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06/13/2015: As the water moves onto the beach, it at times picks up sand in the oily slime, leaving a less than picturesque scene on the beach at Ocean Shores, WA.
I saw this on Jon Hick’s flickr account. Very impressive and makes me want to get a mac even more. Who needs a pc anyway? It uses parallels to switch between the OS and is only $39 which is pretty good value in my opinion.
From Parallels website,”Parallels Desktop for Mac is an easy to use virtual machine which allows users to run Windows and other OSes in virtual containers directly on Mac OS X desktop. Use Windows applications without losing the functionality of your Mac - no rebooting required.”
You Tube Vid - Fast OS swithing on a Macbook on you tube
ZSSK 460 034 + 460 033 arrive in Slanec as Os 8815 (Košice - Čierna nad Tisou), departure Slanec 16:40, on March 20, 2018.
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Leeh Alter
Seen in Athens/Greece. Pireos Str.
This picture is a detail of the following wall painting wall painting by Os Gemeos.
Os Passadiços do Paiva localizam-se na margem esquerda do Rio Paiva, no concelho de Arouca, distrito de Aveiro. São 8 km que proporcionam um passeio "intocado", rodeado de paisagens de beleza ímpar, num autêntico santuário natural, junto a descidas de águas bravas, cristais de quartzo e espécies em extinção na Europa. O percurso estende-se entre as praias fluviais do Areinho e de Espiunca, encontrando-se, entre as duas, a praia do Vau. Uma viagem pela biologia, geologia e arqueologia que ficará, com certeza, no coração, na alma e na mente de qualquer apaixonado pela natureza.
Partida: Areinho / Espiunca
Distância a Percorrer: 8700m (linear)
Duração Média: 2h e 30m
Nível de Dificuldade: Alto
Desníveis: Acentuados
Tipo de Percurso: Pequena Rota
Âmbito: Desportivo, Cultural, Ambiental e Paisagístico
Época aconselhada: Todo o Ano
Acesso: Gratuito (24h)
Passagem por Geossítios: Garganta do Paiva (G36); Cascata das Aguieiras (G35); Praia Fluvial do Vau (G30); Gola do Salto (G31); Falha de Espiunca (G32)
Gestão e Manutenção: Município de Arouca
Detail of the lace added to the front placket.
I used the same fabric for a Playtime last year and, although it frays a lot, it's lovely and wears/washes quite well.
sisforsewing.wordpress.com/2014/12/31/happy-new-year-and-...
Os seres mais poderosos ocultanse na nevoa, por que son tímidos e desexan paz.
Monte de Mougas, dende a caseta de vixianza contra incendios forestais, o meu traballo ese veran de 2009.
České Dráhy 754 021 in Ostrava hl.n. with Os 3144 (Ostrava hl.n. - Frenštat pod Radhoštěm), departure 18:51, on October 7, 2017.
In a gallery pulsing with color and cultural commentary, this artwork by Brazilian street art duo Os Gêmeos explodes with fantasy, geometry, and narrative mystery. Their signature yellow-faced character leans out over a surreal topography of rainbow-striped peaks — a world that seems at once invented and all too real. The figure gazes toward a small spotted dog perched atop a triangular summit, evoking an enigmatic moment of quiet connection amid chaos.
Os Gêmeos (Otávio and Gustavo Pandolfo) are known for infusing Brazilian street life, folklore, and personal memory into vividly imaginative compositions. This piece continues their tradition of layering personal iconography with universal archetypes. The color palette is wildly kaleidoscopic — candy-pink skies and rainbow mountains set against a meticulously patterned backdrop featuring stylized faces in earth-tone halos. That wallpaper is an homage to Lady Pink, the pioneering street artist whose portrait illustrations helped redefine the visual identity of women in graffiti culture.
There’s a tension in the scale: massive geometric cones stretch the length of the composition, dwarfing the small but emotionally resonant figures. The dog's presence, almost toy-like in scale but elevated in status, grounds the work in narrative intimacy. Are they friends? Strangers? Guardians of some hidden story? Os Gêmeos invite the viewer to fill in the blanks — a hallmark of their dreamlike storytelling.
The 3D-like illusion of the peaks adds architectural depth to what would otherwise be a flat image, further emphasizing the boundary-pushing ways in which street artists engage space. Here, illusionistic geometry serves both as theatrical stage and psychological terrain.
Installed as part of the Hirshhorn Museum’s “Revolutions: Art from the Hirshhorn Collection 1860–1960” anniversary exhibit — which extends into a dialogue with contemporary artists — this work provides an energetic rupture from the historical pieces on view. But rather than breaking the narrative, it extends it. Os Gêmeos’ contributions to modern visual language echo the expressive boldness of early abstractionists and Dadaists, while folding in decades of street-based activism and cultural reclamation.
From São Paulo to Washington D.C., the influence of hip-hop, graffiti, Indigenous cosmology, and Afro-Brazilian tradition converge here. It’s a joyful, chaotic moment that never loses touch with wonder. And at the Hirshhorn, framed by Lady Pink’s patterned mural in deep plum, rust, and teal, it becomes something more than a painting — it becomes a full-room encounter.
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Leeh Alter