinth 32'

81st Double Bass 32' + 16'

82 Principálbas 16'

83 Apertabas 16'

84th Subbas 16'

85th Burdonbas 16'

86th Fifth Big 10 2/3'

87th Octavebas 8'

88th Hollow Flute 8'

89th Kvintadéna pipe 8'

90th Cover 8'

91st Naza covered 5 1/3'

92nd Chorálbas 4'

93rd Pointed Flute 4'

94th Cink 2 + 1'

95th Pipe effervescent 4x 5 1/ 3'

96th Mixture 7-9 x 2-4'

97th Kontrapozón 32'

98th Dulcian 16'

99th Požoň 16'

100th Trumpet 8'

101 Klarina 4'

102 I / P

103 II / P

104th III / P

105th IV / P

4 available combinations

Rollers

III. and IV. in impoundments

Electric traktúry

Man C - c5 (manuals)

Before C - g1 (pedal)

4 Inadequate design parameters of the existing functional organ from a technical point of view

· Occupy too much space - for the system design,

· Pipe section realized the sound of difficult material (zinc) and hardly tunable material (lack priezvučnosť prospectus is inappropriate resonance, etc.),

· Many pipes are broken, have only a decorative function,

· Poor artistic appearance of the body organ pipes - inappropriate striebrenkový coat;

· Middle balkónovitý projection bodies (positive) is inappropriate, interferes with musical productions, in the future it will be necessary to imbed into the sides of the level, but to lose plasticity breakdown; prospectus shift back by 1 m;

www.filharmonia.sk/index.php?page=organ-history