New ORWO B&W films
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the postcard and paper are from hanni
lumen print on right ORWO BH 1
postcard on left
**this is the beginning of the deconstruction of the Mother's Day bouquet.
**NO MORE WAR!
Cromford Mills.
OrWO Universal Negative 54 - iso 100
Voigtländer 35 CL
Ilfotec LC29 1:19 ~ 10 minutes (on one leg)
Epson 4490
ORWO NP15 expired
Rodinal stand dev
camera scan
Fujifilm X-Pro 2
Micro-Nikkor-PC Auto 55mm F 3.5
Valoi 360
NegativeLabPro
ORWO NP15 (~1986)
stand developed
120Min Rodinal 1+100
camera scan
Fujifilm X-Pro 2
Micro-Nikkor-PC Auto 55mmF3.5
Valoi 360
NegativeLabPro
ORWO NP15 expired
Rodinal stand dev
camera scan
Fujifilm X-Pro 2
Micro-Nikkor-PC Auto 55mm F3.5
Valoi 360
NegativeLabPro
Canon FTb on ORWO NP15
exp. 08/1992
Überlagert (Arbeiten auf abgelaufenem ORWO Material)
im Industrie- und Filmmuseum Wolfen (früher Filmfabrik ORWO) noch bis zum 24.1.2016
Fotografen: Peter Schwindt, Birgit Streich, Roger Schmidt, Steffen Löser, Michael Dörr, Maike Venzel-Terbrüggen, Ewald und Christel Lücke.
From the archives - Portrait of my schoolmate gifted musician Ludvík Pros
Pentax ME Super, 24mm, Orwo NP 27
inverted lumen print made with ORWO BS1 paper. thank you hanni.
from the deconstructed birthday bouquet.
**Re: Ukraine, I'm conflicted. I've not been watching any tv, but I run into pictures online that I seem to have to look at. the very pregnant mama being hauled off from the shelled maternity hospital on a gurney. she and the baby both died.
am i being disrespectful not to want to see? or disrespectful wanting to watch? my brother was in Vietnam, the era where we ate our dinners and watched the war on tv. no more.
I just met a flickr guy who is in Kyiv taking pictures. I need to find him to see how he's doing.
I have a friend in Russia. I haven't heard from her since my last email. she was signing anti-war petitions. I need to hear from her.
I have donated a paltry amount to several charities on the ground in Ukraine. I'm looking at which animal rescue to donate to.
I guess I light the incense and burn the candles and pray that the war gods go away. and that the peace gods reign.
and that the Americans who attend their parties, eat out at their restaurants, shop, and bowl, and play cards, and watch sports on tv without any talk or acknowledgments that there is a war going on need to get a grip and realize that there are people dying.
**for the Ukrainians. you have my heart.
ORWO NP15 (~1986)
stand developed
120Min Rodinal 1+100
camera scan
Fujifilm X-Pro 2
Micro-Nikkor-PC Auto 55mmF3.5
Valoi 360
NegativeLabPro
MINOLTA ALPHA SVEET II (pano mask used)
Lens Voigtlander 3.5/100
Developer-PYRO 510, 7min
Cine ORWO NP55, Expired shot ,exposed 80asa
Cows are usually skittish and fearful of us. It’s no wonder, the hell we put them through. Taking their photo is something that almost never happens for me. The car already frightens them, and then when a human emerges from this metal cage, it’s basically the end times.
But along a Summer Road I’ve photographed before, I came across cows and heifers on both sides of the road. They were behind fences, and there were no young and frightened bulls to be seen.
The older cows were immediately uneasy, but the heifers, maybe a year old, were curious. Their eyes met mine, and they stood watching me. Another walked closer to get a better look.
I slowly went for my camera and began talking to them in a soft voice. I have no idea if this mattered, but it put me at ease. I walked from the road, over a small ditch, and into the grass where the barbed wire fence was strung, separating the cows from the road.
They stood, just looking, though I could see the clouds of hesitation and anxiety building behind their eyes. I lifted the camera and focused. This is usually as far as I’ll get with cows. At this point, they’re taking no chances and run away, often creating a mini-stampede.
This time, however, they just watched. They looked into the camera. There were three of them - two younger, one older. I was afraid that the loud click of the shutter and mirror slap of the Mamiya RB67 might scare them away, but even that hardly registered.
.
.
.
'Dare'
Camera: Mamiya RB67
Film: ORWO UN54
Process: FA-1027; 1+14; 8mins
Washington
May 2025
spotmatic+monolens
orwo tc27@100 in pmk pyro printed on ilford mg fb classic mat 13x18, overdexposed almost blacked out, bleached & redeveloped, then selenium toned
4.03.2023
Meopta Flexaret IIa (S/N:30130190a)
Meopta Mirar II 1:3.5 f=80mm (S/N: 20449300)
ORWO NP20 (25 ISO) - develop before 10.1986
Agfa Rodinal 1:100 for 35 min (20C)
ORWO NP 15 exp. 8/1992
Ich war gespannt, wie dieser Film (vom dem ich 10 Filme hatte) bei unterschiedlichen Lichtsituationen reagieren würde.
Das Bild oben ist bei starkem Gegenlicht entstanden.
Ein paar habe ich schon gezeigt ... der dichte Nebel war eine andere Extremsituation.
I was curious how this film (i had 10 films) would react to different situations.
The pic above has strong backlight.
I already posted some in this stream ... thick fog was an other extreme situation.
Leica Mini II, Orwo NC500
Film processed by Ag Photographic+Photolab
Negative scanned using Fujifilm X-T5 with Fujinon XF 60mm f/2.4 Macro.
Processed with Analogue Toolbox for Capture One and GIMP.
and a curved grass seedhead.
Lumen with ORWO BN 1 small 4 ½ x 3 ½ inch paper. thank you hanni.
**there is still a war going on in Ukraine. do what you can to help.
the same with the fires in Maui and the hurricanes on the US southeastern coast. Now we have the earthquake in Morocco. Mother Earth is not happy.
I know many of us are overburdened with trying to help....do your best.
NO MORE WARS.
NO MORE KILLING.
NO MORE SHOOTINGS.
and in the US Americans continue to kill Americans:
www.gunviolencearchive.org/reports/mass-
shooting
Ce château situé à Champhol près de Chartres a été bâti selon un plan typique de la fin du XVIe. début XVIIe s inspiré par Jacques Androuet du Cerceau. Le domaine associe un château résidentiel à une exploitation agricole. Il a appartenu au secrétaire des rois Henri III et Henri IV.
monumentum.fr/monument-historique/pa00096988/champhol-cha...
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Nikon FE
Pellicule Agfaphoto color 400 (aka Orwo Wolfen NC 500)
Développement en kit Cinestill CS41
cet appareil dormait depuis trop longtemps voilà qu'il a repris un rôle de "jouet" . On notera les packs d'orwo problablement dans les dernières du marché ... Même très périmées, jusqu'à présent je n'ai jamais eu de problème avec ces produits dont du plan film de 1986, voir galerie . La qualité perdure ....
Zeiss Ikon Super-Ikonta 533/16
Zeiss Tessar 2.8/80 @ f/5.6
ORWO NP27, expired 02/1991
400 ISO , exposed @ 100 ISO
Rodinal 1+50
11 min @ 20°C