View allAll Photos Tagged Neoimpressionism
Giovanni Segantini (Arco, 15 January 1858 - Schafberg mountain, 28 September 1899) - Savognino in winter (1890) - Oil on canvas 35 x 40 cm. - Exhibition Divisionism The revolution of light - Novara Castle
Il Divisionismo nasce a Milano, sulla stessa premessa del Neo-Impressionnisme francese, meglio noto come Pointillisme, senza tuttavia che si possa parlare di influenza diretta. Muove dall’idea che lo studio dei trattati d’ottica, che hanno rivoluzionato il concetto di colore, debba determinare la tecnica del pittore moderno. Si sviluppa nel Nord d’Italia, grazie soprattutto al sostegno di Vittore Grubicy de Dragon, mercante d’arte, critico, pubblicista e a sua volta pittore, che con il fratello Alberto gestisce a partire del 1876 una galleria d’arte a Milano. E’ Vittore a diffondere tra i pittori della sua scuderia il principio della sostituzione della miscela chimica dei colori tradizionalmente ottenuta sulla tavolozza, con un approccio diretto all’accostamento dei toni complementari sulla tela. Da dato chimico, il colore diventa fenomeno ottico e alla dovuta distanza l’occhio dello spettatore può ricomporre le pennellate staccate in una sintesi tonale, percependo una maggior luminosità nel dipinto.
Divisionism was born in Milan, on the same premise as the French Neo-Impressionnisme, better known as Pointillisme, without however being able to speak of direct influence. It starts from the idea that the study of optical treatises, which have revolutionized the concept of color, should determine the technique of the modern painter. It develops in Northern Italy, thanks above all to the support of Vittore Grubicy de Dragon, art dealer, critic, publicist and in turn painter, who with his brother Alberto has been managing an art gallery in Milan since 1876. Vittore spreads the principle of replacing the chemical mixture of colors traditionally obtained on the palette among the painters in his stable, with a direct approach to the combination of complementary tones on the canvas. From chemical data, the color becomes an optical phenomenon and at the necessary distance the viewer's eye can recompose the detached brush strokes in a tonal synthesis, perceiving a greater brightness in the painting.
from nouvelles en trois lignes by félix fénéon, first published in le matin, a paris newspaper, later in book form translated by luc sante. fénéon was an art critic, promoter, editor, anarchist and minor clerk in the department of war.
Giovanni Battista Ciolina (Toceno, 15 May 1870 - Toceno, 29 May 1955) - The washerwoman (1897-99) - oil on canvas 71 x100 cm. - Exhibition Divisionism The revolution of light - Novara Castle
from nouvelles en trois lignes by félix fénéon, first published in le matin, a paris newspaper, later in book form translated by luc sante. fénéon was an art critic, promoter, editor, anarchist and minor clerk in the department of war.
Emilio Longoni (Barlassina, 9 July 1859 - Milan, 29 November 1932) - Girl with a cat (1892-93) - Oil on panel 24 x 33 cm. - Exhibition Divisionism The revolution of light - Novara Castle
Il Divisionismo nasce a Milano, sulla stessa premessa del Neo-Impressionnisme francese, meglio noto come Pointillisme, senza tuttavia che si possa parlare di influenza diretta. Muove dall’idea che lo studio dei trattati d’ottica, che hanno rivoluzionato il concetto di colore, debba determinare la tecnica del pittore moderno. Si sviluppa nel Nord d’Italia, grazie soprattutto al sostegno di Vittore Grubicy de Dragon, mercante d’arte, critico, pubblicista e a sua volta pittore, che con il fratello Alberto gestisce a partire del 1876 una galleria d’arte a Milano. E’ Vittore a diffondere tra i pittori della sua scuderia il principio della sostituzione della miscela chimica dei colori tradizionalmente ottenuta sulla tavolozza, con un approccio diretto all’accostamento dei toni complementari sulla tela. Da dato chimico, il colore diventa fenomeno ottico e alla dovuta distanza l’occhio dello spettatore può ricomporre le pennellate staccate in una sintesi tonale, percependo una maggior luminosità nel dipinto.
Divisionism was born in Milan, on the same premise as the French Neo-Impressionnisme, better known as Pointillisme, without however being able to speak of direct influence. It starts from the idea that the study of optical treatises, which have revolutionized the concept of color, should determine the technique of the modern painter. It develops in Northern Italy, thanks above all to the support of Vittore Grubicy de Dragon, art dealer, critic, publicist and in turn painter, who with his brother Alberto has been managing an art gallery in Milan since 1876. Vittore spreads the principle of replacing the chemical mixture of colors traditionally obtained on the palette among the painters in his stable, with a direct approach to the combination of complementary tones on the canvas. From chemical data, the color becomes an optical phenomenon and at the necessary distance the viewer's eye can recompose the detached brush strokes in a tonal synthesis, perceiving a greater brightness in the painting.
George Seurat's painting "A Sunday Afternoon on La Grande Jatte" is his largest and most famous. When completed after two years of work in 1886, the painting was widely criticized by critics and others. It went largely unseen until purchased and gifted to the Art Institute of Chicago in 1924. Today it is hugely popular and considered a "must-see" on any tour of the AIC. (www.artic.edu/aic/collections/artwork/27992)
Matteo Pietro Olivero (Pratorotondo, 15 June 1879 - Saluzzo, 28 April 1932) - first rays (1904) - oil on canvas 110 x 75 cm. - Exhibition Divisionism The revolution of light - Novara Castle
Giovanni Segantini (Arco, 15 January 1858 - Mount Schafberg, 28 September 1899) - Ave Maria on the mountains (1890) - drawing on paper, hard and colored pencils 38 x 59 cm. - Exhibition Divisionism The revolution of light - Novara Castle
Il Divisionismo nasce a Milano, sulla stessa premessa del Neo-Impressionnisme francese, meglio noto come Pointillisme, senza tuttavia che si possa parlare di influenza diretta. Muove dall’idea che lo studio dei trattati d’ottica, che hanno rivoluzionato il concetto di colore, debba determinare la tecnica del pittore moderno. Si sviluppa nel Nord d’Italia, grazie soprattutto al sostegno di Vittore Grubicy de Dragon, mercante d’arte, critico, pubblicista e a sua volta pittore, che con il fratello Alberto gestisce a partire del 1876 una galleria d’arte a Milano. E’ Vittore a diffondere tra i pittori della sua scuderia il principio della sostituzione della miscela chimica dei colori tradizionalmente ottenuta sulla tavolozza, con un approccio diretto all’accostamento dei toni complementari sulla tela. Da dato chimico, il colore diventa fenomeno ottico e alla dovuta distanza l’occhio dello spettatore può ricomporre le pennellate staccate in una sintesi tonale, percependo una maggior luminosità nel dipinto.
Divisionism was born in Milan, on the same premise as the French Neo-Impressionnisme, better known as Pointillisme, without however being able to speak of direct influence. It starts from the idea that the study of optical treatises, which have revolutionized the concept of color, should determine the technique of the modern painter. It develops in Northern Italy, thanks above all to the support of Vittore Grubicy de Dragon, art dealer, critic, publicist and in turn painter, who with his brother Alberto has been managing an art gallery in Milan since 1876. Vittore spreads the principle of replacing the chemical mixture of colors traditionally obtained on the palette among the painters in his stable, with a direct approach to the combination of complementary tones on the canvas. From chemical data, the color becomes an optical phenomenon and at the necessary distance the viewer's eye can recompose the detached brush strokes in a tonal synthesis, perceiving a greater brightness in the painting.
Angelo Morbelli (Alessandria, 18 July 1853 - Milan, 7 November 1919) - Meditation (1913) - Oil on canvas 80 x 55.5 cm. - Exhibition Divisionism The revolution of light - Novara Castle
Plinio Nomellini (Livorno, 6 August 1866 - Florence, 8 August 1943) - Sun and frost (1908-10) - Oil on canvas 125 x 125 cm. - Exhibition Divisionism The revolution of light - Novara Castle
Il Divisionismo nasce a Milano, sulla stessa premessa del Neo-Impressionnisme francese, meglio noto come Pointillisme, senza tuttavia che si possa parlare di influenza diretta. Muove dall’idea che lo studio dei trattati d’ottica, che hanno rivoluzionato il concetto di colore, debba determinare la tecnica del pittore moderno. Si sviluppa nel Nord d’Italia, grazie soprattutto al sostegno di Vittore Grubicy de Dragon, mercante d’arte, critico, pubblicista e a sua volta pittore, che con il fratello Alberto gestisce a partire del 1876 una galleria d’arte a Milano. E’ Vittore a diffondere tra i pittori della sua scuderia il principio della sostituzione della miscela chimica dei colori tradizionalmente ottenuta sulla tavolozza, con un approccio diretto all’accostamento dei toni complementari sulla tela. Da dato chimico, il colore diventa fenomeno ottico e alla dovuta distanza l’occhio dello spettatore può ricomporre le pennellate staccate in una sintesi tonale, percependo una maggior luminosità nel dipinto.
Divisionism was born in Milan, on the same premise as the French Neo-Impressionnisme, better known as Pointillisme, without however being able to speak of direct influence. It starts from the idea that the study of optical treatises, which have revolutionized the concept of color, should determine the technique of the modern painter. It develops in Northern Italy, thanks above all to the support of Vittore Grubicy de Dragon, art dealer, critic, publicist and in turn painter, who with his brother Alberto has been managing an art gallery in Milan since 1876. Vittore spreads the principle of replacing the chemical mixture of colors traditionally obtained on the palette among the painters in his stable, with a direct approach to the combination of complementary tones on the canvas. From chemical data, the color becomes an optical phenomenon and at the necessary distance the viewer's eye can recompose the detached brush strokes in a tonal synthesis, perceiving a greater brightness in the painting.
Emilio Longoni (Barlassina, 9 July 1859 - Milan, 29 November 1932) - Child with trumpet and horse (1893-96) - Oil on canvas applied on cardboard 41 x 18 cm. - Exhibition Divisionism The revolution of light - Novara Castle
Il Divisionismo nasce a Milano, sulla stessa premessa del Neo-Impressionnisme francese, meglio noto come Pointillisme, senza tuttavia che si possa parlare di influenza diretta. Muove dall’idea che lo studio dei trattati d’ottica, che hanno rivoluzionato il concetto di colore, debba determinare la tecnica del pittore moderno. Si sviluppa nel Nord d’Italia, grazie soprattutto al sostegno di Vittore Grubicy de Dragon, mercante d’arte, critico, pubblicista e a sua volta pittore, che con il fratello Alberto gestisce a partire del 1876 una galleria d’arte a Milano. E’ Vittore a diffondere tra i pittori della sua scuderia il principio della sostituzione della miscela chimica dei colori tradizionalmente ottenuta sulla tavolozza, con un approccio diretto all’accostamento dei toni complementari sulla tela. Da dato chimico, il colore diventa fenomeno ottico e alla dovuta distanza l’occhio dello spettatore può ricomporre le pennellate staccate in una sintesi tonale, percependo una maggior luminosità nel dipinto.
Divisionism was born in Milan, on the same premise as the French Neo-Impressionnisme, better known as Pointillisme, without however being able to speak of direct influence. It starts from the idea that the study of optical treatises, which have revolutionized the concept of color, should determine the technique of the modern painter. It develops in Northern Italy, thanks above all to the support of Vittore Grubicy de Dragon, art dealer, critic, publicist and in turn painter, who with his brother Alberto has been managing an art gallery in Milan since 1876. Vittore spreads the principle of replacing the chemical mixture of colors traditionally obtained on the palette among the painters in his stable, with a direct approach to the combination of complementary tones on the canvas. From chemical data, the color becomes an optical phenomenon and at the necessary distance the viewer's eye can recompose the detached brush strokes in a tonal synthesis, perceiving a greater brightness in the painting.
View large for best realization of technique and details. Image is designed to be commercially reproduced in wall-size dimensions. The FX do not translate all that well in any small format.
Check out my Digital Painting Set for the complete array.
Carlo Fornara (Prestinone, 21 October 1871 - Prestinone, 15 September 1968) - Vespero in winter (1912-14) - Oil on canvas applied on cardboard 125 x 204 cm. - Exhibition Divisionism The revolution of light - Novara Castle
Il Divisionismo nasce a Milano, sulla stessa premessa del Neo-Impressionnisme francese, meglio noto come Pointillisme, senza tuttavia che si possa parlare di influenza diretta. Muove dall’idea che lo studio dei trattati d’ottica, che hanno rivoluzionato il concetto di colore, debba determinare la tecnica del pittore moderno. Si sviluppa nel Nord d’Italia, grazie soprattutto al sostegno di Vittore Grubicy de Dragon, mercante d’arte, critico, pubblicista e a sua volta pittore, che con il fratello Alberto gestisce a partire del 1876 una galleria d’arte a Milano. E’ Vittore a diffondere tra i pittori della sua scuderia il principio della sostituzione della miscela chimica dei colori tradizionalmente ottenuta sulla tavolozza, con un approccio diretto all’accostamento dei toni complementari sulla tela. Da dato chimico, il colore diventa fenomeno ottico e alla dovuta distanza l’occhio dello spettatore può ricomporre le pennellate staccate in una sintesi tonale, percependo una maggior luminosità nel dipinto.
Divisionism was born in Milan, on the same premise as the French Neo-Impressionnisme, better known as Pointillisme, without however being able to speak of direct influence. It starts from the idea that the study of optical treatises, which have revolutionized the concept of color, should determine the technique of the modern painter. It develops in Northern Italy, thanks above all to the support of Vittore Grubicy de Dragon, art dealer, critic, publicist and in turn painter, who with his brother Alberto has been managing an art gallery in Milan since 1876. Vittore spreads the principle of replacing the chemical mixture of colors traditionally obtained on the palette among the painters in his stable, with a direct approach to the combination of complementary tones on the canvas. From chemical data, the color becomes an optical phenomenon and at the necessary distance the viewer's eye can recompose the detached brush strokes in a tonal synthesis, perceiving a greater brightness in the painting.
Gaetano Previati (Ferrara, 31 August 1852 - Lavagna, 21 June 1920) - The smokers of hashish (1887), oil on canvas, 140 x 311 cm - Exhibition of Divisionism The revolution of light - Novara Castle
Plinio Nomellini (Livorno, 6 August 1866 - Florence, 8 August 1943) - Fishing (1891) - Oil on canvas 40 x 60 cm. - Exhibition Divisionism The revolution of light - Novara Castle
Il Divisionismo nasce a Milano, sulla stessa premessa del Neo-Impressionnisme francese, meglio noto come Pointillisme, senza tuttavia che si possa parlare di influenza diretta. Muove dall’idea che lo studio dei trattati d’ottica, che hanno rivoluzionato il concetto di colore, debba determinare la tecnica del pittore moderno. Si sviluppa nel Nord d’Italia, grazie soprattutto al sostegno di Vittore Grubicy de Dragon, mercante d’arte, critico, pubblicista e a sua volta pittore, che con il fratello Alberto gestisce a partire del 1876 una galleria d’arte a Milano. E’ Vittore a diffondere tra i pittori della sua scuderia il principio della sostituzione della miscela chimica dei colori tradizionalmente ottenuta sulla tavolozza, con un approccio diretto all’accostamento dei toni complementari sulla tela. Da dato chimico, il colore diventa fenomeno ottico e alla dovuta distanza l’occhio dello spettatore può ricomporre le pennellate staccate in una sintesi tonale, percependo una maggior luminosità nel dipinto.
Divisionism was born in Milan, on the same premise as the French Neo-Impressionnisme, better known as Pointillisme, without however being able to speak of direct influence. It starts from the idea that the study of optical treatises, which have revolutionized the concept of color, should determine the technique of the modern painter. It develops in Northern Italy, thanks above all to the support of Vittore Grubicy de Dragon, art dealer, critic, publicist and in turn painter, who with his brother Alberto has been managing an art gallery in Milan since 1876. Vittore spreads the principle of replacing the chemical mixture of colors traditionally obtained on the palette among the painters in his stable, with a direct approach to the combination of complementary tones on the canvas. From chemical data, the color becomes an optical phenomenon and at the necessary distance the viewer's eye can recompose the detached brush strokes in a tonal synthesis, perceiving a greater brightness in the painting.
Plinio Nomellini (Livorno, 6 August 1866 - Florence, 8 August 1943) - The Diana of work (1891) - Oil on canvas 60 x 93 cm. - Exhibition Divisionism The revolution of light - Novara Castle
Plinio Nomellini (Livorno, 6 August 1866 - Florence, 8 August 1943) - Sun and frost (1908-10) - Oil on canvas 125 x 125 cm. - Exhibition Divisionism The revolution of light - Novara Castle
Il Divisionismo nasce a Milano, sulla stessa premessa del Neo-Impressionnisme francese, meglio noto come Pointillisme, senza tuttavia che si possa parlare di influenza diretta. Muove dall’idea che lo studio dei trattati d’ottica, che hanno rivoluzionato il concetto di colore, debba determinare la tecnica del pittore moderno. Si sviluppa nel Nord d’Italia, grazie soprattutto al sostegno di Vittore Grubicy de Dragon, mercante d’arte, critico, pubblicista e a sua volta pittore, che con il fratello Alberto gestisce a partire del 1876 una galleria d’arte a Milano. E’ Vittore a diffondere tra i pittori della sua scuderia il principio della sostituzione della miscela chimica dei colori tradizionalmente ottenuta sulla tavolozza, con un approccio diretto all’accostamento dei toni complementari sulla tela. Da dato chimico, il colore diventa fenomeno ottico e alla dovuta distanza l’occhio dello spettatore può ricomporre le pennellate staccate in una sintesi tonale, percependo una maggior luminosità nel dipinto.
Divisionism was born in Milan, on the same premise as the French Neo-Impressionnisme, better known as Pointillisme, without however being able to speak of direct influence. It starts from the idea that the study of optical treatises, which have revolutionized the concept of color, should determine the technique of the modern painter. It develops in Northern Italy, thanks above all to the support of Vittore Grubicy de Dragon, art dealer, critic, publicist and in turn painter, who with his brother Alberto has been managing an art gallery in Milan since 1876. Vittore spreads the principle of replacing the chemical mixture of colors traditionally obtained on the palette among the painters in his stable, with a direct approach to the combination of complementary tones on the canvas. From chemical data, the color becomes an optical phenomenon and at the necessary distance the viewer's eye can recompose the detached brush strokes in a tonal synthesis, perceiving a greater brightness in the painting.
One of my favorite painting from August Renoir (1841 - 1919.) August did this painting in a studio with this beautiful model not knowing years later she eventually became his wife. I especially love the back drop which appears to be a seaside. An amazing artist from the era of neoimpressionism when life was difficult.
A digital photo painting. Neo-Impressionism.
View the large original size, or you will likely miss what is going on with the textures (these are the old-fashioned applied variety, not layered in with any commercial program). This is designed to reproduce as a print, at least 30" square.
Giovanni Segantini (Arco, 15 January 1858 - Mount Schafberg, 28 September 1899) - Galloping horses (1889-1890) - Charcoal, gold and blood dust on canvas 48 x 69 - Exhibition Divisionism The revolution of light - Novara Castle
Il Divisionismo nasce a Milano, sulla stessa premessa del Neo-Impressionnisme francese, meglio noto come Pointillisme, senza tuttavia che si possa parlare di influenza diretta. Muove dall’idea che lo studio dei trattati d’ottica, che hanno rivoluzionato il concetto di colore, debba determinare la tecnica del pittore moderno. Si sviluppa nel Nord d’Italia, grazie soprattutto al sostegno di Vittore Grubicy de Dragon, mercante d’arte, critico, pubblicista e a sua volta pittore, che con il fratello Alberto gestisce a partire del 1876 una galleria d’arte a Milano. E’ Vittore a diffondere tra i pittori della sua scuderia il principio della sostituzione della miscela chimica dei colori tradizionalmente ottenuta sulla tavolozza, con un approccio diretto all’accostamento dei toni complementari sulla tela. Da dato chimico, il colore diventa fenomeno ottico e alla dovuta distanza l’occhio dello spettatore può ricomporre le pennellate staccate in una sintesi tonale, percependo una maggior luminosità nel dipinto.
Divisionism was born in Milan, on the same premise as the French Neo-Impressionnisme, better known as Pointillisme, without however being able to speak of direct influence. It starts from the idea that the study of optical treatises, which have revolutionized the concept of color, should determine the technique of the modern painter. It develops in Northern Italy, thanks above all to the support of Vittore Grubicy de Dragon, art dealer, critic, publicist and in turn painter, who with his brother Alberto has been managing an art gallery in Milan since 1876. Vittore spreads the principle of replacing the chemical mixture of colors traditionally obtained on the palette among the painters in his stable, with a direct approach to the combination of complementary tones on the canvas. From chemical data, the color becomes an optical phenomenon and at the necessary distance the viewer's eye can recompose the detached brush strokes in a tonal synthesis, perceiving a greater brightness in the painting.
Carlo Fornara (Prestinone, 21 October 1871 - Prestinone, 15 September 1968) - Radiant hour (1924-25) - Oil on canvas 75 x 95 cm. - Exhibition Divisionism The revolution of light - Novara Castle
Il Divisionismo nasce a Milano, sulla stessa premessa del Neo-Impressionnisme francese, meglio noto come Pointillisme, senza tuttavia che si possa parlare di influenza diretta. Muove dall’idea che lo studio dei trattati d’ottica, che hanno rivoluzionato il concetto di colore, debba determinare la tecnica del pittore moderno. Si sviluppa nel Nord d’Italia, grazie soprattutto al sostegno di Vittore Grubicy de Dragon, mercante d’arte, critico, pubblicista e a sua volta pittore, che con il fratello Alberto gestisce a partire del 1876 una galleria d’arte a Milano. E’ Vittore a diffondere tra i pittori della sua scuderia il principio della sostituzione della miscela chimica dei colori tradizionalmente ottenuta sulla tavolozza, con un approccio diretto all’accostamento dei toni complementari sulla tela. Da dato chimico, il colore diventa fenomeno ottico e alla dovuta distanza l’occhio dello spettatore può ricomporre le pennellate staccate in una sintesi tonale, percependo una maggior luminosità nel dipinto.
Divisionism was born in Milan, on the same premise as the French Neo-Impressionnisme, better known as Pointillisme, without however being able to speak of direct influence. It starts from the idea that the study of optical treatises, which have revolutionized the concept of color, should determine the technique of the modern painter. It develops in Northern Italy, thanks above all to the support of Vittore Grubicy de Dragon, art dealer, critic, publicist and in turn painter, who with his brother Alberto has been managing an art gallery in Milan since 1876. Vittore spreads the principle of replacing the chemical mixture of colors traditionally obtained on the palette among the painters in his stable, with a direct approach to the combination of complementary tones on the canvas. From chemical data, the color becomes an optical phenomenon and at the necessary distance the viewer's eye can recompose the detached brush strokes in a tonal synthesis, perceiving a greater brightness in the painting.
En mer, portrait de Paul Signac, dit aussi Paul Signac à la barre de son bateau l'Olympia
Oeuvre de Théo Van Rysselberghe (1862-1926)
L'artiste est un belge, ami de Signac avec lequel il a navigué, il a adopté la technique divisionniste inventée par Seurat
1896
Huile sur toile
Archives Signac
Oeuvre présentée dans l'exposition "Signac collectionneur", musée d'Orsay, Paris
www.musee-orsay.fr/fr/expositions/signac-collectionneur-423
Autodidacte, Signac apprend son métier en regardant les œuvres des impressionnistes, en particulier celles de Claude Monet, d'Edgar Degas, de Gustave Caillebotte ou d'Armand Guillaumin qui pour la plupart figurent dans sa collection. Sa première acquisition est un paysage de Paul Cézanne.
Issu d'une famille aisée sans être riche, Signac peut envisager de réunir des œuvres importantes, mais se doit d'être réfléchi dans ses choix. D'emblée, le rôle qu'il joue dans la fondation puis l'organisation du Salon des artistes indépendants, dont il devient président en 1908, le place au carrefour des différentes tendances de l'avant-garde. .. Extrait du site de l'exposition.
Born in Budapest, Grabar graduated from the department of law at Petersburg University. Following this he turned to art, first studying at the Saint Petersburg Academy of Arts from 1894 to 1896, then Munich, Germany. In his early years Grabar was influenced by the jugendstil and later by impressionism, but his paintings "The Chrysanthema" and "The Uncleared Table" are closer to neoimpressionism. In 1913 - 1925 he was the head of the Tretyakov Gallery.
Grabar was recognized as a People's Artist of the Soviet Union in 1956 for his work in the areas of portrait painting and historical revolutionary themes. He also was a full member of Soviet Academy of Sciences (since 1943). Grabar was awarded the Stalin Prize in 1941.
La Ferme (soir)
Une étonnante composition pointilliste colorée avec une tendance japonisante
Oeuvre Henri-Edmond Cross (1856-1910)
vers mai 1892 - avant mars 1893
Huile sur toile
collection particulière
Oeuvre présentée dans l'exposition "Signac collectionneur", musée d'Orsay, Paris
www.musee-orsay.fr/fr/expositions/signac-collectionneur-423
Autodidacte, Signac apprend son métier en regardant les œuvres des impressionnistes, en particulier celles de Claude Monet, d'Edgar Degas, de Gustave Caillebotte ou d'Armand Guillaumin qui pour la plupart figurent dans sa collection. Sa première acquisition est un paysage de Paul Cézanne.
Issu d'une famille aisée sans être riche, Signac peut envisager de réunir des œuvres importantes, mais se doit d'être réfléchi dans ses choix. D'emblée, le rôle qu'il joue dans la fondation puis l'organisation du Salon des artistes indépendants, dont il devient président en 1908, le place au carrefour des différentes tendances de l'avant-garde. .. Extrait du site de l'exposition.
Cesare Maggi (Rome, 13 January 1881 - Turin, 1961) - The sled (1903) - Oil on canvas 110.5 x 100 cm - Exhibition of Divisionism The revolution of light - Novara Castle
Giovanni Segantini (Arco, 15 January 1858 - Mount Schafberg, 28 September 1899) - White cow in the drinking trough (1890) - Colored chalks, hard pencil and charcoal on cardboard - Exhibition Divisionism The revolution of light - Novara Castle
Il Divisionismo nasce a Milano, sulla stessa premessa del Neo-Impressionnisme francese, meglio noto come Pointillisme, senza tuttavia che si possa parlare di influenza diretta. Muove dall’idea che lo studio dei trattati d’ottica, che hanno rivoluzionato il concetto di colore, debba determinare la tecnica del pittore moderno. Si sviluppa nel Nord d’Italia, grazie soprattutto al sostegno di Vittore Grubicy de Dragon, mercante d’arte, critico, pubblicista e a sua volta pittore, che con il fratello Alberto gestisce a partire del 1876 una galleria d’arte a Milano. E’ Vittore a diffondere tra i pittori della sua scuderia il principio della sostituzione della miscela chimica dei colori tradizionalmente ottenuta sulla tavolozza, con un approccio diretto all’accostamento dei toni complementari sulla tela. Da dato chimico, il colore diventa fenomeno ottico e alla dovuta distanza l’occhio dello spettatore può ricomporre le pennellate staccate in una sintesi tonale, percependo una maggior luminosità nel dipinto.
Divisionism was born in Milan, on the same premise as the French Neo-Impressionnisme, better known as Pointillisme, without however being able to speak of direct influence. It starts from the idea that the study of optical treatises, which have revolutionized the concept of color, should determine the technique of the modern painter. It develops in Northern Italy, thanks above all to the support of Vittore Grubicy de Dragon, art dealer, critic, publicist and in turn painter, who with his brother Alberto has been managing an art gallery in Milan since 1876. Vittore spreads the principle of replacing the chemical mixture of colors traditionally obtained on the palette among the painters in his stable, with a direct approach to the combination of complementary tones on the canvas. From chemical data, the color becomes an optical phenomenon and at the necessary distance the viewer's eye can recompose the detached brush strokes in a tonal synthesis, perceiving a greater brightness in the painting.
Giovanni Segantini (Arco, 15 January 1858 - Mount Schafberg, 28 September 1899) - Cow (1890) - Oil on canvas 63.3 x 108.5 cm. - Exhibition Divisionism The revolution of light - Novara Castle
Giuseppe Pellizza da Volpedo (Volpedo, 28 July 1868 - Volpedo, 14 June 1907) - The bridge (1892) - Oil on canvas 26.5 x 39.2 cm. - Exhibition Divisionism The revolution of light - Novara Castle
A digital photo painting; a photo rendering; an illustrated photo; an offense of photographic purity. The choice of terms is yours. A stylized technique like this either makes sense . . . or it doesn't.
Arizona Painted Desert National Park.
Neo-Impressionism.
A little bit of visual tapestry for you. View large for best realization of painterly technique/textures.
Paul Signac, Avignon. Soir (Le château des Papes), 1909, Huile sur toile, 73,3 x 91,9 [73,3] cm, Musée d’Orsay, Paris
A digital photo painting. Designed to be a mounted print, no less than 48 inches square. The texture details do not really materialize until a substantial dimension is reached (larger than the standard view here). So, view large or you will miss the whole idea.
Neo-Impressionism
A digital painting. Dry-brush-style technique. Neo-Impressionism.
Because I thought I saw "something".
Title derived from classical mythology. A dryad (pronounced "DRY-udd") is a fleeting nymph, dwelling in or presiding over woods and trees. Sometimes called a "wood nymph". A "sprite", "wisp", or "fairie".
I say I saw,
a vision raw.
Unaided.
Not the slightest faded.
Then you say you saw the same.
And said, "Aw, naw."
It's over-rated.
Chahut, seconde esquisse
Oeuvre de Georges Seurat (1859-1891)
1889
Huile sur toile
Buffalo (New York)
Collection Albright-Knox Art Gallery
General Purchase Funds, 1943
Les femmes et les hommes de ce tableau dansent assidûment le chahut, ou cancan, une danse audacieuse pour l'époque dans laquelle les femmes soulèvent leurs jupes et balancent leurs jambes haut. (Extrait du site du musée
Kröller-Muller où se trouve l'oeuvre définitive)
Oeuvre présentée dans l'exposition "Signac collectionneur", musée d'Orsay, Paris
www.musee-orsay.fr/fr/expositions/signac-collectionneur-423
Autodidacte, Signac apprend son métier en regardant les œuvres des impressionnistes, en particulier celles de Claude Monet, d'Edgar Degas, de Gustave Caillebotte ou d'Armand Guillaumin qui pour la plupart figurent dans sa collection. Sa première acquisition est un paysage de Paul Cézanne.
Issu d'une famille aisée sans être riche, Signac peut envisager de réunir des œuvres importantes, mais se doit d'être réfléchi dans ses choix. D'emblée, le rôle qu'il joue dans la fondation puis l'organisation du Salon des artistes indépendants, dont il devient président en 1908, le place au carrefour des différentes tendances de l'avant-garde. .. Extrait du site de l'exposition.
L'arbre en fleur
Oeuvre d'Achille Laugé (1861-1944)
1893
Huile sur toile
Collection particulière
Ami de Bourdelle, le peintre Achille Laugé a rejoint la mouvance néo-impressionniste fondée par Seurat, Signac et Pissarro. Avec ce tableau "l'arbre en fleur", il a réussi à capter la lumière de manière magistrale en utilisant la technique de séparation des couleurs.
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Oeuvre présentée dans l'exposition "Signac, les harmonies colorées" au musée Jacquemart-André à Paris
L’ensemble de l’exposition suit un parcours chronologique, depuis les premiers tableaux impressionnistes peints par Signac sous l’influence de Claude Monet jusqu’aux oeuvres vivement colorées réalisées par l’artiste au XXe siècle, en passant par sa rencontre avec Georges Seurat en 1884. L’exposition, qui retrace la vie de Signac et son travail de libération de la couleur, évoque également l’histoire du néo-impressionnisme. Extrait du site de l'exposition
Saint-Tropez. La Bouée rouge
Oeuvre de Paul Signac (1863-1935)
En 1895
Huile sur toile
H. 81,2 ; L. 65,0 cm.
Donation sous réserve d'usufruit du Dr Pierre Hébert, 1957
Musée d'Orsay, Paris
Notice complète du catalogue du musée d'Orsay, Paris
www.musee-orsay.fr/fr/oeuvres/saint-tropez-la-bouee-rouge...
Oeuvre présentée dans l'exposition "Signac collectionneur", musée d'Orsay, Paris
www.musee-orsay.fr/fr/expositions/signac-collectionneur-423
Autodidacte, Signac apprend son métier en regardant les œuvres des impressionnistes, en particulier celles de Claude Monet, d'Edgar Degas, de Gustave Caillebotte ou d'Armand Guillaumin qui pour la plupart figurent dans sa collection. Sa première acquisition est un paysage de Paul Cézanne.
Issu d'une famille aisée sans être riche, Signac peut envisager de réunir des œuvres importantes, mais se doit d'être réfléchi dans ses choix. D'emblée, le rôle qu'il joue dans la fondation puis l'organisation du Salon des artistes indépendants, dont il devient président en 1908, le place au carrefour des différentes tendances de l'avant-garde. .. Extrait du site de l'exposition.
Les Andelys. La Berge
Une toile réalisée par l'artiste avec la technique divisionniste inventée par Georges Seurat
Oeuvre de Paul Signac (1863-1935)
En 1886
Huile sur toile
Musée d'Orsay, Paris
Notice complète dans le catalogue du musée d'Orsay, Paris
www.musee-orsay.fr/fr/oeuvres/les-andelys-la-berge-78700
Oeuvre présentée dans l'exposition "Signac collectionneur", musée d'Orsay, Paris
www.musee-orsay.fr/fr/expositions/signac-collectionneur-423
Autodidacte, Signac apprend son métier en regardant les œuvres des impressionnistes, en particulier celles de Claude Monet, d'Edgar Degas, de Gustave Caillebotte ou d'Armand Guillaumin qui pour la plupart figurent dans sa collection. Sa première acquisition est un paysage de Paul Cézanne.
Issu d'une famille aisée sans être riche, Signac peut envisager de réunir des œuvres importantes, mais se doit d'être réfléchi dans ses choix. D'emblée, le rôle qu'il joue dans la fondation puis l'organisation du Salon des artistes indépendants, dont il devient président en 1908, le place au carrefour des différentes tendances de l'avant-garde. .. Extrait du site de l'exposition.
Gustav Klimt was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body,and his works are marked by a frank eroticism.
Please go gentle into that
good night
and don't wake the animals....
www.jango.com/stations/214063943/tunein?song_id=50119
Once in a Lifetime/ Talking Heads
By the Belgian artist, Anna Boch (1848-1936). Her father made his wealth from porcelain manufacturing, while her brother Eugène became an artist too. Adopting a neo-Impressionist painting style, Anna Boch and Eugène befriended other artists, including Vincent Van Gogh. She was thought to have been the only person to have bought a Van Gogh painting during his lifetime.
A digital painting. Neo-Impressionism
VIEW LARGE for optimum color and texture effect. Designed to be printed wall size. So, the resolution and pixel count is fair-sized.
Pansy close-up, abstract mode . . . not meant to be viewed as a conventional nature macro, so - Nature Nuts - don't bother telling me it's awfully out of focus and fuzzy. The fuzzy focus and dancing light/color is purposefully aimed at a viewer's impression. Essentially, the same concept that the original Impressionists employed in the 1890's.
Cross' early works, portraits and still lifes, were in the dark colors of realism, but after meeting with Claude Monet in 1883, he painted in the brighter colors of Impressionism. He went on to become one of the principal exponents of Neo-Impressionism. He began his Pointillist period after spending time with Paul Signac in 1904. His later works are Fauvist, perhaps influenced by his acquaintance with Henri Matisse.
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Paul Signac (1863-1935) was a French Neo-Impressionist painter. Together with Georges Seurat, Signac developed the Pointillism style. He was a passionate sailor, bringing back watercolor sketches of ports and nature from his travels, then turning them into large studio canvases with mosaic-like squares of color. He abandoned the short brushstrokes and intuitive dabs of color of the impressionists for a more exact scientific approach to applying dots with the intention to combine and blend not on the canvas, but in the viewer's eye. We have digitally enhanced some of his landscapes and seascapes, both from sketches and paintings into high resolution quality. They are free to download and use under the CC0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1328402/paul-signac-artworks-i-high-resolution-cc0-paintings-sketches?sort=curated&mode=shop&page=1
Van Gogh produced more than twenty self-portraits during his Parisian sojourn (1886–88). Short of funds but determined nevertheless to hone his skills as a figure painter, he became his own best sitter: "I purposely bought a good enough mirror to work from myself, for want of a model." This picture, which shows the artist's awareness of Neo-Impressionist technique and color theory, is one of several that are painted on the reverse of an earlier peasant study.
On the obverse is his painting ‘The Potato Peeler’ (not seen here), from February/March 1885, with its restricted palette of dark tones, coarse facture, and blocky drawing, is typical of the works Van Gogh painted in Nuenen the year before he left Holland for France. His peasant studies of 1885 culminated in his first important painting, The Potato Eaters (Van Gogh Museum, Amsterdam).
Oil on canvas, Vincent van Gogh, Dutch, 1887.
Met Museum, New York (67.187.70a)
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Paul Signac (1863-1935) was a French Neo-Impressionist painter. Together with Georges Seurat, Signac developed the Pointillism style. He was a passionate sailor, bringing back watercolor sketches of ports and nature from his travels, then turning them into large studio canvases with mosaic-like squares of color. He abandoned the short brushstrokes and intuitive dabs of color of the impressionists for a more exact scientific approach to applying dots with the intention to combine and blend not on the canvas, but in the viewer's eye. We have digitally enhanced some of his landscapes and seascapes, both from sketches and paintings into high resolution quality. They are free to download and use under the CC0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1328402/paul-signac-artworks-i-high-resolution-cc0-paintings-sketches?sort=curated&mode=shop&page=1