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Neoclassical architecture
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Architect Eižens Laube. The building is designed in an exquisitely detailed neoclassical style. The overall expression is close to the Art Nouveau style.
Neoclassical façade of the former Imperial Palace that currently houses the National Museum of Brazil
Best to be viewed in large size format.
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Built in neoclassical style by architect Andreas Kirkerup for the French-Dutch-Danish Huguenot family "de Bosc de la Calmette".
en.wikipedia.org/wiki/Liselund
en.wikipedia.org/wiki/Andreas_Kirkerup
One last look at the magnificent Monument to Victor Emmanuel II, as seen from Piazza Venezia, in the heart of Rome, Italy.
Built in the early 1900s, to commemorate the first king of a unified Italy, the monument is constructed in neoclassical style, inspired by the colonnades of ancient Greek and Roman architecture, and mimicking the pomp of Berlin's Brandenburg gate or London's Admiralty Arch. The statue of the king ahorse is central to the piece, with the angels of Unity and Liberty driving chariots above, and Dea Roma below, ensconced in gold and flanked by the Allegories of Work and Patriotism. Behind the king, each column represents a major Italian city.
The monument houses numerous artefacts from Italy's history, including the tomb of the unknown soldier. The latter stages of completion were under Mussolini's regime, and after the second world war numerous fascist symbols were removed from the structure.
This was part of my flags project, where I attempt to evoke or explore the flag and identity of a nation I am visiting through a particular image.
Shot with a Nikon D7000 and a Nikkor AFS DX 18-200mm F/3.5-5.6G lens, and processed in GIMP and Photoscape.
The neoclassical Monument to Sir Alexander Ball in Valletta, Malta, is illuminated at night, showcasing its stately columns and triangular pediment. The structure is reflected in a circular pond in the foreground, bordered by a low fence. Tall palm trees frame the monument, enhancing its grandeur. This architectural piece is highlighted by strategic lighting, adding depth and prominence against the dark night sky.
La Befreiungshalle ("Sala della Liberazione") è un monumento storico di stile neoclassico costruito sul monte Michelsberg che sovrasta la città di Kelheim in Baviera, Germania.
Photographed just after sunset, the Great Gate neoclassical Branicki Palace (Polish: Pałac Branickich) in Białystok.
In the 18th Century, when visitors to north-eastern Poland’s mini-Versailles and its ambitious noble builder would have endured many difficult hours of coach travel, the ladder-climbing Hetman Branicki would have wanted to make a statement about the sophistication that belied the remoteness of his bastion. He did it with this monumental entrance gate, which resembles a triumphal arch, richly decorated, topped with a gilding sculpture of the gryphon – the coat of arms of the Branicki family.
In 1726, King Augustus II Mocny almost died of a gangrenous toe as he tried to return to Warsaw from a session of his parliament in Hrodna, now just over the border in Belarus. With the king forced by circumstance to rest up with his entire entourage in the Branicki residence, the Hetman saw a chance of advancing in power and prestige. The king was forced to spend many months convalescing by Branicki’s excellent doctors, and the Hetman took the chance to a bit of renovation on his residence. The building of this Great Gate is a lasting souvenir of the king's stay in Bialystok. It was the king himself, an architecture enthusiast, who sketched the plan of the building.
Topping it all off, in every way, was the clock whose mechanism was imported all the way from far off Switzerland.
"Villa Aldrovandi Mazzacorati is a 17th-century historic building located just outside Bologna's city centre. After being acquired by Annibale Marescotti, the villa with garden came into the possession of the Aldrovandi family towards the end of the 1600s and underwent multiple restoration projects. In the late 1700s, the villa became the property of the Marquises Mazzacorati. The definitive Neoclassical appearance of the villa designed by Francesco Tadolini dates back to the same period. The villa is known for its theatre, inaugurated in 1763, and the only surviving example of a suburban private theatre in the Bologna area. Inside the villa we also find the “Mario Massacesi” Historical Museum of Toy Soldiers (Museo Storico del Soldatino) as well as the Regional Health Service’s Outpatient Clinic." taken from Bologna Welcome web-site
Neoclassic Beauty
HDR 7 scatti
Fotocamera: Nikon D750
Aperture: f/11
Shutter Speed: 0.3 s
Lente: 16 mm
ISO: 100
Exposure Bias: 0 EV
Flash: Off, Did not fire
Lens: Nikkor AF-S FX 14-24mm f/2.8G ED
Osgoode Hall is a landmark building in downtown Toronto dating from 1829. It originally served to house the regulatory body for lawyers in Ontario along with its law school (formally established as Osgoode Hall Law School in 1889) which was the only recognized professional law school for the province at the time.[1] It was constructed between 1829 and 1832 in the late Georgian Palladian and Neoclassical styles. It currently houses the Ontario Court of Appeal, the Divisional Court of the Superior Court of Justice, the offices of The Law Society of Upper Canada and the Great Law Library. The portico of Osgoode Hall's east wing was built at the head of Toronto's York Street to serve as a terminating vista, though it is now obscured by trees planted on the building's lawn.
Helsinki is known as a ‘city of architecture’. As one of Europe’s youngest capitals, it was first shaped by Neoclassical architecture and later became the world’s largest concentration of Jugendstil buildings and National Romanticism.
Berrington Hall is a country house located about 3 miles (4.8 km) north of Leominster, Herefordshire, England. During the 20th century it was the seat of the Cawley family.
It is a neoclassical country house building which was designed by Henry Holland in 1778-81 for Thomas Harley. It has a somewhat austere exterior, but the interiors are subtle and delicate. Berrington Hall is home to the Elmar Digby furniture collection, paintings by, amongst others, Thomas Luny (1759–1837) and the Charles Paget Wade costume collection from Snowshill which can be viewed by appointment. The 'below stairs' areas and servants' quarters which are open to the public include a Victorian laundry and Georgian dairy. Berrington has been in the care of the National Trust since 1957 and is, along with its gardens, open to the public.
Berrington features Capability Brown's last landscape design [1]. A notable feature is the ha-ha wall which was subject of extensive renovation in the late 20th century by local craftsmen. Berrington Pool, a lake and island, is a Site of Special Scientific Interest.
[ENG] The Alcala Gate is one of the most emblematic monuments of the Madrid city. It stands out for his beauty and for his historical importance, and is located in the center of the capital next to the Parque del Retiro. It was built in 1778 to commemorate the entry of King Carlos III in the city of Madrid. It was designed by architect Francesco Sabatini in a transition style between Baroque and Neoclassicism an imitation of a Roman triumphal arch. It was part of the wall that remained standing until the early 19th century.
[ESP] La Puerta de Alcalá es uno de los monumentos más emblemáticos de la ciudad de Madrid. Destaca por su belleza y por su importancia histórica, y está situada en el centro de la capital junto al Parque del Retiro. Se construyó en 1778 para conmemorar la entrada del rey Carlos III a la ciudad de Madrid. Fue diseñada por el arquitecto Francesco Sabatini en un estilo de transición entre el barroco y el neoclasicismo imitando un arco de triunfo romano. Formaba parte de la muralla que siguió en pie hasta bien entrado el siglo XIX.
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La chapelle Notre-Dame de Monserato ou chapelle de la Scala Santa (le « Saint Escalier ») a été construite au XVIe, sa façade de style néo-classique, a été restaurée au XIXe siècle.
Outre son parvis de galets, cet oratoire abrite un très bel intérieur dont la décoration est l’œuvre de maîtres ligures. Elle cache derrière une façade d’une très grande sobriété des boiseries, dorures, murs recouverts de velours écarlates.
Scala Sancta (en italien) est dans la tradition chrétienne, celui du prétoire de Jérusalem gravi par Jésus lors de son jugement par Ponce Pilate qui décida de sa crucifixion. Seulement quelques lieux abritent cette précieuse relique de la Passion dont le plus célèbre est le sanctuaire de la Scala Santa situé à proximité de la Basilique Saint-Jean-de-Latran à Rome.
The Chapel of Our Lady of Monserato or chapel of the Scala Santa (the "Holy Stairs") was built in the sixteenth, the facade of neoclassical style, was restored in the nineteenth century.
Besides its square wheels, this oratory has a very nice interior decoration which is the work of Ligurian masters. He hides behind a facade of great sobriety woodwork, gilding, walls covered with scarlet velvet.
Scala Sancta (in Italian) is in the Christian tradition, that of the court of Jerusalem climbed by Jesus during his trial by Pontius Pilate who decided his crucifixion. Only a few places are home to this precious relic of the Passion, the most famous is the Sanctuary of the Scala Santa located near the Basilica of St. John Lateran in Rome.
CCD MESH Neoclassical Style Fireplace. Take a look at these creations ;) Hi My Friends Boys & Girls if you come and take a ride in my land you can also take a look at this latest creation. A Custom MESH contacts SL
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The pink-and-white neoclassical Bahamian Parliament Building constructed in 1815 is the home of the Parliament of the Bahamas. Nassau is the capital of the Bahamas, an independent island nation. Nassau lies on the island of New Providence.
Print Size 13x19 inches. HWW.
Built in 1887 to the design of the Viennese architect Friedrich Schwanberg, the edifice now hosts the Foreign Art Museum.
This Roman Catholic Church is commonly known as Rotunda of Mosta or, Mosta Dome. It's a great tourist attraction in Malta. The designer Giorgio Grognet followed neoclassical style for the dome and, followed Pantheon in Rome, for the structure. It was completed in 1860. During second world war, German military dropped a few bombs on Mosta Dome. One of the bombs, penetrated the dome but, did not explode. Later it was defused and, dropped to the sea. Recently (29th July, 2018), it has been upgraded to Minor Basilica.
Illuminated at night, the Neoclassical Monument to Sir Alexander Ball in Valletta, Malta, stands prominently. It features six imposing Corinthian columns supporting a detailed triangular pediment. Constructed in a traditional Greek temple style, the monument is surrounded by lush palm trees and manicured bushes. The stone structure glows warmly against the night sky, highlighting its architectural intricacies and serene garden setting. The monument commemorates Sir Alexander Ball, a prominent British naval officer and Governor of Malta.
2014 -
The Fountain of Cybele / Fuente de Cibeles / La Cibeles
Plaza de Cibeles
Madrid, Spain 🇪🇸
Fuente de Cibeles is a 18th century neoclassical fountain in Madrid, Spain, depicting the goddess Cybele on a chariot pulled by 2 lions Atalanta and Hippomenes.
Cybele is the Great Mother of the gods and Roman goddess of fertility.
Real Madrid's and Spanish supporters and players gather at the fountain to celebrate the team's trophies and the successes of the Spain national football team.
Cibeles Palace/ Palacio de Cibeles which seats the Madrid City Council, serving as the city hall, and its public cultural centre CentroCentro.
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The neoclassical building, known as the Bishop's Palace, was built between 1922 and 1924. It features a massive four-column portico topped by a triangular pediment and a tall, smooth attic. The façade is enlivened by corner projections. It is the seat of the bishop's curia and a residential building for priests. Łódź, Poland.
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The neoclassical-style building, completed in 1935, serves as the permanent home of the U.S. Supreme Court, an independent branch of government. Architect Cass Gilbert designed the structure, which stands four stories high and features an exterior made of Vermont marble and an interior with Alabama marble.
Explore # 490 7-8-2016 OUT
S.S. Core - Robert W. Smart , 2005
Northwest end of Kilbourn Street Bridge
This giant sphere was created using repurposed end caps of propane tanks, proving that everyday objects can turn into extraordinary sculpture.
The Public Works Commissioner desired a grand statement for the operator’s houses. The bridge was designed in the Neoclassical style and featured extensive use of limestone and decorative features that reflected the City Beautiful Movement of the early twentieth century.
RiverSculpture
This was in Explore and mysteriously out of Explore.
Massey Hall was built to fill the need for a secular meeting place where people from Toronto and area could meet and enjoy choral music not of a religious theme. It was designed with a neoclassical facade, and features moorish arches that span the width of the interior hall. This interior was inspired by the Alhambra Palace in Spain as well as Louis Sullivan’s Chicago Auditorium and Opera house.[1] The exterior neoclassical facade was a preference voiced from Lillian, Hart Massey's daughter.
Designed by architect Sidney Badgley, Massey Hall was completed in 1894 at a cost of $152,390.75.[3] Construction was financed by Hart Massey of Massey-Harris (later Massey Ferguson) holding company. The hall's debut concert was on June 14, 1894
The Statue of Liberty is a colossal neoclassical sculpture on Liberty Island in New York Harbor, within New York City. The copper-clad statue, a gift to the United States from the people of France, was designed by French sculptor Frédéric Auguste Bartholdi and its metal framework was built by Gustave Eiffel. The statue was dedicated on October 28, 1886.
The statue is a figure of a classically draped woman, likely inspired by the Roman goddess of liberty Libertas. In a contrapposto pose, she holds a torch above her head with her right hand, and in her left hand carries a tabula ansata inscribed JULY IV MDCCLXXVI (July 4, 1776, in Roman numerals), the date of the U.S. Declaration of Independence. With her left foot she steps on a broken chain and shackle, commemorating the national abolition of slavery following the American Civil War. After its dedication the statue became an icon of freedom and of the United States, being subsequently seen as a symbol of welcome to immigrants arriving by sea.
The idea for the statue was conceived in 1865, when the French historian and abolitionist Édouard de Laboulaye proposed a monument to commemorate the upcoming centennial of U.S. independence (1876), the perseverance of American democracy and the liberation of the nation's slaves. The Franco-Prussian War delayed progress until 1875, when Laboulaye proposed that the people of France finance the statue and the United States provide the site and build the pedestal. Bartholdi completed the head and the torch-bearing arm before the statue was fully designed, and these pieces were exhibited for publicity at international expositions.
The torch-bearing arm was displayed at the Centennial Exposition in Philadelphia in 1876, and in Madison Square Park in Manhattan from 1876 to 1882. Fundraising proved difficult, especially for the Americans, and by 1885 work on the pedestal was threatened by lack of funds. Publisher Joseph Pulitzer, of the New York World, started a drive for donations to finish the project and attracted more than 120,000 contributors, most of whom gave less than a dollar (equivalent to $34 in 2023). The statue was built in France, shipped overseas in crates, and assembled on the completed pedestal on what was then called Bedloe's Island. The statue's completion was marked by New York's first ticker-tape parade and a dedication ceremony presided over by President Grover Cleveland.
The statue was administered by the United States Lighthouse Board until 1901 and then by the Department of War; since 1933, it has been maintained by the National Park Service as part of the Statue of Liberty National Monument, and is a major tourist attraction. Limited numbers of visitors can access the rim of the pedestal and the interior of the statue's crown from within; public access to the torch has been barred since 1916.